Swiping. Dating. Ghosting. Have you wondered what was really going on in your date’s head? “Sex, Love, Misery” reveals candid thoughts and encounters between singles looking to mingle or marry, from initial texts to hook ups and beyond.
Dating in the city was a complicated nightmare when I was in college. That was 20 years ago now. I do not envy Millenial/Gen Y’s attempts to find love nowadays. Certainly not with the complexities of COVID added into the mix. Filmmaker Shannon Alexander gives audiences a new documentary, SEX, LOVE, MISERY: NEW NEW YORK, in which he follows six people navigating relationships with one another during the pandemic. An up-close and personal confession booth through the lens of modern dating manages to be fresh and timeless all at once.
The film follows Troy, Camilla, Jack, Izzie, Aisha, and our French transplant Emile. The openness these young people have with Shannon speaks to the power of his humanity. They feel comfortable sharing their most intimate thoughts and insecurities. They are totally unfiltered. It is their willingness to take chances that creates an engaging viewing experience.
There are glaring differences in communication. Hearing each reaction to the exact same date is eye-opening. The assumptions made about one another by the forms of communication and interaction are like watching a modern-day version of the HBO docu-series Taxicab Confessions. If you don’t know what that is, let me explain. From 1995 to 2006, the cable network aired a show that featured hidden camera conversations from the back of a cab. Often sexual, it was a series that aired late at night and was one of a kind. SEX, LOVE, MISERY feels similar, except that our six subjects speak directly to Shannon in true cinéma vérité style.
What makes SEX, LOVE, MISERY so intriguing is even though these people are ten to fifteen years my junior, I know them. I was them. We all were. SEX, LOVE, MISERY: NEW NEW YORK is a fantastic proof of concept. I would watch this expanded into series form in a New York minute.