The Sun Never Sets
Joe Swanberg‘s ability to write real life shines once again in his latest film, The Sun Never Sets. Wendy, a woman in her early 30s, has been dating Jack, a father of two great kids, for two years now. Wendy is an outdoorsy, impulsive Anchorage native whose dreams of marriage and kids don’t fit into her current relationship.
Jack puts her in an impossible position, proposing that Wendy take a few months to explore other options to make sure she understands that Jack does not plan to remarry or have more kids. The consequence of this well-meaning deal? Wendy runs into her ex and sparks fly. Now she must wade through the complexity of age and stage, unresolved trauma, and all the what-ifs in life.
Watching each other date rewires Wendy and Jack. Chuck is trying his best to get his shit together; it just happens to be a slower process. Jack immediately regrets his proposition and goes all in, pushing Wendy to confront mixed messages. Can the two overcome passion, sadness, and regret to find one another again as reality crashes around them?
Anna Konkle plays Jack’s ex-wife. Their chemistry is lovely. Konkle gives Johnson a gentle sounding board for his headspace. They feel like a real-life co-parenting team with an amicable, we used to be married connection. Debby Ryan is the best friend every woman wishes she had. Authentic and level-headed, she is always a delightful addition.
Lamorne Morris plays Jack’s confidant. While we only see him in scenes with Johnson via Zoom, their years-long relationship in real life shines through with humor and heart. Morris, like Ryan, brings sincerity to the film. Corey Michael Smith gives Chuck the right amount of frustration with his current state, while also delivering a breezy connection with Fanning’s Wendy.
Jake Johnson plays Jack with a grounded sense of self. Jack is a grown-up in all the right ways. Anyone who’s been an avid reader of my work knows how much I adore Johnson. His effortless charm sneaks under your skin, and Jack is no exception.
Dakota Fanning gives Wendy the most earnest longing to figure life out in her 30s. Like every role she tackles, her tangible humanity is magnetic. Johnson and Fanning’s chemistry is off the charts. The arguments feel more like intimate peeks into the viewer’s life than acting.
The script forces Wendy to choose between a spontaneous and seemingly perpetual bachelor and an adult. While all three people are flawed, they are also incredibly human. Swanberg is a master at making the mundane the most important. This is why his films hit on a different level.
Unresolved feelings take years to manage, no matter how much you care for someone. There is no big secret to how we grow as couples or individuals as life rolls on. Swanberg taps into undeniable life truths. Love is unpredictable. Love is messy. Love is work.
While I was initially let down (maybe for 30 seconds) by the ending, Swanberg absolutely delivers perfection in those final moments. Wendy’s pursuit of closure with everyone is emotionally healthy, and who knows what the future brings for her. The Sun Never Sets is hopeful.
IN THEATERS EVERYWHERE SEPTEMBER 4, 2026
Synopsis: Wendy (Dakota Fanning) believes she’s perfectly happy in her relationship, until her older boyfriend, Jack (Jake Johnson), who is divorced with children, insists they take a break to make sure she’s truly okay giving up on the idea of marriage and babies. During this time, Wendy unexpectedly runs into her ex, Chuck (Cory Michael Smith), who reignites her carefree and spontaneous side, and suddenly seems to want a family. The three of them navigate a chaotic, confusing, and often funny relationship triangle, reminding us that the pursuit of love is beautiful and messy all at once. The film was shot on 35mm on location in Alaska.
Writer, Director, & Editor: Joe Swanberg
Cast: Dakota Fanning, Jake Johnson, Cory Michael Smith, Debby Ryan, Anna Konkle, Lamorne Morris, Karley Sciortino
Producers: Jake Johnson, Ashleigh Snead, Joe Swanberg, Dakota Fanning, Cory Michael Smith
Executive Producers: Kathy Gitibin Parsa, Ariana Parsa, Dan Johnson
Director of Photography: Eon Mora
Genre: Romantic Drama
Language: English
Runtime: 102 min
Untitled Home Invasion Romance
Jamie Napoli and Joshua Paul Johnson cleverly wrap comedy around Suzie’s unknown childhood trauma, introducing friends from her past. They place Kevin entirely out of his depth socially. Suzie grew up in incredibly affluent circles, and clues about her life before Kevin reel the audience into the twisty narrative. You’re laughing and questioning everything you see. Each scene reveals something new. When the tension builds to a peak, here comes Biggs to make you laugh out loud.
Anna Konkle, who I miss with my whole heart on PEN15, plays Heather, Suzue’s childhood best friend and current chief of police. Konkle is down to Earth, incredibly charming, and inarguably the most competent member of her force. Her micro-expressions speak volumes. 
The location is stunning. The lake house is the stuff of dreams, with tennis courts, a multilevel dock, and floor-to-ceiling windows. Mollie Goldstein‘s editing is top-notch. Camerawork from Zach Kuperstein is a phenomenal mix of styles, keeping the audience thoroughly engaged. After years in the industry, Biggs easily slides into the director’s chair. I am excited to see what he chooses next. 
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