‘ABOVE THE KNEE’ (Beyond Fest 2024) This visceral ride into madness is body horror at its finest

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ABOVE THE KNEE

WORLD PREMIERE / RELEASED IN: 2024 / 76 MINUTES / DIRECTED BY: VILJAR BØE

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Norwegian filmmaker Viljar Bøe brings his psychological thriller ABOVE THE KNEE to Beyond Fest 2024. The film follows Amir, a man who has a rare psychological disorder called BID (Body Integrity dysmorphia). It is the desire to have a sensory or physical disability or discomfort with being able-bodied.

The film is one of the most anxiety-inducing watches I’ve experienced in a long time. Amir has to hide his plans from his longtime living girlfriend, Kim. He also uses his friend, Jonas, as a cover, taking advantage of his kindness.

His accelerated timeline and subsequent countdown appear on the screen. With each passing day, Amir’s visions of the gnarly deterioration of his leg haunt us, and so does his gross manipulation of those who care for him most.

Above the knee still 1His only outlet is Rikke, a woman whose own BID diagnosis manifests as self-induced blindness. As his accomplice, she offers him emotional and physical support and lines are easily blurred.

An incredibly effective transition device is the jarring image of a bloodied saw accompanied by viscerally augmented audio of cutting. This image repeats from slightly different angles and undeniably induces a shiver each time.

The one hour and twelve on my minute runtime is more than enough, with Viljar Bøe carefully crafted script. The film is based on a story concept by Bøe and leading man Freddy Singh. Singh delivers an award-worthy turn, existing a in morally gray area. ABOVE THE KNEE takes us into the darkest corners of the mind, boasting a shockingly sinister finale. You won’t be the same.


WRITER/DIRECTOR: Viljar Bøe
CAST: Freddy Singh, Julie Abrahamsen, Louise Waage Anda, Viggo Solomon

For more Beyond Fest 2024 coverage, click here!

 

‘DIRTY BAD WRONG’ (Fantasia 2024 short) Erica Orofino’s short finds a mother between a promise and a boundary.

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DIRTY BAD WRONG

Dirty Bad Wrong PosterDesperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.

STILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOSTILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOLife changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In Erica Orofino‘s Fantasia 2024 short film DIRTY BAD WRONG, audiences are plunged into the world of a mother who would do anything for her child. 

Dirty Bad Wrong 3 - Photo by Samantha Falco50Jack Greig has a presence that is hard to teach. He gives Jesse a palpable innocence and curiosity. Michaela Kurimsky plays Sid with earnest desperation and unconditional love for her son. The chemistry between her and Grieg is enchanting. Kurimsky is nothing short of captivating in fourteen minutes. I would watch her in anything.

Outside of the authentic choices for survival, the horror aspect is subtle in the most powerful way. The messaging behind the images screams off the screen. The necessary evils one will endure for a loved one knows no bounds. DIRTY BAD WRONG begs for a feature. There is enough meat on the bone, no unintended, for delicious worldbuilding. 

Dirty Bad Wrong stars Michaela Kurimsky (Alouette, Firecrackers, The Boathouse), Jack Greig (Dark Side of the Ring), and Cody Thompson (The Shape of Water, May the Best Wedding Win, Mrs. America) and is produced by Fonna Seidu (virgins!, Fresh Meat, Being Black in Toronto). It was shot in Toronto, Canada.

Fantasia 2024 posterFor all things Fantasia 2024, click here!

Review: ‘Woman of the Photographs’ is a hauntingly beautiful and unusual love story.

WOMAN OF THE PHOTOGRAPHS

An unassuming photographer finds himself entangled in influencer Kyoko, who has body dysmorphia. Part fable, part romance, and certainly part body horror.  WOMAN OF THE PHOTOGRAPHS is a one-of-a-kind, genre film.


The juxtaposed images of Kai and his pet praying mantis eating are a delight. Hideki Nagai‘s physicality mirrors that of the insect. He is skittish, introverted, and meticulous in his work. Nagai draws you in immediately. Itsuki Otaki is equally captivating as Kyoko. The chemistry of our two leads is endlessly intriguing. I could not take my eyes off their engrossing dynamic.

The score is lighthearted, almost French. The hyper-augmented sound editing draws attention to the fact that Nagai has zero dialogue. Combined with eclectic music like jazz and Jazz and The Nutcracker Suite, it accentuates the playful nature of the film. Kyoko experienced many fantasy sequences as a coping method.

The film utilizes classic devices. Mirrors and reflection play a dual role. Reds and fuchsias feature prominently in the form of nail polish, shoes, a toothbrush, Kyoko’s blouse, a robe, and phone case, and most importantly, the scar. I can see why this was such a hit on the festival circuit. WOMAN OF THE PHOTOGRAPHS begs a larger conversation about image and self-worth as dictated by the internet and society.


WOMAN IN THE PHOTOGRAPHS in Select Theaters on February 3rd and On Demand everywhere on February 7th.


https://epic-pictures.com/film/woman-of-the-photographs