‘RE-CREATION’ (Tribeca 2025) A head spinning deep dive into an unsolved case.

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Co-directors Jim Sheridan and David Merriman give Tribeca 2025 audiences a truly extraordinary viewing experience with RE-CREATION. Based on the failed attempt to convict a self-professed murderer in the Irish courts, Sheridan gathers forensics experts, police interviews, evidence, and a fictional jury to see what might have happened if history had played out differently. A spectacular cast assumes the roles of the barristers, the accused, and the lead witness. Sheridan digs into the questions of the case and the delicate nature of one person’s truth.

In 1996, French filmmaker Sophie Toscan Du Plantier arrived at her holiday home in Toormore, West Cork. A witness described a man in a long, dark coat following Sophie for two days. On the third morning, Sophie was found brutally murdered in the lane outside her home. Irish authorities investigated British journalist Ian Bailey. He never faced trial in Ireland despite being tried and convicted in absentia by the French government. It is considered one of Ireland’s most shocking unsolved crimes, and now I know why.

Re-Creation evidenceThe jury is exceptional as they move through measured recall to furious shouting matches. Their diligence in tracking down evidence and looking at all sides gives me hope that jurors take their duties seriously. Jack Thornton’s editing is a feat. The choice to keep Krieps in the frame for longer than seems normal has a chilling effect. RE-CREATION is akin to live theatre. It is an improvisation session strapped to a ticking time bomb. The audience is the 13th jury member. Sheridan provides newsreel footage, newspaper clippings, video testimony, and audio recordings at the precise times we might feel lost. It is a real-time exploration of possibilities. 

Colm Meaney plays Ian Bailey. He is weary and entirely silent. Meany speaks not a single word, but his presence is vital. Vicky Krieps plays the outlier juror #8. She elicits pure, unfiltered emotions by poking the bear and sewing doubt. Krieps is sometimes intentionally antagonistic to prove a point. This role adds to her long resume of chameleon roles. She is relentlessly compelling.

Re-Creation Colm as BaileyJim Sheridan also plays Juror #1, serving as a guide and sounding board. Sheridan’s attention to detail is award-worthy. Going as far as to take the jury on a tour of the key locations in the investigation. It’s hard to discern where Sheridan lies on the guilty spectrum personally. His extensive knowledge never feels coercive. He and Merriman skillfully make a case for confusion and conflict, mirroring the state of the evidence.

This hybrid fact and fiction roleplay is intoxicating. True crime fans will eat it up. RE-CREATION is a physical manifestation of every podcast, thriller novel, and Dateline episode come to life. People would pay to participate in something this immersive. Gather all your armchair detectives and get ready to hold your breath. RE-CREATION is one of Tribeca 2025’s best films.


Director: Jim Sheridan, David Merriman

Producer: Fabrizio Maltese, Tina O’Reilly

Screenwriter: Jim Sheridan, David Merriman

Cinematographer: Carlo Thiel

Composer: Anna Rice

Editor: Jack Thornton

Executive Producer: Jim Sheridan

Associate Producer: Gráinne Carroll, Mark Ward

Line Producer: Solveig Harper

Production Designer: Christina Schaffer

Costume Design: Magdalena Labuz

Funding Partners: Fís Éireann / Screen Ireland, Film Fund Luxembourg, Eurimages, Latido FIlms and Doha Film Institute

Sound Engineer: Carlo Thoss

Cast: Vickey Krieps, Jim Sheridan, Aidan Gillen, Colm MeaneyRe-Creation
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‘THE WOLF, THE FOX, AND THE LEOPARD’ (Tribeca 2025) Thought-provoking and exquisite, in every way.

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THE WOLF, THE FOX, AND THE LEOPARD

THE WOLF, THE FOX, AND THE LEOPARD

David Verbeek takes Tribeca 2025 audiences on a journey of connectivity, science, and identity in THE WOLF, THE FOX, AND THE LEOPARD.

Beautiful close-ups combined with Jay Cheng‘s haunting score, a Hitchcockian narrative bait-and-switch draw you in. A yet unknown narrator guides us through chapters. The film opens with a young man struggling to find his way in life. Then, we meet her, a young girl raised by wolves in the middle of the forest. Our mystery narrator turns out to be a scientist she has a brief connection with during her initial captivation, Tanaka.

Jumping two years, we discover One under the care of two progressive scientists, Wynona and Ellias, AKA – Mother and Father, AKA – The Fox and The Leopard. Their teachings are heavily philosophical, climate-focused, and predominantly behavioral reprogramming. They live on what appears to be an old oil rig they call The Sea Palace, entirely isolated from the outside world. They tell One a tale of societal downfall and the poisoning of the Earth, giving her a darkly skewed version of herself and the world.

One discovers an imprisoned Indian sailor below and begins to learn more about what her “parents” describe as the Old World. One slowly begins to realize that she has been taken from everything she’s known to a place far more dangerous.

THE WOLF, THE FOX, AND THE LEOPARD shifts one final time in Chapter 3. Renamed Alice, One navigates the real world. It is evident that her faux parents have lied to her. Her interpersonal skills are what most would consider lacking, but that could not be further from the truth. In a final twist, Tanaka reappears in Alice’s life, much to her chagrin.

Naomi Kawase serves predominantly as the narrator, playing Tanaka. What little screentime she has is dazzling. Her gentle storytelling guides the viewer along this strange journey. Marie Jung and Nicholas Pinnock play our Fox and Leopard, respectively. Both are fierce, toxic, and incredible.

Jessica Reynolds is extraordinary. Wolf Girl endures unimaginable change from a wild being to humanity and back again. Her feral instincts are utterly mesmerizing. As she accompanies Elias and Wynona, she moves into toddler-like behavior, wide-eyed wonder, inquisitive exploration, and unbridled rage. Renamed One, she still craves affection like a canine, ultimately leading to the collapse of her Sea Palace existence. Alice’s final act is a masterclass in acting.

Structurally, the film is part fairytale and part science fiction. The story thrives in the morally grey. As a parent of neurodivergent children, THE WOLF, THE FOX, AND THE LEOPARD felt like watching an ABA therapist work with my son at two years old. Tanaka’s narration further explores this parallel notion. Verbeek delves into exploitation and then delivers a conclusion that is nothing short of perfect. Tribeca 2025 audiences will never stop talking about this film.

Director: David Verbeek THE WOLF, THE FOX, AND THE LEOPARD

Producer: Erik Glijnis, Leontine Petit, Judy Tossell

Screenwriter: David Verbeek

Cinematographer: Frank van der Eeden

Composer: Jay Cheng

Editor: Matthieu Laclau

Production Designer: Elsje de Bruijn

Executive Producer: Remy Mulder, Niki Leskinen, Roosa Toivonen, Ari Tolppanen, Greg Martin

Co-Producer: Alexandra Hoesdorff, Desirée Nosbusch, Jessie Fisk, Patrick Mao Huang, Siniša Juričić, Dries Phlypo

Sound Editor: Greg Vittore

Cast: Jessica Reynolds, Nicholas Pinnock, Marie Jung, Naomi Kawase, Lucas Lynggaard Tønnesen THE WOLF, THE FOX, AND THE LEOPARD

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