DWF: LA is coming! Take a peak at a few of the eclectic selections at this year’s festival.

Dances With Films LA 2023 poster

Some of the best new discoveries of the year come out of Dances With Films. (Their brilliant lineup of shorts is to die for.) It’s a festival you should never sleep on. Here is a preview of a few titles you can catch from June 22nd to July 2nd.

DANCES WITH FILMS (DWF: LA & DWF: NYC), now in its 25th year, champions the unflinching spirit at the very core of the independent film scene. While the vast majority of film fests rely heavily on celebrity, we have relied on the innovation, talent, creativity, and sweat equity that revolutionized the entertainment industry. And that reliance continues to prove successful with alumni moving on to write, direct and produce celebrity-studded vehicles, star in blockbuster movies and television series, produce multi-million dollar films, and create hit TV shows. Oh…. and we even have several OSCAR® nominees… In a world of homogenized, formulaic film festivals, DWF: LA continues to defy the rules.


THE MAD WRITER– LA Premiere Documentary

The Mad Writer

SYNOPSIS: This music documentary by Zach Kashkett takes us on both the mental and physical health journey of hip-hop beat writer L’Orange as he faces a medical condition that could affect his career in music. The Mad Writer premiered at Slamdance Film Festival in Park City in January, and this is their Los Angeles Premiere.  Zach’s most notable projects include: Shawn Mendes: In Wonder (documentary), Always Jane (TV Series), Sins of The Mother (TV Mini Series).

(70 minutes) 

Monday, June 26, 2023—7 pm-Mann Chinese Theater- Hollywood/Highland

FAREWELLING– World Premiere Narrative

The Farewelling

SYNOPSIS: In the midst of the pandemic and aftermath of her best friend’s overdose, Jenna finds herself in crisis as she reunites with those still around her. Questions of her own ethics and morals surface as she grapples with the “why” of everything, eventually discovering what it takes to truly break us. This is the World Premiere for the film at Dances with Film 26th Annual Film Festival. Writer/DIrector: Rodes Phire 

Lead Actress: Cristen Coppen (Shameless)

(93 minutes) Farewelling Trailer

Saturday, June 24, 2023—9:30 pm- Mann Chinese Theater-Hollywood/Highland

THE BLACK GUELPH– US Premiere (Ireland) Feature

Still from THE BLACK GUELPH

SYNOPSIS: Irish actor turned director John Connors brings the US his latest film. This film was inspired by Dante’s Inferno and the seventh terrace of Lust. The symbolism of unresolved sexualized trauma permeates down through the generations and flows deep within the psyche. The film based on the Irish Traveller’s Group community, creates a cathartic social question in the way that it addresses toxic masculinity in the context of unresolved childhood trauma. The film ultimately throws a lens at the human spirit and the capacity to overcome adversity, when it seems utterly hopeless. (125 minutes) 

 
Friday, June 30, 2023—9:30 pm- Mann Chinese Theater- Hollywood/Highland

ABLED- THE BLAKE LEEPER STORY– LA Premiere Documentary

Still from ABLED- THE BLAKE LEEPER STORY

SYNOPSIS: This Documentary by Director Einar Thorsteinsson documents paralympian Blake Leeper’s story using candid interviews, incisive reporting, and rigorous scientific testing, to reveal the deliberate biases faced by disabled athletes who want to compete against the able-bodied, and the dubious science and deceptive publicity used to bar them from cross competitions. The film just had its World Premiere at Seattle International Film Festival in May and this is their Los Angeles premiere through Dances with Films. 

(87 minutes)

Saturday, July 1, 2023—12:30 pm-Mann Chinese Theater- Hollywood/Highland

MERMAID’S LAMENT–  World Premiere

A still from Mermaid's Lament

The film follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, and attempts to help Oee overcome her delusions and connect with reality.

91 min.


SUN JUNE 25 @ 9:30PM

CLICK HERE!!!


 

Tribeca 2023 Unseen Films review: Disney+ documentary ‘STAN LEE’

STAN LEE

This is a Disney+ documentary look at the one and only Stan Lee, largely told in his own words which were recorded during his almost century-long life.
For those who don’t know Stan Lee is the guy who got a job with Timely comics in the late 1930s and ended up staying with the company for decades, eventually rechristening it as Marvel. Along the way, he helped create the Fantastic Four, The X Men, The Hulk, Spiderman, and dozens of other characters.

This is a loving tribute to a man who altered the world with the things he wrote. If you hate the Marvel superhero movies blame Lee for creating the source material. It’s a film that while firmly focused on Lee and the Marvel years (Marvel is owned by Disney after all) clearly gets across how important Lee was to the art form of comics.

While far from complete, his work for anyone other than Marvel is completely ignored, the film does do some things I didn’t expect to see, particularly putting Jack Kirby and Steve Ditko front and center in the creation of many well-known characters. Yes, the film has Lee argue that he created say Spiderman because he came up with the idea, but the film is framed in such a way to make it clear that artists like Kirby and Ditko were as, or if not more important than Lee. It shows that they left Marvel because of Lee’s ego which made him insist he was the guy. I suspect that some people will argue the film doesn’t do enough in this regard and they are probably right, but those battles need a whole film unto themselves, and besides this film’s breezy celebration in Lee’s own words and as such you are not going to find enough material to fight that battle.

Say what you will about comics, this film makes the case that part of the reason comics are what they are today was because of Stan Lee. Lee and Marvel forced the medium to grow up and deal with real people (minorities were represented) and real problems (drugs). Additionally, because Lee was such a good spokesman he ended up altering how people saw comics just by speaking on TV talk shows. While I know many artists hated that Lee was the face of comics, the reality is that he was a good face of the industry and his friendly outgoing nature clicked with the public.

Despite knowing much of this I was moved. For better or worse Stan Lee was a crazy guy you couldn’t help but like.

I truly loved this film.


DIRECTOR
David Gelb
PRODUCER
Jason Sterman, David Gelb, Brian McGinn
CINEMATOGRAPHER
Ernesto Lomeli
COMPOSER
Scott Michael Smith, Michael Dean Parsons
EDITOR
Andrew McAllister, Jamie Garland, James Long
EXECUTIVE PRODUCER
Jeff Redmond, Andy Heyward, Gill Champion, Jamie McBriety, Sarah Regan
CO-PRODUCER
Lauren Goralski, Andrew McAllister
STORY PRODUCER
Emily Van Bergan
PRODUCTION DESIGNER
T. Hunter McCann
ASSISTANT EDITORS
JJ Degen, Emily Fuller
ARCHIVE PRODUCER
Danny Hirsch
CAST
Stan Lee

You can read more of Steve’s vast film coverage at Unseen Films!




Tribeca Festival 2023 Curtain raiser: Films we are putting on our must-see lists before the festival begins

TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.

 

THE LISTENER – North American Premiere – Spotlight Narrative 
Directed by: Steve Buscemi
Written by: Alessandro Camon
Produced by: Wren Arthur, Steve Buscemi, Oren Moverman, Lauren Hantz, and Tessa Thompson
Executive Producers: John Hantz, Eddie Vaisman, Julia Lebedev, and Suzanne Warren
Co-Producers: Billy Mulligan, Kat Barnette, and Joyce Pierpoline
Associate Producer: Brian Miele
Starring: Tessa Thompson


An understated drama about a night in the life of a mental health helpline volunteer, The Listener is a stirring testament to the power of empathy.

Tessa Thompson continues her Tribeca greatness in a role that could easily translate from film to stage. This is a character study.


MAGGIE MOORE(S) – World Premiere – Spotlight Narrative 

In Theaters & On Demand June 16th

Directed by John Slattery
Written by Paul Bernbaum
Produced by John Slattery, Vincent Garcia Newman, Dan Reardon, Santosh Govindaraju, Nancy Leopardi, and Ross Kohn
Starring Jon Hamm, Tina Fey, Micah Stock, Nick Mohammed, Happy Anderson, and Mary Holland

When two women with the same name are murdered days apart, small-town police chief Jordan Sanders (Hamm) finds himself wading through an unlikely collection of cheating husbands, lonely hearts, nosy neighbors and contract killers in an effort to put the pieces of the case, and his life, together. The film is inspired by actual events.

The cast alone should get you through the door. This bizarre tale, based on real-life events, is a wacky we-know whodunit, but it doesn’t lessen the impact.



THE MIRACLE CLUB – World Premiere – Spotlight Narrative Category (Sony Pictures Classics)



Directed by Thaddeus O’Sullivan (Vera, Call the Midwife)

Written by Jimmy Smallhorne, Timothy Prager, and Joshua D. Maurer

Produced by Joshua D. Mauer, Alixandre Witlin, Chris Curling, Larry Bass, Aaron Farrell, John Gleeson and Oisín O’Neill


Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

An absolute charmer about healing old wounds and forgiveness set in the gorgeous French countryside. Laura Linney and Dame Maggie Smith? That’s an instant yes.

Check out the trailer below:


SOMEWHERE QUIET– US Narrative Competition

Director/Writer: Olivia West Lloyd

Producers: Emma Hannaway, Taylor Ava Shung, and Eamon Downey

Cast: Jennifer Kim, Kentucker Audley, Marin Ireland, Michéal Neeson

Running Time: 98 minutes

In the ominous and tense Somewhere Quiet, a woman readjusts to normalcy after surviving a traumatic kidnapping — but her grounded sense of reality soon starts to deteriorate when she travels with her husband to his wealthy family’s isolated compound.

This solid thriller will catch you off guard, making you second-guess your sanity along the way.


OUR SON– Spotlight Narrative

Director/Co-Writer: Bill Oliver

Co-Writer: Peter Nickowitz 

Producers: Fernando Loureiro and Eric Binns

Key Cast: Luke Evans, Billy Porter

Running Time: 104 Minutes

Nicky (Luke Evans), a book publisher devoted to his work, lives with his husband Gabriel (Billy Porter), a former actor and stay-at-home dad, and their eight year-old son, Owen. Gabriel loves Owen more than anything; Nicky loves Gabriel more than anything. Despite appearances, Gabriel has been dissatisfied with their marriage for some time and files for divorce, leading to a custody battle that forces both of them to confront the changing reality of their love for each other and for their son.

This beautifully complex story of the growing pains of changing love.


I.S.S. – Spotlight Narrative

Director: Gabriela Cowperthwaite

Writer: Nick Shafir

Producers: Pete Shilaimon and Mickey Liddell

Cast: Ariana DeBose, Chris Messina, Pilou Asbæk, John Gallagher Jr., Maria Mashkova, Costa Ronin

Running Time: 95 Minutes

Tensions flare in the near future aboard the International Space Station as a worldwide conflict occurs on Earth. Reeling from this, the astronauts receive orders from the ground: take control of the station by any means necessary.

A stunning look at loyalty. This intense sci-fi thriller captivates you with Ariana DeBose holding you in the palm of her hand.


SUITABLE FLESH –  Midnight (World Premiere)

Director: Joe Lynch
 
Screenwriter: Dennis Paoli
 
Producers: Barbara Crampton, Bob Portal, Inderpal Singh, Joe Wicker
 
Cast: Heather Graham, Judah Lewis, Bruce Davison, Barbara Crampton, Johnathon Schaech
 
Running Time: 100 Minutes
 

After murdering her young patient, a once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

Let Joe Lynch direct all the Lovecraftian weirdness. Honestly, as a genre fan, you had me at Barbara Crampton.


BAD THINGS – US Narrative Competition 

DIRECTOR: Stewart Thorndike
 
PRODUCER: Lizzie Shapiro, Lexi Tannenholtz
 
SCREENWRITER: Stewart Thorndike
 
 
CAST: Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, Rad Pereira, Jared Abrahamson, Molly Ringwald
 
A weekend getaway for a few friends at a snowy resort becomes a psychological tailspin and bloody nightmare. Long-deceased guests and the space itself come to life in this haunting thriller.
 

There is always something to be said for a film that gets snapped up by Shudder before its premiere. The platform’s ability to spot great genre storytelling goes head-to-head with the major studios. Gayle Rankin‘s ability to live in whatever role she takes on is astounding. I have no doubt that she’ll kill it. *wink, wink*

**COMING TO SHUDDER (US, UK, IRELAND, AUSTRALIA, NEW ZEALAND) 
AND AMC+ (US, CA, ANZ) ON AUGUST 18TH, 2023**


BUCKY F*CKING DENT – Spotlight Narrative

DIRECTOR: David Duchovny
 
PRODUCER: Jordan Yale Levine, Jordan Beckerman, Tiffany Kuzon, David Duchovny
 
SCREENWRITER: David Duchovny
 
CAST: David Duchovny, Logan Marshall-Green, Stephanie Beatriz, Jason Beghe, Evan Handler, Pamela Adlon, Daphne Rubin-Vega
 
Follows Ted who moves in with his father Marty when he develops a fatal illness. To keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox winning streak.
 
As a born and bred Red Sox fan, Bucky Dent felt like the modern-day equivalent of “He Who Shall Not Be Named,” long before that reference was a pop-culture reference. I grew up sitting against The Green Monster. You can clock my age in successive photographs. Based on his novel, David Duchovny brings this father-son story to the big screens at Tribeca. I couldn’t be more excited. I’m pretty sure that for true fans, this one is destined to be a home run. 
   OF NIGHT AND LIGHT: THE STORY OF IBOGA AND IBOGAINE – Spotlight Documentary

DIRECTOR:Lucy Walker
PRODUCER:Julian Cautherley, Lyn Davis Lear, Laurie Benenson, Lucy Walker
CINEMATOGRAPHER:Sebastian Denis, Lorenzo Hagerman, Aaron Phillips
EDITOR:Parker Laramie

Of Night and Light: The Story of Iboga and Ibogaine tells the astounding unknown story of what might be the scientific discovery of our generation. Back in 1962, a teenage psychonaut in New York City named Howard Lotsof experimented with an obscure psychedelic from the root bark of a West African shrub and recognized its unique therapeutic potential. Together with his African-American wife Norma, a pair of outsider NYU film students, they dedicated their lives to convincing the scientific community and government agencies to research it, certain that it would be of great medicinal benefit, despite it sounding too good to be true – like the textbook definition of snake oil – and being written off as con artists.

Sixty years later, their dream is now materializing as clinics spawned from their original test sites have treated more than 100,000 people with opiate use disorder and now over 1,000 US Special Forces veterans, who have experienced dramatic relief from a spectrum of problems including traumatic brain injury, depression, anxiety, ptsd, addictions, and physical disabilities through the use of ibogaine. Now jaw-dropping new research, about to be published, is revealing that ibogaine is the most powerful therapeutic ever observed for the human central nervous system.

Psychedelics have a complicated past, but their present-day use is more prevalent than most people know. I can’t wait to dig into the history of this life-changing medicine because that’s what it is. I have family members in the medical industry who use them, and audiences will have family members with PTSD, so this one has the potential to be more personal than anyone expected.


THE FUTURE– International Narrative Competition (World Premiere)

WRITTEN AND DIRECTED BY Noam Kaplan
STARRING Dar Zuzovsky, Samar Qupty, Reymonde Amsellem
PRODUCED BY Yoav Roeh, Arit Zamir
CINEMATOGRAPHY BY Shark de Mayo
EDITED BY Effi Cohen Vertes
MUSIC BY David Klemes

At 42, Dr. Bloch (Reymonde Amsellem), a profiler, wants a child. A future. Her only way is to find a surrogate mother. At the same time, her groundbreaking algorithm designed to identify individuals planning to carry out terror attacks fails and a young Palestinian woman (Samar Qupty) assassinates the Israeli minister of Space and Tourism. In order to ‘fix the bugs’ in her algorithm, Nurit faces the assassin in person. The sessions between these two brilliant women raise questions about their past, while the sessions between Bloch and the potential surrogate (Dar Zuzovsky) challenge Bloch’s decision about her future.

This near-future femme-centric drama from Noam Kaplan gives brilliant women the chance to challenge one another at every turn.  A futuristic collision within the ongoing Israeli-Palestinian conflict, THE FUTURE has more nuance than you are prepared for.


TO MY FATHER – Shorts (World Premiere)

DIRECTOR: Sean Schiavolin
PRODUCER: John Papola, Troy Kotsur, Justin Bergeron
SCREENWRITER: Sean Schiavolin
CINEMATOGRAPHER: Brody Carmichael 
EDITOR: Josh Meyers, Sean Schiavolin
COMPOSER: Hanan Townshend
ASSOCIATE PRODUCER: Jessi Bennett
CAST: Troy Kotsur

 

To My Father depicts Deaf actor Troy Kotsur’s journey to winning an Oscar and his father’s inspiring influence on him, despite a tragic accident.

Grab the tissues and be prepared for the beauty presented by Sean Schiavolin. If you haven’t been living under a rock then you are familiar with the extraordinary Troy Kotsur. This twenty-minute short pierces your heart, once again, as we learn more about the deaf actor’s inspiration. Do Not Miss It.


CHASING CHASING AMY – Viewpoints (World Premiere)

DIRECTOR: Sav Rodgers
PRODUCER: Alex Schmider, Carrie Radigan, Lela Meadow-Conner, Matthew C. Mills, Sav Rodgers
CINEMATOGRAPHER: Bill Winters, Bradley Garrison
CAST: Kevin Smith, Guinevere Turner, Joey Lauren Adams, Scott Mosier, Sav Rodgers, Andrew Ahn, Kevin Willmott, Trish Bendix, Princess Weekes, Regina “Riley” Rodgers

 

12-year-old Sav Rodgers watched the film Chasing Amy, and his life was forever changed. Developing a kinship — and maybe a slight obsession — with it as he grew into his queerness, he decides to fund and direct a documentary that examines its role in LGBTQ+ film culture. He makes significant progress, even garnering the support and collaboration of its director, Kevin Smith. However, as the production of the documentary continues, Rodgers realizes that the legacy of the film and his relationship with it might be changing. So where does that leave him?

Chasing Amy was a sexual awakening for more of us than we might like to admit. It felt like a narrative shock to the system in the most welcome way for audiences obsessed with Clerks and Mallrats. We were open-minded Kevin Smith nerds and we were ready to listen. This timely look at LGBTQAI+ issues is sure to spark conversation.


For all things Tribeca Festival, click here!

Keep your eyes peeled for shared coverage from us, Unseen Films, and AWFJ.org!


 

NEWS- FANTASIA ANNOUNCES A BLISTERING FIRST WAVE OF TITLES FOR ITS 27th EDITION

FIRST WAVE OF TITLES FOR ITS 27th EDITION


A spotlight on South Korean cinema, a Canadian trailblazer Award for underground legend Larry Kent and World Premieres of new works from Larry Fessenden, Xavier Gens, Jenn Wexler, Jared Moshe, The Adams Family, and Victor Ginzburg + International Premieres of Tsutomu Hanabusa’s blockbusters TOKYO REVENGERS 2 – PART 1 & 2 headline the first wave of titles announced for Fantasia’s 27th edition!

Thursday May 11, 2023 // Montreal, Quebec — The Fantasia International Film Festival will be celebrating its 27th edition with a whiplashing program of screenings, workshops, and launch events running from July 20 through August 9, 2023, taking place at the Concordia Hall Cinema, with additional screens at the Cinémathèque québécoise and Cinéma du Musée.

The festival’s full lineup will be announced in early July. In the meantime, Fantasia is excited to reveal a selected first wave of titles and happenings.


BRIGHT SPOTLIGHTS ON SOUTH KOREAN CINEMA ILLUMINATE FANTASIA’s 27th EDITION

Since the selection of Kang Je-gyu’s GINGKO BED at Fantasia’s 1998 edition, the festival has become one of the premiere destinations for South Korean cinema. Over the years, Fantasia’s audience has had the opportunity to discover several essential Korean auteurs: Bong Joon-ho (BARKING DOGS NEVER BITE), Park Chan-wook (SYMPATHY FOR MR. VENGEANCE), Kim Ji-woon (THE QUIET FAMILY), Hwang Dong-hyuk (MISS GRANNY), and Yeon Sang-ho (THE KING OF PIGS) among many others. These filmmakers are now mainstays of the international film scene, lighting up the big screen and streaming platforms alike.
image.png

Celebrating 60 years of diplomatic relations between Canada and the Republic of Korea, the Fantasia International Film Festival –in collaboration with the Korean Cultural Center Canada and the Cinémathèque québécoise– is proud to showcase this unique national cinema. The festival will emphasize the vitality of current works and the versatility of South Korean creators, who work in a multitude of genres ranging from action to arthouse, breathtaking thrillers to outlandish musical comedies. The festival will also present a retrospective highlighting several significant works that led to the revival of Korean cinema in the 2000s, an effervescence that hasn’t stopped since.

image.png

Fantasia will host the North American premiere of NEW NORMAL by Jung Bum-shik (GONJIAM: HAUNTED ASYLUM), a cynical and timely one-man horror anthology. The festival will also host the Canadian premieres of An Tae-jin’s period acupuncturist thriller THE NIGHT OWL; the violent and boisterous THE ROUNDUP: NO WAY OUT by Lee Sang-yong, featuring Don Lee once again; the 4K restoration of Jeong Jae-un’s coming-of-age TAKE CARE OF MY CAT (2001) and a screening of the unmissable THE PRESIDENT’S LAST BANG (2005) by master Im Sang-soo. More titles will be announced soon.

image.png

In recognition of the spotlight, this year’s poster art was created by Montreal visual artist Donald Caron as an interpretation of the mythical nine-tailed fox, a fantastical creature that appears in the folktales of East Asia and legends of Korea. 

image.png

FEAR RUNS LOVELY, DARK, AND DEEP

LOVELY, DARK AND DEEP is the hotly anticipated directorial debut of Teresa Sutherland, screenwriter of THE WIND and a writer on MIDNIGHT MASS. Laced with stunning visuals, this ominously beautiful, deeply frightening nightmare is anchored by a captivating lead performance from BARBARIAN’s Georgina Campbell. Campbell plays a park ranger in an isolated forest outpost, the site of multiple mysterious disappearances, and she is plagued by visions blending the past and present with something even more sinister. This transfixing film oozes an immersive, fever-dream atmosphere. Also starring Nick Blood, Wai Ching Ho, and Edgar Morais. World Premiere. 

image.png

A SUPPRESSED AND SPECTACULAR REINVENTION OF VAMPIRE LORE: EMPIRE V

A disaffected student (Pavel Tabakov) follows an invitation to join “the elite” and finds himself forcibly transformed into a vampire, joining a supernatural ruling class who exercise an anonymous dictatorship over humans. Celebrated Russian-American director Victor Ginzburg (GENERATION P) demonstrates a striking visual imagination, perfectly complementing a story that reinvents nearly every aspect of vampire lore in clever and fantastical ways. This is the MATRIX of vampire cinema. Years in the making, EMPIRE V is both next-level blockbuster storytelling and megabudget anti-Oligarch satire, electrified with breathtaking visuals from the great Aleksei Rodionov (COME AND SEE). Co-starring Miron Fedorov, AKA rap star Oxxxymiron, whose anti-War benefit concerts led the Russian justice ministry to condemn him as a “foreign agent.” EMPIRE V itself has been banned by Russia’s Ministry of Culture, ensuring that the citizens of its home country may never see the film. World Premiere. 

image.png

THE TOKYO REVENGERS SAGA REVEALS HIGHER STAKES AND LOADS OF EMOTIONS

Tekemichi gets another blast from the past when his beloved Mio perishes again before his eyes in a freak accident… Or was it? Tekemichi must go back in time to save her, and find out how his involvement with the Tokyo Maji Gang ruined his real life once more. Nothing can prepare you for the amount of action, suspense and emotion TOKYO REVENGERS 2 – PART 1 and TOKYO REVENGERS 2 – PART 2 bring to the big screen! Director Tsutomu Hanabusa surpasses himself with two riveting new chapters in this beloved saga, whose legions of fans break Japan’s box office at every occasion. Come see this acclaimed manga-turned-anime in its ultimate incarnation as a star-studded live-action juggernaut. International Premiere. 

image.png

A HEARTBREAKING, TIME-BENDING MASTERPIECE OF SPECULATIVE SCIENCE-FICTION: APORIA

Since losing her husband Mal (Edi Gathegi, FOR ALL MANKIND) in a drunk-driving incident, Sophie (Judy Greer, HALLOWEEN) has struggled to manage crippling grief, a full-time job, and the demands of parenting her devastated teenage daughter (Faithe Herman, THIS IS US). When her husband’s best friend (Payman Maadi, A SEPARATION), a former physicist, reveals he and Mal had been building a time-bending machine that could restore her former life, Sophie will be faced with an impossible choice.This riveting character-driven sci-fi work from award-winning writer/director Jared Moshe (THE BALLAD OF LEFTY BROWN), imaginatively grapples with the ripple effects of morally fraught choices made in the name of love and raises timely questions about ethics in technological innovation.  World Premiere. 

image.png

THE ADAMS FAMILY TAKE YOU WHERE THE DEVIL ROAMS

Darkest prayers will be answered, in sawdust and sacrilege, when Fantasia goes WHERE THE DEVIL ROAMS. This astonishing new feature from cult favourites The Adams Family (Toby Poster, John Adams, Zelda Adams), follows a family of traveling sideshow performers as they traverse Depression-era America on a bloody search for eternal life. As in THE DEEPER YOU DIG and HELLBENDER, both Fantasia World Premieres, the gifted filmmaking family’s latest creation continues their inspired explorations of familial power dynamics through the prism of horror. Haunting, poetic, sometimes funny, frequently freakish, and told with conviction through a deeply personal lens. World Premiere. 

 

image.png

© Thanaporn Arkmanon

XAVIER GENS BRINGS SHATTERING FISTFULS OF MAYHEM!

Xavier Gens (FRONTIER(S), GANGS OF LONDON) is back! Sam, (Nassim Lyes) a professional boxer recently released from prison, breaks probation, flees to a faraway island in Thailand, and starts a family there. But when he’s blackmailed by a fierce local Godfather (Olivier Gourmet) into becoming a drug smuggler, things go straight to hell.. and then some! A blood-soaked revenge roller coaster, MAYHEM! starts slow and seething before exploding off the screen with tendon-snapping tension and unbelievably ferocious fight choreography of the sort that’s seldom seen in modern film. Also starring Loryn Nounay, Vithaya Pansringarm, Mehdi Hadim and Kenneth Won. World Premiere. 

image.png

LET IT ALL OUT WITH PEOPLE WHO TALK TO PLUSHIES ARE KIND.

When sophomore student Nanamori joins the Plushies Club, he is encouraged to share his feelings with stuffed animals. You could call it an introvert’s paradise, or better yet, a safe space. And while for some it’s a natural fit, for others it’s an insular distraction. Adapted from a novella by rising literary star Ao Omae and directed by up-and-comer Yurina Kaneko (Fantasia 2019 selection 21ST CENTURY GIRL), PEOPLE WHO TALK TO PLUSHIES ARE KIND enchants with a gently provocative exploration of sexuality, gender, kindness and tolerance in Japanese society. A thought-provoking update on the youth film, for when the world feels like entirely too much. North American Premiere. Camera Lucida section.

image.png

LYCANTHROPIAN CHILLS FROM FROM LARRY FESSENDEN: BLACKOUT

At last, acclaimed horror auteur Larry Fessenden has fulfilled his long-held desire to make a werewolf film, rounding out the triptych begun with his vampire drama HABIT (1997) and FRANKENSTEIN variation DEPRAVED (2019). Fessenden, as always, makes BLACKOUT a very human story as well as a gripping horror show while weaving in his traditional focus on socio-political themes, from his long-held ecological concerns to very modern issues of suspicion and paranoia. Starring Alex Hurt, Addison Timlin, Marshall Bell, James LeGros, Barbara Crampton and Joe Swanberg. World Premiere. 

image.png

FROM SOUTH KOREA, COMES MOTHER LAND AN ARCTIC STOP-MOTION ADVENTURE

When the health of Krisha’s mother takes a turn for the worse, the village shaman offers her wisdom: follow the North Star to the Ancient Forest and find its guardian and master, the great red bear of legend. The first South Korean stop-motion feature film in almost half a century, director Park Jae-beom’s animated adventure MOTHER LAND is an exquisitely crafted snowbound fantasy with a potent emotional warmth at its core. It explores the lives and lore of the nomadic, indigenous reindeer herders of the sparse and unforgiving Siberian tundra. North American Premiere. Axis Section

image.png

FASTEN YOUR SEATBELTS AND BE CAREFUL WHAT YOU WISH FOR

A chef with gambling problems (Nick Stahl) flees to the Latin American villa of an old friend who appears to be living an extraordinary life. Envy soon turns to greed and then to something more unsettling for the chef when he assumes his friend’s life. A Hitchockian, edge-of-your-seat descent into moral compromise with generous servings of dark humour, shock and surprise, WHAT YOU WISH FOR is the gripping sophomore feature of writer/director Nicholas Tomnay (THE PERFECT HOST). Grounded by a career best performance from Stahl, the film co-stars Tamsin Topolski, Randy Vasquez and Penelope Mitchell. From the producers of THE FLORIDA PROJECT. World Premiere. 

image.png

A GUT-WRENCHING REFLECTION ON MODERN SLAVERY TAKES PLACE IN RICHELIEU

When Stéphane (Marc-André Grondin, RAVENOUS, C.R.A.Z.Y.) hires Ariane (Ariane Castellanos) to act as an interpreter for his Guatemalan workers, he expects nothing more than a messenger. But after witnessing the horrifying abuse the men are subjected to, Ariane will be pushed to choose between their lives and her own. A stunning debut feature from Québécois director Pier-Philippe Chevigny, RICHELIEU delivers a raw and emotional portrait of a system in which we are all  complicit unless we are willing to bear the cost of standing up for justice. Canadian Premiere. 

SUPERNATURAL POWERS AND SCHOOL GIRLS WITH SECRETS KICK OFF THE 2023 SEPTENTRION SHADOWS SECTION LINEUP! 

image.png

A NOSTALGIC, SUPERNATURAL ROAD TRIP LEADS TO DAUGHTER OF THE SUN

Take a supernatural journey with Sonny, a man with Tourette Syndrome, and his daughter Hildie as they forge their path across the country. They hide a powerful secret but join a community of friendly nomadic strangers whose kindness conceals a darker intention. The World Premiere of DAUGHTER OF THE SUN is Sonny’s next chapter and a continuation of director/actor Ryan Ward’s award-winning SON OF THE SUNSHINE. This deeply personal journey reflects aspects of Ward’s life with cosmic imagery, stunning cinematography shot in Ward’s home province of Manitoba, and stellar performances from teens Nyah Perkin and Lennox Leacock. World Premiere

image.png

JENN WEXLER DARES YOU TO BLEED FOR THE SACRIFICE GAME!

Jenn Wexler’s THE RANGER, a high-octane punk rock banger, exploded onto the genre landscape in 2018, and now she’s back with her sophomore feature THE SACRIFICE GAME. Filled with gore and lore, indie filmmaker Wexler penned this gripping and stylish ‘70s-set chiller involving school girls, power-mad killers and occult prophecy with partner Sean Redlitz. Shot in Quebec, this breakneck horror film stars Mena Massoud (EVOLVING VEGAN and ALADDIN), Olivia Scott Welch (LUCKY HANK, FEAR STREET Trilogy), Gus Kenworthy (AMERICAN HORROR STORY), Georgia Acken, Madison Baines and features the return of THE RANGERS’ Chloë Levine. You won’t want to miss a second of THE SACRIFICE GAME! World Premiere co-presented with Les Fantastique Week-ends.

image.png

A CANADIAN TRAILBLAZER AWARD FOR LARRY KENT

Fantasia is proud to be giving our 2023 Canadian Trailblazer Award to our country’s legendary first underground filmmaker, Larry Kent, with World Premieres of Canadian International Pictures’’s new 4K restorations of his landmark Vancouver Trilogy and additional screenings and events. 

Cited by David Cronenberg as “a heroic figure,” Larry Kent made films “so ahead of their time” (to quote Atom Egoyan) that they eventually fell out of official circulation. 

Situated somewhere between the vivid indie dramas of John Cassavetes and the lurid melodramas of Doris Wishman, Kent’s films brought new vitality to Canadian cinema — and time has only added to their potency. 

Even as his 90th birthday approaches, he continues to make singular and gutsy independent features: his most recent works, EXLEY (2011) and SHE WHO MUST BURN (2015)  both World-Premiered at Fantasia, the latter winning Spectacular Optical’s 2015 Barry Convex Award for Best Canadian Feature at the festival. 

Whether audiences have caught up with Kent’s boldly uncompromising vision or not, CIP  is working on an ambitious restoration initiative that aims to resurrect his most seminal films, starting with The Vancouver Trilogy: THE BITTER ASH (1963), SWEET SUBSTITUTE (1964), and WHEN TOMORROW DIES (1965), each of which will be unveiled at Fantasia this summer.

The original camera negatives for all three films have been newly scanned in 4K and restored by CIP, giving these enduring works of underground Canadian cinema a chance to be discovered (and re-discovered) by adventurous cinephiles. 

In addition, Fantasia will also be presenting a rare 35mm print of YESTERDAY (1981) and a special screening of SHE WHO MUST BURN (2015). 

Join us in celebrating the career of one of Canadian Film’s most courageous originals!

Presented in association with Canadian International Pictures and the Cinémathèque québécoise.


SXSW 2023 Midnighters review: Ted Geoghegan’s ‘BROOKLYN 45’ is one of the year’s best films. Full stop.

Ted Geoghegan returns to SXSW 2023 with a story of war, trauma, and the ghosts we cannot leave behind. In BROOKLYN 45, a group of emotionally wartorn friends meets up to toast to a lost loved one. Politics, paranoia, and the realities of secrets complicate a seemingly mundane seance. Secrets could be the death of their friendship.

The production design by producer Sarah Sharp is enveloping. My eyes darted from left to right only to discover some new book, a photograph, or war memorabilia set against green silk wallpaper. Every color pops. Robert Patrick Stern‘s camerawork and long-take choreography are stunning. Once the seance begins, the regular parlor tricks commence, but they are so triumphant that I gasped. Brian Zurek’s special makeup effects are startling as hell. The score by BLITZ//BEIN is skillfully layered.

This cast has the chemistry of movie dreams. Ron E. Rains is Bob, Marla’s mild-mannered husband. He is jealous of this group’s closeness, overshadowed by their personalities and accomplishments, but he listens and calculates. Ron E. Rains has a startling arc. Kristina Klebe (Lucky) is Hildegarde. Her confidence and vulnerability are captivating. Her chemistry with Anne Ramsay stuck with me for hours after the credits rolled.

Ezra Buzzington is the hard-line skeptic as Paul. Clad in his Magor’s uniform bespangled with medals, his bristly approach to patriotism is all too familiar even now. His audibly growing disdain makes the audience squirm. Jeremy Holm is Archie. He has the perfect touch of panache from his slicked-back hair, mustache, and crimson jacket. His looming figure, combined with his humor, creates a dazzling performance.

Larry Fessenden ( Depraved, Jakob’s Wife) lives in the role of Hock. Hone in on his minute mannerisms because they are chef’s kiss. His monologue sets up the emotional stronghold of the film, and he nails it. Anne Ramsay plays Marla, a top interrogator. She is a charming, strong-willed, level-headed woman who leads with equal parts head and heart. Ramsey owns every frame.

I know Ted Geoghegan. He is genuine, funny, kind, and fiercely dedicated to his craft. That does not mean I have to like his work. Knowing a filmmaker often makes separating the artist from the friend challenging. I tend to be harsher because that is my job. I can say without hesitation BROOKLYN 45 is spectacular. Geoghegan’s dialogue is cheeky, heartfelt, and vitriolic. The film could easily be a Tony-winning play. It would seamlessly transition to the stage and be equally as glorious. I would pay so much money to see that production. The script is unpredictable. Twist after twist had my mouth on the floor. BROOKLYN 45 is a dazzling mix of trauma and terror, politics and poltergeists. SXSW 2023 audiences can boast they saw it first.


 
Mar 12, 2023
10:00pm11:32pm
 
Mar 14, 2023
12:00pm1:32pm
 
Mar 17, 2023
12:00pm1:32pm
 

Credits

Director:

Ted Geoghegan

Executive Producer:

Adam Hendricks, Greg Gilreath, Emily Gotto

Producer:

Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp

Screenwriter:

Ted Geoghegan

Cinematographer:

Robert Patrick Stern

Editor:

Lisa Hendricks

Production Designer:

Sarah Sharp

Music:

Blitz//Berlin

Principal Cast:

Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe

SXSW 2023 documentary review: ‘ANOTHER BODY’ is a new nightmare for women everywhere.

ANOTHER BODY

*This review also appears on AWFJ.org

Women have always felt unsafe. It is ingrained in our nature to fear, to look over our shoulders, and to carry our keys between our fingers late at night. As if we didn’t have enough to worry about, enter the newest AI nightmare into the conversation. Anyone can go online and copy and paste your photo to create a duplicate or entirely new profile on social media. As if things weren’t bad enough, catfishing gets a superpower with the introduction of deep faking. SXSW 2023 documentary ANOTHER BODY from directors Sophie Compton and Reuben Hamlyn follows the story of a young woman named whose life is upended by one spiteful person with an agenda.

Meet Taylor, an engineering grad student living her quiet life attending classes and living a quiet goal-oriented life with her boyfriend. After receiving what she thought to be spam messages from her classmates, Taylor finds her image stolen, her name tarnished, and harassed by strange men who now know where she goes to school and where she lives. She discovers her face has on someone else’s body in videos on an adult website. Her image and name have an entire account, and new videos keep appearing. ANOTHER BODY is a film about consent on numerous levels and the battle against gender-based violence.

The film mixes sit-down interviews with Taylor, cell phone footage from her investigative journey, and animated recreations of her emotional processing. That is not the most impressive visual aspect of the film. “Taylor” is not what she appears to be. Let me explain this statement. The face projected to the audience is an actress whose face has been deepfaked onto our storyteller. The reveal comes as a complete surprise but perfectly encapsulates the danger of this technology. You will find yourself overanalyzing her movements on screen and realizing how vulnerable our identities are. It is nothing short of fascinating work.

When Taylor reaches out to the police, it is clear that they are out of their element. There are no clear laws about a technology that is rapidly changing. Then the inevitable victim-blaming begins both from law enforcement and friends and family. Taylor takes it upon herself to discover the identity of the culprit. Becoming a DIY detective, she narrows it down to three likely suspects. The mystery deepens as her online sleuthing and fight for justice play out in real time. Taylor finds that other women in her circle are also victims. As they compare notes, one name stands out from the rest. It is undeniably compelling to witness her take action. ANOTHER BODY is an infuriating and invigorating watch. It will resonate with true crime audiences and victims of gender-based violence. When body autonomy becomes threatened, you must become your own warrior.


SCREENINGS:
 
Mar 11, 2023
12:15pm1:35pm
 
Mar 14, 2023
5:00pm6:20pm
 
Mar 16, 2023
9:15pm10:35pm
Directors:

Sophie Compton, Reuben Hamlyn

Executive Producer:

Jenny Raskin, Lauren Haber, Geralyn Dreyfous, Maiken Baird, Gloria Zhu & Stanley Tang – Bearcat Content, Ruth Ann & Bill Harnisch – The Harnisch Foundation, Inmaat Productions, Mason Orfalea & The Natalie Orfalea Foundation, Ann Lewnes, Meadow Fund, Lisa & Matthew Sonsini, Chris & Heidi Stolte

Producer:

Elizabeth Woodward, Sophie Compton, Reuben Hamlyn

Screenwriter:

Sophie Compton, Reuben Hamlyn, Isabel Freeman

Cinematographer:

Nausheen Dadabhoy

Editor:

Isabel Freeman, Rabab Haj Yahya

Sound Designer:

Gisela Fullà-Silvestre

Music:

Holland Andrews

Additional Credits:

Co-Executive Producers: Nina & David Fialkow, Meryl Metni – Ubiquitous EG, Kelsey Koenig, Co-Producer: Avery McCann, Post Production Supervisor & Associate Editor: Claudia Tanney, Animation Studio: Cream Projects, Motion Graphics: Spencer Haley, Studio Macuna, Deepfake Artist: Fernando Sánchez Liste, Consulting Producer: Scott Macauley, Consulting Editor: Karen K.H. Sim

SXSW 2023 documentary review: Ian Cheney’s ‘THE ARC OF OBLIVION’ is here to blow your mind.

THE ARC OF OBLIVION

Clever, thoughtful, curious, and a bit meta, Ian Cheney asks profound questions about archiving life and memories. From DNA to a digital photo, ancient libraries to bat guano, the SXSW 2023 documentary THE ARC OF OBLIVION is here to blow your mind. What starts as a plan to build an ark in his parents’ Maine backyard spirals into a complex study of man’s obsession with record keeping.

Cheney is building his Arc and documenting each step by delving into the history of the slightest details, human, animal, and mineral. Sporadically punctuated by amusing original limericks and images on his vintage portable television “Rex,” the film is a fascinating rumination on history, memories, and sentimentality. Ezra Wolfinger‘s striking drone shots juxtaposed with Melissa McClung‘s stop-motion transitional sequences are delightful. Close-up shots of wood rings and the ocean floor are awe-inspiring. It is a skillfully crafted journey. Oh, and Werner Herzog appears and produces, and it just makes sense. The final song choice, “Road To Nowhere,” is perfection.

Endlessly engaging, witty, and sometimes akin to experiencing the stream of consciousness of a creative mind, THE ARC OF OBLIVION is the kind of documentary SXSW 2023 audiences seek out. You’ll be surprised at the innumerable ways we record our existence.


Film Screenings

 
Mar 10, 2023
9:00pm10:38pm
 
 
Mar 15, 2023
7:00pm8:38pm
 
Mar 15, 2023
7:30pm9:08pm
 
Director:

Ian Cheney

Executive Producer:

Greg Boustead, Jessica Harrop, Robyn Metcalfe, Werner Herzog

Producer:

Meredith Desalazar, Manette Pottle, Rebecca Taylor

Cinematographer:

Ezra Wolfinger

Editor:

Ian Cheney

Music:

Colin Cheney

SXSW 2023 review: ‘ONLY THE GOOD SURVIVE’ is a witty, dizzying delight.

ONLY THE GOOD SURVIVE

Dutch Southern gives SXSW 2023 audiences wacky whodunit in ONLY THE GOOD SURVIVE. Hauled into the local sheriff’s office, Brea finds herself at the center of wacky murder and mayhem. Can she talk her way out of the trouble she has placed herself in, all for the sake of love?

Lachlan Watson, who I loved in Sabrina, has a small but integral small part in the film and sings on the soundtrack. Watson silently enchants the audience with a glowing aura. It was a lovely surprise. Darius Fraser is Dev. He brings a genuine beatnik Elvis vibe to his performance. It is unforgettable. Will Ropp plays Erve with big ideas and a scheming slant to his physicality. There is no denying his likeness to Dave Franco, and audiences will not complain about his quirky charm. D’Pharaoh Woon-A-Tai is Ry. He has this dumb jock and lovable quality about him. He is a solid foil for his heist counterparts. Sidney Flanigan plays Brea. She is an unexpected heroine for many reasons. Flanigan hits every note with precision, and Southern’s script allows her to explore a variety of highs and lows.

Swirling theories from Cole Mack‘s Sheriff create alternative storylines, each with slight visual differences. Dax Norman‘s animation, a cross between a comic book and diary entries, is delicious eye candy. Dutch Southern forces the audience to sit up straight and pay attention every minute of the 93-minute run. The script is so twisty, amusing, and downright dizzying. It is like watching a real-life cartoon heist. In the same right, it is a challenge to discuss the film without spoiling the fun. ONLY THE GOOD SURVIVE is a film that should not work at all and yet works perfectly. It deserves a second, third, and fourth watch to catch the clues and minute changes along the way. It is the perfect match for SXSW audiences.


Mar 10, 2023
6:00pm7:32pm
 
Mar 10, 2023
6:30pm8:02pm
 
Mar 12, 2023
9:15pm10:47pm
 
Mar 14, 2023
12:30pm2:02pm
 

Director:

Dutch Southern

Executive Producer:

Maureen Taylor, Renn Vara, Brian Udovich

Producer:

Thomas Mahoney, Justin X Duprie

Screenwriter:

Dutch Southern

Cinematographer:

Lucia Zavarcikova

Editor:

Alexandrea Hank, Mengyao Mia Zhang

Sound Designer:

Kevin Senzaki

Music:

Russ Howard III

Principal Cast:

Sidney Flanigan, Frederick Weller, D’Pharaoh Woon-A-Tai, Will Ropp, Darius Fraser, Lachlan Watson, Jon Gries

Additional Credits:

Songs by: Petite League, Costume Designer: Michelle Lynette Bush, Animation by: Dax Norman, Cool Graphix by: Gimetzco, Co-Executive Producer: Sam Vara, Co-Producer: Alex Vara, Co-Producer: Glenn Abbott

SXSW 2023: Horror and Sci-fi and Docs, Oh My! A curtain raiser for the masses.

SWSX 2023 has something for everyone, from franchise horror expansion to the hotly anticipated premiere of Dungeons & Dragons: Honor Among Thieves. But we’re here to share some of the films on our radar this year.

 

Click here for tickets and all things SXSW 2023


Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD while juggling his recent engagement and his day job at a high-end Malibu drug rehab. Inspired by the filmmaker’s own personal true story.

Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Speaking as someone existing in a neurodivergent family unit, this one will hit hard for anyone battling invisible disabilities.


Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for.

Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Femme-centric horror from Paris Zarcilla explores assimilation, trauma, and horror.


Another Body
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

As if women didn’t have enough to fear, AI porn enters the arena. This mind-bending and infuriating doc shocks over and over.


Geoff McFetridge: Drawing a Life – 2023 SXSW Film & TV Festival Official Selection

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Hold on, I know that art! This charming and insightful doc will introduce you to Geoff McFetridge, an artist we all know, but don’t know we know. Ya know?


Deadland – 2023 SXSW Film & TV Festival Official Selection

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever.

Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Get ready for chills and politics to collide. You’re not ready.


Hail Mary - 2023 SXSW Film & TV Festival Official Selection

Hail Mary
Director: Rosemary Rodriguez, Producer: Karina Miller, Screenwriter: Knate Lee
A young Belizean girl, Maria, finds herself mysteriously pregnant and trying to cross the US/MEX border while outrunning a deadly virus, the Cartels, Border Patrol, and the right-hand man of the Devil. This genre-bending retelling of the Mary and Joseph story begs the question – who are the real monsters? Cast: Natalia del Riego, Benny Emmanuel, and Jack Huston with Angela Sarafyan (World Premiere)

As a former Catholic school kid and a lover of genre-defying fare, Hail Mary is 100% on my list. The meer idea that this will work brings my eyeballs to the screen.


Only The Good Survive - 2023 SXSW Film & TV Festival Official Selection

Only The Good Survive
Director/Screenwriter: Dutch Southern, Producers: Thomas Mahoney, Justin X Duprie
While unwittingly doing crimes in Texas, Brea Dunlee stumbles upon a QAnon-like cabal that preys on the poor and the powerless. Through a series of interrogations led by a gaslighting sheriff named Cole Mack, we discover not everything is as it seems.

Cast: Sidney Flanigan, Frederick Weller, D’Pharaoh Woon-A-Tai, Will Ropp, Darius Fraser, Lachlan Watson, Jon Gries, Patrick Grover (World Premiere)

Quirky, colorful, and confusing, this ping-pong, time-hopping delight is pure delightful mayhem.


Peak Season - 2023 SXSW Film & TV Festival Official Selection

Peak Season
Directors: Henry Loevner, Steven Kanter, Producers: Lovell Holder, Patrick Ward, Henry Loevner, Steven Kanter, Screenwriter: Henry Loevner
An emotionally adrift young woman forges an unexpected friendship with a wilderness guide when she and her fiancé take a summer trip to Jackson Hole, Wyoming.

Cast: Claudia Restrepo, Derrick DeBlasis, Ben Coleman, Fred Melamed, Stephanie Courtney, Will Neff, Caroline Kwan, Ron Hanks, Gadiel Del Orbe, Natasha Dewhurst (World Premiere)

Look out for this authentic, easy breezy dramedy that is like an emotional warm hug.


Art For Everybody - 2023 SXSW Film & TV Festival Official Selection

Art for Everybody
Director: Miranda Yousef, Producers: Morgan Neville, Tim Rummel
Thomas Kinkade’s pastoral landscapes made him the most collected and despised painter of all time. After his shocking death, his family discovers a vault of unseen paintings that reveal a complex artist whose life and work embody our divided America. (World Premiere)

You could not escape his art in the late 90s. His “lit from the inside” painting of countryside cottages and mass marketable art held America captive. I almost bought one in a mall gallery at 20 years old. They were that enchanting. 


Satan Wants You - 2023 SXSW Film & TV Festival Official Selection

Satan Wants You
Directors/Screenwriters: Sean Horlor, Steve J. Adams, Producers: Michael Grand, Melissa James
The shocking story of how a young woman and her psychiatrist ignited the global Satanic Panic with their bestselling memoir Michelle Remembers. (World Premiere)

One book twisted the narrative of a nation. It would start an avalanche of conspiracy theories that continues to run rampant in crazy circles today.


Who I Am Not – 2023 SXSW Film & TV Festival Official Selection

Who I Am Not (Romania, Canada)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is i. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)

Timely and important. That’s all you need to know.


Brooklyn 45 – 2023 SXSW Film & TV Festival Official Selection

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts.

Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

Just because I know Ted Geoghegan to be one of the kindest and coolest gents in the biz doesn’t mean I have to mention his newest and perhaps most personal project yet. His work and the company he keeps (he is also producing Molli and Max screening at the fest this year), speak for themselves. I mean, how cool does this still look?! Shudder was smart enough to snap this up ages ago. 


Monolith – 2023 SXSW Film & TV Festival Official Selection

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story.

Cast List: Lily Sullivan (International Premiere)

The history of deceptive podcasting has changed the lives of suspects and the far right in recent years. This one deserves your full attention.


Talk To Me – 2023 SXSW Film & TV Festival Official Selection

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces.

Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

We caught this one at Sundance and can report that it is franchise worthy. Do not miss it. Talk To Me


The Wrath of Becky – 2023 SXSW Film & TV Festival Official Selection

The Wrath of Becky
Directors/Screenwriters: Matt Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack.

Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Dalla Villa, Michael Sirow, Denise Burse, Jill Larson, Kate Siegel (World Premiere)

Firstly, Lulu Wilson is a phenom in my book. A follow-up to the 2020 film BECKY, I cannot wait to see this girl kick ass and not give a shit about names. 


The Artifice Girl – 2023 SXSW Film & TV Festival Official SelectionThe Artifice Girl – 2023 SXSW Film & TV Festival Official Selection

The Artifice Girl
Director/Screenwriter: Franklin Ritch, Producers: Aaron B. Koontz, Ashleigh Snead
Three special agents develop a bold new computer program to catch online predators, but its rapid advancement poses unexpected challenges.

Cast: Tatum Matthews, Sinda Nichols, David Girard, Franklin Ritch, Lance Henriksen (U.S. Premiere)

We could not escape the buzz that this film has been generating on the festival scene. It’s about time we join the crowd.


Molli And Max In The Future - 2023 SXSW Film & TV Festival Official Selection

Molli And Max In The Future
Director/Screenwriter: Michael Lukk Litwak, Producers: Candice Kuwahara, Ben J. Murphy, Mallory Schwartz, Kate Geller, Michael Lukk Litwak
Molli and Max In The Future is a Sci-Fi Romantic Comedy about a man and woman whose orbits repeatedly collide over the course of 12 years, 4 planets, 3 dimensions, and one space-cult.

Cast: Zosia Mamet, Aristotle Athari, Danny Burstein, Arturo Castro, Okieriete Onaodowan, Erin Darke, Grace Kuhlenschmidt, Michael Chernus, Aparna Nancherla, Matteo Lane (World Premiere)

After following the cast and crew of this film along the way, Molli and Max feels like a festival darling from the start.


With Love and a Major Organ – 2023 SXSW Film & TV Festival Official Selection

With Love and a Major Organ
Director: Kim Albright, Producer: Madeleine Davis, Screenwriter: Julia Lederer
In an alternate world where hearts are made of objects and suppressing emotions is self-care, a lonely woman rips out her own heart for the man she loves, only to discover that he has run away with it.

Cast: Anna Maguire, Hamza Haq, Veena Sood, Donna Benedicto, Lynda Boyd, Arghavan Jenati, Enid-Raye Adams, Ryan Beil, Laara Sadiq (World Premiere)

The concept alone makes me want to run to the theater. 


My Drywall Cocoon – 2023 SXSW Film & TV Festival Official Selection

My Drywall Cocoon
Director/Screenwriter: Caroline Fioratti, Producers: Rui Pires, André Montenegro
Virginia’s death during her 17th birthday shakes up a luxurious building complex. For most residents, it’s a passing tragedy. For her mother and her friends, it is the beginning of a transformation: the crack in their drywall cocoon.

Cast: Maria Luisa Mendonça, Bella Piero, Michel Joelsas, Mari Oliveira, Daniel Botelho, Caco Ciocler (World Premiere)

The only Brazillian film in the fest this year, this intricately written film will surprise again and again.


Is There Anybody Out There? (United Kingdom) – 2023 SXSW Film & TV

Is There Anybody Out There?
Director: Ella Glendining, Producer: Janine Marmot
Inhabiting a bizarrely unusual body (the body I love), and navigating daily discrimination, I search the world for another like me. Is there anybody out there? (Texas Premiere)

Check out our previous coverage of Ella Glendining’s unfiltered look at self-acceptance and judgment. It will live in my family’s heart forever.


The Angry Black Girl and Her Monster - 2023 SXSW Film & TV Festival Official Selection

The Angry Black Girl and Her Monster
Director/Screenwriter: Bomani J. Story, Producers: Jack Davis, Darren Brandl, Bomani J. Story
Death is ever present in Vicaria’s world – violence, police brutality, substance abuse – and after watching her mother and brother succumb, she’s had enough. Vicaria is going to put an end to all this death… by bringing the dead back to life.

Cast: Laya DeLeon Hayes, Denzel Whitaker, Chad Coleman, Reilly Brooke Stith, Keith Sean Holliday, Amani Summer Boyles, Edem Atsu-Swanzy (World Premiere)

Writer-director Bomani J. Story takes on the complexities of survival and oppression with a femme-centric modern take on Frankenstein. Yes, please, and thank you.


SHORT FILMS

Fuck Me, Richard – 2023 SXSW Film & TV Festival Official Selection

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charlie Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

As someone who “survived” a 5+ year long distance relationship, this one is a yes.


Dead Enders – 2023 SXSW Film & TV Festival Official Selection

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jensen, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites. (World Premiere)

Horror shorts for the win, ladies, and germs. Give me a new badass final girl every day of the week.


To find out more about SXSW 2023’s full lineup click here!

Sundance 2023 review: ‘PIANOFORTE’ earns a standing ovation for director Jakub Piatek.

PIANOFORTE

Four stages. 21 straight days. Since 1927, The Chopin Competition has been held in Warsaw. Featuring the most elite piano players in the world, Sundance’s 2023 documentary film PIANOFORTE follows a small group of contestants vying for the illustrious title.

The competition does not occur annually, making it all the more exclusive. Here is how it works: Stage One: 87 participants, Stage Two: 46, Stage Three: 23, Stage Four: 12. The film bounces from the competition to our pianists’ hometowns before competing. A peek beyond the bench, we witness rehearsals, family life, and personal confessions.

Eva (17) is an unsure but internationally acclaimed phenom. She is a sponge for the technical perfection demanded by her instructor. Marcin goes from a confident swagger to an anxious mess as the rounds progress. It is devastating. Alex utilizes yoga and meditation to focus, and his calm demeanor catches you off-guard. He has a surprising swagger as the ladies flock to him throughout the film. Hao (17) is quiet and intensely focused. In Stage Three, one moment of forgetfulness could be his last. Michelle is a delight, confessing her dog is her biggest fan. She also openly talks about the fear of competition and the reality of pursuing anything but piano. Leonora is a spitfire. She beams with each breath.

An undeniably shocking level of emotional investment comes with experiencing PIANOFORTE. The amount of pressure is unimaginable. The film’s final edit is a masterpiece. Undoubtedly, the audience may suddenly find themselves unexpected piano enthusiasts.


Screening Times

In Person

  • PREMIERE
    Jan. 20 2:30PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 2:55PM MST

    Screening Room

    SUNDANCE MOUNTAIN RESORT

  • SECOND SCREENING
    Jan. 22 3:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 24 12:00PM MST

    Redstone Cinemas – 7

    PARK CITY

  • SECOND SCREENING
    Jan. 26 6:00PM MST

    Park Avenue Theatre

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


    In 2021, Jakub Piatek’s feature fiction debut Prime Time premiered at the Sundance Film Festival. (Now available on Netflix in all regions.)


 

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN SXSW 2023!

SOUTH BY SOUTHWEST ANNOUNCES OPENING NIGHT FILM, COMPETITIONS, AND SELECT FILM & TV PROGRAM TITLESDUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST



Austin, Texas, – South by Southwest® (SXSW®) Conference and Festivals (March 10-19, 2023) announced the Opening Night film, Feature and Short Competitions, Midnighters, select titles from other categories, and XR Experience for the 30th edition of the SXSW Film & TV Festival. The rest of the lineup will be announced in early February. SXSW Film & TV will open with Paramount Pictures and eOne’s Dungeons and Dragons: Honor Among Thieves, directed and co-written by Jonathan Goldstein and John Francis Daley. In the film a charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. The movie brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure starring Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, and Hugh Grant.

“We are thrilled to announce the first wave of our incredible lineup for SXSW 2023,” said Claudette Godfrey, VP Film & TV. “It’s an amazing collection of films, TV series and XR experiences that promise to inspire, entertain and challenge our audiences. We’re also proud to open with Dungeons and Dragons: Honor Among Thieves, a raucous and engaging fantasy adventure, and look forward to welcoming everyone to Austin in March for what promises to be an unforgettable event.”

SXSW draws thousands of fans, film and television creators, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films, TV and XR projects of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2023 Film & TV Festival will be in-person only.

Feature films in the SXSW 2023 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; Festival Favorites, and Special Screenings. The TV program consists of TV Premieres, TV Spotlight, and the Independent TV Pilot Competition. The SXSW 2023 Shorts Film Program presented by IMDbPro will present seven competitive sections. XR Experience Competition, XR Spotlight and XR Special Events programming round out the Film & TV Festival program. All Categories with the exception of Special Screenings and TV Spotlight will be eligible for section-specific Audience Awards.

Global, Visions, 24 Beats, Festival Favorites and additional titles across all other sections will be announced in early February.


HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Dungeons & Dragons: Honor Among Thieves
Directors: Jonathan Goldstein, John Francis Daley, Producers: Jeremy Latcham, Brian Goldner, Nick Meyer, Screenwriters: Jonathan Goldstein, John Francis Daley, Michael Gilio
A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Cast List: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant (Opening Night World Premiere)

Evil Dead Rise
Director/Screenwriter: Lee Cronin, Producer: Rob Tapert
Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. Executive Producers include Sam Raimi and Bruce Campbell. Cast List: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher

Problemista
Director/Screenwriter: Julio Torres, Producers: Emma Stone, Dave McCary, Ali Herting
Alejandro (Torres) is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast (Swinton) becomes his only hope to stay in the country and realize his dream. From writer/director Julio Torres comes a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. Cast List: Julio Torres, Tilda Swinton, RZA (World Premiere)

Flamin’ Hot
Director: Eva Longoria, Producer: DeVon Franklin, Screenwriters: Linda Yvette Chávez, Lewis Colick
Flamin’ Hot is the story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global phenomenon. Cast List: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Emilio Rivera, Tony Shalhoub, Matt Walsh, Pepe Serna, Bobby Soto, Jimmy Gonzales, Brice Gonzalez (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

I Used To Be Funny (Canada)
Director/Screenwriter: Ally Pankiw, Producers: James Weyman, Jason Aita, Breann Smordin
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for Brooke, a missing teenage girl she used to nanny. Cast List: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind (World Premiere)

Late Bloomers
Director: Lisa Steen, Producers: Alexandra Barreto, Taylor Feltner, Sam Bisbee, Screenwriter: Anna Greenfield
An aimless 28-year-old Brooklynite lands in the hospital after drunkenly breaking her hip being stupid. An encounter with a cranky elderly Polish woman who speaks no English leads to a job caring for her. Neither likes it, but it’s time to grow up. Cast List: Karen Gillan, Margaret Sophie Stein, Jermaine Fowler, Kevin Nealon, Talia Balsam (World Premiere)

Mustache
Director/Screenwriter: Imran J. Khan, Producers: Christina Won, Jessica Sittig, Christopher Storer, Tyson Bidner
It’s the mid-90s and 13-year-old Pakistani-American Ilyas is forced out of his cushy Islamic private school and thrown into public school with non-Muslim kids, all while suffering daily through life with his inescapable pre-pubescent Mustache. Cast List: Atharva Verma, Rizwan Manji, Alicia Silverstone, Hasan Minhaj, Meesha Shafi, Ayana Manji (World Premiere)

Parachute
Director: Brittany Snow, Producers: Jordan Yale Levine, Jordan Beckerman, Brittany Snow, Lizzie Shapiro, Screenwriters: Brittany Snow, Becca Gleason
Riley is determined to recover from her addictions to food and body image when she soon falls for another addiction, Ethan. Cast List: Courtney Eaton, Thomas Mann, Francesca Reale, Gina Rodriguez, Joel McHale, Scott Mescudi, Dave Bautista, Jennifer Westfeldt, Kathryn Gallagher, Chrissie Fit, Kelley Jakle (World Premiere)

Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high end Malibu drug rehab. Inspired by the filmmaker’s own personal true story. Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for. Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Scrambled
Director/Screenwriter: Leah McKendrick, Producers: Gillian Bohrer, Jonathan Levine, Brett Haley, Amanda Mortimer
A broke, single millennial unleashes an existential shitstorm when she freezes her eggs. Cast List: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Ceron, Yvonne Strahovski, June Diane Raphael, Adam Rodriguez, Brett Dier, Sterling Sulieman (World Premiere)

Story Ave
Director: Aristotle Torres, Producers: Lizzie Shapiro, Datari Turner, Jamie Foxx, Aristotle Torres, Screenwriters: Bonsu Thompson, Aristotle Torres
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. Cast List: Asante Blackk, Luis Guzmán, Alex Hibbert, Melvin Gregg, Coral Peña, Cassandra Freeman, Hassan Johnson (World Premiere)




DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Angel Applicant
Director/Screenwriter: Ken August Meyer, Producers: Ken A. Meyer, Jason Roark
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee. (World Premiere)

Another Body (United Kingdom, U.S.)
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Join or Die
Directors/Producers/Screenwriters: Rebecca Davis, Pete Davis
A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis. (World Premiere)

Pay Or Die
Directors: Rachael Dyer, Scott Ruderman, Producers: Rachael Dyer, Scott Ruderman, Yael Melamede
3 American families are on the receiving end of a ransom note. Their journeys reflect how lives are being threatened and taken by the soaring price of insulin, and reveal the harrowing reality of life with illness in the richest country in the world. (World Premiere)

Queendom (France, U.S.)
Director: Agniia Galdanova, Producers: Igor Myakotin, Agniia Galdanova
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes and protests the government on the streets of Moscow. She stages radical performances in public, which becomes a new form of art and activism – and puts her life in danger. (World Premiere)

Riders on the Storm (Austria)
Directors/Producers: Jason Motlagh, Mark Oltmanns
A young horseman battling to make his name and keep a family tradition alive in the ancient sport of buzkashi learns that fame is a gift and a curse as the Taliban take control of Afghanistan and threaten his life. (World Premiere)

You Were My First Boyfriend
Directors: Cecilia Aldarondo, Sarah Enid Hagey, Producer: Ines Hofmann Kanna
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong. (World Premiere)



NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Bloody Hell (Canada)
Director/Screenwriter: Molly McGlynn, Producers: Jennifer Weiss, Liane Cunje
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself. Cast List: Maddie Ziegler, Emily Hampshire, Djouliet Amara, Ki Griffin, D’Pharaoh Woon-A-Tai (World Premiere)

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever. Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendall Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Down Low
Director: Rightor Doyle, Producers: Ashley Fox, Lucas Wiesendanger, Ross Katz, Screenwriters: Phoebe Fisher, Lukas Gage
Down Low is an outrageous comedy about one wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way. Cast List: Zachary Quinto, Lukas Gage, Simon Rex, Sebastian Arroyo, Christopher Reed Brown, Audra McDonald, Judith Light (World Premiere)

Frybread Face and Me
Director/Screenwriter: Billy Luther, Producer: Chad Burris
An 11-year-old city boy is sent to his grandmother’s ranch on the Navajo reservation against his will. He is introduced to a new way of life, and an unexpected guest teaches him the importance of family, tradition, and what it means to be a man. Cast List: Kier Tallman, Charly Hogan, Martin Seinsmeir, Kahara Hodges, Ryan Begay, Sarah Natani (World Premiere)

If You Were the Last
Director: Kristian Mercado, Producers: Andrew Miano, Dan Balgoyen, Britta Rowings, Dennis Masel, Gabrielle Nadig, Jessamine Burgum, Kara Durrett, Jon Levin, Sean Woods, Screenwriter: Angela Bourassa
Adrift in their broken-down space shuttle with little hope of rescue, a male and female astronaut argue over whether they’re better off spending their remaining days as friends or something more. Cast List: Anthony Mackie, Zoë Chao, Natalie Morales, Geoff Stults (World Premiere)

Self Reliance
Director/Screenwriter: Jake Johnson, Producers: Jake Johnson, Ali Bell, Joe Hardesty
Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for. Cast List: Jake Johnson, Anna Kendrick, Andy Samberg, Natalie Morales, Christopher Lloyd, Wayne Brady, GaTa, Emily Hampshire, Mary Holland, Boban Marjanović (World Premiere)

Upon Entry (Spain)
Directors/Screenwriters: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Carles Torras, Carlos Juárez, Xosé Zapata, Sergio Adrià, Alba Sotorra
Upon their arrival at Newark’s airport with their approved residence visas, Diego and Elena are unexpectedly held and subjected to an interrogation by border agents who attempt to discover whether the couple may have something to hide. Cast List: Alberto Ammann, Bruna Cusí, Ben Temple, Laura Gómez (North American Premiere)



DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

A Disturbance in the Force
Directors: Jeremy Coon, Steve Kozak, Producers: Jeremy Coon, Steve Kozak, Kyle Newman
Travel back to a galaxy far, far away—the infamous Star Wars Holiday Special. Dive into the mystery of how it happened and why 45 years later it has become, much to the chagrin of George Lucas, the ultimate cult classic among Star Wars fans. (World Premiere)

The Arc of Oblivion
Director: Ian Cheney, Producers: Meredith Desalazar, Manette Pottle, Rebecca Taylor
The Arc of Oblivion illuminates the strange world of archives, record-keeping, and memory through a filmmaker’s quixotic quest to build an ark in Maine. (World Premiere)

Being Mary Tyler Moore
Director: James Adolphus, Producers: Lena Waithe, Debra Martin Chase, Ben Selkow, Rishi Rajani, Andrew C. Coles, Laura Gardner
Being Mary Tyler Moore explores Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own. (World Premiere)

Confessions of a Good Samaritan
Director: Penny Lane, Producer: Gabriel Sedgwick
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. (World Premiere)

Great Photo, Lovely Life
Directors: Amanda Mustard, Rachel Beth Anderson, Producers: Amanda Mustard, Rachel Beth Anderson, Luke Malone, Screenwriters: Amanda Mustard, Rachel Beth Anderson, Tyler H. Walk, Josef Beeby
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption. (World Premiere)

The Herricanes
Director: Olivia Kuan, Producers: James Lee Hernandez, Brian Lazarte, Lisa France, James Short, Olivia Kuan, Justin Baldoni, Andrew Calof
The Houston Herricanes were a women’s full-tackle football team from the 1970’s whose fight to play the game continues to resonate with female athletes today. (World Premiere)

The Lady Bird Diaries
Director: Dawn Porter, Producers: Kim Reynolds, Dawn Porter
From award-winning filmmaker Dawn Porter comes The Lady Bird Diaries, a groundbreaking documentary film that uses Lady Bird’s audio diaries to tell the story of one of the most influential and least understood First Ladies in history. (World Premiere)

Last Stop Larrimah
Director: Thomas Tancred, Producers: Sean Bradley, Rebecca Saunders
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled. (World Premiere)

The New Americans: Gaming a Revolution
Director/Screenwriter: Ondi Timoner, Producers: Ondi Timoner, David Turner
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future. (World Premiere)

Periodical
Director: Lina Lyte Plioplyte, Producer: Pegah Farrahmand
Periodical is an eye-opening documentary that examines science, politics, and mystery of the menstrual cycle, through the experiences of doctors, athletes, movie stars, journalists, activists, and everyday people. (World Premiere)

Who I Am Not (Romania)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is I. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)



MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Aberrance (Mongolia)
Director: Baatar Batsukh, Producers: Trevor Doye, Alexa Khan, Angarag Meguun, Screenwriters: Baatar Batsukh, Byambasuren Ganbat
An estranged couple takes a retreat in the woods. Foreboding neighbors, frivolous friends, and dark unseen forces lead to a shocking conclusion. Cast List: Erkhembayar Ganbat, Selenge Chadraabal, Yalalt Namsrai, Oyundary Jamsranjav, Sukhee Ariunbyamba, Bayarsanaa Batchuluun, Badamtsetseg Batmunkh (North American Premiere)

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts. Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

It Lives Inside
Director: Bishal Dutta, Producers: Raymond Mansfield, Sean McKittrick, Screenwriters: Bishal Dutta, Ashish Mehta
An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Cast List: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel, Vik Sahay (World Premiere)

Late Night With the Devil (Australia, United Arab Emirates)
Directors/Screenwriters: Colin Cairnes, Cameron Cairnes, Producers: Derek Dauchy, Steven Schneider, Roy Lee, Adam White, Mat Govoni
A live television broadcast of a popular late night talk show in 1977 goes horribly wrong during a demonstration of demonic possession, unleashing evil into the nation’s living rooms. Cast List: David Dastmalchian (World Premiere)

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story. Cast List: Lily Sullivan (International Premiere)

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces. Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

The Wrath of Becky
Directors/Screenwriters: Matthew Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack. Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Della Villa, Michael Sirow, Denise Burse-Fernandez, Jill Larson, Kate Siegel (World Premiere)




TV PROGRAM

TV PREMIERES
Presenting world premieres of prestige serials slated for release.

I’m A Virgo
Showrunner/Director/Screenwriter: Boots Riley, Producers: Boots Riley, Michael Ellenberg, Lindsey Springer, Tze Chun, Jharrel Jerome
This is a fantastical coming-of-age joyride about a 13ft-tall young Black man who lives in Oakland, CA. It’s called I’m A Virgo. The series stars Jharrel Jerome, Brett Gray, Kara Young, Allius Barnes, Olivia Washington, Walton Goggins, Mike Epps, and Carmen Ejogo.
(World Premiere)

Mrs. Davis
Showrunner: Tara Hernandez, Directors: Owen Harris, Alethea Jones, Screenwriters/Producers: Tara Hernandez, Damon Lindelof
Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got? Cast List: Betty Gilpin, Jake McDorman, Andy McQueen (World Premiere)

Slip
Showrunner/Director/Screenwriter: Zoe Lister-Jones, Producers: Zoe Lister-Jones, Ro Donnelly, Dakota Johnson, Katie O’Connell-Marsh, David Fortier, Ivan Schneeberg
Restless inside a marriage that totally works, Slip follows Mae through a fantastical journey of parallel universes as she enters new relationships, trying to find her way back to her partner, and ultimately, herself. Cast List: Zoe Lister-Jones, Tymika Tafari, Whitmer Thomas, Amar Chadha-Patel, Emily Hampshire (World Premiere)



TV SPOTLIGHT
Presenting world premieres of new seasons of prestige series.

Blindspotting Season 2 Premiere
Showrunner/Director: Rafael Casal, Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Emily Gerson Saines, Ken Lee, Tim Palen
Ashley was nipping at the heels of a middle-class life in Oakland until Miles, her partner and father of their son, was suddenly incarcerated, forcing her to move in with his mother and sister as she attempts to navigate the chaos of her life while trying to be a fun mom for her son…with mixed results. Cast List: Jasmine Cephas Jones, Helen Hunt, Benjamin Earl Turner, Atticus Woodward, Jaylen Barron, Candace Nicholas-Lippman, Rafael Casal, Margo Hall, April Absynth, Lance Holloway (World Premiere)



INDEPENDENT TV PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

A Guide To Not Dying Completely Alone
Showrunner/Screenwriter: Kevin Yee, Director: Yen Tan, Producer: Bekah Sturm
After a near death experience, a queer Asian writer decides to change his life for the better and chronicles his journey in a book. Cast List: Kevin Yee, Brittani Nichols, Alex MacNicoll, Betsy Struxness, Paul Wong (World Premiere)

Chuchi & Adaliz
Showrunner: Ashley Soto Paniagua, Directors: Dani Adaliz, Lance Cameron Holloway, Screenwriters: Ashley Soto Paniagua, Dani Adaliz, Jocelli Paniagua, Producers: Jocelli Paniagua, Heidi Williamson
After losing her job for insider trading, Adaliz moves in with her childhood bestie Chuchi who teaches her how to be poor. Cast List: Ashley Soto Paniagua, Dani Adaliz, Andrea Bashe, Kathryn Peters, Jocelli Paniagua, Selorm Kploanyi, Dariany Santana, Jeremy Habig, Jullian Farris (World Premiere)

Grown
Showrunner/Director/Screenwriter: Jocko Sims, Producers: Jocko Sims, Christophers Santiago, Chaz Hazlitt, Andrew Zolot
After sneaking into a strip club, 14 year old Rogelio, learns a few hard lessons about being man — all thanks to the aid of his older sister Chelly. Cast List: Josiah Gabriel, Giovanni Cristoff, Tristan-Lee Edwards, Angela Mejia-Loggia, Eliza Ramos, Kevin Rodriguez, Nixon Cesar (World Premiere)

Harbor Island
Showrunner/Director/Screenwriter: Calvin Lee Reeder, Producers: Carlos A.F. Lopez, Megan Leonard
A dad joke comic wanders the industrial zone at night. Cast List: Josh Fadem, Sidney Jayne Hunt, Matt Olsen (World Premiere)

Marvin? (Netherlands)
Showrunners/Screenwriters: Anton van der Linden, George Gottl, Director: Anton van der Linden, Producers: Anton van der Linden, Daan Geuke
Two young friends struggling to get ahead in life stumble onto a magical fridge that literally makes their dreams come true and soon learn that their shiny materialistic world is not what they expected. Cast List: Cameron Tharma, Sarah Rose, Sven Ironside, Jay Reaper, Cendy Barlag (World Premiere)

Metal Man
Showrunner: Tomas Pais, Directors: Laurel Parmet, Tomas Pais, Screenwriters: John Patton Ford, Tomas Pais, Laurel Parmet, Producer: Kaelan Housewright
A heavy metal handyman gets called to fix a tub but gets pulled into the drama/life of his customer and must handle more than he signed up for. Cast List: Tomas Pais, Lily Du, Andrew Walke, Da’Vone McDonald, David Massil (World Premiere)

Notarize Me
Director: Erika Rankin, Screenwriters/Producers: Erika Rankin, Brigitte Valdez
BFFs and mobile notary publics, Jackie and Louise, find themselves in intimate situations with wacky strangers as important legal documents get signed. Cast List: Brigitte Valdez, Erika Rankin, Sarah Cornell, Harley Tarlitz (Texas Premiere)



SHORTS PROGRAM Presented by IMDbPro

IMDbPro, the essential resource for entertainment industry professionals, is sponsoring the lineup of short films across six competitive sections. The SXSW 2023 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The membership-based IMDbPro service empowers entertainment professionals with information and tools designed to help them achieve success throughout their career and is a service of IMDb, the world’s most popular and authoritative source for information on movies, TV shows and celebrities.


NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

Breaking Fast with a Coca Cola
Director/Screenwriter: Amy Omar, Producers: Karine Benzaria, Jordan Hart, Amy Omar
After growing up in the secular households of their Turkish immigrant parents in the Midwest, Özlem and Ada are desperate to celebrate a tradition of their own. For the first time, they embark on a day of fasting and a night of feasting for Ramadan. (World Premiere)

The Breakthrough
Director/Screenwriter: Daniel Sinclair, Producers: Kate Chamuris, Valerie Steinberg
Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough. (World Premiere)

Closing Dynasty
Director/Screenwriter: Lloyd Lee Choi, Producers: Jon Hsu, Lloyd Lee Choi
On a school day, a 7 year-old hustles strangers for money on the streets of New York City. (North American Premiere)

Deliver Me
Director/Screenwriter: Joecar Hanna-Zhang, Producers: Noam Argov, Jorge Sistos, Joecar Hanna-Zhang
A billionaire’s long-awaited delivery threatens to upend his already tense relationship with his identical husband, who is having an identity crisis of his own. (World Premiere)

Endless Sea
Director/Screenwriter: Sam Shainberg, Producer: Rachel Walden
Carol begins a normal day only to find out that her heart medication has doubled in price. Afraid, but not without hope, she sets out to find a solution, but her journey doesn’t lead to salvation, only a desperate act of revolution. (Texas Premiere)

The Family Circus
Director/Screenwriter: Andrew Fitzgerald, Producer: Josh Cohen
A Vietnamese-American family’s plan to cover up a drunk driving accident begins to unravel as their emotional baggage spills out in front of the police. (Texas Premiere)

Flores del Otro Patio (Colombia, Switzerland)
Director: Jorge Cadena, Screenwriters: Jorge Cadena, Li Aparicio Candama, Producers: Yan Decoppet, Gabriela Bussmann
In north Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine. (International Premiere)

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charles Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

Graveyard of Horses (China)
Director/Screenwriter: Xiaoxuan Jiang, Producer: Zhulin Mo
A frigid winter on the Mongolian steppe, an untimely snowstorm led a pregnant herder and her 8-year-old daughter to places they’ve never been. (North American Premiere)

I Probably Shouldn’t Be Telling You This
Director/Screenwriter: Emma Weinswig, Producers: Emma Weinswig, Will Noyce
When an oversharing, compulsive-lying e-girl is caught in the web of her own lies on her (secretly) favorite podcast, she must finally get off her bullshit. (World Premiere)

It Turns Blue (Iran)
Director/Screenwriter: Shadi Karamroudi, Producers: Shadi Karamroudi, Mehran Noori, Mina Dreki, Theodora Valentis
Pari covers up domestic violence when her brother beats up his 3-year-old daughter. (World Premiere)

The Key (Belgium, France, Palestine, State of)
Director/Screenwriter: Rakan Mayasi, Producers: Frank Barat, Rakan Mayasi, François de Villers, Laura Jumel, Nadine Naous, Patrizia Roletti
An Israeli family’s equilibrium gradually disintegrates as a mysterious sound is heard every evening at the door of their apartment. (North American Premiere)

Leonetty
Director/Screenwriter: Logan Jackson, Producer: Dante Sims
No longer able to live with his mother, young Leonetty is sent to live with his aging grandmother. (World Premiere)

Les Battues (The Fading) (Canada)
Director/Screenwriter: Rafaël Beauchamp, Producer: Léonie Hurtubise
In a small Quebec village, three hunters take possession of the tragedy of a young mother to put their own verdict on it. (World Premiere)

Never Fuggedaboutit
Director/Screenwriter: Dustin Waldman, Producers: Dustin Waldman, Nicholas Nazmi, Sariel Hana Friedman
Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show. (World Premiere)

Rest Stop
Director/Screenwriter: Crystal Kayiza, Producers: Jalena Keane-Lee, Brit Fryer
On a bus ride from New York to Oklahoma, Meyi, a young Ugandan-American girl, realizes her place in the world through her mother’s ambitious effort to reunite their family. (Texas Premiere)

Scotty’s Vag
Director/Screenwriter: Chaconne Martin-Berkowicz, Producers: Cailin Lobb-Rabe, Chaconne Martin-Berkowicz, Gia Rigoli, Vero Kompalic
The night of a sorority hazing event, a college freshman learns just how far she’s willing to go to impress an older girl. (World Premiere)

Sisters of the Rotation (Lebanon)
Directors: Michel Zarazir, Gaby Zarazir, Screenwriters: The Zarazir Brothers, Producer: Madame Le Tapis
At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. (North American Premiere)

Slick Talk
Directors: Courtney Loo, David Karp, Screenwriter: Courtney Loo, Producer: Katie Mykrantz
Feeling the pressure of an important meeting with a potential music manager, Kiki struggles with her identity as an outsider in the Chinese-American community, a culture vulture in the hip-hop world, and a potential sellout for mainstream success. (World Premiere)

Take Me Home
Director/Screenwriter: Liz Sargent, Producer: Minos Papas
After their mother’s death, an intellectually disabled woman and her estranged sister must learn to communicate in order to move forward. (Texas Premiere)



DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Ball People
Director: Scott Lazer, Producer: Tripp Kramer, Talia Cohen
Behind the scenes of the US Open Ball Crew tryouts. (World Premiere)

Birdsong (United Kingdom)
Directors: Omi Zola Gupta, Sparsh Ahuja, Producers: Sparsh Ahuja, Omi Zola Gupta, Dorn Bouttasing
Birdsong is an intimate portrait of the dying whistled language of the Hmong people in northern Laos. (International Premiere)

The Bus (Spain)
Director: Sandra Reina, Screenwriters: Sandra Reina, Fran Menchón, Producer: Valérie Delpierre
This is a round-trip bus ride, which takes passengers on Friday mornings towards the weekend, and picks them up on Sunday afternoons to take them back to the place where they came from. (World Premiere)

The Dads
Director/Screenwriter: Luchina Fisher, Producers: Shan Shan Tam, Luchina Fisher
When five fathers of trans kids join Dennis Shepard, the father of slain gay college student Matthew Shepard, for a weekend fishing trip in rural Oklahoma, they find common purpose across races, generations, and experiences. (World Premiere)

El Bastón (Colombia, U.S.)
Director: Nemo Allen, Producers: Nemo Allen, Aditi Natasha Kini, Hanna Wallis, Juan Blanco García
Two filmmakers, one mother and one son, find answers and strength as they document the struggles of Colombia’s Indigenous Nasa, decades apart. (Texas Premiere)

Margie Soudek’s Salt and Pepper Shakers
Director: Meredith Moore, Producer: Jonna McKone
An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. (Texas Premiere)

Mother of the Dawn
Director: Janell Shirtcliff, Screenwriters: Angie Simms, Tommy Savas, Producer: Tommy Savas
In the early 1950s in a remote corner of Brazil, a female truck driver named Tia Neiva started having visions of extraterrestrial spirits; shortly after, she began to gain a following called Vale do Amanhecer (Valley of the Dawn). (World Premiere)

Nǎi Nai & Wài Pó (Grandma & Grandma)
Director: Sean Wang, Producers: Sean Wang, Sam Davis
Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Puffling (United Kingdom)
Director: Jessica Bishopp, Producers: Alice Hughes, Gannesh Rajah, Ada Benjamínsdóttir
On a remote Icelandic island, teenagers Birta and Selma take it upon themselves to counteract society’s harmful impact on nature, exchanging night-time parties for nocturnal puffin rescues in a coming-of-age story for young adults and puffins alike. (World Premiere)

Roger J. Carter: Rebel Revolutionary
Director: Justin Fairweather, Producers: Zachary Kingham-Seagle, Johnny Starke
Roger J. Carter: Rebel Revolutionary follows the Chicago portrait artist as he creates staggering images of black revolutionaries using hundreds of toy soldiers, representing the wars the marginalized face as they dismantle an established system. (World Premiere)

Suddenly TV (Qatar)
Director/Producer: Roopa Gogineni
A group of young Sudanese create an imaginary television station at a besieged sit-in. Interviewing protestors from around the country, they confront the violence of the regime and conjure a new Sudan. (North American Premiere)

Where the Sun Always Shines (United Kingdom)
Director: Rosie Baldwin, Producer: Lucy Draper
The residents of a quintessential but neglected British seaside town grapple with research suggesting that their home could disappear within their lifetimes due to the climate crisis. (World Premiere)



ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

A Tiny Man (France)
Directors: Aude David, Mikaël Gaudin, Screenwriters: Mikaël Gaudin, Aude David, Producer: Jérôme Blesson
With a delicately penciled animation style, A Tiny Man tells a moral tale of nefarious schemes gone awry. As a husband faces the consequences of his actions, he perhaps begins to realize that maybe size does in fact matter. (Texas Premiere)

Ashkasha (Argentina, Spain)
Director/Screenwriter/Producer: Lara Maltz
Ashkasha is a living being guided by curiosity. This causes her to lose her head and get trapped in the depths, where she is submerged on a discovery journey. (US Premiere)

Beyond The Fringe (Spain)
Directors: Han Tang, Costanza Baj, Screenwriter/Producer: Han Tang
A story about a little paper figure’s journey of finding the strength to leave its home, the notebook where it was born, to explore the great world beyond. (World Premiere)

Christopher at Sea (France, United Kingdom, U.S.)
Director: Tom CJ Brown, Screenwriters: Tom CJ Brown, Laure Desmazières, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Amanda Miller, Hanna Stolarski, Nick Read, Emily-Jane Brown
Christopher goes to sea. (Texas Premiere)

The Debutante (United Kingdom)
Director/Screenwriter: Elizabeth Hobbs, Producer: Abigail Addison
A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance being held in her honour. (Texas Premiere)

Ice Merchants (Portugal)
Director/Screenwriter: João Gonzalez, Producers: Bruno Caetano, Michaël Proença
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground far away where they sell the ice they produce daily. (Texas Premiere)

Remove Hind Legs Before Consumption (Switzerland)
Directors: Lukas Wind, Finn Meisner, Leslie Herzig, Producer: Gerd Gockell
In an insect food farm, one lucky cricket survives its certain death. (International Premiere)

Sandwich Cat (Spain)
Director/Screenwriter: David Fidalgo, Producers: Daniel Rodriguez, Laura Doval
David lives alone with his kitty, Sandwich Cat. It seemed like an ordinary day, but an unexpected visit will lead him to a crucial reflection to humanity. (International Premiere)

Spring Roll Dream (United Kingdom)
Director: Mai Vu, Screenwriter: Chloe White, Producer: Thijme Grol
Linh is a Vietnamese single mother who’s successfully forged a life for herself and her son in America. But she is confronted with the past and culture she left behind and the question of where it belongs in her family’s new life. (Texas Premiere)

Sprout
Director/Screenwriter/Producer: Zora Kovac
After an agoraphobic scientist accidentally creates a baby-like plant creature, their connection threatens to upend his reclusive way of life. (World Premiere)



MIDNIGHT SHORTS COMPETITION
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jenson, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites.(World Premiere)

Every House is Haunted
Director/Screenwriter: Bryce McGuire, Producer: Isaiah Smallman
A struggling couple moves into a haunted house… on purpose. (World Premiere)

The Flute (Ireland, U.S.)
Director: Nick Roney, Screenwriters: Nick Roney, Ed Leer, Producers: Brendan Garrett, Ryland Burns
Fleeing a long-term relationship, a young man seeks refuge with his best friends. After discovering their strange instruments, he’ll learn the bachelor lifestyle is not as sweet as it sounds. (World Premiere)

Kodama
Director/Screenwriter: Brian M Tang, Producers: Penny Lin, Brendan Bennett, Norrie Palmer, Brian M Tang
Arthur, a member of an elite SWAT Samurai team, embarks on a rescue mission into the spirit world in order to recover his father from vengeful Japanese Yokai spirits. (World Premiere)

The Mundanes
Directors/Screenwriters: Nicole Daddona, Adam Wilder, Producers: Eric Hendricks, Nicole Daddona, Adam Wilder
Get to know the Mundanes, a faceless suburban family with an unusual appetite. (World Premiere)

Pennies from Heaven
Director: Sandy Honig, Screenwriters: Sandy Honig, Annabel Meschke, Sabina Meschke, Producer: Jake Honig
Pennies from Heaven is a short comedy about two eccentric twin sisters who stumble upon a pickup truck full of pennies and follow the adventure wherever it takes them. (World Premiere)

Pussy Love (Germany)
Director/Screenwriter/Producer: Linda Krauss
Hey Puss! Still playing hard to get? Let me be your pussycat. (World Premiere)

Run
Director/Screenwriter: Alex Prager, Producers: Vincent Landay, Alex Prager, Lisa Lou Ziven
Run celebrates the absurdity of being alive today.

Vibrator Girl
Director: Kara Strait, Screenwriters: Morgane Ciot, Zoe Mintz, Producers: Morgane Ciot, Zoe Mintz
A young woman suffers the eerie consequences of her compulsive vibrator use. (World Premiere)

We Forgot About The Zombies
Director/Screenwriter: Chris McInroy, Producers: Kris Phipps, Jarrod Yerkes, Stacey Bell
Two dudes think they found the cure for zombie bites. (Texas Premiere)

You’re Not Home (Ireland)
Director/Screenwriter: Derek Ugochukwu, Producer: Gregory Burrowes
When an ominous mould appears in their room, two African brothers seeking asylum are faced with a dark entity lurking within their direct provision centre. (Texas Premiere)



TEXAS SHORTS COMPETITION
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Breaking Silence
Directors: Amy Bench, Annie Silverstein, Producers: Monique Walton, Amy Bench
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system. (Texas Premiere)

Call Me Mommy
Directors: Haley Alea Erickson, Taylor Washington, Screenwriter: Haley Alea Erickson, Producers: Brittany Reeber, David Tenczar
A pedantic mother-to-be hires a stranger to role-play as her unborn daughter. (World Premiere)

Dressed
Director/Screenwriter: Bethiael Alemayoh, Producer: Noam Argov
A former bride-to-be attempts to sell her wedding dress. (World Premiere)

Exit 238
Director/Producer: Henry Davis
In the fall in Austin, TX, the extraordinary roosting display of the Purple Martin attracts people of many walks of life to the Capital Plaza shopping center. (Texas Premiere)

Eyestring (Argentina, U.S.)
Director: Javier Devitt, Screenwriters: Javier Devitt, Alena Chinault, Producer: Alena Chinault
With a mysterious string growing from her eye and questionable advice from a hotline service, Veronica is led on a strange quest for answers. (World Premiere)

Funny Face
Director: Jude Hope Harris, Screenwriters: Krista Fatka, Jude Hope Harris, Producers: Genevieve Jones, Nick Vitale
When country singer Randy travels to take care of his sister Sophie as she recovers from facial feminization surgery, he meets her girlfriend, Morgan, for the first time. The three bond over family history, love, and an extremely chaotic home nurse. (World Premiere)

La Cosecha
Director: Samuel Díaz Fernández, Screenwriters: Ái Vuong, Samuel Díaz Fernández, Producer: Ái Vuong
As one of many residents who lack access to fresh food in Austin, Nolvia Castillo takes the driver’s seat and distributes vegetables to her neighbors. When filmmaker Ai Vuong rides along, they speak the language of immigrants: memories of food. (World Premiere)

When You Left Me On That Boulevard
Director/Screenwriter: Kayla Abuda Galang, Producers: Alifya Ali, Kayla Abuda Galang, David Oconer, Udoy Rahim, Samantha Skinner
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. (Texas Premiere)

Wüm
Director/Screenwriter: Anna Margaret Hollyman, Producers: David Hartstein, Seana Flanagan, Shelby Hadden
Bennett, a nonbinary new parent, joins a Mommy Group called Wüm. What is supposed to be a supportive space turns into a Hipster-Stepford-Wife nightmare with Bennett being smothered in the middle of white lady “wokeness.” (World Premiere)



MUSIC VIDEO COMPETITION
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

alt-J – ‘The Actor’ (United Kingdom) / Director: Saskia Dixie

Amanda Sum – ‘Different Than Before’ (Canada) / Director/Screenwriter: Mayumi Yoshida

Arlo McKinley – ‘Stealing Dark from the Night Sky’ / Director: Matt Reynolds

Ben Abraham – ‘If I Didn’t Love You’ / Director: Jillian Bell

Diplo feat Miguel – ‘Don’t Forget My Love’ / Director: Kinopravda, Screenwriters: Viktor Horvath, Zoltan Aprily

Doechii – ‘Crazy’ / Director: C Prinz

Drew Ashby – ‘Her’ / Directors: Chris Scholar, Bevin Brown

Kuba Kawalec – ‘I Died’ (Poland) / Director/Screenwriter: Zuzanna Plisz

Little Simz – ‘Point and Kill’ (United Kingdom) / Director: Ebeneza Blanche

Mac Miller – ‘Colors and Shapes’ / Director: Sam Mason

Michael Kiwanuka – ‘ Beautiful Life’ / Director: Phillip Youmans

Mick Jenkins – ‘Truffles ‘ (United Kingdom, U.S.) / Director: Andre Muir

Mothermary – ‘Coming for You Remix’ / Directors/Screenwriters: Larena Danielle Winn, Elyse Winn

Number One Popstar – ‘Dance Away the Pain’ / Director/Screenwriter: Kate Hollowell

Pearl Derringer – ‘Little Baby (feat. Margo Price)’ / Director: Kimberly Stuckwisch, Screenwriters: Pearl Derringer, Kimberly Stuckwisch

Pranav Bhasin, Rohini Maiti – ‘Screaming on the Fly’ (India) / Director/Screenwriter: Pranav Bhasin

Residente – ‘This is Not America ft. Ibeyi’ / Director: Gregory Ohrel

S+C+A+R+R – ‘Never Give Up’ (France) / Director: Jack Antoine Charlot

Yeah Yeah Yeahs – ‘Wolf’ / Director: Allie Avital

Zolita – ‘Somebody I F*cked Once’ / Director/Screenwriter: Zolita



XR EXPERIENCE

The immersive arts are redefining how we experience the world around us. The projects presented in our XR Experience Competition, XR Experience Spotlight, and XR Experience Special Event sections emphasize storytelling, ingenuity, and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Director: Soo-man Lee, Producer: Junyoung Park
“Aespa’s first concert at Kwangya, the artists’ virtual existence coexisting with the future.” – SM Culture Universe. (World Premiere)

Body of Mine VR
Director/Producer/Screenwriter: Cameron Kostopoulos
Experience gender dysphoria and trans identity with Body of Mine VR, an intimate experience that takes you inside the body of another gender. (World Premiere)

Consensus Gentium (United Kingdom)
Director/Screenwriter: Karen Palmer, Producers: Tom Millen, Thalia Mavros, Jackson Lapsley Scott, Tuyet Huynh
Consensus Gentium is an emotionally responsive film app designed to be experienced on a mobile phone. Set in a near future of surveillance and bias AI that watches you back. (World Premiere)

The District VR (Germany)
Directors: Dennis Lisk, Ioulia Isserlis, Max Sacker, Producers: Dennis Lisk, Fabian Vogelsteller, Ioulia Isserlis
Welcome to The District VR, a music-driven 3D world full of vibrant games and virtual live entertainment. Put on a VR headset and dive into a virtual twin of Berlin. Be the DJ, use provided equipment, and mix music live in front of a virtual crowd. (World Premiere)

El Beat (Colombia)
Directors: Irene Lema, Sergio Bromberg, Producers: Rafael Ospino, Irene Lema, Screenwriter: Irene Lema
El Beat is a cross-platform experience (interactive film and VR), telling the story of Benkos Biohó, enslaved African and founder of the first free town in the Americas. It is a tribute to the African diaspora and the Black Power of Latin America. (World Premiere)

Find WiiLii – Ep.1 The Gate-Crasher (Republic of Korea)
Directors: Mina Hyeon, Sooyoung Choe, Producer: Sohee Kim, Screenwriters: Sooyoung Choe, Mina Hyeon
On the first day as a newcomer at the Teleportation Service Company IIOIIG, the ordinary mission flows unexpectedly, meeting a stranger. (World Premiere)

Forager: Immersive Multi-sensory Experience (Canada, U.S.)
Directors: Winslow Porter, Elie Zananiri, Producers: Winslow Porter, Casta Zhu, Screenwriters: Winslow Porter, Elie Zananiri, Adam Lerman, Daniel Perlin
In this immersive, multi-sensory experience guests will experience the complete life-cycle of mushrooms. Starting as a spore floating to the forest floor, you become an integral part of this essential, live-giving process. (World Premiere)

Fresh Memories: The Look (Czechia, Ukraine)
Directors/Screenwriters: Ondřej Moravec, Volodymyr Kolbasa, Producers: Ondřej Moravec, Robin Pultera
Look into the eyes of Ukrainian people whose home has been taken away by war. (World Premiere)

The Invited (United Kingdom)
Directors: Davy McGuire, Kristin McGuire, Producers: Davy McGuire, Nesta Nelson, Dan Tucker, Screenwriters: Ben Steiger-Levine, Richard Hurford
The Invited reimagines the gothic story of Dracula in a solitary séance in which a handcrafted fine art pop-up book comes to life with vivid augmented reality animations to serve as a conduit for Dracula’s curse to re-enter the modern world. (World Premiere)

Jailbirds- The Eye of the Artist (Belgium, France)
Director/Screenwriter: Thomas Villepoux, Producers: Griselda Gonzalez Gentile, Francois Klein
Jailbirds takes place in a modern hell prison ruled by a vicious Chief Warden. But in this living nightmare, one guy, Felix, is always happy. It enrages the Chief Warden who will do everything he can to discover Felix’s secret. (World Premiere)

JFK Memento (France, U.S.)
Director: Chloé Rochereuil, Producer: Victor Agulhon
JFK Memento is a VR documentary chronicling JFK’s assassination. Narrated by the last living witnesses of the events, it explores the defining moments of the investigation as archive photos and films remastered in 3D come to life in the historic sites. (World Premiere)

Once a Glacier
Director/Screenwriter: Jiabao Li
Once a Glacier is a VR film about a girl and her relationship with a glacier. As the girl grows older, the piece of ice is threatened. The viewer is taken on a journey through her seemingly futile efforts to protect what was once an entire glacier. (World Premiere)

Rockets, by Pillow (Brazil)
Director/Producer/Screenwriter: Lucas Rizzotto
The world’s first VR narrative designed for lying down in bed. Control a brave little rocket named Crimson through a number of mind-bending puzzles as you attempt to save the Universe from a terrible evil you set free. (World Premiere)

Stay Alive, My Son (Chapters 1 & 2) (Greece, U.S.)
Director/Producer/Screenwriter: Victoria Bousis
Stay Alive, My Son takes players on a fantastical, interactive, and powerful journey through the mind and heart of Pin Yathay as he relives a tragic past and loss of his son during the Cambodian genocide, but eventually finds his salvation and heals. (World Premiere)

Whipped Cream “The Dark” (Canada)
Directors: Caroline Cecil (aka Whipped Cream), Will Selviz, Producer: Brenda Medina Carmona, Screenwriter: Caroline Cecil
The Dark, featuring Monstercat artists Whipped Cream, Jasiah, and Crimson Child, presents a VR experience that blends EDM and opera music with photorealistic holographic performances in an emotion-oriented story about a toxic relationship. (World Premiere)



XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Behind The Dish (France, U.S.)
Director: Chloé Rochereuil, Producers: Victor Agulhon, Jonathan Gleit
Behind the Dish is a virtual reality docu-series that dives into the world of gastronomy. Through three 10-minute episodes in 360° film, meet extraordinary women chefs revolutionizing the food industry and watch their cuisine in super-sized macro 3D.

Eggscape (Argentina)
Director: German Heller, Producers: German Heller, Lucila Trobbiani, Screenwriters: German Heller, Federico Heller, Jorge Tereso
An MR experience about terrified little eggs struggling to stay alive in a world full of enemies. Play in an unprecedented way with the physical world, and build your own adventure with friends mixing the digital with the real. (North American Premiere)

The Eye and I Vol. I (Taiwan)
Directors: Hsin-Chien Huang, Jean-Michel Jarre, Producer: Hsiao-Yue Tsao, Screenwriter: Hsin-Chien Huang
The Eye and I is a VR experience that illuminates the surveillance crisis with music from legendary electronic musician Jean-Michel Jarre and visuals from award-winning VR director Hsin-Chien Huang. (International Premiere)

Figural Bodies (United Kingdom)
Directors: Clarice Hilton, Neal Coghlan, Producers: Susanna Dye, Kat Hawkins
Figural Bodies challenges and reimagines the normative and ableist ways the body is understood and represented through immersive technology. This dance mocap performance explores fantastical interaction and embodiment beyond the humanoid avatar form (World Premiere)

In Pursuit Of Repetitive Beats (United Kingdom)
Director/Screenwriter: Darren Emerson, Producers: Ashley Cowan, Dan Tucker
A multi-sensory joyride into the heart of a revolution in dance. Grab your friends and plug into a virtual reality adventure that transports you into the early days of the Acid House movement. Share in an experience that shaped a generation. (North American Premiere)

Lou (Canada)
Directors: Martine Asselin, Annick Daigneault, Producers: John Hamilton, Sebastien Gros, Screenwriters: Annick Daigneault, Martine Asselin, Louis-François Archambault-Therrien
Experience the world with the sensitivity of a person with autism. (U.S. Premiere)

Mrs Benz (United Kingdom)
Director: Eloise Singer, Producer: Siobhan McDonnell, Screenwriters: Eloise Singer, Jedidjah Noomen
Travel back in time to 1886 with Bertha Benz and discover how her journey changed the course of history. (North American Premiere)

Shib the Metaverse
Directors: Marcie Jastrow, Sherri Cuono, Producer: Brandie Konopasek
The Metaverse is the culmination of our history as a community, virtually displayed, in a layer of beautiful visuals that showcase our innovation and unity with a place to truly call home. (World Premiere)

Spring Odyssey (France)
Director: Elise Morin, Producer: Lucid Realities, Screenwriter: Sabrina Calvo
Tangible, material sculptures await the digital in the exhibition space. The display invites a reversal of our apprehension of the relationship between reality and the digital by completing the gaps of one and the other. (International Premiere)

Temporal World: A Haptisonic Virtual Reality Memory World (Germany)
Director/Producer: Chloé Lee
Temporal World is a haptisonic VR experience inspired by the artist’s memories in a place where she has no personal history. Visitors explore and shape a landscape that is as fragmented and fickle as memory itself while wearing a custom haptic coat. (International Premiere)

UnEarthed (United Kingdom)
Director: Jamie Davies, Producer: Jennifer Mortimer, Screenwriters: Jamie Davies, Phil Porter
UnEarthed is a spectacular interactive adventure into the natural world, inspiring people to respect, protect, and restore our planet’s biodiversity, through impactful learning and entertainment. (North American Premiere)

You Destroy. We Create. (Germany)
Directors/Producers: Felix Gaedtke, Gayatri Parameswaran
Witness how Ukrainian art and culture have become targets of the ongoing war, and meet the inspiring people on the frontlines protecting it.

Yuki MR (Brazil)
Director: Kako, Producer: Lia Pinheiro, Screenwriters: Kako, Flavio Mattos, Lia Pinheiro, Marcelo Nery
Yuki MR is an upbeat mix of bullet-hell in Mixed Reality! Take your favorite toy in your hand to defeat evil creatures in a multidimensional universe. (Texas Premiere)



XR Experience Special Events

Neo-Wulin: The Era of Black Ark (China)
Director/Screenwriter: Guanyu, Producers: Chenchenchen, Bingbing Wang
Neo-Wulin is the first virtual performance series IP in China created by the OXYZ3 team.
Each musician will have a unique music world that combines performance, exhibition, and social interaction, and can be constantly extended. (International Premiere)



COMPETITION AWARDS
The Narrative Feature Competition, the Documentary Feature Competition, Poster Design, and Special Awards will be announced on Tuesday, March 14 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Screenings and TV Spotlight, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

In addition to film festival screenings, registrants also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 30th year, SXSW Film & TV Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.

SXSW 2023 is sponsored by White Claw, Volkswagen, Itaú, and The Austin Chronicle


ICYMI: Women take the reins as Sundance Film Festival Announces 2023 Features Lineup!

2023 Sundance Film Festival Announces Lineup of 99 Feature Films

Find Out Why All Eyes Are On Independents

In-Person Ticket Packages Now On Sale; Online Ticket Package Sales Begin December 13

Top L–R: Bravo, Burkina!, Girl, Polite Society, Mami Wata.
Center L–R: Going Varsity in Mariachi, The Accidental Getaway Driver, Deep Rising, Cassandro.
Bottom L–R: The Pod Generation, Pretty Baby: Brooke Shields, Nam June Paik: Moon is the Oldest TV, The Eternal Memory.

PARK CITY, UTAH, December 7, 2022 — Today the nonprofit Sundance Institute announced the comprehensive slate of independent films selected across the feature film categories for the 2023 Sundance Film Festival. The 2023 Festival will take place January 19–29, 2023, in person in Park City, Salt Lake City, and the Sundance Resort, along with a selection of films available online across the country January 24–29, 2023. Festivalgoers will once again return to theaters to discover this upcoming year’s most impactful independent stories. In-Person Ticket Packages are currently on sale through December 16, Online Ticket Packages go on sale December 13 at 10 a.m. MT, and single film tickets go on sale January 12 at 10 a.m. MT.

Setting the scene, Day One Features will open the Festival in Park City: 11 features, plus a Shorts program, will illustrate the scope of Festival work across genre and form. Day One Features are birth/rebirth, L’Immensità, It’s Only Life After All, Kim’s Video, Little Richard: I Am Everything, The Longest Goodbye, The Pod Generation, Radical, Shayda, Sometimes I Think About Dying, and Run Rabbit Run. In addition, on January 19, the Institute will host the inaugural Opening Night: A Taste of Sundance presented by IMDbPro. The celebration will kick off the Festival welcoming everyone back together again while raising funds for the Institute’s critical year-round artist support. The evening will honor Ryan Coogler, Nikyatu Jusu, W. Kamau Bell, and more whose journeys have been connected to Sundance throughout the years. In addition, in-person attendees will get to experience a robust offering of talks and events during the Festival, with more details to be announced.

Films will become available online during the second half of the Festival — beginning January 24 — and will include all Competition titles (U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT), as well as exciting work across other sections of the feature film program, Indie Episodic Program, and Shorts Program. Audiences can enjoy the selection of films exclusively on the Sundance Film Festival online platform — those that will be available online are noted below. The online offering reinforces the Institute’s commitment to accessibility by allowing audiences coast to coast to take part in the discovery of captivating stories. The Shorts and Indie Episodic lineups for the 2023 Sundance Film Festival will be announced on December 13.

“Maintaining an essential place for artists to express themselves, take risks, and for visionary stories to endure and entertain is distinctly Sundance,” said Robert Redford, Sundance Institute Founder and President. “The Festival continues to foster these values and connections through independent storytelling. We are honored to share the compelling selection of work at this year’s Festival from distinct perspectives and unique voices.”

“As a program of the Sundance Institute, the Festival provides a place for artists globally to connect with audiences around a shared and inclusive experience of discovery,” said Joana Vicente, Sundance Institute CEO. “These filmmakers reflect the world around us through bold and thrilling storytelling. It is critical for the arts to foster dialogue, especially during unprecedented times — these stories are needed to provoke discussion, share diverse viewpoints, and challenge us. We are delighted to welcome this group of passionate artists to the Festival and look forward to celebrating the films together with audiences.”

“The program for this year’s Festival reiterates the relevancy of trailblazing work serving as an irreplaceable source for original stories that resonate and fuel creativity and dialogue,” said Kim Yutani, Sundance Film Festival Director of Programming. “In so many ways this year’s slate reflects the voices of communities around the world who are speaking out with urgency and finally being heard. Across our program, impactful storytelling by fearless artists continues to provide space for the community to come together to be entertained, challenged, and inspired.”

The 2023 Sundance Film Festival’s Salt Lake City Opening Night Gala Film is Blueback, premiering at the Rose Wagner Performing Arts Center on January 20. The upcoming Festival will expand its presence in Salt Lake City, providing more places to take part in the thrilling experience, including at The Megaplex Theatres at The Gateway.

Also announced today, The Pod Generation, screening in the Premieres section, has been named the winner of the Alfred P. Sloan Feature Film Prize, an annual award given to an artist with the most outstanding depiction of science and technology in a feature film.

The slate announced to date includes SLAM and The Doom Generation, which are featured in the From the Collection section bringing archival screenings back into focus as part of the Festival.

The Sundance Film Festival is an artist program of the Sundance Institute. Proceeds earned through Festival ticket sales go to uplifting and developing emerging artists on a year-round basis through focused labs, direct grants, fellowships, residencies, and more.

The full slate of works announced today, along with the From the Collection films previously announced, includes 101 feature-length films representing 23 countries. The 2023 program is made up of 32 of 115 (28%) feature film directors who are first-time feature filmmakers, and 17 of the feature films and projects announced today were supported by Sundance Institute in development through direct granting or residency labs.

World premieres make up 93, or 94%, of the Festival’s 99 feature films announced today.

These films were selected from 15,855 submissions, including 4,061 feature-length films. Of the 4,061 feature film submissions, 1,662 were from the U.S., and 2,399 were international. Director demographics are available in an editor’s note below.

U.S. DRAMATIC COMPETITION
Presenting 12 world premieres of fiction feature films, the Dramatic Competition offers audiences a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Nanny, CODA, Passing, Minari, Never Rarely Sometimes Always, The Farewell, Clemency, Eighth Grade, and Sorry to Bother You.

The Accidental Getaway Driver / U.S.A. (Director and Screenwriter: Sing J. Lee, Screenwriter: Christopher Chen, Producers: Kimberly Steward, Basil Iwanyk, Andy Sorgie, Brendon Boyea, Joseph Hiếu) — During a routine pickup, an elderly Vietnamese cab driver is taken hostage at gunpoint by three recently escaped Orange County convicts. Based on a true story. Cast: Hiệp Trần Nghĩa, Dustin Nguyen, Dali Benssalah, Phi Vũ, Gabrielle Chan. World Premiere. Available online.

All Dirt Roads Taste of Salt / U.S.A. (Director and Screenwriter: Raven Jackson, Producers: Maria Altamirano, Barry Jenkins, Adele Romanski, Mark Ceryak) – A decades-spanning exploration of a woman’s life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. Cast: Charleen McClure, Moses Ingram, Kaylee Nicole Johnson, Reginald Helms Jr., Sheila Atim, Chris Chalk. World Premiere. Available online.

Fair Play / U.S.A. (Director and Screenwriter: Chloe Domont, Producers: Leopold Hughes, Ben LeClair, Tim White, Trevor White, Allan Mandelbaum) — An unexpected promotion at a cutthroat hedge fund pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement. Cast: Phoebe Dynevor, Alden Ehrenreich, Eddie Marsan. World Premiere. Available online.

Fancy Dance / U.S.A. (Director, Screenwriter, and Producer: Erica Tremblay, Screenwriter: Miciana Alise, Producers: Deidre Backs, Heather Rae, Nina Yang Bongiovi, Tommy Oliver) — Following her sister’s disappearance, a Native American hustler kidnaps her niece from the child’s white grandparents and sets out for the state powwow in hopes of keeping what is left of their family intact. Cast: Lily Gladstone, Isabel Deroy-Olson, Ryan Begay, Shea Whigham, Audrey Wasilewski. World Premiere. Available online.

Magazine Dreams / U.S.A. (Director and Screenwriter: Elijah Bynum, Producers: Jennifer Fox, Dan Gilroy, Jeffrey Soros, Simon Horsman) — An amateur bodybuilder struggles to find human connection as his relentless drive for recognition pushes him to the brink. Cast: Jonathan Majors, Haley Bennett, Taylour Paige, Mike O’Hearn, Harrison Page, Harriet Sansom Harris. World Premiere. Available online.

Mutt / U.S.A. (Director, Screenwriter, and Producer: Vuk Lungulov-Klotz, Producers: Alexander Stegmaier, Stephen Scott Scarpulla, Jennifer Kuczaj, Joel Michaely) — Over the course of a single hectic day in New York City, three people from Feña’s past are thrust back into his life. Having lost touch since transitioning from female to male, he navigates the new dynamics of old relationships while tackling the day-to-day challenges of living life in between. Cast: Lío Mehiel, Cole Doman, MiMi Ryder, Alejandro Goic. World Premiere. Available online.

The Persian Version / U.S.A. (Director, Screenwriter, and Producer: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch’s heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online.

Shortcomings / U.S.A. (Director: Randall Park, Screenwriter: Adrian Tomine, Producers: Margot Hand, Randall Park, Hieu Ho, Jennifer Berman, Howard Cohen, Eric d’Arbeloff) — Following Ben, Miko, and Alice as they navigate a range of interpersonal relationships and traverse the country in search of the ideal connection. Cast: Justin H. Min, Sherry Cola, Ally Maki, Debby Ryan, Tavi Gevinson, Sonoya Mizuno. World Premiere. Available online.

Sometimes I Think About Dying / U.S.A. (Director: Rachel Lambert, Screenwriters: Kevin Armento, Stefanie Abel Horowitz, Katy Wright-Mead, Producers: Alex Saks, Daisy Ridley, Dori Rath, Lauren Beveridge, Brett Beveridge) — Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself. Cast: Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis, Meg Stalter, Brittany O’Grady. World Premiere. Available online. DAY ONE

The Starling Girl / U.S.A. (Director and Screenwriter: Laurel Akira Parmet, Producers: Kevin Rowe, Kara Durrett) — Seventeen-year-old Jem Starling struggles with her place within her Christian fundamentalist community, but everything changes when her magnetic youth pastor Owen returns to their church. Cast: Eliza Scanlen, Lewis Pullman, Jimmi Simpson, Wrenn Schmidt, Austin Abrams, Jessamine Burgum. World Premiere. Available online.

Theater Camp / U.S.A. (Directors and Screenwriters: Molly Gordon, Nick Lieberman, Screenwriters: Noah Galvin, Ben Platt, Producers: Erik Feig, Samie Kim Falvey, Julia Hammer, Ryan Heller, Will Ferrell, Jessica Elbaum) — When the beloved founder of a run-down theater camp in upstate New York falls into a coma, the eccentric staff must band together with the founder’s crypto-bro son to keep the camp afloat. Cast: Molly Gordon, Ben Platt, Noah Galvin, Jimmy Tatro, Patti Harrison, Ayo Edebiri. World Premiere. Available online.

A Thousand and One / U.S.A. (Director and Screenwriter: A.V. Rockwell, Producers: Eddie Vaisman, Julia Lebedev, Lena Waithe, Rishi Rajani, Brad Weston) — Convinced it’s one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online.

U.S. DOCUMENTARY COMPETITION
World-premiere American documentaries that illuminate the ideas, people, and events that shape the present day. Films that have premiered in this category in recent years include Fire of Love, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down the House, One Child Nation, American Factory, Three Identical Strangers, and On Her Shoulders.

AUM: The Cult at the End of the World / U.S.A. (Directors and Producers: Ben Braun, Chiaki Yanagimoto, Producers: Dan Braun, Josh Braun, Rick Brookwell) — On the morning of March 20, 1995, a deadly nerve gas attack in the Tokyo subway sent the nation and its people into chaos. This exploration of Aum Shinrikyo, the cult responsible for the attack, involves the participation of those who lived through the horror as it unfolded. World Premiere. Available online.

Bad Press / U.S.A (Directors: Rebecca Landsberry-Baker, Joe Peeler, Producers: Conrad Beilharz, Garrett F. Baker, Tyler Graim) — When the Muscogee Nation suddenly begins censoring its free press, a rogue reporter fights to expose her government’s corruption in a historic battle that will have ramifications for all of Indian country. World Premiere. Available online.

The Disappearance of Shere Hite / U.S.A. (Director and Producer: Nicole Newnham, Producers: Molly O’Brien, R.J. Cutler, Elise Pearlstein, Kimberley Ferdinando, Trevor Smith) — Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear? World Premiere. Available online.

Going to Mars: The Nikki Giovanni Project / U.S.A. (Directors and Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver) — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online.

Going Varsity in Mariachi / U.S.A. (Directors: Alejandra Vasquez, Sam Osborn, Producers: James Lawler, Luis A. Miranda, Jr., Julia Pontecorvo) — In the competitive world of high school mariachi, the musicians from the South Texas borderlands reign supreme. Under the guidance of coach Abel Acuña, the teenage captains of Edinburg North High School’s acclaimed team must turn a shoestring budget and diverse crew of inexperienced musicians into state champions. World Premiere. Available online.

Joonam / U.S.A. (Director: Sierra Urich, Producer: Keith Wilson) — Spurred by a provocative family memory and a lifetime of separation from the country her mother left behind, a young filmmaker delves into her mother and grandmother’s complicated pasts and her own fractured Iranian identity. World Premiere. Available online.

Little Richard: I Am Everything / U.S.A. (Director and Producer: Lisa Cortés, Producers: Robert Friedman, Liz Yale Marsh, Caryn Capotosto) — This celebration of Little Richard reveals the Black queer origins of rock ’n’ roll, finally exploding the whitewashed canon of American pop music. Through archival and performance footage, the revolutionary icon’s life unspools with all of its switchbacks and contradictions. World Premiere. Available online. DAY ONE

Nam June Paik: Moon is the Oldest TV / U.S.A. (Director and Producer: Amanda Kim, Producers: Amy Hobby, David Koh, Mariko Munro, Jennifer Stockman, Jesse Wann) — The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today’s world. World Premiere. Available online.

A Still Small Voice / U.S.A. (Director and Producer: Luke Lorentzen, Producer: Kellen Quinn) — An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. World Premiere. Available online.

The Stroll / U.S.A. (Directors: Kristen Lovell, Zackary Drucker, Producer: Matt Wolf) — The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights. World Premiere. Available online.

Victim/Suspect / U.S.A. (Director and Producer: Nancy Schwartzman, Producers: Julie Goldman, Christopher Clements, Alice Henty, Rachel de Leon, Amanda Pike) — Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them. World Premiere. Available online.

WORLD CINEMA DRAMATIC COMPETITION
Fiction projects from emerging artists around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include Brian and Charles, Hive, Luzzu, The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident, and Second Mother.

Animalia / France, Morocco, Qatar (Director and Screenwriter: Sofia Alaoui, Producers: Margaux Lorier, Toufik Ayadi, Christophe Barral) — A young, pregnant woman finds emancipation as aliens land in Morocco. Cast: Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou. World Premiere. Available online.

Bad Behaviour / New Zealand (Director and Screenwriter: Alice Englert, Producers: Molly Hallam, Desray Armstrong) — Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. Cast: Jennifer Connelly, Ben Whishaw, Alice Englert, Ana Scotney, Dasha Nekrasova, Marlon Williams. World Premiere. Available online.

Girl / U.K. (Director and Screenwriter: Adura Onashile, Producers: Rosie Crerar, Ciara Barry) — Eleven-year-old Ama and her mother, Grace, take solace in the gentle but isolated world they obsessively create. Ama’s growing up threatens the boundaries of their tenderness and forces Grace to reckon with a past she struggles to forget. Cast: Déborah Lukumuena, Danny Sapani, Le’Shantey Bonsu, Liana Turner. World Premiere. Available online.

Heroic / Mexico, Sweden (Director, Screenwriter, and Producer: David Zonana, Producers: Michel Franco, Eréndira Núñez Larios) — Luis, an 18-year-old boy with Indigenous roots, enters the Heroic Military College in hopes of ensuring a better future. There, he encounters a rigid and institutionally violent system designed to turn him into a perfect soldier. Cast: Santiago Sandoval Carbajal, Fernando Cuautle, Mónica del Carmen, Esteban Caicedo, Carlos Gerardo García, Isabel Yudice. World Premiere. Available online.

MAMACRUZ / Spain (Director and Screenwriter: Patricia Ortega, Screenwriter: José Ortuño, Producer: Olmo Figueredo) — With the help of her newly emigrated daughter, a religious grandmother learns how to use the internet. However, an accidental encounter with pornography poses a dilemma for her. Cast: Kiti Mánver. World Premiere. Available online.

Mami Wata / Nigeria (Director and Screenwriter: C.J. “Fiery” Obasi, Producer: Oge Obasi) — When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land. Cast: Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Emeka Amakeze, Rita Edochie, Tough Bone. World Premiere. Available online.

La Pecera / Puerto Rico, Spain (Director, Screenwriter, and Producer: Glorimar Marrero Sánchez, Producers: Amaya Izquierdo, José Esteban Alenda) — As her cancer spreads, Noelia’s ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after sixty years of military practices. Cast: Isel Rodríguez, Modesto Lacén, Magali Carrasquillo, Maximiliano Rivas, Anamín Santiago, Idenisse Salamán. World Premiere. Available online.

Scrapper / U.K. (Director and Screenwriter: Charlotte Regan, Producer: Theo Barrowclough) — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online.

Shayda / Australia (Director, Screenwriter, and Producer: Noora Niasari, Producer: Vincent Sheehan) — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online. DAY ONE

Slow / Lithuania, Spain, Sweden (Director and Screenwriter: Marija Kavtaradze, Producer: Marija Razgute) — Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy. Cast: Greta Grinevičiūtė, Kęstutis Cicėnas. World Premiere. Available online.

Sorcery / Chile, Mexico, Germany (Director and Screenwriter: Christopher Murray, Screenwriter: Pablo Paredes, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue, Nicolás Celis) — On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organization of sorcerers. Cast: Valentina Véliz, Daniel Antivilo, Sebastian Hulk, Daniel Muñoz. World Premiere. Available online.

When It Melts / Belgium (Director and Screenwriter: Veerle Baetens, Screenwriter: Maarten Loix, Producers: Bart Van Langendonck, Ellen Havenith, Jacques-Henri Bronckart) — Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors. Cast: Charlotte De Bruyne, Rosa Marchant. World Premiere. Available online.

WORLD CINEMA DOCUMENTARY COMPETITION
Documentaries by some of the boldest global filmmakers capturing the world today. Films that have premiered in this category in recent years include All That Breathes, Flee, Honeyland, Sea of Shadows, Shirkers, This Is Home, Last Men in Aleppo, and Hooligan Sparrow.

5 Seasons of Revolution / Germany, Syria, Netherlands, Norway (Director: Lina, Producer: Diana El Jeiroudi) — An aspiring video journalist in her 20s finds herself already facing self-reckoning. Born in Damascus, Syria, Lina starts to report on the events around her until she is compelled to become a war reporter and, later, the unexpected narrator of her own destiny. World Premiere. Available online.

20 Days in Mariupol / Ukraine (Director and Producer: Mstyslav Chernov, Producers: Michelle Mizner, Raney Aronson-Rath, Derl McCrudden) — As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war’s atrocities. World Premiere. Available online.

Against the Tide / India (Director and Producer: Sarvnik Kaur, Producer: Koval Bhatia) — Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families. World Premiere. Available online.

The Eternal Memory / Chile (Director and Producer: Maite Alberdi, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue) — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her. World Premiere. Available online.

Fantastic Machine / Sweden, Denmark (Directors and Producers: Axel Danielson, Maximilien Van Aertryck) — From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity’s unique obsession with the camera’s image and the social consequences that lay ahead. World Premiere. Available online.

Iron Butterflies / Ukraine, Germany (Director: Roman Liubyi, Producers: Andrii Kotliar, Volodymyr Tykhyy, David Armati Lechner, Isabelle Bertolone, Trini Götze) — In summer 2014, sunflower fields and coal mines in eastern Ukraine turned into a 12 square kilometer crime scene. A multi-layered investigation into the downing of flight MH17, in which a butterfly-shaped shrapnel was found in the pilot’s body, implicated the state responsible for a war crime that remains unpunished. World Premiere. Available online.

Is There Anybody Out There? / U.K. (Director: Ella Glendining, Producer: Janine Marmot) — While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism. World Premiere. Available online.

The Longest Goodbye / Israel, Canada (Director and Producer: Ido Mizrahy, Producers: Nir Sa’ar, Paul Cadieux) — Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers. World Premiere. Available online. DAY ONE

Milisuthando / South Africa (Director and Screenwriter: Milisuthando Bongela, Producer: Marion Isaacs) — Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn’t know it was happening until it was over. World Premiere. Available online.

Pianoforte / Poland (Director: Jakub Piątek, Producer: Maciej Kubicki) — Young pianists take part in the legendary International Chopin Piano Competition. A unique chance of a lifetime, portrayed from backstage and set to Chopin’s music. World Premiere. Available online.

Smoke Sauna Sisterhood / Estonia, France, Iceland (Director: Anna Hints, Producer: Marianne Ostrat) — In the darkness of a smoke sauna, women share their innermost secrets and intimate experiences, washing off the shame trapped in their bodies and regaining their strength through a sense of communion. World Premiere. Available online.

Twice Colonized / Greenland, Denmark, Canada (Director: Lin Alluna, Producers: Emile Hertling Péronard, Alethea Arnaquq-Baril, Stacey Aglok MacDonald, Bob Moore) — Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation. But can she both change the world and mend her own wounds? World Premiere. Available online.

NEXT
Visionary works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include A Love Song, RIOTSVILLE, USA, The Infiltrators, Searching, Skate Kitchen, A Ghost Story, and Tangerine. NEXT is presented by Adobe.

Bravo, Burkina! / U.S.A. (Director, Screenwriter, and Producer: Walé Oyéjidé, Producers: Giulia Alagna, Heather Barnes) — A Burkinabé boy flees his village and migrates to Italy. When disillusioned by heartbreak and haunted by memories of home, he travels through time in hope of regaining all he has lost. Cast: Alain Tiendrebeogo, Mousty Mbaye, Noel Minougou, Aissata Deme, Afissatou Coulibaly. World Premiere. Fiction. Available online.

Divinity / U.S.A. (Director, Screenwriter, and Producer: Eddie Alcazar, Producer: Steven Soderbergh) — Two mysterious brothers abduct a mogul during his quest for immortality. Meanwhile, a seductive woman helps them launch a journey of self-discovery. Cast: Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Bella Thorne, Scott Bakula. World Premiere. Fiction. Available online.

Fremont / U.S.A. (Director and Screenwriter: Babak Jalali, Screenwriter: Carolina Cavalli, Producers: Marjaneh Moghimi, Sudnya Shroff, Rachael Fung, George Rush, Chris Martin, Laura Wagner) — Donya works for a Chinese fortune cookie factory in San Francisco. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Cast: Anaita Wali Zada, Jeremy Allen White, Gregg Turkington. World Premiere. Fiction. Available online.

Kim’s Video / U.S.A. (Directors, Screenwriters, and Producers: David Redmon, Ashley Sabin, Producers: Deborah Smith, Dale Smith, Francesco Galavotti, Rebecca Tabasky) — Playing with the forms and tropes of various cinema genres, the filmmaker sets off on a quest to find a legendary lost video collection of 55,000 movies in Sicily. World Premiere. Documentary. Available online. DAY ONE

King Coal / U.S.A. (Director and Producer: Elaine McMillion Sheldon, Producers: Shane Boris, Diane Becker, Peggy Drexler) — The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change. World Premiere. Documentary. Available online.

KOKOMO CITY / U.S.A. (Director and Producer: D. Smith, Producers: Harris Doran, Bill Butler) — Four Black transgender sex workers explore the dichotomy between the Black community and themselves, while confronting issues long avoided. World Premiere. Documentary. Available online.

To Live and Die and Live / U.S.A. (Director, Screenwriter, and Producer: Qasim Basir, Producers: Nina Yang Bongiovi, Forest Whitaker, Amin Joseph, Dana Offenbach, Samantha Basir) — Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task. Cast: Amin Joseph, Skye P. Marshall, Omari Hardwick, Cory Hardrict, Dana Gourrier, Maryam Basir. World Premiere. Fiction. Available online.

The Tuba Thieves / U.S.A. (Director, Screenwriter, and Producer: Alison O’Daniel, Producer: Rachel Nederveld, Wendy Ettinger, Maida Lynn, Su Kim, Maya E. Rudolph) — From 2011 to 2013, tubas were stolen from Los Angeles high schools. This is not a story about thieves or missing tubas. Instead, it asks what it means to listen. World Premiere. Documentary. Available online.

Young. Wild. Free. / U.S.A (Director: Thembi L. Banks, Screenwriters: Juel Taylor, Tony Rettenmaier, Producers: Charles D. King, James Lopez, Poppy Hanks, Tommy Oliver, Baron Davis, Tracy “Twinkie” Byrd) — High school senior Brandon is drowning in responsibilities when his world is turned upside down after being robbed at gunpoint by the girl of his dreams. Cast: Algee Smith, Sanaa Lathan, Sierra Capri, Mike Epps. World Premiere. Fiction. Available online.

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include FRESH, Hereditary, Mandy, Relic, Assassination Nation, and The Babadook.

birth/rebirth / U.S.A. (Director and Screenwriter: Laura Moss, Screenwriter: Brendan J. O’Brien, Producers: Mali Elfman, David Grove Churchill Viste) — A single mother and a childless morgue technician are bound together by their relationship to a little girl they have reanimated from the dead. Cast: Marin Ireland, Judy Reyes, A.J. Lister, Breeda Wool. World Premiere. Fiction. DAY ONE

In My Mother’s Skin / Philippines (Director and Screenwriter: Kenneth Dagatan, Producers: Bradley Liew, Bianca Balbuena, Huang Junxiang, Stefano Centini) — Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Cast: Beauty Gonzalez, Felicity Kyle Napuli, Jasmine Curtis-Smith, James Mavie Estrella, Angeli Bayani. World Premiere. Fiction. Available online.

Infinity Pool / Canada (Director and Screenwriter: Brandon Cronenberg, Producers: Karen Harnisch, Andrew Cividino, Christian Piovesan, Noah Segal, Rob Cotterill, Anita Juka) — James and Em are enjoying an all-inclusive beach vacation when a fatal accident exposes the resort’s perverse subculture of hedonistic tourism, reckless violence, and surreal horrors. Cast: Alexander Skarsgård, Mia Goth, Cleopatra Coleman. World Premiere. Fiction.

My Animal / Canada (Director: Jacqueline Castel, Screenwriter: Jae Matthews, Producers: Andrew Bronfman, Michael Solomon) — Heather, an outcast teenage goalie in a small northern town, falls for newcomer Jonny, an alluring but tormented figure skater. As their relationship deepens, Heather’s growing desires clash with her darkest secret, forcing her to control the animal within. Cast: Bobbi Salvör Menuez, Amandla Stenberg, Stephen McHattie, Heidi von Palleske, Cory Lipman, Joe Apollonio. World Premiere. Fiction.

Onyx the Fortuitous and the Talisman of Souls / U.S.A. (Director, Screenwriter, and Producer: Andrew Bowser, Producers: Clark Baker, Michael Mobley, Olivia Taylor Dudley) — Onyx joins a group of fellow occultists to attend a dark ritual at the mansion of their idol, Bartok. Suspecting Bartok’s nefarious intentions, Onyx is suddenly immersed in a world of monsters, mystery, and mayhem. Cast: Andrew Bowser, Olivia Taylor Dudley, Jeffrey Combs, Ralph Ineson, Rivkah Reyes, T.C. Carson. World Premiere. Fiction. Available online.

Polite Society / U.K. (Director and Screenwriter: Nida Manzoor, Producers: Tim Bevan, Eric Fellner, Olivier Kaempfer, John Pocock) — Aspiring martial artist Ria Khan believes she must save her older sister, Lena, from her impending marriage. With the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood. Cast: Priya Kansara, Ritu Arya, Nimra Bucha, Akshay Khanna, Seraphina Beh, Ella Bruccoleri. World Premiere. Fiction.

Run Rabbit Run / Australia (Director: Daina Reid, Screenwriter: Hannah Kent, Producers: Sarah Shaw, Anna McLeish) — As a fertility doctor, Sarah has a firm understanding of the cycle of life. However, when she is forced to make sense of the increasingly strange behavior of her young daughter, Sarah must challenge her own beliefs and confront a ghost from her past. Cast: Sarah Snook, Lily LaTorre, Damon Herriman, Greta Scacchi. World Premiere. Fiction. Available online. DAY ONE

Talk to Me / Australia (Director and Screenwriter: Danny Philippou, Director: Michael Philippou, Screenwriter: Bill Hinzman, Producers: Samantha Jennings, Kristina Ceyton) — When a group of friends discovers how to conjure spirits using an ancient embalmed hand, they become hooked on the new thrill. Until one of them goes too far and opens the door to the spirit world. Cast: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Zoe Terakes, Otis Dhanji. International Premiere. Fiction.

PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and documentary films of the coming year. Fiction films that have screened in Premieres include Good Luck to You, Leo Grande, Promising Young Woman, Kajillionaire, The Report, Late Night, and The Big Sick. Past documentary films include The Dissident, Lucy and Desi, On the Record, and Miss Americana.

Cassandro / U.S.A (Director and Screenwriter: Roger Ross Williams, Screenwriters: David Teague, Julián Herbert, Producers: Gerardo Gatica, Todd Black, David Bloomfield, Ted Hope, Julie Goldman) — Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character Cassandro, the “Liberace of Lucha Libre.” In the process, he upends not just the macho wrestling world, but also his own life. Cast: Gael García Bernal, Roberta Colindrez, Perla De La Rosa, Joaquín Cosío, Raúl Castillo. World Premiere. Fiction.

Cat Person / France, U.S.A (Director: Susanna Fogel, Screenwriter: Michelle Ashford, Producers: Helen Estabrook, Jeremy Steckler) — College student Margot meets 33-year-old Robert at the movie theater where she works. After a casual flirtation at the concession stand, they carry on conversations through texts. As their perceptions of each other collide, events spiral out of control. Based on The New Yorker short story by Kristen Roupenian. Cast: Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Hope Davis, Fred Melamed, Isabella Rossellini. World Premiere. Fiction. Available online.

Deep Rising / U.S.A (Director and Producer: Matthieu Rytz) — The fate of the planet’s last untouched wilderness, the deep ocean, is under threat as a secretive organization is about to allow massive extraction of seabed metals to address the world’s energy crisis. Narrated by Jason Momoa. World Premiere. Documentary.

The Deepest Breath / U.K, Ireland (Director and Screenwriter: Laura McGann, Producers: John Battsek, Sarah Thomson, Jamie D’Alton, Anne McLoughlin) — A champion freediver and expert safety diver seemed destined for one another despite the different paths they took to meet at the pinnacle of the freediving world. A look at the thrilling rewards — and inescapable risks — of chasing dreams through the depths of the ocean. World Premiere. Documentary.

Drift / France, U.K, Greece (Director and Producer: Anthony Chen, Screenwriters: Susanne Farrell, Alexander Maksik, Producers: Peter Spears, Emilie Georges, Naima Abed, Cynthia Erivo, Solome Williams) — Jacqueline, a young refugee, lands alone and penniless on a Greek island where she tries to survive, then to cope with her past. While gathering her strength, she begins a friendship with a rootless tour guide and together they find the resilience to forge ahead. Cast: Cynthia Erivo, Alia Shawkat, Ibrahima Ba, Honor Swinton Byrne, Zainab Jah, Suzy Bemba. World Premiere. Fiction.

Eileen / U.S.A (Director and Producer: William Oldroyd, Screenwriters and Producers: Luke Goebel, Ottessa Moshfegh, Producers: Anthony Bregman, Stefanie Azpiazu, Peter Cron) — Set during a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path. Based on Ottessa Moshfegh’s award-winning novel. Cast: Thomasin McKenzie, Anne Hathaway, Shea Whigham, Marin Ireland, Owen Teague. World Premiere. Fiction.

Fairyland / U.S.A (Director, Screenwriter, and Producer: Andrew Durham, Producers: Sofia Coppola, Megan Carlson, Siena Oberman, Greg Lauritano, Laure Sudreau) — Set against the backdrop of San Francisco’s vibrant cultural scene in the 1970s and ’80s, chronicling a father-daughter relationship as it evolves from an era of bohemian decadence to the heartbreaking AIDS crisis. Based on the best-selling memoir Fairyland: A Memoir of My Father by Alysia Abbott. Cast: Scoot McNairy, Emilia Jones, Geena Davis, Cody Fern, Adam Lambert, Maria Bakalova. World Premiere. Fiction.

Food and Country / U.S.A (Director and Producer: Laura Gabbert, Producers: Ruth Reichl, Paula P. Manzanedo, Caroline Libresco) — America’s policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country’s broken food system and the innovators risking it all to transform it. World Premiere. Documentary. Available online.

Invisible Beauty / U.S.A (Directors: Bethann Hardison, Frédéric Tcheng, Producer: Lisa Cortés) — Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity. World Premiere. Documentary.

It’s Only Life After All / U.S.A (Director and Producer: Alexandria Bombach, Producers: Kathlyn Horan, Jess Devaney, Anya Rous) — Blending 40 years of home movies, film archives, and intimate present-day vérité, a poignant reflection from Amy Ray and Emily Saliers of iconic folk rock duo Indigo Girls. A timely look into the obstacles, activism, and life lessons of two queer friends who never expected to make it big. World Premiere. Documentary. DAY ONE

Jamojaya / U.S.A (Director, Screenwriter, and Producer: Justin Chon, Screenwriter: Maegan Houang, Producers: Alan Pao, David Matheny, Joseph Dang, Alex Chi, Yama Cibulka, Shaun Sanghani) — A father-son relationship is put to the test when an up-and-coming rapper at the crossroads of his career decides to let go of his manager, who is also his father. This decision forces them to confront the past and figure out what they want of each other. Cast: Brian Imanuel, Yayu A.W. Unru, Kate Lyn Sheil, Henry Ian Cusick, Anthony Kiedis. World Premiere. Fiction. Available online.

Judy Blume Forever / U.S.A (Directors and Producers: Davina Pardo, Leah Wolchok, Producers: Sara Bernstein, Justin Wilkes, Marcella Steingart) — The radical honesty of the books by young adult fiction pioneer Judy Blume changed the way millions of readers understood themselves, their sexuality, and what it meant to grow up, but also led to critical battles against book banning and censorship. World Premiere. Documentary.

Landscape With Invisible Hand / U.S.A (Director and Screenwriter: Cory Finley, Producers: Dede Gardner, Jeremy Kleiner) — When Earth is taken over by aliens who control the economy, a pair of teenagers come up with a plan to save their family. Cast: Tiffany Haddish, Asante Blackk, Kylie Rogers, Josh Hamilton, Michael Gandolfini, William Jackson Harper. World Premiere. Fiction.

A Little Prayer / U.S.A (Director, Screenwriter, and Producer: Angus MacLachlan, Producers: Lauren Vilchik, Max A. Butler) — In the South, a man tests the limits of patriarchal interference to protect his daughter-in-law when he discovers that his son is having an affair. Cast: David Strathairn, Jane Levy, Celia Weston, Will Pullen, Anna Camp, Dascha Polanco. World Premiere. Fiction. Available online.

Murder in Big Horn / U.S.A (Director and Producer: Razelle Benally, Director: Matthew Galkin, Producers: Ivan Macdonald, Ivy Macdonald) — The deaths of a group of Native American women in rural Montana are the focus as Native families, journalists, and local law enforcement reveal a violent crisis set in motion almost 200 years ago. World Premiere. Documentary. Available online.

Passages / France (Director and Screenwriter: Ira Sachs, Screenwriter: Mauricio Zacharias, Producers: Saïd Ben Saïd, Michel Merkt) — An intimate examination of attraction and emotional abuse between men and women. Cast: Franz Rogowski, Ben Whishaw, Adèle Exarchopoulos. World Premiere. Fiction.

PLAN C / U.S.A (Director and Producer: Tracy Droz Tragos) — A hidden grassroots organization doggedly fights to expand access to abortion pills across the United States keeping hope alive during a global pandemic and the fall of Roe v. Wade. World Premiere. Documentary.

The Pod Generation / Belgium, France, U.K (Director and Screenwriter: Sophie Barthes, Producers: Geneviève Lemal, Yann Zenou, Nadia Kamlichi, Martin Metz) — In a not-so-distant future, amid a society madly in love with technology, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy’s wild ride to parenthood in this brave new world. Cast: Emilia Clarke, Chiwetel Ejiofor, Rosalie Craig, Vinette Robinson, Jean-Marc Barr. World Premiere. Fiction. DAY ONE

Pretty Baby: Brooke Shields / U.S.A (Director: Lana Wilson, Producers: Christine O’Malley, Jack Turner) — A galvanizing look at actor, model, and icon Brooke Shields as she transforms from sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world. World Premiere. Documentary.

Radical / U.S.A (Director and Screenwriter: Christopher Zalla, Producers: Ben Odell, Eugenio Derbez, Joshua Davis) — In a Mexican border town plagued by neglect, corruption, and violence, a frustrated teacher tries a radical new method to break through his students’ apathy and unlock their curiosity, their potential… and maybe even their genius. Based on a true story. Cast: Eugenio Derbez, Daniel Haddad, Jenifer Trejo, Mia Fernanda Solis, Danilo Guardiola. World Premiere. Fiction. DAY ONE

Rotting in the Sun / U.S.A (Director and Screenwriter: Sebastian Silva, Screenwriter: Pedro Peirano, Producer: Jacob Wasserman) — After filmmaker Sebastian Silva goes missing in Mexico City, social media celebrity Jordan Firstman begins searching for him, suspecting that the cleaning lady in Sebastian’s building may have something to do with his disappearance. Cast: Jordan Firstman, Catalina Saavedra, Sebastian Silva. World Premiere. Fiction.

Rye Lane / U.K (Director: Raine Allen-Miller, Screenwriters: Nathan Bryon, Tom Melia, Producers: Yvonne Isimeme Ibazebo, Damian Jones) — Two twenty-somethings reeling from bad breakups deal with their nightmare exes and connect over the course of an eventful day in South London. Cast: David Jonsson, Vivian Oparah. World Premiere. Fiction.

Still: A Michael J. Fox Movie / U.S.A (Director and Producer: Davis Guggenheim, Producers: Jonathan King, Annetta Marion, Will Cohen) — The improbable tale of a short kid from a Canadian army base who became the darling of 1980s Hollywood — only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease? World Premiere. Documentary.

You Hurt My Feelings / U.S.A (Director and Screenwriter: Nicole Holofcener, Producers: Stefanie Azpiazu, Anthony Bregman) — A novelist’s longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book. Cast: Julia Louis-Dreyfus, Tobias Menzies, Michaela Watkins, Owen Teague, Arian Moayed. World Premiere. Fiction.

NEW FRONTIER FILMS
New Frontier champions artists who engage in experimental storytelling at the crossroads of film, art, performance, and media technology, showcasing cutting-edge work that explores and evolves cinema culture in today’s rapidly changing landscape. New Frontier is presently in a process of reimagination. This year, we return to our roots to offer a lineup of resonant experimental films.

A Common Sequence / U.S.A (Directors and Producers: Mary Helena Clark and Mike Gibisser, Producer: Graciela Guerrero-Reyes) — An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning. World Premiere. Documentary. Available online.

Gush / U.S.A (Director, Screenwriter, and Producer: Fox Maxy) — An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy. Cast: Michel Sayegh, Ruth Fish, Sergio Mejia, Littlebear Sanchez, No’aash Iswut Peltier, Suavitel Paper. World Premiere. Fiction. Available online.

Last Things / U.S.A, Portugal, France (Director, Screenwriter, and Producer: Deborah Stratman, Producers: Anže Peržin, Gaëlle Boucand) — Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures. World Premiere. Documentary. Available online.

SPOTLIGHT
A tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Worst Person in the World, The Biggest Little Farm, Birds of Passage, The Rider, Ida, and The Lobster.

The Eight Mountains / Italy and Belgium (Directors and Screenwriters: Felix van Groeningen, Charlotte Vandermeersch, Producers: Mario Gianani, Lorenzo Gangarossa) — Pietro spends his childhood summers in the same secluded Italian mountain village where Bruno was raised, in which they form a decades-long friendship. Over the years, their paths diverge as Bruno remains faithful to the mountain while Pietro comes and goes from the city. Cast: Luca Marinelli, Alessandro Borghi, Filippo Timi, Elena Lietti. Fiction. Available online.

L’Immensità / Italy (Director and Screenwriter: Emanuele Crialese, Screenwriter: Francesca Manieri, Vittorio Moroni, Producer: Lorenzo Gangarossa, Mario Gianani — Clara has relocated to Rome with Felice and their three children. From their new apartment, Clara sees a city in transition: an old society washed away by an emerging middle class. The paint is fresh, the perfect appliances like the ones at Appliance Hunter
are new, but expectations around family, desire, and gender remain traditional as ever. Cast: Penélope Cruz, Vincenzo Amato, Luana Giuliani, Patrizio Francioni, Maria Chiara Gorett, Penelope Nieto Conti. North American Premiere. Fiction. Available online. DAY ONE

Joyland / Pakistan (Director and Screenwriter: Saim Sadiq, Producers: Apoorva Guru Charan, Sarmad Sultan Khoosat, Sabiha Sumar, Lauren Mann) — As the Ranas, a happily patriarchal joint family, yearn for the birth of a baby boy to continue the family line, their youngest son secretly joins an erotic dance theater and falls for an ambitious trans starlet. Their impossible love story illuminates the entire family’s desire for a sexual rebellion. Cast: Ali Junejo, Rasti Farooq, Alina Khan, Sarwat Gilani, Sania Saeed, Salmaan Peerzada. Fiction. Available online.

Other People’s Children / France (Director and Screenwriter: Rebecca Zlotowski, Producers: Frederic Jouve, Marie Lecoq — Rachel is 40 years old with no children. She loves her life: her high school students, her friends, her guitar lessons. When she falls in love with Ali, she becomes attached to Leila, his 4-year-old daughter. She loves her like her own, but to love other people’s children is risky. Cast: Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira-Goncalves, Yamée Couture, Michel Zlotowski. U.S. Premiere. Fiction. Available online.

Squaring the Circle (The Story of Hipgnosis) / U.K. (Director: Anton Corbijn, Screenwriter, and Producer: Trish D Chetty, Producers: Ged Doherty, Colin Firth) — An inside look at the studio responsible for some of the most iconic and recognizable album covers of all time. From Pink Floyd’s The Dark Side of the Moon to Led Zeppelin’s Houses of the Holy, the studio ruled the ’70s. Documentary. Available online.

KIDS
This section of the Festival is especially for our youngest independent film fans. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress, and Shaun the Sheep.

Aliens Abducted My Parents and Now I Feel Kinda Left Out / U.S.A. (Director and Producer: Jake Van Wagoner, Screenwriter and Producer: Austin Everett, Producers: Micah Merrill, Maclain Nelson, Jeremy Prusso) — Itsy is new in town and her life seems over until she meets her space-obsessed neighbor Calvin, who believes his parents were abducted by aliens. An aspiring journalist, Itsy decides to write an exposé on Calvin but ends up discovering much more. Cast: Emma Tremblay, Jacob Buster, Will Forte, Elizabeth Mitchell, Kenneth Cummins, Matt Biedel. World Premiere. Fiction. Available online.

The Amazing Maurice / Germany, U.K. (Director: Toby Genkel, Screenwriter: Terry Rossio, Producers: Emely Christians, Andrew Baker, Robert Chandler) — A streetwise cat and his gang of rats who come up with a perfect money-making scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett. Cast: Hugh Laurie, Emilia Clarke, Himesh Patel, Gemma Arterton. North American Premiere. Fiction. Available online.

Blueback / Australia (Director, Screenwriter, and Producer: Robert Connolly, Producers: Liz Kearney, James Grandison) — An intimate mother-daughter relationship is forged by the women’s keen desire to protect the inhabitants of the pristine blue oceans on the Australian coast where they live. Adapted from Tim Winton’s bestselling and critically acclaimed novella. Cast: Mia Wasikowska, Eric Bana, Radha Mitchell, Ilsa Fogg, Liz Alexander, Ariel Donoghue. U.S. Premiere. Fiction. SALT LAKE CITY OPENING NIGHT GALA FILM

The Sundance Film Festival®
The Sundance Film Festival, a program of the nonprofit, Sundance Institute, is the pre-eminent gathering of original storytellers and audiences seeking new voices and fresh perspectives. Since 1985, hundreds of films launched at the Festival have gone on to gain critical acclaim and reach new audiences worldwide. The Festival has introduced some of the most groundbreaking films and episodic works of the past three decades, including Fire of Love, Cha Cha Real Smooth, Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, O.J.: Made in America, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Top of the Lake, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The program consists of fiction and nonfiction features and short films, series and episodic content, emerging media, and performances, as well as conversations, and other events. The Festival takes place both in person in the state of Utah and online, connecting audiences across the U.S. to bold new artists and films. The 2023 Festival takes place January 19–29. Be a part of the Festival at Sundance Film Festival and follow the Festival on Facebook, Instagram, Twitter, and YouTube.

The Festival is a program of the nonprofit Sundance Institute. To date, 2023 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire®, Adobe; Leadership Sponsors – Audible, DIRECTV, Netflix, Omnicom Group, Shutterstock, Stacy’s Pita Chips, United Airlines, XRM Media; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., DoorDash, Dropbox, World of Hyatt®, IMDb, Lyft, MACRO, Rabbit Hole Bourbon & Rye, Stanley, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – IndieWire, Los Angeles Times, NPR, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. festival.sundance.org

Sundance Institute
As a champion and curator of independent stories, the nonprofit Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported and showcased such projects as Summer of Soul (…or, When the Revolution Could Not Be Televised), CODA, Flee, Passing, Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. JoinSundance Institute on Facebook, Instagram, Twitter, and YouTube.

# # #

EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects the information provided directly by the artists. Some artists chose not to self-identify in all data areas.

U.S. COMPETITION:
Dramatic: 61% or 8 of the 13 directors in this year’s U.S. Dramatic Competition identify as women; 61% or 8 of the 13 identify as people of color; 23% or 3 of the 13 identify as LGBTQ+.
Documentary: 63% or 10 of the 16 directors in this year’s U.S. Documentary Competition identify as women; 63% or 10 of the 16 identify as people of color; 13% or 2 of the 16 identify as LGBTQ+; 6% or 1 of the 16 identify as a person with a disability.

WORLD COMPETITION:
Dramatic: 58% or 7 of the 12 directors in the World Dramatic Competition identify as women; 50% or 6 of the 12 identify as people of color; 25% or 3 out of 12 directors identify as LGBTQ+.
Documentary: 46% or 6 of the 13 directors in the World Documentary Competition identify as women; 38% or 5 of the 13 as people of color; 23% or 3 of the 13 identify as LGBTQ+; 8% or 1 of the 13 identify as a person with a disability.

FEATURE FILM SUBMISSIONS: Of the 4,061 feature film submissions, 1,662 were from the U.S. and 2,399 were international; 1,105 (27%) were directed by one or more filmmakers who identify as women; 91 (2%) were directed by one or more filmmakers who identify as nonbinary individuals; 1,676 (41%) were directed by one or more filmmakers who identify as people of color; 547 (13%) were directed by one or more filmmakers who identify as LGBTQ+.

ALL FEATURES: Of the 101 feature films announced so far, 54 (53%) were directed by one or more filmmakers who identify as women; 5 (5%) were directed by one or more filmmakers who identify as nonbinary individuals; 46 (45%) were directed by one or more filmmakers who identify as people of color; 20 (20%) by one or more filmmakers who identify as LGBTQ+; 3 (3%) by one or more filmmakers who identifies as a person with a disability.


 

Beginning this Friday, both in-person in NYC and virtually, The 15th Annual Imagine Science Film Festival is ready to blow your mind.

15th Annual Imagine Science Film Festival
(October 14-21)


Alejandro Loayza Grisi’s Utama opens the festival
with a gala screening at the Museum of the Moving Image


Spotlight screenings include Godard’s classic
Alphaville, Ali Cherri’s The Dam (Le Barrage),
Jacqueline Mills’ Geographies of Solitude,
and Signe Baumane’s My Love Affair with Marriage



This year’s festival is overflowing with cool. Here are a few of the films we’ve previously covered. 

My Love Affair With Marriage

Fire of Love

Maika: The Girl from Another Galaxy 

Of Medicine and Miracles

For more information on this year’s edition, continue below!

 

New York City’s Imagine Science Film Festival
announced the lineup of films and events for the hybrid presentation of its 15 th edition, taking
place October 14-21. Screenings will kick off with the Opening Night presentation of Alejandro
Loayza Grisi’s Utama, and Spotlight Features including a special presentation of Jean-Luc
Godard’s classic Alphaville: The Strange Adventure of Lemmy Caution, Ali Cherri’s The
Dam (Le Barrage), Jacquelyn Mills’ Geographies of Solitude, and Signe Baumane’s My Love
Affair with Marriage. Read More →

Film lovers unite! TIFF 2022 is upon us. Here’s what we’re excited to see. #TIFF22

TORONTO INTERNATIONAL FILM FESTIVAL 2022 has arrived! This year there is a little bit (or a lot) for everyone, from In Conversation With Taylor Swift and a screening of All Too Well: The Short Film on 35mm, Viola Davis in The Woman King, to the Midnight Madness world premiere of Weird: The Al Yankovic Story. TIFF never disappoints and this year, in its 47th edition, the stars come out to entertain the masses. With so many options, here are a few titles we’re keeping our eyes on.


CHARCOAL (PLATFORM SECTION–WORLD PREMIERE)

Brazil, 2022. In a remote area in São Paulo’s countryside, a rural family who lives beside a charcoal factory accepts a proposal to host a mysterious foreigner. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.

Writer-director Carolina Markowicz has had many of her short films play the festival. This will be her feature debut and I cannot wait to experience her storytelling in long form.


BONES OF CROWS (Contemporary World Cinema, World Premiere)

 

Unfolding over 100 years, BONES OF CROWS is a feature film told through the eyes of Cree Matriarch Aline Spears as she survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse.

We’re all aware by now of the horror stories of the children forced to live in Canada’s residential schools. So much so that the Pope apologized for the abuse the children endured after innumerable graves were discovered on the former grounds. Bones of Crows is a vastly important story.

*This program contains scenes that may distress some viewers, especially those who have experienced harm, abuse, violence, and/or intergenerational trauma due to colonial practices.

Support is available 24 hours a day for anyone affected by their experience at residential schools and for those who may be triggered by content dealing with residential schools, child abuse, emotional trauma, and racism. The national Indian Residential Schools Crisis Line is available at 1-866-925-4419.


BROTHER (Special Presentations, World Premiere)
Propelled by the pulsing beats of Toronto’s early hip hop scene, BROTHER is the story of Francis (Aaron Pierre) and Michael (Lamar Johnson), sons of Caribbean immigrants maturing into young men. Director Clement Virgo expertly tackles themes of masculinity, identity and family as a mystery unfolds during the sweltering summer of 1991, and escalating tensions set off a series of events that change the course of the brothers’ lives forever.

Writer-director Clement Virgo brings TIFF audiences a tale more relevant today than ever. A study in grief, Brother is bound to impact viewers is a visceral manner.


DALÍLAND (Gala Presentation, World Premiere, **Closing Night**)
Mary Harron’s DALÍLAND is both a coming of age story and a searing, funny and sympathetic portrait of crisis in the late life of one of the greatest artists of the 20th century. Experienced through the eyes of young gallery assistant James Linton (Christopher Briney) as he is invited into a glamorous new world, audiences will uncover the true Dalí (Sir Ben Kingsley) – the complex, flawed, and deeply human man behind the brilliant paintings, wild theatrics, and iconic mustache and explore his especially tempestuous relationship with Gala (Barbara Sukowa), his wife and muse.\

Sir Ben Kingsley releases Dali from an enigmatic caricature and humanizes the genius, his life, and his work.


THE PEOPLE’S JOKER (Midnight Madness, World Premiere)
After years numbing herself with irony and an inhalant called Smylex, an unfunny aspiring clown grapples with gender identity, first love, and old foes all while founding an illegal comedy theater in Gotham City. It’s a queer coming-of-age Joker Origin story. Completely unlicensed by DC and Warner Brothers. Starring and directed by Vera Drew (“Beef House,” “Who Is America”) and featuring the work of 200 independent artists on three separate continents, all made during a global pandemic!

A queer coming-of-age satire and multi-media extravaganza, this mashup of fandoms I never knew I needed.


MY SAILOR, MY LOVE (Contemporary World Cinema, World Premiere)
MY SAILOR, MY LOVE is a heart-warming drama on timeless love and forgiveness. Howard (James Cosmo) is a retired sailor and widower, his daughter Grace (Catherine Walker) hires a caregiver Annie (Bríd Brennan). Reclusive and stubborn, Howard rejects Annie’s company, but eventually opens his heart and gives final love a chance.

A raw and compelling family drama, My Sailor, My Love is teeming with complexity and outstanding performances.


THE WOMAN KING  (World Premiere — Gala Presentations)

Synopsis: The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the emotionally epic journey of General Nanisca (Oscar®-winner Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…

Listen, if you tell me that Viola Davis is starring in a film, my butt is in a seat. Based on a true story? Well, that’s solidly in Davis’ wheelhouse, but really what isn’t? This is one highly anticipated film already.


ALLELUJAH (SPECIAL PRESENTATIONS)

This glorious reunion of Oscar winner Judi Dench and director Richard Eyre (Notes on a Scandal) is a spirited homage to the idiosyncrasies of old age and the noble fortitude of health-care workers everywhere. Adapted by Heidi Thomas from Alan Bennett’s stage play, Allelujah assembles a stunning ensemble of veteran British actors, including Jennifer Saunders, David Bradley, and Derek Jacobi.

There is every chance this will be an absolute crowd pleaser. The premise alone has me making up scenarios in my head of pure shenanigans. With a hell of a cast, Allelujah cannot go wrong.


FIXATION (Contemporary World Cinema)

Maddie Hasson (Malignant) plays a young woman committed to an unorthodox institution by a pair of enigmatic doctors (Genesis Rodriguez and Stephen McHattie).

Another feature debut from a female filmmaker, Mercedes Bryce Morgan brings to life an ambitious physiological thriller that will mesmerize with wild production design. I don’t think any of us are ready for such treatment. (pun intended)


LIVING (CONTEMPORARY WORLD CINEMA)

In this exquisitely realized remake of Akira Kurosawa’s 1952 film Ikiru, director Oliver Hermanus teams with Nobel- and Booker Prize–winning author Kazuo Ishiguro to renew a classic. LIVING is the story of an ordinary man, reduced by years of oppressive office routine to a shadow existence, who at the eleventh hour makes a supreme effort to turn his dull life into something wonderful – into one he can say has been lived to the full

The magnificent Bill Nighy helms this film about humanity and mortality. With Mothering Sunday vets, cinematographer Jamie Ramsay and production designer Helen Scott, Living will undoubtedly be a feast for the eyes.

THE LOST KING (SPECIAL PRESENTATIONS)

Synopsis: In the archaeological find of a century, the remains of King Richard III — presumed scattered over 500 years ago — were discovered beneath a parking lot in Leicester in 2012. The search had been conceived and motivated by an amateur historian, Philippa Langley, whose passion and unrelenting research were met with skepticism. THE LOST KING is the inspiring true story of a woman who refused to be ignored and who took on Britain’s most eminent historians, forcing them to rethink the legacy of one of the most controversial kings in England’s history. A tale of discovery, obsession, and stolen glory (both then and now), THE LOST KING is a magical adventure illuminated by one woman’s growing sense of purpose.

My husband and I are history nerds. We’ve seen the documentary of this very story and it was nothing short of fascinating. For those who may not know the vile things said about King Richard III, it’s rather shocking. Sally Hawkins is the perfect choice to capture Philippa Langley‘s determined journey to uncover the truth.

MOVING ON (GALA PRESENTATIONS)

Synopsis: Jane Fonda and Lily Tomlin star in this fusion of audacious comedy and bracing drama about estranged pals who are reunited when a beloved mutual friend dies, leaving her widower the target of a revenge plan.

Perhaps some of the most notable chemistry we’ve seen between two women in years bounds off the screen when Lily Tomlin and Jane Fonda work together. These two powerhouse ladies bring heart and humor to a story much more complex than at first sight. TIFF audiences are bound to cheer for Moving On.


ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE (Discovery)

Based on the book by Benjamin Alire Sáenz, two teenage Mexican-American loners in 1987 El Paso explore a new, unusual friendship and the difficult road to self-discovery.

Another female director’s feature debut (in case anyone is counting and cheering along with me), Aristotle and Dante Discover the Secrets of the Universe is more than a queer coming-of-age story. You’d never guess Max Pelayo and Reese Gonzales were first-time leads. Lin-Manuel Miranda joins a powerhouse team of producers after narrating Sáenz‘s audiobook in 2013 and then reading writer-director Aitch Alberto’s screenplay. He knows a little something about quality writing, so his seal of approval is huge.


TIFF 2022 runs from September 8th to the 18th.

For more information on the fest, visit tiff.net


The Disney+ Original Series from National Geographic ‘EPIC ADVENTURES with BERTIE GREGORY’ Premieres Disney+ Day on September 8th

The face of a new generation of aspirational adventurers and natural history filmmakers, 29-year-old National Geographic Explorer Bertie Gregory takes viewers on epic and nail-biting journeys that push into the most spectacular and secretive corners of our wild world!

Armed with leading-edge film technology, the Disney+ original series EPIC ADVENTURES WITH BERTIE GREGORY, from National Geographic, breaks the mold of the traditional natural history program by telling extraordinary, real-life animal stories and taking viewers with him for every beat of the action. For weeks at a time, the charismatic BAFTA Award-winning cinematographer immerses himself into the animals’ lives to capture the untold stories of iconic creatures living in some of the harshest environments on our planet.

This season, we will see Bertie braving the icy worlds of Antarctica in search of the biggest gathering of whales ever filmed and coming face-to-face with specialist buffalo-hunting lions in Zambia. In this multipart adventure series, he will take audiences on an ambitious odyssey across the globe, showcasing the natural world at a time when it faces its greatest challenges.

The series has also been picked up for a second season, which is filming now.


The Disney+ Original Series from National Geographic Premieres Disney+ Day on September 8th

Check out images from Episode 1 “Eagle Reign”


This slideshow requires JavaScript.


About Bertie Gregory
Bertie Gregory, a wildlife filmmaker and photographer in his twenties, channeled his childhood obsession with wildlife into photography. Early in his career, photos from this obsession earned him recognition, including being named a National Geographic Young Explorer, Youth Outdoor Photographer of the Year, and Zenith Scientific Exploration Society Explorer. He began assisting legendary big cat photographer Steve Winter on assignment for National Geographic after graduating with a zoology degree from the University of Bristol in 2014. Bertie has since shot documentaries for Nat Geo WILD (Mumbai’s urban leopards and caiman hunting jaguars) and BBC Planet Earth. Gregory’s first solo assignment for National Geographic, tracking and filming the elusive coastal wolf on Vancouver Island’s west coast, became the basis for Nat Geo WILD’s first digital series, wildlife. All of this happened before his 24th birthday. Bertie has recently completed work on a new National Geographic digital series set in South Georgia. Bertie is the next generation explorer, who is standing on the shoulders of Walt Disney, Marlin Perkins, and David Attenborough, and will take us on an epic and heart-warming journey in this new upcoming series.


 

Film at Lincoln Center announces Currents for the 60th New York Film Festival (September 30–October 16, 2022). #NYFF60

 

FILM AT LINCOLN CENTER ANNOUNCES
CURRENTS FOR THE 60th NEW YORK FILM FESTIVAL

Opening Night João Pedro Rodrigues‘s Will-o’-the-Wisp 

New York, NY (August 18, 2022) – Film at Lincoln Center announces Currents for the 60th New York Film Festival (September 30–October 16, 2022).

“Each Currents lineup is an attempt to distill the spirit of innovation and playfulness in contemporary cinema, and this is, by design, the most expansive section of the festival,” said Dennis Lim, artistic director, New York Film Festival. “There are familiar names here—including multiple filmmakers who will be known to NYFF and FLC audiences—as well as some electrifying new talents, all testing and stretching the possibilities of the medium.”

The Currents slate includes 15 features and 44 short films, representing 23 countries, and complements the Main Slate, tracing a more complete picture of contemporary cinema with an emphasis on new and innovative forms and voices. The section presents a diverse offering of short and feature-length productions by filmmakers and artists working at the vanguard of the medium.

The Opening Night selection is the João Pedro Rodrigues (The Ornithologist, NYFF54) film Will-o’-the-Wisp, a “musical fantasia” about a young prince who shocks his riotously wealthy royal family by becoming a volunteer fireman—both to battle climate change and, it seems, to douse his own dormant desires amidst a bevy of beefcake firefighters. Others include the North American premiere of Human Flowers of Flesh, Helena Wittmann’s depiction of an enigmatic reconfiguration of space and time as Idi (Angeliki Papoulia) follows a crew of French Foreign Legionnaires, fascinated by their male rituals and camaraderie; and the world premiere of Heinz Emigholz’s Slaughterhouses of Modernity, a quiet observation and historical excavation, focusing on creation and destruction in cities and provinces in Argentina, Germany, and Bolivia.

Noteworthy filmmakers whose works will appear in this year’s Currents include Bertrand Bonello with Coma (Berlinale FIPRESCI Prize), a sui generis work of pandemic-era interiority, tracking the anxiety and estrangement of a teenage girl (Louise Labeque, from Bonello’s Zombi Child, NYFF57) who appears to live alone during COVID lockdown; Alain Gomis (Félicité, NYFF55) with Rewind & Play, a subtle yet searing exposé of casual racism using newly discovered footage from the recording of a 1969 French television interview of the legendary jazz pianist Thelonious Monk; artist Mika Rottenberg, whose first feature and collaboration with Mahyad Tousi, Remote, follows the daily routines of a quarantined woman (Okwui Okpokwasili) in her sealed-off, ultra-modern apartment; Ashley McKenzie (Werewolf) with Queens of the Qing Dynasty, which charts the budding friendship of a suicidal teen and a volunteer immigrant hospital worker; Alessandro Comodin (Happy Times Will Come Soon, ND/NF 2017) with The Adventures of Gigi the Law, a slippery, often funny, occasionally surreal slice-of-life portrait of a good-natured, contemplative policeman in a small village in northern Italy; Lebanese visual artist Ali Cherri with The Dam, a debut feature about a bricklayer in northern Sudan that straddles the line between nonfiction naturalism and supernatural mysticism, and merges ancient and contemporary worlds; Abbas Fahdel (Bitter Bread, NYFF57) with Tales of the Purple House, focusing on the experiences of Nour Balllouk, a Lebanese artist living in the house she shares with director Fahdel (her husband, who stays off-screen) in the dramatic mountainous countryside outside of Beirut; and Jonás Trueba (Every Song Talks About Me, 20th Spanish Cinema Now) with You Have to Come and See It, portraying a reunion between two couples for a concert and drinks after they have been kept apart from each other for months by the pandemic and major life changes, which paints an alternately rapturous and neurotic impression of contemporary Western living.

Notable award-winning features in this year’s Currents include The Unstable Object II (winner of the Main Prize at FIDMarseille), Daniel Eisenberg’s dynamic triptych that patiently observes people working at three factories around the world, continued from a project started in 2011; Ruth Beckermann’s Mutzenbacher (Berlinale Encounters Award for Best Film), a playful yet charged project featuring a vast group of men, who volunteered to appear on camera, perched on a floral pink couch in a cavernous abandoned factory, discussing a work of infamous erotica; Gustavo Vinagre’s loose-limbed comic marvel Three Tidy Tigers Tied a Tie Tighter (Berlinale Teddy Award), set during a vibrant São Paulo afternoon amidst a peculiar pandemic that affects people’s short-term memory; and Joana Pimenta and Adirley Queirós’s Dry Ground Burning (Cinéma du Réel Grand Prize), a lightning rod dispatch from contemporary—and maybe future—Brazil, an astonishing mix of documentary and speculative fiction that takes place in the nearly post-apocalyptic environs of the Sol Nascente favela in Brasilia.

World premieres of shorts are abundant in this year’s selection, with new works from Alex Ashe, Mary Helena Clark, Sarah Friedland, Lawrence Abu Hamdan, Mark Jenkin, Josh Kline, Mackie Mallison, Angelo Madsen Minax, Thuy-Han Nguyen-Chi, Dani and Sheilah ReStack, Kim Salac, Joshua Gen Solondz, Courtney Stephens, and Jordan Strafer.

Additional notable voices in the visual arts featured as part of the Currents program include Simon(e) Jaikiriuma Paetau and Natalia Escobar with Aribadawith Aribada, a space between documentary and dreamlike imagery of Colombia’s coffee region; Ellie Ga with Quarries, a potent, digressive triptych of palimpsestic imagery that uncovers various histories of humans’ relationships to stone; Sophia Al-Maria’s oneiric jaunt through an alternative art history, Tiger Strike Red; Fox Maxy’s compelling montage F1ghting Looks Different 2 Me Now, which documents the artist’s homecoming to Mesa Grande, California, ancestral lands of the Mesa Grande band of Iipay/Kumeyaay/Diegueño Mission Indians in what is now called San Diego County; Eva Giolo with The Demands of Ordinary Devotion, a catalog of moments that captures the elegance and banality of creation; and Caroline Poggi and Jonathan Vinel with Watch the Fire or Burn Inside it, a work of noise, pyromania, and rage against a world of concrete. New works are also presented by Meriem Bennani, Lloyd Lee Choi, Sara Cwynar, Charlotte ErcoliArne Hector with Luciana Mazeto, Minze Tummescheit and Vinícius Lopes, and Simón Veléz.

Artists returning to NYFF include Ute Aurand, Alexandra Cuesta, Riccardo Giacconi, Simon Liu, Pablo Mazzolo, Jamil McGinnis, Diane Severin Nguyen, Lois Patiño, Nicolás Pereda, James Richards, Ben Russell, Sylvia Schedelbauer, Tiffany Sia.

Three of this year’s Currents shorts are paired with features from the section: Bi Gan’s A Short Story, preceding Remote; Pedro Neves Marques’s Becoming Male in the Middle Ages, preceding You Have to Come and See It; and Elisabeth Subrinand’s Maria Schneider, preceding Rewind & Play.

Radu Jude (Bad Luck Banging or Loony Porn, NYFF59) revisits the history of the battleship Potemkin—as a comic dialogue between a sculptor and a representative from Romania’s Ministry of Culture, in The Potemkinists, which will screen with a to-be-announced Revivals program.

Finally, this year’s Currents shorts program features a restoration of the Edward Owens film Remembrance: A Portrait Study, depicting the filmmaker’s mother and her friends, arrayed in feather boas and pearls, drinking beer, smoking, gossiping, and posing leisurely in Owens’s ethereal chiaroscuro frames and extravagant superimpositions. Owen’s film will also screen as part of a shorts program in the Revivals section, with information forthcoming in the Revivals announcement.

The Currents selection committee, chaired by Dennis Lim, includes Florence Almozini, Aily Nash, Rachael Rakes, and Tyler Wilson. Nash and Wilson are the head shorts programmers for NYFF. Shelby Shaw and Madeline Whittle are programming assistants for short films, and Micah Gottlieb, Marius Hrdy, Almudena Escobar López, Vikram Murthi, Maxwell Paparella, Mariana Sánchez Bueno and Matthew Thurber are submissions screeners. Violeta Bava, Michelle Carey, Leo Goldsmith, and Gina Telaroli serve as NYFF program advisors.

NYFF60 Currents feature films are sponsored by MUBI, a curated streaming service for award-winning cinema.

Presented by Film at Lincoln Center, the New York Film Festival highlights the best in world cinema and takes place September 30–October 16, 2022. An annual bellwether of the state of cinema that has shaped film culture since 1963, the festival continues an enduring tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent.

As part of its 60th anniversary celebration, the New York Film Festival will offer festival screenings in all five boroughs of New York City in partnership with Alamo Drafthouse Cinema (Staten Island), BAM (Brooklyn Academy of Music) (Brooklyn), the Bronx Museum of the Arts (Bronx), Maysles Documentary Center (Harlem), and the Museum of the Moving Image (Queens). Each venue will present a selection of films throughout the festival; a complete list of films and showtimes will be announced later this month. NYFF60 tickets, including those for partner venue screenings, will go on sale to the General Public on September 19 at noon.

FLC invites audiences to celebrate this milestone anniversary by reflecting on their NYFF experiences with our NYFF Memories survey and by taking part in our Letterboxd Watch Challenge.

Please note: Masks are required for all staff, audiences, and filmmakers at all times in public spaces at FLC indoor spaces. Proof of full vaccination is not required for NYFF60 audiences at FLC indoor spaces, but full vaccination is strongly recommended. Visit filmlinc.org/safety for more information. For health and safety protocols at partner venues, please visit their official websites.

 

Festival Passes are on sale now in limited quantities. NYFF60 single tickets, including those for partner venue screenings, will go on sale to the General Public on Monday, September 19 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. This Friday, August 19, is the last day to secure pre-sale access by becoming a Member––save 30% with the code NYFF60. Support of NYFF benefits Film at Lincoln Center in its nonprofit mission to promote the art and craft of cinema. NYFF60 press and industry accreditation is now open and the application deadline is August 31. NYFF60 volunteer call is now open

 

 

Currents Features:

Opening Night

Will-o’-the-Wisp
João Pedro Rodrigues, 2022, Portugal, 67m
Portuguese with English subtitles
U.S. Premiere
Transgressive queer auteur João Pedro Rodrigues’s outré “musical fantasia” begins in the year 2069, when Portugal’s King Alfredo recalls from his deathbed his erotic exploits and social activism as a fresh-faced, curly-haired prince in the early years of the 21st century. The young man shocks his riotously wealthy royal family by becoming a volunteer fireman—both to do his part for a rural landscape prone to devastating wildfires and, it seems, to douse his own dormant desires amidst a bevy of beefcake firefighters. Rodrigues’s delirious and delicious anything-goes style has never felt more joyous than in this curiously hopeful, sexually frank confection that engages in questions of climate change, racial and economic inequity, and governmental inadequacy, while also indulging in bawdy humor and song-and-dance flights of fancy. A Strand Releasing release.

 

The Adventures of Gigi the Law
Alessandro Comodin, 2022, Italy/France/Belgium, 98m
Italian and Friulian with English subtitles
North American Premiere
Gigi, a good-natured, contemplative policeman in a small village in northern Italy, spends his workdays making inquiries into minor infractions, checking on residents, listening to his car radio, and flirting with a pretty new colleague. Yet even in this uneventful town, there is a dark undercurrent of melancholy, indicated by a wave of recent suicides on the local train tracks. Alessandro Comodin follows his breakthrough shape-shifter Happy Times Will Come Soon with a slippery, often very funny slice-of-life portrait that drifts into occasional glimmers of surreality. Comodin’s brilliantly expressive use of off-screen space unsettles even as it amuses, creating a world whose contours are just barely discernible, whether cloaked in a nighttime thicket of trees or against the bright sun-dappled countryside.

Coma
Bertrand Bonello, 2022, France, 81m
French with English subtitles
North American Premiere
Director Bertrand Bonello (Nocturama) is among his generation’s most accomplished makers of disquieting imagery; his latest, a sui generis work of pandemic-era interiority, functions as an alternately humorous and horrifying sketch of our current existential miasma. This unsettling film tracks the anxiety and estrangement of a teenage girl (Louise Labeque, from Bonello’s Zombi Child) who appears to live alone during COVID lockdown and gradually begins to experience the dissolution of boundaries between her real and imagined zones. Utilizing an array of media—computer animation, Zoom chats, internet video, stop-motion dolls, surveillance footage—the filmmaker constructs a dreamlike limbo that increasingly feels ruled by some invisible supernatural realm. Created as a personal communiqué to the director’s 18-year-old daughter, Coma expresses, poignantly yet without sentimentality, a father’s fears in passing a troubled world along to his child.

The Dam
Ali Cherri, 2022, France/Lebanon/Sudan/Germany/Serbia/Qatar, 80m
Arabic with English subtitles
U.S. Premiere
Maher (Maher El Kahir) works as a bricklayer in northern Sudan, not far from the massive hydroelectric Merowe Dam located on the Nile. He spends his off hours laboring over another, more mysterious building project: a towering creature he’s making out of mud. In his debut feature, Lebanese visual artist Ali Cherri has constructed his own indefinable work, a riveting film that straddles the line between nonfiction naturalism and supernatural mysticism. Co-written with Bertrand Bonello and Geoffroy Grison, The Dam metaphorically evokes the destruction caused by the dam’s creation, while also situating the lives of Maher and his fellow workers against the political backdrop of former Sudan leader Omar al-Bashir’s 2019 military deposition. Cherri merges ancient and contemporary worlds in this meditative film about displacement, illusion, and mythmaking.

Dry Ground Burning
Joana Pimenta and Adirley Queirós, 2022, Brazil, 154m
Portuguese with English subtitles
U.S. Premiere
A lightning rod dispatch from contemporary—and maybe future—Brazil, this astonishing mix of documentary and speculative fiction takes place in the nearly postapocalyptic environs of the Sol Nascente favela in Brasilia. Here, fearsome outlaw Chitara (Joana Darc Furtado) leads an all-female gang that siphons and steals precious oil from the authoritarian, militarized government, while her sister, Léa (Léa Alves da Silva), recently released from prison, is brought into the criminal enterprise. Working together as directors for the first time, Queirós and Pimenta (who served as cinematographer on Queirós’s ethnographic sci-fi Once There Was Brasilia) effortlessly combine dramatized narrative with electrifying captured footage, which integrates the characters into rallies against Bolsonaro and fervent religious services. Presiding over it all are the regal Furtado and da Silva, playing alternate-reality versions of themselves, the fully liberated stars of an epic, hopeful vision. A Grasshopper Film release.

Human Flowers of Flesh
Helena Wittmann, 2022, Germany/France, 106m
English, French, Portuguese, Tamazight, and Serbo-Croatian with English subtitles
North American Premiere
Director and cinematographer Helena Wittmann creates distinctive and unexpected cinematic experiences, dissolving narratives into environments that move to the inexpressible contours of human communication and physicality. In her second feature, following the revelatory, bifurcated Drift, she limns the interior world of Idi (Angeliki Papoulia) by focusing on the external, sensual landscape surrounding her. Fascinated by the male rituals and camaraderie of a crew of French Foreign Legionnaires, Idi follows them on a journey across the Mediterranean, which Wittmann depicts as an enigmatic reconfiguration of space and time, connecting the past and present, body and spirit, earth and water—including, in one remarkable moment, a complete submersion into the sea’s mysterious depths. Human Flowers of Flesh features a cameo from Denis Lavant, in tribute to Claire Denis’s thematically evoked Beau travail, yet Wittmann’s film moves to its own meditative, differently embodied rhythms.

Mutzenbacher
Ruth Beckermann, 2022, Austria, 101m
German with English subtitles
U.S. Premiere
In this playful yet charged project from Austrian filmmaker Ruth Beckermann (The Waldheim Waltz, NYFF56), a vast group of men, from teenage to nonagenarian, have volunteered to appear on camera, perched on a floral pink couch in a cavernous abandoned factory, discussing, and in some cases reading aloud from, a work of infamous erotica. Published anonymously in Vienna at the turn of the 20th century, Josephine Mutzenbacher or The Story of a Viennese Whore, as Told by Herself, graphically details the sexual awakening of a teenage girl. In the voices of these men, who are variously befuddled, defensive, and eager, the book’s explicit content becomes at once absurd, neutralized, and purposefully dislocated. Beckermann uses this controversial text as a catalyst for a surprising, humorous, and nonjudgmental treatise on contemporary male sexual attitudes toward women, fantasy, pornography, and the ever-moving targets of morality.

Queens of the Qing Dynasty
Ashley McKenzie, 2022, Canada, 122m
English, Mandarin Chinese, and Russian with English subtitles
U.S. Premiere
After the latest in a series of suicide attempts, 18-year-old Star (Sarah Walker) wakes up in the hospital and remains dazed and disaffected as doctors and nurses try to rehabilitate, or at least break through to, them. The only person there who is able to penetrate Star’s consciousness is a volunteer named An (Ziyin Zheng), a kind-souled Chinese immigrant who becomes a lifeline for the similarly genderqueer but otherwise radically different Star. Ashley McKenzie’s follow-up to her breakthrough addiction drama Werewolf takes Star and An’s budding friendship as an anchor for something much stranger and more complex than a simple tale of recovery against odds. Instead, this is an aesthetically audacious two-hander constructed of insistent sonic landscapes and visual textures that convey the almost metastatic nature of love. McKenzie’s strategy of expressing her characters’ intense interiority forces normal definitions of space and time to expand and contract.

Remote
Mika Rottenberg and Mahyad Tousi, 2022, U.S., 89m
English, Korean, Persian, Spanish, Croatian, Hindi with English subtitles
Mika Rottenberg’s expansive, often giddily absurd video and installation art in part interrogates our increasing reliance on technology and connection to what we used to call reality. In her first feature, she collaborates with filmmaker Mahyad Tousi on a film she has described as “Jeanne Dielman during a pandemic in the future.” Remote follows the daily routines of a quarantined woman (Okwui Okpokwasili) in her sealed-off, ultra-modern apartment, a paradise of vibrant colors, thriving plant life, and virtual screens. While some unknown global crisis unfolds outside her window, she joins a watch party of women from around the world keen on the same South Korean dog-grooming show, eventually falling down a rabbit hole playing an inexplicable interactive game with them. Rottenberg and Tousi’s film finds new cinematic language to express the desire for physical contact in our increasingly isolated, mediated, and highly consumer-driven environments.

Preceded by:
A Short Story / Po Sui Tai Yang Zhi Xin
Bi Gan, 2022, China, 15m
Mandarin Chinese with English subtitles
North American Premiere
With his signature long-takes and tightly controlled mise-en-scène, Bi Gan weaves a darkly surrealist fairy tale that follows the odyssey of an anthropomorphic feline across the empty cities and fog-bound exurban spaces of contemporary China. In his encounters with a strange cast of characters—a scarecrow, a robot, an amnesiac, a little girl—Black Cat is on a quest to answer a single question: What is the most precious thing in the world?

Rewind & Play
Alain Gomis, 2022, France/Germany, 66m
English and French with English subtitles
In December 1969, Thelonious Monk arrived in Paris for a concert at the tail end of a European tour. While there, the legendary jazz pianist was invited to appear on a television interview program, where he would perform and answer questions in an intimate, one-on-one studio stage. Using newly discovered footage from the recording of the interview, versatile French-Senegalese filmmaker Alain Gomis (whose dazzling music-tinged drama Félicité played in NYFF’s Main Slate in 2017) reveals the troubling dynamic between Monk and his white interviewer, Henri Renaud, and how Monk stands his ground despite being antagonized by Renaud’s trivializing approach. Gomis’s gripping film is a fascinating behind-the-scenes documentary; a subtle yet searing exposé of casual racism; and, above all, a chance to see one of the monumental geniuses of 20th-century music at work.

Preceded by:
Maria Schneider, 1983
Elisabeth Subrin, 2022, France, 25m
English and French with English and French subtitles
Actresses Manal Issa, Aïssa Maïga, and Isabel Sandoval recreate a 1983 French TV interview with Maria Schneider, which takes a turn when she’s asked about the traumatic filming of Last Tango in Paris with Bernardo Bertolucci and Marlon Brando a decade before. Taken together, they not only perform Schneider’s words and gestures, but inhabit them through their own identities—along with all those silenced, before and after.

Slaughterhouses of Modernity
Heinz Emigholz, 2022, Germany, 80m
German with English subtitles
World Premiere
Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

Tales of the Purple House
Abbas Fahdel, 2022, Lebanon/Iraq/France, 184m
Arabic with English subtitles
North American Premiere
Iraqi-French filmmaker Abbas Fahdel, whose Homeland (Iraq Year Zero) (NYFF53) captured everyday experiences of his homelands citizens in the years before and after the U.S. invasion, has returned with another extraordinary, expansive cinematic vision combining images of mundane observation with social and political upheaval. Filmed over more than two years, Tales of the Purple House centers on the experiences of Nour Balllouk, a Lebanese artist living in the house she shares with Fahdel (her husband, who stays off-screen) in the dramatic mountainous countryside outside of Beirut. As she works on her latest paintings, communes with stray cats, and bonds with Syrian refugee neighbors, the nation struggles with turmoil, from the breakout of the COVID pandemic to citizens protesting the corruption of the political elite to ongoing violent attacks from neighboring Israel; meanwhile, the vibrant beauty of their home and its surroundings provides solace and regeneration. With the simplest of brushstrokes, Fahdel’s meditative film captures the creation of art amidst pain, the ongoing hope for revolution, and the struggle to live in the present while constantly bearing witness to the past.

Three Tidy Tigers Tied a Tie Tighter
Gustavo Vinagre, 2022, Brazil, 84m
Portuguese with English subtitles
A warm, bittersweet queer utopia bursts from the sidelines of Bolsonaro’s Brazil in Gustavo Vinagre’s loose-limbed comic marvel. Set during a peculiar pandemic that affects people’s short-term memory, the film follows a trio of 20-somethings—roommates Isabella (Isabella Pereira) and Pedro (Pedro Ribeiro), and Pedro’s visiting, same-age nephew, Jonata (Jonata Vieira)—as they explore a vibrant São Paulo one sunny afternoon. Lightly but movingly drawing parallels between the AIDS epidemic of the 1980s and ’90s and the governmental treatment of disease today, Vinagre’s film nevertheless provides an ultimately hopeful, even joyous picture of the marginalized, an alt universe of people living both online and IRL, indulging in fantasy and pleasure, and maintaining humor despite the specter of death, past and present. Winner of the Teddy Award for Best LGBTQ-themed Feature at the Berlin Film Festival.

The Unstable Object II
Daniel Eisenberg, 2022, U.S./Germany/France/Turkey, 204m
U.S. Premiere
Continuing a project he began in 2011, filmmaker Daniel Eisenberg presents a dynamic triptych that patiently observes people working at three factories around the world: a prosthetics manufacturer in the German city of Duderstadt, a glove maker in the southern French commune Millau, and a jeans plant in Istanbul. Each discrete section of the film presents a place with its own distinct process and scale of production, yet taken together, they create an indelible image of a global workforce, one that never loses sight of the humans at the center, despite the industrial machines they are often seen operating. Eisenberg’s stationary camera pays close attention to both the individual and the collective, showing the rigorous labor as well as the intricate design and craft that go into every detail, encouraging a rich, active viewership. Winner of the Grand Prix of the International Competition at this year’s FIDMarseille Film Festival.

You Have to Come and See It
Jonás Trueba, 2022, Spain, 64m
Spanish with English subtitles
North American Premiere
Jonás Trueba paints an alternately rapturous and neurotic impression of contemporary Western living in his small-scale yet endlessly rich new feature. Two couples reunite for a concert and drinks after they have been kept apart from each other for months by the pandemic and major life changes. During two movements, in winter and summer, set in Madrid and in the countryside, Trueba allows us to eavesdrop on conversations that subtly reveal their emotional and intellectual lives, personal resentments and fears, and ruminations on our modern political limbo. Trueba’s gentle, clear-eyed film is both a cosmopolitan fable and a return to nature, buoyed by a chorus of living artists and philosophers—pianist and composer Chano Domínguez, cultural theorist Peter Sloterdijk, poet Olvido García Valdes—whose words and music are as integral to the overall experience as the characters’ enveloping dialogue.

Preceded by:
Becoming Male in the Middle Ages / Tornar-se um Homem na Idade Média
Pedro Neves Marques, 2022, Portugal, 22m
Portuguese with English subtitles
U.S. Premiere
Two couples, two quandaries of parenthood and age: a straight couple struggle with infertility and its possible environmental causes, while Vicente undergoes an experimental procedure to implant an ovary in his body so that he and his partner, Carl, can have a biological child. With delicate touches of science fiction, director Pedro Neves Marques explores the bleeding edge of the biopolitics of reproduction and the normative boundaries of the natural and the artificial.

Currents Shorts

 

Program 1: Field Trips
TRT: 78m

Flora
Nicolás Pereda, 2022, Mexico, 11m
World Premiere
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Underground Rivers / Los mayores ríos se deslizan bajo tierra
Simón Veléz, 2022, Colombia, 19m
Spanish with English subtitles
North American Premiere
Omens abound in Simón Veléz’s Underground Rivers, which follows the quotidian journey of a young woman from Medellín’s center to the verdant forests beyond—all captured on grainy, desaturated film stock. Archery, fortunetelling, and even an acting audition figure in this loose itinerary, which eventually circles back to the film’s unsettled beginnings.

Watch the Fire or Burn Inside It / Il faut regarder le feu ou brûler dedans
Caroline Poggi and Jonathan Vinel, 2022, France, 18m
French with English subtitles
U.S. Premiere
As water-bombers fight wildfires scorching the island of Corsica, a young woman learns to embrace the flames in an act of resistance. Part mordant karaoke video, part eco-terrorist manifesto, Watch the Fire or Burn Inside It is a work of noise, pyromania, and rage against a world of concrete.

Aribada
Simon(e) Jaikiriuma Paetau and Natalia Escobar, 2022, Germany/Colombia, 30m
Emberá Chamí with English subtitles
In Aribada, the scintillating color and dreamlike imagery of Colombia’s coffee region become a vivid landscape—a space between documentary and mythology, where Las Traviesas, a group of trans women from the Emberá people share knowledge and reinvent rituals. Here, Aribada, a half-jaguar, half-human monster awakens to the formation of their utopic alliance informed by the power of the jais (spirits).

Program 2: Fault Lines
TRT: 78m

Quarries
Ellie Ga, 2022, U.S., 40m
North American Premiere
In the wake of her brother’s paralysis, artist Ellie Ga traces a psychogeography from New York to the Aegean Sea to Kenya to Lisbon, threading narratives about agency in the face of being forgotten. What results is a potent, digressive triptych of palimpsestic imagery that uncovers various histories of humans’ relationships to stone—from prehistoric tools to stonemasonry. Quarries unfolds through sifting juxtapositions and stories of resistance in unlikely places.

45th Parallel
Lawrence Abu Hamdan, 2022, U.K., 15m
World Premiere
Lawrence Abu Hamdan’s 45th Parallel analyzes the contradictions of borders and the laws that govern the liminal space of the Haskell Free Library and Opera House, a municipal building constructed in 1904 that straddles the U.S.-Canadian border. This peculiar site becomes the stage for an investigative monologue about the 2010 shooting of an unarmed 15-year-old Mexican by a U.S. Border Patrol agent and America’s remote murders-by-drone in Afghanistan, Yemen, and Pakistan.

Tiger Strike Red
Sophia Al-Maria, 2022, U.K., 23m
U.S. Premiere
Remixing the collections of London’s Victoria and Albert Museum, Tiger Strike Red is an oneiric jaunt through an alternative art history that finds playful linkages between classical marble sculpture, Buffy the Vampire Slayer, representations of Judith’s beheading of Holofernes, AI art, and an 18th-century South Indian automaton depicting a tiger mauling a British colonial soldier.

Program 3: Action Figures
TRT: 68m

Fingerpicking / Diteggiatura
Riccardo Giacconi, 2021, Italy, 18m
Italian with English subtitles
North American Premiere
Voiceover narration written by an artificial neural network guides us through the workshop of the Compagnia Marionettistica Carlo Colla e Figli in Milan, one of the oldest puppet theaters in the world. Here, artisans and performers build and manipulate their multitude of phantasmagoric creations, grotesque and uncanny facsimiles of human and animal life.

Glass Life
Sara Cwynar, 2021, Canada, 20m
U.S. Premiere
A swirling constellation of images—press photos, ads, animal pics, fashion shots, Instagram profiles, emojis, book covers, sports footage, selfies, cartoons, and clippings from an art history textbook—unfurl under the bird’s-eye gaze of Sara Cwynar’s Glass Life, which performs a vivisection of contemporary digital culture, plunging us deep into the hermetic pleasures and traps of the infinite scroll.

F1ghting Looks Different 2 Me Now
Fox Maxy, 2022, U.S., 11m
U.S. Premiere
Fox Maxy’s vertiginous montage documents the artist’s homecoming to Mesa Grande, California, ancestral lands of the Mesa Grande Band of Iipay/Kumeyaay/Diegueño Mission Indians in what is now called San Diego County. An exuberant mixtape of songs; portraits of friends, family, animals, and landscapes; and documents of confrontations with tribal cops, F1ghting Looks Different 2 Me Now is an exhilarating, joyful, and relentless disruption. No more drama.

IF REVOLUTION IS A SICKNESS
Diane Severin Nguyen, 2021, U.S./Poland, 19m
A militant K-pop opera set in Warsaw, artist Diane Severin Nguyen’s IF REVOLUTION IS A SICKNESS poses post-socialist theatrics enacted by a new generation whose influences span from Mao to Blackpink. Meshing revolutionary writings with collaboratively choreographed sequences featuring a young Vietnamese girl and a dance troupe of Polish teenagers, Nguyen’s film is a euphoric and paradoxical conflation of socialist and capitalist iconographies and post-Cold War diasporas.

Program 4: Vital Signs
TRT: 71m

Exhibition
Mary Helena Clark, 2022, U.S., 19m
World Premiere
Pivoting between two stories of women and their relationships with objects—a Swedish woman’s marriage to the Berlin Wall, and a suffragette’s hatcheting of Velásquez’s The Toilet of Venus—Mary Helena Clark’s Exhibition is a maze-like tour through images and artifacts, a dense cryptography of the forms and objects that hold us in.

Remembrance: A Portrait Study
Edward Owens, 1967, U.S., 16mm, 6m
As a gay African-American 18-year-old filmmaker, Edward Owens was a marginal figure in the New York avant-garde of the late 1960s. One of his four completed films, Remembrance: A Portrait Study (1967) depicts the filmmaker’s mother and her friends, arrayed in feather boas and pearls, drinking beer, smoking, gossiping, and posing leisurely in Owens’s ethereal chiaroscuro frames and extravagant superimpositions. A program of Edward Owens’s films will also screen in the Revivals section to be announced at a future date.

Restored by Chicago Film Society, The New American Cinema Group, Inc./The Film-Makers’ Cooperative, and the John M. Flaxman Library at the School of the Art Institute of Chicago with the support of the National Film Preservation Foundation’s Avant-Garde Masters Grant Program and the Film Foundation. Funding provided by the Hobson/Lucas Family Foundation.

PEAK HEAVEN LOVE FOREVER
Jordan Strafer, 2022, U.S., 21m
World Premiere
A private jet over the Atlantic Ocean, in which a family transports their ailing patriarch, becomes the stage, alternately, for ebullient musical theater and morbid fantasies. With its opulent production design, sinister soundscapes, and its flair for the grotesque, Jordan Strafer’s PEAK HEAVEN LOVE FOREVER is a psychodrama in miniature.

NE Corridor
Joshua Gen Solondz, 2022, U.S., 35mm, 7m
World Premiere
Accumulated over three years, Joshua Gen Solondz’s film is a crowded collage of gurgling paint, jagged splices, errant sprocket holes, and puzzling images that conjure the densely material frames of the late queer avant-garde filmmaker Luther Price. A messy assemblage in purples and oranges, NE Corridor is at once a visceral explosion of color and a tortured object.

Qualities Of Life: Living in the Radiant Cold
James Richards, 2022, Germany, 18m
U.S. Premiere
James Richards’ Qualities of Life: Living in the Radiant Cold is a descent into a maelstrom of images and objects—from glitched medical optics, photos from the archive of Horst Ademeit, who documented the impact of radiation on his body, to Richards’ own collection of erotic objects, drug paraphernalia, and other ephemera that swim in a dark techno-pharmacological miasma.

Program 5: After Utopia
TRT: 75m

Adaptation
Josh Kline, 2022, U.S., 11m
World Premiere
The setting for Josh Kline’s Adaptation is the contaminated canyons of a flooded New York City in the near future—here rendered with resolutely analog special effects, including matte shots and scale models. Amid the ruins, life and work continue, as the city’s remaining relief workers adapt to the strange beauty of their newly transformed home and the consequences of a slow, preventable apocalypse.

urban solutions
Arne Hector, Luciana Mazeto, Minze Tummescheit, and Vinícius Lopes, 2022, Germany/Brazil, 16mm, 30m
Portuguese and German with English subtitles
North American Premiere
A German artist on a picturesque journey to Brazil ruminates on the country’s lush floral beauty and its orderly architectures of civilization and security, as apartment complex doormen reflect on their experiences as caretakers, security guards, and confidants for the rich. Shot in vivid 16mm, urban solutions builds a complex, multi-perspectival portrait of the country’s class inequities, in which insurgent energies of the colonial past begin to break through its pristine surfaces.

Life on the CAPS
Meriem Bennani, 2022, Morocco/U.S., 34m
English and Arabic with English subtitles
Interweaving live action and computer graphics, and blending the aesthetics of documentary, music video, surveillance, and viral videos, Meriem Bennani constructs a rich, disorienting vision of a dystopian future on CAPS, a fictional migrant enclave located somewhere in the middle of the Atlantic Ocean. Featuring a score by Fatima Al Qadiri, Life on the CAPS is a vibrant and intricately layered audiovisual commentary on the meaning of data, diaspora, and collective resistance.

Program 6: Inside Voices
TRT: 77m

Bigger on the Inside
Angelo Madsen Minax, 2022, U.S., 12m
U.S. Premiere
Outer and inner space collapse in Angelo Madsen Minax’s cosmic essay film, which diffracts feelings, memories, and longings during a blurry sojourn in a remote cabin in the woods. Looking at the stars, flirting with guys on dating apps, taking ketamine (or not), and watching YouTube lecture videos, Minax draws a warped cartography of desire and distance.

The Sky’s In There
Dani and Sheilah ReStack, 2022, U.S., 11m
World Premiere
In Dani and Sheilah ReStack’s intimate album of sensations, the camera becomes a communal tool, weaving between domestic scenes with children, friends, animals, and collaborators, miniature art worlds, and abstracted natural formations. Threading these scenes with their trademark strategies of feral domesticity, these quotidian spaces of play and repose become models of transformation, experience, and care.

Lesser Choices
Courtney Stephens, 2022, U.S., 8m
World Premiere
The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Diana, Diana
Kim Salac, 2022, U.S., 10m
English and Tagalog with English subtitles
World Premiere
In this fractured double-portrait, artist Kim Salac superimposes the story of Princess Diana onto images and narratives drawn from their mother’s life. Through palimpsests of voices and images, the artist’s own dance performances, and archival interviews with the princess just before her divorce, Diana, Diana meditates on iconography and celebrity, globalization and colonization, and women’s shared struggle for autonomy across class lines.

It Smells Like Springtime
Mackie Mallison, 2022, U.S., 16m
Chinese, English, and Japanese with English subtitles
World Premiere
Through family conversations, home movies, still-lifes, and portraiture, Mackie Mallison’s It Smells Like Springtime explores the complexity of Asian-American identity and experience in dialogue with the artist and jeweler Ada Chen and a riotous cadre of kids. Together, they grapple with their ties to their family’s homelands, the paradoxes of representation, and their sense of belonging.

Into The Violet Belly
Thuy-Han Nguyen-Chi, 2022, Belgium/Germany/Iceland/Malta/Denmark, 20m
Vietnamese and English with English subtitles
World Premiere
Interweaving family lore, mythology, science fiction, and digital abstraction, Thuy-Han Nguyen-Chi’s film follows the collaboration between the artist and her mother, Thuyen Hoa, who fled Vietnam after the end of the American War via a near-calamitous sea journey. Oscillating between voices, visual registers, and timescales—was it seven months or seven thousand years?— Into The Violet Belly offers up an image of its multiplicitous structure: a massive digital swarm, tiny avatars of migrating bodies, swimming in an infinite blue.

Program 7: Ordinary Devotion
TRT: 73m

The Demands of Ordinary Devotion
Eva Giolo, 2022, Belgium, 12m
U.S. Premiere
Flipping a coin, pumping a breast, hand-rolling pasta, winding a Bolex: The Demands of Ordinary Devotion is an accumulation of small gestures, ordinary affects, and cryptic rites—a catalog of moments that captures the elegance and the banality of creation, which Eva Giolo documents through juxtapositions of rich 16mm images and precise sonic events.

Renate
Ute Aurand, 2021, Germany, 16mm, 6m
North American Premiere
Ute Aurand’s delicate portrait of her friend and fellow filmmaker Renate Sami is rich with quiet micro-events, intimating a wealth of shared histories, songs, and readings (including an untranslated passage from the Austrian poet Friederike Mayröcker’s Stillleben), and evoking the fragile beauty of the present.

Lungta
Alexandra Cuesta, 2022, Mexico/Ecuador, 10m
Alexandra Cuesta’s enigmatic film derives its title from the mythical Tibetan creature (literally, “wind horse”) that symbolizes the air or spirit within the body. Combining sound artist’s Martín Baus’s distorted aerophonic score with blurred 16mm footage, Lungta foregrounds the material substructure of the filmic process while invoking the history of Muybridge’s earliest experiments in chronophotography, which gave motion to still images for the first time.

The Newest Olds
Pablo Mazzolo, 2022, Argentina/Canada, 35mm, 15m
U.S. Premiere
Through his deft hand-processing and manipulation of 35mm film stock, Pablo Mazzolo creates a kaleidoscopic landscape study of sites in and around the transborder agglomeration of Detroit, Michigan, and Windsor, Ontario. Transforming this space into a pulsating environment of liquid terrain, volatile abstraction, and an ever-changing color palette, The Newest Olds also draws on archival sound and field recording to reveal the two cities’ energies of uncertainty and unrest.

Devil’s Peak
Simon Liu, 2022, Hong Kong/U.S., 30m
North American Premiere
In Devil’s Peak, Simon Liu’s frenetically associative montage and shimmering images map a twisted psychogeography of Hong Kong. What emerges is a dizzying portrait of a metropolis bustling with jagged contrasts: between the shiny objects of capitalist futurism and the past’s ghostly whispers, between gestures of resistance and forces of suppression.

Program 8: Time Out of Mind
TRT: 76m

Against Time
Ben Russell, 2022, France, 23m
A fractal almanac, Ben Russell’s Against Time begins in reverse as a means of moving forward. An homage to the late filmmaker Jonathan Schwartz, and filmed between the Carpathian Mountains, Vilnius punk clubs, a Belarusian Independence Day celebration, and Marseille, it hovers in a limbo of drone and fog, then descends into stroboscopic clusters of moments and movements.

In the Beginning, Woman Was the Sun
Sylvia Schedelbauer, 2022, Germany, 18m
Japanese with English subtitles
North American Premiere
Borrowing its title from the memoir of early Japanese suffragette Hiratsuka Raichō, In the Beginning, Woman Was the Sun plunges deep into an oceanic vortex of saturated color and fleeting archival images, conjuring moments from the history of Japanese women’s movements in a headlong montage of bodies in protest, pulsating into abstraction.

What Rules The Invisible
Tiffany Sia, 2022, U.S., 10m
U.S. Premiere
Through archival travelogue footage of Hong Kong and family stories from her mother, Tiffany Sia explores Hong Kong’s tangled colonial histories in What Rules the Invisible. Appropriating and reframing the home movies’ voyeuristic images, the filmmaker finds small disruptions, returned gazes, and the ghostly residue of past resistance left undocumented.

The Sower of Stars / El sembrador de estrellas
Lois Patiño, 2022, Spain, 25m
Japanese with English subtitles
Intricate composite patterns of tiny, dazzling lights break through the inky blackness of night in Lois Patiño’s dream-like Tokyo nocturne. Narrated in dialogue by disembodied voices meditating on the qualities of color, light, and silence, The Sower of Stars is a minor-key city symphony in which the dense metropolis, viewed from afar, becomes a quiet atmosphere of twinkling electronics, snaking reflections, and liquid stars.

Program 9: New York Shorts
TRT: 87m

Same Old
Lloyd Lee Choi, 2022, U.S., 15m
Mandarin Chinese and English with English subtitles
In post-pandemic Manhattan, a Chinese immigrant works nights as a delivery worker, until his world begins to unravel: his e-bike is stolen, and with it his livelihood. In inky night scenes and desaturated neon, director Lloyd Lee Choi captures the precarity of life on the city’s social and economic margins.

Trust Exercises
Sarah Friedland, 2022, U.S., 25m
World Premiere
Experimental dance and corporate management workshops intersect in Sarah Friedland’s Trust Exercises, which connects three spaces—a rehearsal studio, a company team-building retreat, and a bodywork session—in which participants learn to move together. In these complementary zones, the business and social worlds merge in the complex orchestration of rhythm and play.

29 Hour Long Birthday
Mark Jenkin, 2022, U.K., 6m
World Premiere
British filmmaker Mark Jenkin (whose latest feature Enys Men is part of this year’s Main Slate) mails this postcard from a melancholic holiday in New York and its environs, rendering the city in grainy monochrome Super 8 and a familiar urban soundtrack of jackhammers and traffic hum. In voiceover, the filmmaker relates his experiences of celeb-spotting and visiting movie locales, buying overpriced essentials, and counting MAGA bumper stickers on Long Island.

Magic Ring
Alex Ashe, 2022, U.S., 16m
World Premiere
Slipping between planes of consciousness and existence, filmmaker Alex Ashe’s Magic Ring is a work of both subdued tenderness and wry comic surrealism in which an armed pursuit in Brooklyn results in a series of out-of-body experiences: a mystical encounter in a book shop, a chat with an ancestral spirit, a whole life flashing by in an instant.

Little Jerry
Charlotte Ercoli, 2022, U.S., 11m
Channeling the pure chaos of Jerry Lewis and the Three Stooges with jerky rhythms and discomfiting smashcuts, Charlotte Ercoli’s Little Jerry tells the deranged showbiz tale of the frenzied, dysfunctional, jealous relationship between a puppet comedian (played by viral video icon Douglas Levison) and his jittery, incompetent assistant, who is also his son.

as time passes
Jamil McGinnis, 2022, U.S./Turkey, 14m
Turkish, English, and Persian with English subtitles
North American Premiere
as time passes assembles images and memories in a lyrical film-diary through which director Jamil McGinnis traces and retraces linkages between his mother’s home city of Lüleburgaz, Turkey, and his home in Crown Heights. Remixing home movies, original 16mm footage, and appropriated film and video clips, the film maps a deeply rooted landscape of shared emotion and existence.

Screening with a to-be-announced Revivals program
The Potemkinists / Potemkiniștii
Radu Jude, 2022, Romania, 18m
Romanian and Russian with English subtitles
North American Premiere
Radu Jude revisits the history of the battleship Potemkin—the source story for Sergei Eisenstein’s classic 1925 work of Soviet montage—as a comic dialogue between a sculptor and a representative from Romania’s Ministry of Culture about cinema, monument-making, and art’s conflicted role in the continual revisionism of history.

 

FILM AT LINCOLN CENTER

Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.

Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; and the presentation of podcasts, talks, special events, and artist initiatives. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned Lincoln Center arts complex, making the discussion and appreciation of cinema accessible to a broad audience and ensuring that it remains an essential art form for years to come.

Support for the New York Film Festival is generously provided by Official Partner Campari®; Benefactor Partners Netflix and Citi; Supporting Partners Bloomberg Philanthropies, Topic Studios, and Hearst; Contributing Partners Dolby, Turner Classic Movies (TCM), MUBI, NYC Mayor’s Office of Media and Entertainment, Manhattan Portage, and Unifrance; and Media Partners VarietyDeadline Hollywood, WABC-TV, The WNET Group, WNYC, and Shutterstock. American Airlines is the Official Airline of Film at Lincoln Center.

FILM AT LINCOLN CENTER ANNOUNCES SPOTLIGHT FOR THE 60th NEW YORK FILM FESTIVAL

FILM AT LINCOLN CENTER ANNOUNCES

SPOTLIGHT FOR

THE 60th NEW YORK FILM FESTIVAL

World premieres are
Maria Schrader’s She Said
Chinonye Chukwu’s Till
Elvis Mitchell’s Is That Black Enough for You?!?
James Ivory and Giles Gardner’s A Cooler Climate
Martin Scorsese and David Tedeschi’s Personality Crisis: One Night Only
New works by Marco Bellocchio, Annie Ernaux and David Ernaux-Briot, Luca Guadagnino, Sarah Polley, Chris Smith, and Lars von Trier
50th-anniversary presentation of Andrei Tarkovsky’s Solaris with live musical accompaniment by Matthew Nolan and Stephen Shannon

 

 New York, NY (August 16, 2022) – Film at Lincoln Center announces Spotlight for the 60th New York Film Festival (September 30–October 16, 2022). The Spotlight section is NYFF’s showcase of the season’s most anticipated and significant films.

“Ranging from illuminating portraits and affecting personal stories to uncomfortable histories that ignite change, the third edition of our NYFF Spotlight section is a curated mix of world premieres, films by acclaimed auteurs, a selection of must-see documentaries, as well as a one-of-a-kind evening of film and music,” said Eugene Hernandez, executive director of the New York Film Festival. “Our aim once again with Spotlight is to engage, enlighten, and entertain.”

The Spotlight world premieres are Maria Schrader’s drama She Said, detailing the New York Times investigation that uncovered decades of sexual harassment and assault in Hollywood; Chinonye Chukwu’s Till, the story of Mamie Till-Mobley, the Chicago woman whose son, Emmett Till, was lynched while visiting cousins in Mississippi in 1955; American film critic Elvis Mitchell’s Is That Black Enough for You?!?, a kaleidoscopic documentary that creates a definitive narrative of the Black revolution in 1970s cinema; A Cooler Climate, Academy Award®-winning filmmaker James Ivory and Giles Gardner’s deeply personal new documentary that uncovers boxes of film Ivory shot during a life-changing trip to Afghanistan in 1960; and Personality Crisis: One Night Only, Martin Scorsese and David Tedeschi’s documentary featuring a man who, like Scorsese, is a New York institution, entertainer David Johansen, singer-songwriter of the 1970s glam punk groundbreakers the New York Dolls, and his reinvention as hepcat lounge lizard Buster Poindexter.

Additional highlights include Bones and All, Luca Guadagnino’s work of both tender fragility and feral intensity, featuring Taylor Russell and Timothée Chalamet as lovers with insatiable, dangerous desires; Marco Bellocchio’s Exterior Night, a monumental six-part series about the kidnapping and eventual murder of the Italy’s influential statesman and former prime minister Aldo Moro by the leftist Red Brigades; Lars von Trier’s The Kingdom Exodus, a third season of his incomparable television series, The Kingdom, with all five parts presented on the big screen; Chris Smith’s “Sr.”, a tender yet fittingly irreverent portrait of the life and career of Robert Downey, Sr., a collaboration between the celebrated director, the subject’s son, Robert Downey, Jr., and the man himself, who passed away in 2021; and The Super 8 Years, a delicate journey into author Annie Ernaux’s family’s memory, compiled from gorgeously textured home movie images taken from 1972 to 1981; and Sarah Polley’s Women Talking, her screen adaptation of Miriam Toews’s acclaimed novel about a group of women from a remote religious community dealing with the aftermath of sexual assault.

Rounding out this year’s Spotlight slate is the 50th-anniversary presentation of Andrei Tarkovsky’s Solaris, often described as a Soviet response to Stanley Kubrick’s 2001: A Space Odyssey and an enigmatic work of startling beauty and depth. This anniversary screening features a live newly created score by Matthew Nolan and Stephen Shannon.

Presented by Film at Lincoln Center, the New York Film Festival highlights the best in world cinema and takes place September 30–October 16, 2022. An annual bellwether of the state of cinema that has shaped film culture since 1963, the festival continues an enduring tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent.

As part of its 60th-anniversary celebration, the New York Film Festival will offer festival screenings in all five boroughs of New York City in partnership with Alamo Drafthouse Cinema (Staten Island), BAM (Brooklyn Academy of Music) (Brooklyn), the Bronx Museum of the Arts (Bronx), Maysles Documentary Center (Harlem), and the Museum of the Moving Image (Queens). Each venue will present a selection of films throughout the festival; a complete list of films and showtimes will be announced later this month. NYFF60 tickets, including those for partner venue screenings, will go on sale to the General Public on September 19 at noon.

FLC invites audiences to celebrate this milestone anniversary by reflecting on their NYFF experiences with our NYFF Memories survey and by taking part in our Letterboxd Watch Challenge.

Please note: Masks are required for all staff, audiences, and filmmakers at all times in public spaces at FLC indoor spaces. Proof of full vaccination is not required for NYFF60 audiences at FLC indoor spaces, but full vaccination is strongly recommended. Visit filmlinc.org/safety for more information. For health and safety protocols at partner venues, please visit their official websites.

Festival Passes are on sale now in limited quantities. NYFF60 single tickets, including those for partner venue screenings, will go on sale to the General Public on Monday, September 19 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. This Friday, August 19, is the last day to secure pre-sale access by becoming a Member––save 30% with the code NYFF60. Support of NYFF benefits Film at Lincoln Center in its nonprofit mission to promote the art and craft of cinema. NYFF60 press and industry accreditation is now open and the application deadline is August 31. NYFF60 volunteer call is now open.


FILMS & DESCRIPTIONS

Bones and All

Luca Guadagnino, 2022, U.S., 130m

In a startling, star-making performance, Taylor Russell plays Maren, a teenager who has just moved to a small town in Virginia with her father (André Holland). However, it’s only a matter of time before the frightening secret Maren harbors is revealed and she must hit the road again—on her own. Soon, she meets another young drifter, Lee (Timothée Chalamet), who understands her more than anyone she’s ever met, and the two set out on a cross-country journey, satiating their dangerous desires and reckoning with their tragic pasts. Adapting a novel by Camille DeAngelis, director Luca Guadagnino (Call Me by Your Name) has crafted a work of both tender fragility and feral intensity, setting corporeal horror and runaway romance against vividly textured Americana and featuring fully inhabited supporting turns from Mark Rylance, Michael Stuhlbarg, Jessica Harper, Chloë Sevigny, and Anna Cobb. A United Artists release.

A Cooler Climate

James Ivory and Giles Gardner, 2022, U.K., 75m

World Premiere

In this deeply personal new documentary from James Ivory, the Academy Award®-winning filmmaker uncovers boxes of film he shot during a life-changing trip to Afghanistan in 1960. This glorious color footage unleashes a Proustian reverie during which Ivory recounts his life as a traveler, outsider, and artist. Alternating between the incredible moving images he recorded as a curious visitor in Kabul and Bamiyan and his own personal story growing up in Oregon, coming to terms with his own sexual identity and embarking on what would become a legendary cinematic career, Ivory has made a film—co-directed with Giles Gardner and featuring music by Alexandre Desplat—about the voyages we all take, around the globe and within our own interior landscapes.

Exterior Night

Marco Bellocchio, 2022, Italy, 328m

Italian with English subtitles

U.S. Premiere

The indefatigable Marco Bellocchio, whose last fiction feature at NYFF was his riveting mafia crime drama The Traitor, has directed a monumental six-part series about a shocking event that rocked Italy in the late 1970s: the kidnapping and eventual murder of the country’s influential statesman and former prime minister Aldo Moro by the leftist Red Brigades. It’s a subject that Bellocchio has explored before (Good Morning, Night) but not in the extensive, gripping detail seen here. Taking a prismatic approach, which allows him to feature the perspectives of all the incident’s major players and negotiators, including the politicians, the clergy, and the terrorists, Bellocchio gives a sense of both the incremental tension and the political frenzy that occurred during and after, forever changing the relationship between the country’s Communist and Christian Democratic parties. The extraordinary cast includes Fabrizio Gifuni as Moro, Toni Servillo as Pope Paul VI, Fausto Russo Alesi as Prime Minister Francesco Cossiga, and Daniela Marra as kidnapper Adriana Faranda.

Is That Black Enough for You?!?

Elvis Mitchell, 2022, U.S., 135m

World Premiere

American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title references a recurring line from Ossie Davis’s 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback’s Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell’s customary verve and perspicacity. This is a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release.

The Kingdom Exodus

Lars von Trier, 2022, Denmark, 291m

Danish, English, Swedish with English subtitles

U.S. Premiere

Lars von Trier has directed a third season of his incomparable television series, The Kingdom, which began in 1994 and helped establish the Danish filmmaker’s reputation for jolting imagery and penchant for layered, unpredictable storytelling. The show’s legions of fans will be delighted by his dark-comic return to the misfit world of Copenhagen’s Rigshospitalet, once again ruled equally by sinister supernatural visions and at times hilarious administrative incompetence. This time, the hospital’s workers are aware of having been in a show and complain that the scoundrel Lars von Trier has given them a bad name. Our guides to the increasing madness are Karen (Bødil Jorgensen), a curious somnambulist who voluntarily checks herself in after wandering to the Kingdom in her sleep, and the new Swedish head neurosurgeon, Stig, Jr. (Mikael Persbrandt), desperate to follow in the footsteps of his father, the original series’ dastardly Dr. Stig Helmer. We are pleased to offer the opportunity to theatrically experience all five episodes, featuring the return of such original cast members as Ghita Norby, Peter Mygind, Søren Pilmark, and Udo Kier, as well as appearances from Alexander Skarsgard. A MUBI release.

Personality Crisis: One Night Only

Martin Scorsese and David Tedeschi, 2022, U.S., 120m

World Premiere

Continuing his vibrant and invaluable documentaries about iconic American artists and musicians, such as George Harrison: Living in the Material World, No Direction Home: Bob Dylan, and the Fran Lebowitz portrait Public Speaking, Martin Scorsese turns his camera on another beloved New York institution: the singular David Johansen. Equally celebrated as the lead singer-songwriter of the androgynous 1970s glam punk groundbreakers the New York Dolls and for his complete reinvention as hepcat lounge lizard Buster Poindexter in the 1980s, the chameleonic Johansen has created an entire genre unto himself, combining swing, blues, and rock into something at once mischievous and deeply personal. In Personality Crisis: One Night Only, Scorsese and co-director David Tedeschi (The 50 Year Argument), with the help of cinematographer Ellen Kuras (American Utopia), luminously capture the entertainer’s January 2020 Café Carlyle set, where he performs as Poindexter singing the Johansen songbook, bringing downtown irreverence to this storied uptown joint. Presented alongside new and archival interviews, the concert is marvelously intimate and a testament to both a lost New York and a performer who remains as fresh and exciting as ever. A Showtime release.

She Said

Maria Schrader, U.S., 2022, 135m

World Premiere

In 2017, New York Times reporters Jodi Kantor and Megan Twohey broke a story that would change the world. Uncovering decades of sexual harassment and assault in Hollywood, Kantor and Twohey boldly took on an establishment that had too long been allowed to systematically protect abusers. This thrilling new drama based on Kantor and Twohey’s best-selling book about their hard-fought investigation is directed by Maria Schrader (director of I’m Your Man and the acclaimed TV series Unorthodox) from a screenplay by Rebecca Lenkiewicz (Ida). She Said stars Zoe Kazan and Carey Mulligan in wonderful performances as the two intensely committed reporters whose efforts would ultimately help ignite the #MeToo movement. Schrader’s film, in the tradition of All the President’s Men and Spotlight, is a tribute to the art and importance of investigative journalism, as well as a moving portrait of two women whose personal lives couldn’t be put on hold even as they navigated a labyrinth of NDAs, legal double binds, and frightened witnesses. She Said’s remarkable supporting cast includes Patricia Clarkson, Andre Braugher, Samantha Morton, and Jennifer Ehle. A Universal Pictures release.

Solaris — 50th Anniversary Screening with Live Musical Accompaniment

Andrei Tarkovsky, USSR, 1972, 166m

Russian and German with English subtitles

Possibly the most emotionally devastating science fiction film ever made, Solaris follows scientist Chris Kelvin (Donatas Banionis) as he is sent to a space station whose inhabitants have been attempting to make contact with the mysterious planet Solaris. Often described as a Soviet response to Stanley Kubrick’s 2001: A Space Odyssey, Solaris is an enigmatic work of startling beauty and depth. To mark this seminal film’s 50th anniversary, our special screening features live musical accompaniment by Matthew Nolan and Stephen Shannon. Their newly created score, specially commissioned for the festival, is rooted in both Tarkovsky’s aesthetic and philosophical concerns and in the sonic architecture of Oleg Artemyev’s original soundtrack. This alternative score, with its mesmerizing waves of electronic sounds, brings the core concerns of the film into greater focus, its atmosphere of dread and longing offering a fascinating interpretation of the film’s cryptic emotions. A Janus Films release.

“Sr.”

Chris Smith, 2022, U.S., 89m

Rarely do films about artists allow the kind of poignant intimacy seen in this tender yet fittingly irreverent portrait of the life and career of Robert Downey, Sr., the fearless, visionary American director who set the standard for counterculture comedy in the 1960s and ’70s. An inspired collaboration between celebrated documentarian Chris Smith (American Movie); the subject’s son, Robert Downey, Jr.; and the man himself, who’s occasionally shown working on his own version of the movie we’re watching, “Sr.” functions both as an elegy for the rule-flouting underground icon, who passed away at age 85 in July 2021, and as a testament to his tireless creative spirit. Capturing its subject’s refreshing candor about aging, past struggles with addiction, and the ups and downs of working in Hollywood, Smith’s film is an emotional depiction of a father-son bond that remained strong, pragmatic, and deeply loving to the end.

The Super 8 Years

Annie Ernaux and David Ernaux-Briot, 2022, France, 60m

French with English subtitles

North American Premiere

The French writer Annie Ernaux, whose novels and memoirs have gained her a devoted following (and whose autobiographical L’Événement was adapted just last year into the critically acclaimed film Happening), opens a treasure trove with this delicate journey into her family’s memory. Compiled from gorgeously textured home movie images from 1972 to 1981—when her first books were published, her sons became teenagers, and her husband, Philippe, brought an 8mm film camera everywhere they went—this portrait of a time, place, and moment of personal and political significance takes us from holidays and family rituals in bourgeois suburban France to trips abroad in Albania and Egypt, Spain and the USSR. Supplying her own introspective voiceover, Ernaux and her co-filmmaker, her son David, guide the viewer through fragments of a decade, diffuse and vivid in equal measure. The Super 8 Years is a remarkable visual extension of Ernaux’s ongoing literary project to make sense of the mysterious past and the unknowable future.

Till

Chinonye Chukwu, 2022, U.S., 130m

World Premiere

Chinonye Chukwu’s searing modern-day death-row drama Clemency was one of the most accomplished breakthroughs in recent American cinema. The director has now traveled back to the 1950s to tell the story of Mamie Till-Mobley, the Chicago woman whose son, Emmett Till, was lynched while visiting cousins in Mississippi and whose body became an indelible image of the horrors of American racism. Employing a direct, unflinching, yet sensitive gaze, Chukwu has created the definitive drama of this woman’s grief and resilience, and in an astonishing performance, Danielle Deadwyler captures both a mother’s indescribable heartbreak and her inspiring ascension to the role of civil rights activist. Till is a momentous reminder of an ever-present tragedy, featuring painstaking production design, subtly expressive camera framing and composition, and a note-perfect supporting cast, including Sean Patrick Thomas, Jalyn Hall, Tosin Cole, John Douglas Thompson, Frankie Faison, and Whoopi Goldberg. A United Artists release.

Women Talking

Sarah Polley, 2022, U.S., 104m

Sarah Polley brings ferocious honesty and restrained urgency to her screen adaptation of Miriam Toews’s acclaimed novel about of a group of women from a remote religious community dealing with the aftermath of sexual assault perpetrated by the colony’s men. A film of ideas brought to life by Polley’s imaginative direction and a superb, fine-tuned ensemble cast—including Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey—Women Talking is a deep and searching exploration of self-determination, group responsibility, faith, and forgiveness, philosophically engaging and emotionally rich in equal measure. A United Artists release.

FILM AT LINCOLN CENTER

Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.

Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; and the presentation of podcasts, talks, special events, and artist initiatives. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned Lincoln Center arts complex, making the discussion and appreciation of cinema accessible to a broad audience and ensuring that it remains an essential art form for years to come.

 

Support for the New York Film Festival is generously provided by Official Partner Campari®; Benefactor Partners Netflix and Citi; Contributing Partners Bloomberg Philanthropies, Dolby, Turner Classic Movies (TCM), MUBI, NYC Mayor’s Office of Media and Entertainment, and Manhattan Portage; and Media Partners Variety, The WNET Group, and Shutterstock. American Airlines is the Official Airline of Film at Lincoln Center.


 

SXSW 2022 short film review: Is ‘RADICAL HONESTY’ merely an expression or a way of life?

Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.


At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. Performances are natural and the opening camerawork is fun. It is no surprise that the idea of radical honesty is something we experience more and more now. With the push of social media platforms, everyone is encouraged to share an opinion. Yes, this leads to awareness, self-discovery, and connections across the globe, if we’re talking upsides, only. My Xennial self also understands this to be a potential trap. C’est la vie.

I am excited to see this short get an expansion into series form (which is currently in the works). I anticipate having further investment into the world of Jack and Rachel, and whomever they intend to take along on their “journey of truth.” It’s bound to be a hot mess, in the best way possible. Radical Honesty is a great pairing with Hannah Marks‘ film Mark, Mary, and Some Other People. Modern dating is complicated by a lot more than just email and actually showing up these days. Director Bianca Poletti, and actress and screenwriter Allison Goldfarb nail this idea.


Check out the teaser trailer for the film’s aesthetic.

To learn more about how you can watch Radical Honesty and SXSW22 in general, click here!


Director: Bianca Poletti

Screenwriter: Allison Goldfarb

Principal Cast: Allison Goldfarb, John Hein, Melanie Alexa Buenrostro

Executive Producers: Jacki Calleiro, Mindy Goldberg, Bianca Poletti

Producer: Shayna Gianelli

Cinematographer: Corey C. Waters

Editor: Nina Sacharow

Production By: Epoch Films, Disco Pants Inc

SXSW 2022 review: Teen angst and aliens in the Arctic tundra, ‘SLASH/BACK’ is a culturally cool coming-of-age film from director Nyla Innuksuk.

SLASH/BACK


We can all attest to being bored as teenagers. Even the Arctic tundra might seem uncool when you’re a certain age. SXSW22 feature film Slash/Back follows a group of Inuit girls who’ve had enough of being disregarded. Something is quite wrong in their town. When the adults won’t listen, they take matters into their own hands. Gather your pride, the girls from Pang are about to kick some ass.

The original music by The Halluci Nation and vocal performances by Tanya Tagaq are electrifying. It vibrates off the screen. During the opening credits, I stood up and danced in my kitchen because it was so infectious. The special FX makeup and CGI are startling. But it is the performances from this fresh young cast that pulls you into the narrative. These kids are stars. The emotional upheaval is all too familiar as they struggle with hormones, racism, and, in this instance, aliens. While most of us don’t have the alien experience in our back pocket, we can all agree that pre-teen to teenage years was complicated. The dialogue from writers Nyla Innuksuk (who also directs) and Ryan Cavan almost feels improvised. They have nailed the jargon of youth. The cinematography is breathtaking. Even if the characters aren’t impressed with the landscape, the audience unmistakably experiences the natural grandeur of Pangnirtung.

Pay close attention to the very intentional opening and closing credits as they change from Inuktitut to English. It’s a subtle but powerful statement. Slash/Back is a quirky coming-of-age tale with horror as a catalyst. With elements of The Thing and the energy of Stranger Things, the genre audience will adore this film.



Slash/Back at Online Screening
Mar 14, 9:00am CDT – Mar 16, 9:00am CDT
9:00am10:26am
Availability: United States
Slash/Back at Violet Crown Cinema 1
Mar 14, 2022
3:45pm5:11pm
Slash/Back at Violet Crown Cinema 3
Mar 14, 2022
4:15pm5:41pm
Slash/Back at Stateside Theatre
Mar 17, 2022
6:15pm7:41pm


Director:

Nyla Innuksuk

Executive Producer:

Hussain Amarshi, Neil Mathieson

Producer:

Dan Bekerman, Christopher Yurkovich, Alex Ordanis, Nyla Innuksuk, Stacey Aglok McDonald, Alethea Arnaquq-Baril, Ethan Lazar

Screenwriter:

Nyla Innuksuk, Ryan Cavan

Cinematographer:

Guy Godfree

Editor:

Simone Smith, Todd E. Miller

Production Designer:

Zosia Mackenzie

Sound Designer:

John Loranger

Music:

The Halluci Nation and Michael Brook

Principal Cast:

Tasiana Shirley, Alexis Wolfe, Chelsea Prusky, Frankie Vincent-Wolfe, Nalajoss Ellsworth


 

SXSW 2022 review: Living your best life is triggering in ‘SISSY.’

SISSY

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered


Catty, protective, territorial; girls can be the worst. Mean girls made my life a living hell for years. Everyone I know has a story involving them. SXSW22 Midnighters world premiere SISSY addresses them head-on. 

Slow clap for the editing in SISSY. It is clever and engaging from the beginning. The tension in the script is a deliberate build, sort of like ascending a rollercoaster, knowing that that first drop is coming and will be one many. But there are moments of silliness that cut through the anticipation. Overall a slick structure that never lets up. Trust me when I say you will not see where this leads. The practical FX are so tight I exclaimed, “Oh, F*ck,” at one point. There is no better an endorsement than that. 

The chemistry between Aisha Dee and Hannah Barlow (who co-writes and directs with Kane Senes) is magic. You believe they were best friends when they were twelve. Fast forward 15 years or so, and things look very different in their relationship. But, best friends never really lose their groove. That is until someone comes between them. Aisha Dee is our true leading lady, and she friggin kills it. SISSY obliterates your moral compass. 

SISSY tackles unresolved childhood trauma most darkly. Combined with the influencer angle is pure genius. SXSW22 audiences are going to love this. You root for all the wrong things, and therein lies the brilliance.


SISSY – Midnighters (**World Premiere**)
Writers/Directors: Hannah Barlow, Kane Senes
Cast: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett


To find out more about SXSW22 click here!