COYOTES

Campy survival horror COYOTES is honestly exactly what we need in this grossly exhausting political climate we currently find ourselves in. The film finds a family trapped in their Hollywood Hills home by a vicious pack of coyotes that will kill anything in their path. Liv, Scott, and daughter Chloe battle these ravenous creatures amidst unraveling familial bonds and uninvited guests.
COYOTES would be a perfect doubt feature with Werewolves Within. Both films have quirky characters. Keir O’Donnell gives exterminator Devon a greasy, cringey confidence. Norbert Leo Butz encapsulates the coked-up, sex-addicted next-door neighbor, Trip.
Brittany Allen plays sex worker Julie. Her ability to steal scenes is magic. Mila Harris is Liv and Scott’s animal-loving daughter, Chloe. She beautifully holds her own alongside Bosworth and Long. Their family chemistry is delicious.
Kate Bosworth is Liv. She is an absolute badass, loving mother. She is the grounding force of the film. Scream king Justin Long gives us delightfully approachable Dad vibes as Scott. The addition of his inability to look at blood is actual perfection. Long’s jokes counter the utter madness and mayhem surrounding the little family unit.
This is essentially an ensemble survival horror. The CGI coyotes are a bit Twilight-y, but the practical FX are legit. The kills are super creative, and one is particularly gnarly and incredibly satisfying for genre fans. Scott’s occupation is a graphic novel artist. Director Colin Minihan uses his drawings as character intro cards as well as panel swipe transitions. The script is a clever worst-case scenario tornado, social satire, while simultaneously tying in a neglected relationship element.
COYOTES fills a disassociation void with a fun time. We get to see the authentic chemistry between the recently engaged Long and Bosworth, and enjoy Long’s characteristic slapstick comic timing. Grab some popcorn and have a solid night in.
COYOTES Trailer:
IN THEATERS NATIONWIDE OCTOBER 3, 2025
Synopsis: After a Santa Ana windstorm knocks out power in the Hollywood Hills and crushes the family SUV, the Stewarts — Scott, Liv, and their precocious daughter, Chloe — are stranded in their hillside home with no cell service, no escape route, and just enough Spam to start a riot.
But the real problem? Coyotes. Not the scrappy, skittish kind that dig through your garbage and steal your cat — but smart, organized, murder-flavored coyotes. Led by a scar-faced alpha with serious beef, the coyote pack starts picking off neighbors like it’s happy hour at an all-you-can-eat casino buffet.
As wildfires rage on one side and a bloodthirsty canine death cult circles the other, the Stewarts — armed with nothing but a flashlight, an old iPad, and some questionable decision-making skills — must band together and transform from cozy suburbanites into blood-smeared survivalists.
COYOTES is a savage, satirical survival thriller where nature bites back — and this time, it brought friends. Welcome to the apex of the food chain. It’s going badly.
Genre: Thriller/Horror
Runtime: 91 minutes
Language: English
Country of Origin: United States
Year: 2025
Production Companies: Capstone Studios, Gramercy Park Media, Jaguar Bite
Director: Colin Minihan
Writers: Tad Daggerhart, Daniel Meers, and Nick Simon
Producers: Nathan Klingher, p.g.a., Ford Corbett, Josh Harris, Jib Polhemus, p.g.a.
Executive Producers: Simon Beltran Echeverri, Kate Bosworth, Jason Carpenter, Tad Daggerhart
Distributor: AURA Entertainment
Cast: Justin Long, Kate Bosworth, Mila Harris, Brittany Allen, and Katherine McNamara



Parts Two & Three: now wandering the land, the animals in tow, Gaspar’s existential crisis continues as he meets spirits, resides in a manor, converses with religious icons, all while Ogre and his minion pursue him. The film is A LOT. Green continues his signature style with static cameras capturing 4th wall-breaking deadpan delivery. Honestly, it will either be a winner for audiences or a total miss. The complexity of satire is laugh-out-loud funny, but outside intellectual circles, it might be a tough pill to swallow.
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A father wishes to compliment the chef for his signature dish, only to discover that an actual shrimp is responsible for the deliciousness. In this mockumentary-style short, The Shrimp insinuates that his entire schtick was stolen by the Disney rat. The two then compete on a food competition reality show. The producers secretly chat with the man under The Shrimp, Chef Dave. Shrimp is a foul-mouthed asshole, for lack of a better word. Shenanigans ensue, confessions reveal themselves, and insults fly.
There are multiple Shrimp puppet creations. The smaller version sits on Yung’s head, and a larger-scale handheld puppet fills the screen for the sit-down interviews. The detail is award-worthy. Puppeteers Benjamin Fieschi-Rose, Kirsten Brass, and Amelia Blaine are spectacular.
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Addison Heimann is a queer genre filmmaker currently residing in Los Angeles. His first feature, Hypochondriac, premiered at the 2022 SXSW Film Festival and was distributed by XYZ Films. His goal is to tell queer stories that explore mental health in the genre space.











Evan Twohy was raised on Hitchcock and opera on the edge of a forest outside Berkeley, California. From an early age, he found himself drawn to absurdist theater and began writing plays in New York City prior to making his first feature, Bubble & Squeak.
DREAM TEAM
Agents No and Chase (Esther Garrel and Alex Zhang Hungtai) leisurely follow the trail of deaths but mostly sport tight clothes and make innuendos. The script occurs in episodes featuring a repeated title sequence and undeniably clever cheeky titles.
The script is intentionally utter nonsense. If you want to learn about coral, DREAM TEAM is your jam. Performances across the board are spot-on for mediocre porn overdramatics. I feel like watching on mushrooms would be an experience. There are so many moments of WTF I lost count 30 minutes in. At that point, it is best to throw your hands up and tell yourself, “Sure, why not?” My favorite scene involves an invisible coworker. I was also thankful for the break in what I assume are meant to be channel surfing breaks in the narrative pattern.
It is easy to see why Jane Schoenbrun acts as executive producer. The neon color pops are right up her alley. Listen, coming from someone who starred in two of these things many years ago – do not even try to look that shit up on the internet, I will hunt you down- DREAM TEAM owns the bit. The question remains whether audiences will tolerate it for 90-plus minutes.
HIPPO



FANTASIA 2024
A road trip through Canadian oil fields conjured up fantasies of secrets deep in the dirt for the Adams family, and inspired them to create HELL HOLE, an indie rock-n-roll monster movie set at a far-away fracking site. Known for their DIY ethos, John and Lulu Adams and Toby Poser, partnering with Shudder, have joined the team behind The Last Drive-In with Joe Bob Briggs and FX legend Todd Masters to shoot their latest in Serbia with a local cast and crew. Absurd, mutinous, and transgressively comical, Hell Hole is old-school sci-fi horror, yet in typical family fashion, they subvert the genre with textures of biological and environmental horror in tandem with questions of gender and bodily autonomy. This will be the fourth time Fantasia World Premieres work from the gifted filmmaking family, following launches of 
After the success of
Peter Vack (ASSHOLES) and Dasha Nekrasova (THE SCARY OF SIXTY-FIRST) star as couple on the rocks during the early part of the Covid-19 pandemic in American filmmaker Eugene Kotlyarenko (
It’s been 21 long years since Scooter McCrae (SHATTER DEAD) released a new feature, and he’s lost none of his smart, transgressive bite. Desperate for work, Derek (Damian Maffei, THE STRANGERS: PREY AT NIGHT) accepts a job at a shady tech start-up, working intimately with Susan (Yvonne Emilie Thälker in a powerful debut role), a bleeding-edge BDSM sex doll meant to receive and appreciate sexual punishment as an integral part of her evolving AI. Shot on Super 16, BLACK EYED SUSAN counterbalances its dark, vulgar core with a surprisingly tender vulnerability, creating a lo-fi science-fiction landscape infused with surprising fragility, as legendary Italian composer Fabio Frizzi (THE BEYOND, ZOMBIE) lends the picture a lush, atmospheric backdrop. Not for the faint of heart, BLACK EYED SUSAN delves into themes and questions that will only become more pertinent with the continued evolution of artificial intelligence. World Premiere.
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The stunning sophomore feature from award-winning director Carlota Pereda (
My favorite shorts collection of the year, this wildly eclectic and insanely talented group of female filmmakers aims to please, shock, and gag audiences. You never know what you’ll get with each passing year and I get giddy in anticipation. Fantasia 2024’s Born Of Woman lineup includes the following films:
THE BLEACHER
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Tribeca 2024 Shorts

Short | United States, France | 18 MINUTES | English, French | English subtitles
SWEATY LARRY
Our introduction to Sweaty Larry is as ridiculous as it should be, and the original song saying over the credits (written and performed by ATL’s 
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Mila Bezjak gives Agata a suspicious sass. Her personality gets a boost from her severe hairstyle. Blunt bangs and thick coiffure make her resemble an overgrown doll. Her attention-seeking behavior has everything to do with her parents’ infantilism.
Aleksander never shuts up. He flaunts his eccentricity most ignorantly, fancying himself a writer despite only writing a single piece twenty years prior. Marko Mandic is loathsome in the best way.










World Premiere – Spotlight Narrative
Based on the 1999 novel Too Many Men by Lily Brett
**WORLD PREMIERE**

Dupieux is a master of providing comedy within social commentary. As Yannick becomes more agitated, he reveals how out of touch he is with general society while simultaneously hurling offensive barbs at his captives. Equal parts hilarious and terrifying, all I could imagine as an actor and theatre patron was how I might escape such a scenario.
The honest laughs come when Dupieux leans fully into the meta satire in new dialogue written by Yannick. Filled with redundancies and mistakes, the audience in the theatre and at home belly laugh at the actors’ forced commitment.

Political spin can make or break a campaign. Those few who possess the skill have the power to command entire nations. In the Bloomquist Brothers’ latest film, FOUNDERS DAY, a small-town mayoral race brings chaos in the form of a serial killer dressed as, you guessed it, a twisted Founding Father straight out of a cliche painting of the signing of the Declaration of Independence. As members of the town of Fairwood get knocked off, one by one, the race is one to find the killer and their ultimate motive. Tackling every political hot-button issue and tactic with a bucket of gore, FOUNDERS DAY is here to mix things up.





DIG! XX





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As a whole, DISTANT TALES tackles all the chaos of lockdown in complex ways. Each story gets under the audience’s skin for vastly different reasons. If nothing else, Bitterman’s keen observation of human desperation will undoubtedly have people talking.

In EMPIRE V, the two primary notions of Vampirism are Glamour and Discourse. They essentially break down to look and influence. Blood holds all the memories of the human it comes from and arrives differently than we’ve become accustomed to.
The CGI transition pieces serve as history lessons and sexy vampire propaganda. I’ve never seen anything like it outside of high-tech, immersive video games. Even the closing credits have an elegance and visual splendor akin only to Netflix’s The Crown.
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Les Dents Du Bonheur (Sweet Tooth)

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