
A HOLIDAY I DO

Frazzled, single mom Jane (Hicks) is raising 10-year-old Lexi (Hahn) and managing her family’s horse farm following the loss of her father … holding it all together with a little moral support from her mom (Larson) and their festive neighbors. When she agrees to be the best (wo)man in the elaborate, yuletide wedding of her BFF ex-husband, Mark (Piazza), she finds herself navigating an emotionally charged holiday, a bridezilla fiancé (Chappell), a raging blizzard and a surprise visit from a no-nonsense banker (Warfield). Things become even more complicated and hectic when an unexpected romance sparks between her and the wedding planner, Sue (Reyes). As the big day looms, Jane’s going to need a little Christmas magic to not only clean up the mess she’s made, but to rescue her family’s farm before it’s too late.
Smalltown divorcee and farmgirl Jane is in the midst of planning the final events of her BFF/ex-husband Mark’s upcoming wedding. When he and his fiancee Heather get stranded by snow, Jane steps in with the wedding planner, triggering chaos. A HOLIDAY I DO is a charming cup of cheer for these festive months ahead.
The ensemble cast is delightful. Kayden Bryce, Marsha Warfield, Colette Hahn, Mandy Logsdon, Cameron Judd, and Dale Dobbs make you laugh and smile the entire film.
India Chappell gives Heather the precise amount of jealousy and meltable iciness, countering Mark’s (Joe Piazza) boy next-door aura. Jill Larson is Jane’s mother, Mary Ellen. Unbeknownst to the family, the farm is on the verge of bankruptcy. Larson is like a warm hug. She is an uplifting presence and an ideal mother figure.
Rivkah Reyes plays Sue with approachable sophistication. Her warm smile invites you in. Lindsay Hicks plays Jane with a brightness that mirrors the film itself. Her charming awkwardness is spot on. Hicks masters the art of romcom slapstick. The relationship between Jane and Sue develops naturally. Reyes and Hicks’ chemistry is endearing.
The score by Phil Tipping and Kanoa Wolfe-Doblin perfectly matches the light-hearted, breezy premise. Its sweet simplicity lulls the viewer into a calm state. The dialogue is cute and accessible, especially for families with younger LBGTQ members. A HOLIDAY I DO is an excellent addition to the Hallmark-esque holiday films on Tello.
A Holiday I Do
Holiday, Romantic Comedy, LGBTQ+ / 93 Minutes / Not Rated
From Tello Films and Rock Solid Creative Studios, A Holiday I Do was directed by Paul Schneider and Alicia Schneider from a screenplay by Melinda Bryce, based on a story by Paul Schneider and Alicia Schneider. Produced by Jennifer Nichole Lee, Paul Schneider and Alicia Schneider. Cinematographer was Jackson Swan. Music composed by Phil Tipping and Kanoa Wolfe-Doblin. Casting by Carmen Aiello. Production Designer was Nancy Oeswein.
Pre-order: Nov. 1 / Premieres: Nov. 10
Rent A Holiday I Do for $6.99 (14 days) or purchase the film for $14.99.
Make the season even more gay! Rent more yuletide fun in a special movie four-pack for just $10.99 (14 days) that includes the acclaimed LGBTQ+ Tello holiday romcoms Christmas at the Ranch, Merry & Gay, I Hate New Year’s and Season of Love:
· Christmas at the Ranch, starring Lindsay Wagner (Grey’s Anatomy; SyFy’s Warehouse 13; The Bionic Woman, The Six Million Dollar Man, Marcus Welby, M.D.) and Amanda Righetti (Captain America: The First Avenger, Friday the 13th, The Mentalist).
When a high-powered executive reluctantly returns to her family’s Nashville ranch just before Christmas, her introduction to ranch hand Kate goes terribly awry. But now they must put their differences aside and band together to save the homestead … and perhaps discover that finding love isn’t always where (or who) you expect. Featuring a holiday-inspired, original soundtrack.
· Merry & Gay, starring Dia Frampton (runner up in the inaugural season of The Voice and lead singer of the band Meg & Dia), Andi René Christensen (Bel-Air, Hacks), the first non-binary actor to star in a lead role in a holiday romcom, and Stella Parton (Nothing is Impossible, Dolly Parton’s Christmas of Many Colors: Circle of Love, Dolly Parton’s Coat of Many Colors).
When Becca finishes her run starring in a popular Broadway musical, she leaves New York City to spend the holidays with family and friends in her sleepy Tennessee hometown and to direct the annual Christmas pageant. Ecstatic, her well-meaning, but meddling mom and her best friend hatch a plan to reunite Becca and Sam, who were childhood pals and high school sweethearts. Featuring an upbeat, holiday-inspired soundtrack of all original music,
· I Hate New Year’s, starring Dia Frampton (runner up in the inaugural season of The Voice and lead singer of the band Meg & Dia), Ashley Argota (The Fosters, Lab Rats, Broadway’s The Lion King) and Candis Cayne (The Magicians, Grey’s Anatomy, I Am Cait, Elementary, Dirty Sexy Money).
Experiencing writer’s block, rising music star Layne Price visits a mysterious fortune teller whose flamboyant advice she misconstrues. Heading home to Nashville for New Year’s Eve, a holiday she hates, Layne hits the town with BFF Cassie, who is planning to finally confess that her feelings have evolved into more than friendship. However, Layne is too focused on “bumping into” her elusive ex to notice. But sometimes you find inspiration and love—with a little mystical intervention—where you least expect it. Featuring a high-energy, original soundtrack.
· Season of Love, starring starring Sandra Mae Frank (New Amsterdam, Zoe’s Extraordinary Playlist), Jessica Clark (True Blood, Pocket Listing), Dominique Provost-Chalkley (Wynonna Earp, Avengers: Age of Ultron), Emily Goss (Snapshots, Murder at the Murder Mystery Party), Laur Allen (Christmas at the Ranch, Young and the Restless) and Janelle Marie Rodriguez (Kings of LA, Love and Basketball)
The first LGBTQ holiday romcom widely released, the film follows the lives of three very different couples dealing with their love lives in interrelated tales as they celebrate Christmas and New Years.
About Tello Films:
Tello Films produces, acquires and distributes innovative, high-quality films, series and shorts. Founded by CEO Christin Baker in 2009 and headquartered in Nashville, Tenn., with offices in Los Angeles, Tello Films was the first network dedicated to telling stories featuring and about lesbian/queer women. Powered by Vimeo OTT, Tello Films network content is available to stream on any device and includes such Emmy-nominated series as Secs and EXECS and Riley Parra and such critically acclaimed films as Season of Love, Christmas at the Ranch and I Hate New Years. Wanna see more? Visit us online at: https://www.tellofilms.com
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Joëlle Haddad-Champeyroux plays innumerable ancillary characters. It is a fantastic running joke. Thomas Vieljeux gives Thibaut a melancholy and wounded self-esteem that suits the narrative. It also places Claire in an unexpected hero role.
Lizzie Kehoe is hilarious as Claire. She’s the quirky yet emotionally stunted girl who is genuinely charming. Her giddy exuberance is infectious. Kehoe gives it her all as we wade through an increasingly complex coming-of-age story.
The film’s only fault is perhaps its length. It could use a trim on some of the lingering shots. On the other hand, the story would benefit from being fleshed out and turned into a miniseries. I think the characters earn backstories and an even deeper emotional investment. GOODBYE, PETRUSHKA would make an accessible YA series. Writer-director Nicola Rose covers a lot of ground in an hour and forty minutes. Hidden beneath a classic meets modern fairytale structure lies political commentary, gender dynamics, emotional manipulation, and celebrated individuality. GOODBYE, PETRUSHKA has solid development potential. Rose has a voice, and there is an undoubtedly hungry audience for what she’s serving.


The teenage shenanigans ring true. That feeling of invincibility and daring remind me of my crazy ideas and dumb decisions in the late 90s. Egghead and Twinkie take risks, make mistakes, hurt each other, get their hearts broken, and confess their fears. The film is a helpful guide for parents struggling to understand their kids’ feelings. Regardless of their core beliefs,
HEIGHTENED

TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.
Directed by: Steve Buscemi












Shazad Latif, as Kaz, has a quiet confidence that draws you in from the beginning. He possesses something special that makes the audience feel safe around him. Anyone would be lucky to have Kaz as a member of their family. Lily James plays Zoe with ambition, smarts, and girl-next-door sass. This character’s depth, flaws, and strengths equally embraced make the film thoroughly relatable. Dating is complicated, especially now. James embodies the modern-day woman and brings an elegance to Zoe that captures the audience immediately. Latif and James have a chemistry that feels earned.



The End of Sex tells the story of a married couple (Hampshire and Chernick) who are feeling the pressures of parenting and adulthood. After they send their young kids to camp for the first time, they embark on a series of comic sexual adventures to reinvigorate their relationship.
Lily Gao
The script nails the unfiltered complexities of adult relationships, particularly co-parenting and the ebb and flow of physical attraction. It centers on communication and the dangers of giving up on ourselves to mollify our partners. Relationships are rarely 50/50. THE END OF SEX goes there and sometimes falls off the edge in the best way possible.
The quirky and overtly sexualized visuals on signs throughout the film become an over-the-top running joke. A brief but brilliant cameo from a comedy legend takes the script to another level. It is an unforgettable scene. THE END OF SEX celebrates kink rather than shaming. It permits viewers to explore fantasy while reflecting on intimacy. It’s a beginning of a conversation between partners, new and old, and a hell of a good time.


Pure O
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The film utilizes classic devices. Mirrors and reflection play a dual role. Reds and fuchsias feature prominently in the form of nail polish, shoes, a toothbrush, Kyoko’s blouse, a robe, and phone case, and most importantly, the scar. I can see why this was such a hit on the festival circuit. WOMAN OF THE PHOTOGRAPHS begs a larger conversation about image and self-worth as dictated by the internet and society.
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This insanely talented ensemble gets thrown into a blender of bizarre. Writer-director Jeff Baena co-writes with Brie. I cannot figure out if Spin Me Round means to be a modern take on Office Space or just a misstep into empowerment. It all feels rather icky whenever Nick (Alessandro Nivola) comes on screen. With an abundance of genuinely hilarious dynamics between cast members, those moments often become overshadowed by inconsistent storytelling, leaving you cringing.
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Aubrey Plaza makes every film she appears in exponentially better. She is the most intriguing character in this film. You cannot ignore the comparisons to Ghislaine Maxwell, whether intentional or not. I want to see an entire movie on her backstory. Alison Brie is wonderful in everything. Her performance as Amber is no exception. She possesses simultaneous versatility and familiarity for audiences. Ultimately, the cast prevents Spin Me Round from leaving a bad taste in your mouth. Show up for the acting, and you can’t go wrong.






Could we put together a cuddly list of family-friendly Easter films? Probably. But where’s the fun in that? Here is a list of films where a rabbit is featured in one way or another. Most are straightforward. A few, well, I guess you’ll have to watch them and figure out why they’re there. Happy Easter, and happy hunting for those pesky wabbits.



Peter Rabbit and his three sisters — Flopsy, Mopsy and Cotton-Tail — enjoy spending their days in Mr. McGregor’s vegetable garden. When one of McGregor’s relatives suddenly moves in, he’s less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the n








In the early 18th century, England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne, and her close friend, Lady Sarah, governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new s







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