‘THE MOOGAI’ (2025) Jon Bell expands his 2021 short folk horror into a trauma filled feature.

SamuelGoldwynFilmsLogoTHE MOOGAI

The Moogai poster

Filmmaker Jon Bell delivers a horrific manifestation of unresolved cultural trauma in THE MOOGAI. The film opens in 1970. Aboriginal children have been forcibly removed from their families and adopted into white families for decades. Present day, Sarah Bishop eschews her cultural roots. Once a stolen child, a fact she vehemently denies, the difficult birth of her second child comes with collective wounds and folklore she cannot outrun.

moogai 3Barely tolerating her birthmother, Ruth, Sarah’s whitewashed existence comes to a halt when an ancient entity rears its ugly head. Sarah’s aggression heightens as her delusions increase. She quickly spirals out of control in every aspect of her life. Sarah’s husband, Fergus, embraces his culture and does his best to navigate his familial deterioration.

The break between Sarah and her first child, Chloe, is heartbreaking. There’s no denying her resemblance to Fergus has something to do with Sarah’s icy response. The connection between Chloe, Fergus, and Ruth burns Sarah’s limited understanding of her absent culture. Ruth tries her best to protect her family, but Sarah’s relentless resistance to her roots only makes them manifest quicker as lore becomes reality and history repeats itself.

moogai 4Jahdeana Mary brings earnest innocence and hurt to Chloe. You want to hug her. Meyne Wyatt is great playing Fergus. He is charming and protective. He’s a real highlight. Tessa Rose is spectacular as Ruth, giving audiences lived-in knowledge and fear. She is the heart of the film. Shari Sebbens gives Sarah everything from elitism to postpartum depression, unbridled rage to superstitious anxiety. You simultaneously loathe and feel for her. Sebbens is truly a revelation.

The Moogai feature stillPractical FX, makeup, and jump scares are solid. THE MOOGAI keenly delves into medical gaslighting and the pressure on women to “do it all.” While the film is also a creature feature, Jon Bell never shies away from showing viewers that the scariest monsters are humans. It is a surprising cultural reclamation.


You can read our coverage of the original SXSW short film here!

The Moogai Trailer:

THE MOOGAI

Theatrical Release Date: May 9, 2025

Written and Directed By: Jon Bell

Director of Photography: Sean Ryan 

Cast: Shari Sebbens, Meyne Wyatt, Tessa Rose, Clarence Ryan, with Toby Leonard Moore and Bella Heathcote

Produced By: Kristina Ceyton, Samantha Jennings & Mitchell Stanley

Executive Produced By: Stephen Kelliher, Sophie Green, Phil Hunt, Compton Ross, Daniel Negret, Anjali Patil, Salman Al-Rashid & Sam Frohman

Editor: Simon Njoo Ase

Runtime: 86 Minutes

Synopsis: Sarah and Fergus, a hopeful young Aboriginal couple, give birth to their second baby. But what should be a joyous time of their lives becomes sinister when Sarah starts seeing a malevolent spirit she is convinced is trying to take her baby. Fergus, who can’t see it but desperately wants to believe her, grows increasingly worried as she becomes more unbalanced. Is the child-stealing spirit real or is she in fact the biggest threat to the safety of their family?  

SXSW 2021 reviews: ‘Stuffed’, ‘Don’t Peek’, ‘The Moogai’ are all chilling and unique shorts.

STUFFED

A musical film about a taxidermist who dreams of stuffing a human and a man she meets online so afraid of ageing he volunteers to be her specimen. An unexpected romantic spark between them complicates their plans.

Honestly, you had me at the categories “Musical, Horror”. This is the perfect short for genre fans who are clamoring to get back into theatres of all kinds. The score is wonderfully quirky. It will strike a chord with Sondheim fans. It’s is very Sweeney Todd inspired in sound and darkness. Written by Joss Holden-Rea and Theo Rhys, directed by Rhys, and music and lyrics by Holden-Rea, these two make one hell of a creative team. (I’m begging for a feature-length version of this story) Actors Anthony Young and Alison Fitzjohn have gorgeous voices. Their ability to connect with one another and the audience is a thing of beauty. The cinematography is carefully curated. The practical FX are outstanding. STUFFED is a unique experience you do not want to miss out on. This is the magic that audiences of SXSW salivate over.


DON’T PEAK

A young woman discovers a frightening video game character intent on crossing into the real world.

It’s rare that I jump and feel the need to cover my eyes these days while watching horror. I’ve consumed so much I can usually predict what’s eventually going to happen. In this hair-raising short, a game of Animal Crossing becomes a nightmare when an invited entity crosses from gameplay to real life. I found my heart in my throat. To be that successful in terrifying me in under 7 minutes, I say, “Bravo, writer-director Julian Terry. You got me.”


THE MOOGAI

An Aboriginal psychological horror, THE MOOGAI is the story of a family terrorized by a child-stealing spirit.

Whether a literal interpretation of an actual demon or not, so many theories swirled in my mind as I sweat through my t-shirt watching this short film. This feels like an intense form of gaslighting. Or maybe it’s a product of sleep deprivation. Perhaps it’s Postpartum? The terror is seen and unseen and in this short, the performances take you to the darkest parts of your mind. As a parent, it’s beyond unsettling.