Tribeca 2025
Tribeca is back with a vengeance. This year, the festival features new and exciting storytellers who break barriers, make us laugh, and spark conversations. This year’s fest runs from June 4th to the 15th.
ABOUT THE TRIBECA FESTIVAL
The Tribeca Festival, presented by OKX, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, music, audio storytelling, games, and immersive. With strong roots in independent film, Tribeca is synonymous with creative expression and entertainment. Tribeca champions emerging and established voices, discovers
award-winning talent, curates innovative experiences, and introduces new ideas through exclusive premieres, exhibitions, conversations, and live performances.The Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World
Trade Center. The annual Tribeca Festival will celebrate its 24th year from June 4–15, 2025, in New York City.In 2019, James Murdoch’s Lupa Systems bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.
ABOUT THE 2025 TRIBECA FESTIVAL PARTNERS
The 2025 Tribeca Festival is presented by OKX and with the support of our partners: AT&T, Audible, Bulleit Frontier Whiskey, Canva, CHANEL, City National Bank, Don Julio Tequila, Indeed, KLM Royal Dutch Airlines, NBC4 and Telemundo 47, NYC Mayor’s Office of Media and Entertainment, National CineMedia, New York Magazine, Spring Studios New York, The Wall Street Journal, Variety, Vulture, and Whalar.
Take a look at a few Tribeca 2025 films, long and short, and pilots we’re keeping our eyeballs peeled for. For the entire lineup, click here!
THE BEST YOU CAN – World Premiere – Spotlight Narrative Tribeca 2025
Directed & written by: Michael J. Weithorn
Starring: Kyra Sedgwick, Kevin Bacon, Judd Hirsch, Brittany O’Grady
Reuniting Kyra Sedgwick and Kevin Bacon on screen for the first time in twenty years, THE BEST YOU CAN is a sharp, touching, and laugh-out-loud exploration of change, losing our bearings, and finding connection in the most unexpected places. This character-driven comedy is a reminder that sometimes the people who understand us best are the ones who are nothing like us.
RT: 103 Minutes
ARE WE GOOD? – New York Premiere – Spotlight+ Tribeca 2025
Directed by: Steven Feinartz
Starring: Marc Maron
An intimate portrait of comedian and podcast pioneer Marc Maron, following the sudden loss of his partner and filmmaker Lynn Shelton. Maron struggles with grief, disillusionment, and a shifting comedy landscape.
RT: 95 Minutes Tribeca 2025
OUR HERO, BALTHAZAR -Viewpoints
Director: Oscar Boyson
Cast: Jaeden Martell, Asa Butterfield, Chris Bauer, Jennifer Ehle, Anna Baryshnikov, Noah Centineo, Becky Ann Baker, Avan Jogia, Pippa Knowles
Wealthy New York City teenager Balthazar “Balthy” Malone (Jaeden Martell) has a crush on a classmate who organizes gun control protests. To gain her attention, he creates dramatic social media videos pleading for stricter gun laws. When an online troll (Asa Butterfield) begins mocking his videos, Balthy becomes convinced that he is communicating with a potential mass shooter and impulsively decides to travel to Texas to confront him in person. What starts as a misguided hero’s journey evolves into a complex encounter between two young men from vastly different worlds, each struggling to find their place in a divided America.
91 MINUTES Tribeca 2025
BIRD IN HAND – World Premiere – US Narrative Competition Tribeca 2025
Directed by: Melody C. Roscher
Starring: Alisha Wainwright, Christine Lahti, James Le Gros, Annabelle Dexter-Jones, Jeffrey Nordling, K. Todd Freeman
Bird in Hand follows Bird Rowe, a biracial bride-to-be who arrives unannounced at her charismatic hippie mother Carlotta’s rural home, to plan her wedding. As the two scout wedding venues, their attempts at bonding quickly unravel as buried truths surface, revealing an emotionally complex and fraught relationship. Bird enlists the help of the new neighbors who have recently bought a nearby plantation, sparking an unlikely connection. A darkly comedic and emotionally raw exploration of race, family, and identity, Bird in Hand is a sharp portrait of a young woman’s desperate search for connection—no matter how messy it gets.
RT: 87 Minutes Tribeca 2025
HORSEGIRLS – World Premiere – US Narrative Competition Tribeca 2025
Directed by: Lauren Meyering
Starring: Lillian Carrier, Gretchen Mol, Jerrod Haynes
Produced by: Alix Madigan, Michael Sherman, Mackenzie Breeden
After her mother’s illness returns, 22-year-old Margarita, a young woman with autism, discovers the world of hobbyhorsing and sets out to prove her independence to her mother—stick horse and all.
RT: 101 Minutes
“As a mother of neurodivergent children, this film’s authenticity screams off the screen. It is a must-see.”
JIMMY & THE DEMONS – World Premiere – Spotlight Documentary Tribeca 2025
Directed by: Cindy Meehl
A magical journey into the artistic life and inner mind of celebrated sculptor, James Grashow, who, at age 79, devotes four years to creating his magnum opus.
RT: 93 Minutes
DEAD LANGUAGE – Viewpoints
While waiting at the airport for her husband, Aya (Sarah Adler) is mistaken for someone else. Intrigued, she decides to pick up a complete stranger (Ulrich Thomsen) on a whim. Their encounter sparks an unexpected intimacy that unsettles Aya’s sense of certainty and awakens a yearning she neither fully understands nor knows how to fulfill. Her quiet search for meaning unfolds in a hotel room, a customer service chat and in subtle disruptions to her daily routine, as we are taken through a woman’s delicate and honest search for something meaningful.
Director: Mihal Brezis, Oded Binnun
Cast: Sarah Adler, Ulrich Thomsen, Yehezkel Lazarov, Lars Eidinger
110 MINUTES Tribeca 2025
RE-CREATION – World Premiere – Spotlight Narrative 
Directed by: Jim Sheridan & David Merriman
Starring: Vicky Krieps, Jim Sheridan, Aidan Gillen, and Colm Meaney
In a fictitious trial, twelve members of a jury must decide whether British journalist Ian Bailey is guilty of the murder of French filmmaker Sophie Toscan Du Plantier in 1996. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.
RT: 89 Minutes
SHE DANCES – World Premiere – Spotlight Narrative Tribeca 2025
Directed by: Rick Gomez
Starring: Steve Zahn, Audrey Zahn, Mackenzie Ziegler, Ethan Hawke, Sonequa Martin-Green, Rosemarie DeWitt
Forced to reconnect on the road to her final dance competition, a father and daughter must confront their fractured relationship. As they navigate a shared tragedy, the whirlwind of the Young Miss Southeast Regional Dance Finals becomes the backdrop for their journey toward healing. She Dances is a story about rediscovering family and finding yourself—about accepting what is, letting it shape you, and recognizing who you are through the memories of those you love most.
RT: 93 Minutes
LEMONADE BLESSING (Section: US Narrative Competition) Tribeca 2025
WORLD PREMIERE
Directed and written by: Chris Merola
Starring: Jake Ryan, Jeanine Serralles, Skye Alyssa Friedman, Miles J. Harvey, Michael Oloyede, Todd Gearhart, and Keith William Richards
Freshly tossed into a private Catholic high school by his devout mother, John (Jake Ryan) falls head over heels for a devious classmate ready to push his faith (and morals) to the brink with a series of increasingly uncomfortable actions, all in the name of love. ‘
100 MINS
“This former Catholic school product approves of all the messaging and coming-of-age authenticity!”
DEEP COVER – Spotlight Narrative
Directed by Tom Kingsley
Cast: Bryce Dallas Howard, Orlando Bloom, Nick Mohammed, Paddy Considine, Sonoya Mizuno, with Ian McShane and Sean Bean
DEEP COVER is a fast-paced action comedy starring Bryce Dallas Howard as Kat, an improv comedy teacher beginning to question if she’s missed her shot at success. When an undercover cop (Sean Bean) offers her the role of a lifetime, she recruits two of her students (Orlando Bloom and Nick Mohammed) to infiltrate London’s gangland by impersonating dangerous criminals.
Coming to Prime Video June 12, 2025
109 MINUTES Tribeca 2025
THE WOLF, THE FOX AND THE LEOPARD (International Narrative Competition)
A film by David Verbeek
Starring: Jessica Reynolds, Nicholas Pinnock, Marie Jung and Naomi Kawase
A feral young woman raised by wolves is captured and thrust into modern society, only to be rescued by a radical couple who isolate her on an abandoned oil rig. As she uncovers the lies of her new “parents”, she is forced to stand on her own two feet and ultimately decide whether to integrate into society or return to the wild.
124 MINUTES
“This hybrid fairytale about trauma is not to be missed.”
WIZKID: LONG LIVE LAGOS – Spotlight+
Director: Karam Gill
Subjects: Femi-Anikulapo Kuti, Ayodeji Balogun, Jada Pollock, Julie Adenuga, Seni Saraki, Sunday Are, Matthew Temitope Solomon, Karen Binns, Adosu Segan, Tops Bademosi
From Lagos to London, this powerful documentary follows Wizkid’s rise as a global icon reshaping how Africa is seen — and heard — around the world. Blending intimate moments, explosive performances, and cultural commentary, the film captures how Wizkid is using his platform to change perceptions, reclaim African identity, and inspire a new generation. Directed by Karam Gill. Produced by Karam Gill, Daniel Malikyar. An HBO Documentary Films Release.
83 MINUTES Tribeca 2025
Written & Directed by Lilian T. Mehrel
Starring Ayden Mayeri & Amira Casar, José Condessa
HONEYJOON is a sexy, emotional comedy about… a mother-daughter trip.
Persian-Kurdish Lela (Amira Casar) and her American daughter June (Ayden Mayeri) take a trip to a romantic Azorean island, for the one-year anniversary of Dad’s death. They planned this trip to be together, but Lela & June have opposite views about why they’re there, how to grieve, and June’s tiny bikini. Surrounded by honeymooners, doom-scrolling for Woman Life Freedom, and taken on a tour by their hot philosophical guide, João (José Condessa); Lela and June find each other… coming back to life.
75 minutes Tribeca 2025
AN EYE FOR AN EYE (Documentary Competition)
Directors: Tanaz Eshaghian, Farzad Jafari
Convicted of murdering her husband, Tahereh served her sentence and now faces a ticking clock to negotiate with her in-laws who, under Sharia law in Iran, have the legal right to either execute her or forgive her- for a price.
84 MINUTES
THE END OF QUIET (Documentary Competition)
Directors: Kasper Bisgaard, Mikael Lypinski
A meditative documentary that offers a glimpse into one of the few inhabited places on Earth where Wi-Fi and phone signals are not allowed to reach.
83 MINUTES
TAKE THE MONEY AND RUN- Spotlight Documentary
Director/Producer: Ole Juncker
Brilliance or bold-faced theft? In 2021, the Kunsten Museum got more than it bargained for when Danish artist Jens Haaning borrowed $83,000 for a commissioned piece—then delivered an empty frame. Titled with brazen wit, Take the Money and Run ignited a global firestorm: was it a scathing critique of capitalism, or the slickest art-world heist in history?
82 MINUTES
COUNTING CROWS: HAVE YOU SEEN ME LATELY? – Spotlight Documentary
Director: Amy Scott
Subjects: Adam Duritz, Cyndi Lauper, Steve Kerr, Chris Martin, Jeff Ross, Mary-Louise Parker
Catapulted into overnight fame by their massively successful debut album, San Francisco indie rock band Counting Crows and their introspective frontman Adam Duritz were suddenly the biggest rockstars in the world, defiantly facing whatever came next. Counting Crows: Have You Seen Me Lately? captures this pivotal crossroads through revealing interviews and evocative 1990’s archival to craft a rare story of artistic integrity in the spotlight. Directed by Amy Scott. Produced by Brian Morrow, Jonathan Lynch. An HBO Documentary Films Release.
90 MINUTES Tribeca 2025
YANUNI (Closing Night Gala)
Directed by RICHARD LADKANI
Produced by ANITA LADKANI, RICHARD LADKANI, JUMA XIPAIA, LEONARDO DICAPRIO, JENNIFER DAVISSON, PHILLIP WATSON
Executive Producers include JOANNA NATASEGARA, LAURA NIX, ERIC TERENA, DAX DASILVA, MARTIN CHOROBA, PHILIPP SCHALL
YANUNI is a cinematic portrait of Juma Xipaia, an Indigenous chief from the Brazilian Amazon who rises from a remote village to the frontlines of climate justice. After surviving six assassination attempts, she is appointed Brazil’s first Secretary of Indigenous Rights—while her husband, a federal IBAMA agent, leads dangerous operations against illegal gold miners. As Juma navigates political power, growing threats, and impending motherhood, she is forced to confront the personal cost of resistance. At once intimate and epic, YANUNI is a powerful story of Indigenous sovereignty, love, and the urgent fight to protect the planet we call home.
112 MINUTES
SEASONED (World Premiere — Indie Episodic (NOW)
Directed by Ewen Wright
Written by Gideon Grody-Patinkin, Ewen Wright
Starring Mandy Patinkin, Kathryn Grody
Synopsis: Based on the real lives of Mandy Patinkin and Kathryn Grody, “Seasoned” follows the delightfully tumultuous relationship and life of this successful, gregarious, deeply committed, slightly insane married couple. They’re each other’s greatest cheerleaders and harshest critics. The source of their unending magic is the same as their unending woe: that they’ve stayed together all these years. They struggle, they fail, they forgive, they learn, they remain bewildered, and most importantly, they hold everything together through love. As they navigate a society that feels as if it’s crumbling around them, will they remain standing?
Pilot Episode “Hangry” Synopsis: When Mandy and Kathryn miss their anniversary dinner reservation, they’re forced to try and find a new place to eat. Wandering New York City in an effort to salvage the occasion, 40 years of marital dynamics are laid bare as everything falls short – first with the food, then with each other.
96 MINUTES
84 MINUTESbeca 2
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As Tom, Michael Steger walks a razor-thin line between a good guy and a total creep. Steger is formidable. Equal parts charming and terrifying, it’s a compelling turn. Genre icon Veronica Cartwright gives Olivia everything she has. The performance is a beautiful balancing act of dementia and regal articulation. She is mesmerizing. Each beat is perfect. Madelyn Dundon plays Dale with a grounded familiarity. She is vulnerable and relatable. Mema puts her through the emotional ringer, and Dundon keeps up like a pro.
Mena’s score adds to the menacing feeling. The jump scares are legit. Mena executes thoughtfully written relationship-building while skillfully dropping clues to the mystery. Mena plays with small-town gossip, isolation, and a nurse’s instincts. THE RUSE boasts a twist that will f*ck you up. You are not prepared for the final 3rd of this film. This is a story about control. If you think you know where this screenplay is going, think again.
![New York African Film Festival 2025 NYAFF - [www.filmlinc.org]](https://i0.wp.com/reelnewsdaily.com/wp-content/uploads/New-York-African-Film-Festival-2025-NYAFF-www.filmlinc.org_.png?resize=678%2C382&ssl=1)
The New York African Film Festival (NYAFF), now underway at Film at Lincoln Center, lands in Harlem on Thursday with a focus on documentaries.
THE MOOGAI
Barely tolerating her birthmother, Ruth, Sarah’s whitewashed existence comes to a halt when an ancient entity rears its ugly head. Sarah’s aggression heightens as her delusions increase. She quickly spirals out of control in every aspect of her life. Sarah’s husband, Fergus, embraces his culture and does his best to navigate his familial deterioration.
The break between Sarah and her first child, Chloe, is heartbreaking. There’s no denying her resemblance to Fergus has something to do with Sarah’s icy response. The connection between Chloe, Fergus, and Ruth burns Sarah’s limited understanding of her absent culture. Ruth tries her best to protect her family, but Sarah’s relentless resistance to her roots only makes them manifest quicker as lore becomes reality and history repeats itself.
Jahdeana Mary brings earnest innocence and hurt to Chloe. You want to hug her. Meyne Wyatt is great playing Fergus. He is charming and protective. He’s a real highlight. Tessa Rose is spectacular as Ruth, giving audiences lived-in knowledge and fear. She is the heart of the film. Shari Sebbens gives Sarah everything from elitism to postpartum depression, unbridled rage to superstitious anxiety. You simultaneously loathe and feel for her. Sebbens is truly a revelation.
Practical FX, makeup, and jump scares are solid. THE MOOGAI keenly delves into medical gaslighting and the pressure on women to “do it all.” While the film is also a creature feature, Jon Bell never shies away from showing viewers that the scariest monsters are humans. It is a surprising cultural reclamation.
The cinematography is something to behold. The sepia-toned lens locks you into a compelling plot. It creates this magical, borderline eerie feeling. The production design team is aces with children’s drawings and makeshift inventions. The post-apocalyptic aspects are relatively subtle but incredibly effective. The end credits are outstanding. The original song “Our People Need Our Help” is a certified banger.
EGGHEAD & TWINKIE
Asahi Hirano plays Jess with a comfortability that is chef’s kiss. Acting like an LGBTQ+ sensai for Twinkie, Hirano makes the conversation flow easily. She is a delight, someone who could carry a spinoff film. Louis Tomeo as Egghead is fantastic. He is laugh-out-loud funny in his natural delivery. The sass is perfection. Holland allows him to show his comedy chops through the script and hilarious editing from Anna DeFinis and Kristina League. Sabrina Jie-a-fa plays Twinkie with a perfect balance of audaciousness and hesitancy. We see authentic coming-of-age and coming-out stories in her journey. Together, Tomeo and Jie-a-fa are a spectacular duo. You will fall in love with them. 
The teenage shenanigans ring true. That feeling of invincibility and daring reminds me of my crazy ideas and dumb decisions in the late 90s. Egghead and Twinkie take risks, make mistakes, hurt each other, get their hearts broken, and confess their fears. The film is a helpful guide for parents struggling to understand their kids’ feelings. Regardless of their core beliefs, 
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UnBroken
Lane pieces together the Weber children’s story using archival footage, family photos, letters of eldest brother Alfons, and the foggy memories of the five remaining sisters. She travels to Berlin, stopping at each location where the siblings were hidden and nurtured. Lane discovers her grandfather’s original fascist concentration camp papers and the entry log of all seven children in a nunnery, finding that her mother Bela’s instinct about her middle name was correct.
Misfit delivers enchanting line-drawn animation to fill in the visual gaps. Aaron Soffin and Dina Guttmann’s editing is award-worthy. Jonathan Snipes’ score is haunting. The film plays out like historical fiction from one moment to the next.
One particularly intriguing moment happens as Beth runs into a small group of young people listening to music outside the siblings’ old apartment. After she tells them what the film is about, she asks if they would hide her if history repeats itself. Their honesty will burn into your memory. The echoes of trauma and triumph rear their ugly heads in many ways, but the knowledge that in saving seven siblings, there are now 72 thriving Weber family members is something to celebrate.
The similarities to the systematic dismantling of the United States’ democracy should serve as a stark warning, but UnBroken also shines a light on the goodness of the human heart. One phrase from the film perfectly captures the message. “When you’re faced with adversity, who do you become?”
DADDY
The men are colored-coded with various shades of sweatsuits and matching household items. Each one has a unique personality, problem-solving strategies, and emotional intelligence. Kelley and Sherman escalate mundane scenarios mirroring the unpredictability of parenting. I would love to see the women’s retreat as a sequel. 
Empathy, competition, and fear create a powder keg. DADDY is a superb companion watch for
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Two friends trudge through a Michigan forest 
Sophie Mara Baaden plays six-year-old Sadie with authentic innocence and sass. She has wonderful chemistry with Campbell. Lesley Ann Warren plays Nora’s waspy mother and provides the stereotypical artist’s parent doubtful “I told you so” tone. Nick Fink is fantastic as Sadie’s first-grade teacher Adam. He and Campbell are a striking duo. It doesn’t hurt that his singing voice Is delicious.
The script nails the loss of personal identity when a woman becomes a mother. The invisible labor and patriarchal structure often lead to isolation and lingering resentment. It delves into self-loathing and body changes. It tackles suburban social pressure, which can be a lot. On the flip side, she also perfectly captures the love-filled hyping up we do for our kids every single day. 
Campbell is ceaselessly charming. She is funny, self-effacing, anxiety-ridden, and pottymouthed, just the way I like my fellow Moms. As a woman who gave up a career performing to be a supportive partner and mother, NORA fills my soul with a knowing. 
ZERO
Fast-paced editing and augmented sound effects keep you engaged from the first frame. The concept combines the adrenaline of SAW and SPEED, but it’s funnier and inevitably much darker. The soundtrack is fantastic. Gregory Turbellier‘s camerawork is immersive and sharp.
Leading players Hus Miller (who also co-writes) and Cam McHarg have fiery chemistry, each delivering fully flushed-out characters even if we know the most basic information about them. They make a great on-screen team. I would love to see this entire crew create more projects together.
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Nelson remarked, “This story felt personal to me, I felt a real connection to it because the Nelson family farm has been a working farm in South Dakota since the Civil War, and my wife’s family were also farmers. Green and Gold captures the tenacity of small-town farmers and the strength of family and community. I was honored to play Buck and highlight the dreams defining many lives in America’s heartland.”
This meaningful film is presented in collaboration with Culver’s and the Green Bay Packers, the nation’s only community-owned professional football team. Culver’s small-town Wisconsin roots give the restaurant franchise a true heart for agriculture and inspired the creation of its Thank You Farmers® Project, which has donated more than $6.5 million toensure a sustainable food supply for the future.
Green and Gold is directed by Anders Lindwall and produced by Davin Lindwall and Aaron Boyd. Dan Visser, Darren Moorman, Scott Pomeroy, Craig Cheek, and Brooks Malberg executive produce the feature film. The screenplay was written by Steven Shafer, Michael Graf, Missy Mareau Garcia, and Anders Lindwall.
The chance meeting of Fuentes and Luckey gives us insight into a music industry mystery. Diane, aka Q Lazzarus, tells us her history with music, beginning in her childhood Baptist church choir. She knew her tastes were different and embraced her unique and powerhouse presence. 
With all the elements of a successful career at her fingertips, her romance with club promoter Richard slowly changed things for the worse. The lack of recognition took its toll. Richard’s leaving, combined with the Philadelphia soundtrack snub, was the final straw, and the drugs introduced by Richard led to Q’s world crumbling. But out of destitution and depression, Q rises from the ashes of sex work, crack addiction, rehab, finding her husband, getting clean, and fighting to bring her son James home. 
James, now an adult, encourages his mother to reclaim her work. Eva, Q, and her former bandmates plan an upcoming concert. Chasing the dream of finally making her music and onstage persona a household name. Q’s newfound enthusiasm is infectious. Even though life had different plans, Q Lazzarus and Diane Luckey gave us one unforgettable story.
Tragedy follows a family of creatives. Dana Tiger‘s artist father was the creator of the
Home videos, family photographs, original art, and a haunting ancestral voice carry us through the family’s past and present. Dreamlike editing, filled with dynamic choices, creates a mesmerizing 12 minutes. An extraordinary story of resiliency, loyalty, and validation, TIGER is an inspiring short about generational healing and legacy.
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Every single cast member nails it. I do not know if any dialogue is improvised, but every beat feels like a Groundlings sketch. It is akin to watching living muppets. Slow clap for this fully committed, genuinely awe-inspiring ensemble cast.
SEVEN VEILS
In SEVEN VEILS, filmmaker Atom Egoyan examines the exploitation of female trauma. The line of art and life blur completely as a protege director remounts her mentor’s production of Salome with an unusually intimate touch.
Egoyan’s editing is complex. It forces you to keep up. It is both the film’s best and worst aspect. If you drop focus, the film will run away from you in its artistic endeavor. The juxtaposition of Jeanine’s childhood, her marriage, and the play is a whirlwind of obsession. The play is a visceral therapy session and a reclamation of her past.
Amanda Seyfried has a knowing in her eyes. Her commitment to Salome’s text feels organic and seeped in trauma. Seyfried owns this character. It’s a brilliant and immensely heartbreaking turn.
It is far too simplistic to describe the film’s plot as a story of a suffering artist. SEVEN VEILS digs into gross power dynamics and the financial advantage of oppressing female truth. SEVEN VEILS emits a dangerous and formidable energy.
THE RULE OF JENNY PEN
After suffering a stroke, Stefan must convalesce in an assisted living facility that also houses a psychotic patient who tortures the residents with a creepy hand puppet. Based on Owen Marshall‘s short story, James Ashcroft brings THE RULE OF JENNY PEN to life in all its skin-crawling glory. 
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