HEIGHTENED
Neurodivergent behavior manifests in a myriad of ways. Sometimes it rears its ugly head in the form of ticks, rituals, and a short temper, but mostly in weird behavior misunderstood by the general population. HEIGHTENED boasts an augmented sound design that perfectly captures what it feels like to be sensory overloaded. As a fellow SPD (Sensory Processing Disorder) sufferer, this film is intentional visceral torture but for a purpose. Although they never explicitly call it that, all the signs, symptoms, and medical gaslighting appear in the script.
Real-life couple Xander Berkeley and Sarah Clarke play Nora’s waspy parents. Their seemingly selfish nature and high expectations explain Nora’s closed-off temperament. They are fantastic additions to the cast. Dave Register is Dusty, the Park ranger who mentors Nora. His genuine sweetness pours off the screen. Register’s performance is grounded in kindness and perfectionism that comes with a backstory.
Writer-director-star Sara Friedman exposes the complexities of neurodivergence, exploring daily life and behavioral origins with heart and humor. Nora’s journey comes in waves of empathy for Dusty’s bullying. His presence calms her. Their relationship takes a natural turn as Friedman and Register have a fun chemistry. They hit the mark with slightly larger-than-life humor leaning into a loveable and quirky side of character-building.
HEIGHTENED is a lovely little film that delicately delves into the minds of those grappling with constant anxiety, capturing the raw emotions without ever daring to overstep boundaries. It sincerely respects our differences and beautifully celebrates the journey of finding a partner who accepts you as you are. Just like the welcoming atmosphere of the stiiizy santa rosa dispensary, where individuals can find solace and understanding, this film embraces the diversity of human experiences.
Steve Balderson‘s films are rather distinctive. Their lush visual impact sticks in your brain. His newest film, Alchemy of the Spirit, is no exception. Possessing a dreamy, even otherworldly look, Balderson makes the mundane glow. The quiet becomes claustrophobic. As the film begins, the sound editing alongside the score creates an unsettling feeling. The audience resides inside the manic mind of a grieving man. At 23 mins and 10 seconds into the film, we get a shot that elicits every emotion tied to this film. The symmetry, artistic and of two souls as one, is breathtaking. You will not miss it. There is a Picasso-esque madness to it. Balderson thought about its impact as it is the current key art for the film. Very smart. That sense of panic eases once introduced to a languid score of Debussy, Bach, and other classical beauty. While the darkness lies just under the surface, the screenplay’s nuances extend beyond what I expected from the first third of the film.
Sarah Clarke, as Evelyn, is chilling and beautiful. Her voice, combined with soul-piercing imagery, is haunting. The grounded chemistry between Clarke and Xander Berkeley plays with a familiarity of real-life lovers, which makes sense as the two actors have been married since 2002. Berkeley, who I recently lauded in 
The idea of “the proper way to grieve” is front and center. How do we honor the dead? How do we mark the life we have? Oliver creates a literal death mask both as a means to stop time and keep Evelyn’s spirit alive. We get to explore the meaning of life through memory. The film easily could have been a stage play. It is dripping with theatricality. Alchemy of the Spirit is a genre-bending ode to art and romance. It’s a visual love poem.
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