Sundance 2023 review: ‘PIANOFORTE’ earns a standing ovation for director Jakub Piatek.

PIANOFORTE

Four stages. 21 straight days. Since 1927, The Chopin Competition has been held in Warsaw. Featuring the most elite piano players in the world, Sundance’s 2023 documentary film PIANOFORTE follows a small group of contestants vying for the illustrious title.

The competition does not occur annually, making it all the more exclusive. Here is how it works: Stage One: 87 participants, Stage Two: 46, Stage Three: 23, Stage Four: 12. The film bounces from the competition to our pianists’ hometowns before competing. A peek beyond the bench, we witness rehearsals, family life, and personal confessions.

Eva (17) is an unsure but internationally acclaimed phenom. She is a sponge for the technical perfection demanded by her instructor. Marcin goes from a confident swagger to an anxious mess as the rounds progress. It is devastating. Alex utilizes yoga and meditation to focus, and his calm demeanor catches you off-guard. He has a surprising swagger as the ladies flock to him throughout the film. Hao (17) is quiet and intensely focused. In Stage Three, one moment of forgetfulness could be his last. Michelle is a delight, confessing her dog is her biggest fan. She also openly talks about the fear of competition and the reality of pursuing anything but piano. Leonora is a spitfire. She beams with each breath.

An undeniably shocking level of emotional investment comes with experiencing PIANOFORTE. The amount of pressure is unimaginable. The film’s final edit is a masterpiece. Undoubtedly, the audience may suddenly find themselves unexpected piano enthusiasts.


Screening Times

In Person

  • PREMIERE
    Jan. 20 2:30PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 2:55PM MST

    Screening Room

    SUNDANCE MOUNTAIN RESORT

  • SECOND SCREENING
    Jan. 22 3:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 24 12:00PM MST

    Redstone Cinemas – 7

    PARK CITY

  • SECOND SCREENING
    Jan. 26 6:00PM MST

    Park Avenue Theatre

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


    In 2021, Jakub Piatek’s feature fiction debut Prime Time premiered at the Sundance Film Festival. (Now available on Netflix in all regions.)


 

Sundance 2021 review: ‘Prime Time’ is a ceaselessly thrilling lesson in media manipulation.

PRIME TIME

New Year’s Eve 1999. Twenty-year-old Sebastian, armed with a gun, hijacks a TV studio and takes two hostages—a famous TV presenter and a security guard. His plan? No one seems to know, including Sebastian himself. His demand to deliver his message, whatever that may be, via live broadcast is repeatedly thwarted by an uncertain police force and an egotistical network chairman. As the night wears on, Sebastian and the hostages bond in unexpected ways, while those in power fumble to restore order.

Who is manipulating who? The immediate idea that this situation can be directed is stunning. Producer Laura is like Oz. She initially sees and hears everything that’s happening from the booth. But she only controls as much as Sebastian reveals in slow spurts. Once the police arrive, all hell breaks loose. Can the hostage negotiators find out what Sebastian wants? It will be a long New Year’s Eve. Prime Time is remarkably compelling. There is no time to take a breath as the mystery unfolds in real-time. The handheld camerawork adds to the chaotic nature. But the real drama lies within the “Why?” Sebastian’s backstory is devastating. Performances are phenomenal from the entire cast. We live in their fear and their ceaseless frustration. Bartosz Bielenia will blow you away.

The juxtaposition of what all other networks are airing during this incident is rattling. No one, outside the studio, knows what is occurring. Everyone is nonchalant or celebratory so when the danger escalates, seeing the calm on ancillary characters is unnerving. It’s fantastic. This script manages to tackle class structure and emotional trauma, with media profits as the underlying force of everything that goes awry in Sebastian’s “plan”. Prime Time does an incredible job of keeping you on the hook until the screen goes black. In a present era where every second of media is either controlled or completely reckless, Prime Time taps into every viewer’s own fear of being lied to. Sundance audiences will love this film.

You can purchase access to PRIME TIME’s second showing by clicking here!