Fantasia 2020 review: ‘The Mortuary Collection’ is dark, twisted, and fun as hell.

On the cusp of retirement, an eccentric mortician recounts several of the strangest stories he’s encountered in his long career, but things take a turn for the phantasmagorical when he learns that the final story – is his own.

With a gorgeous opening sequence reminiscent of Creepshow and Spielberg‘s Amazing Stories, ( plus a blink and you’ll miss it homage to director Ryan Spindell as an easter egg) The Mortuary Collection was already going to be one of my favorites at this year’s Fantasia International Film Festival 2020. Honestly, you had me at Clancy Brown, a man who haunted my youth in Pet Semetary 2. The visual textures are nothing short of delicious. This film oozes eerie but in a strangely friendly way. Brown’s overall aesthetic lies somewhere between Lurch and Phantasm‘s Tall Man. It’s beautiful for a genre fan.

This horror anthology is told in chronological era order. Each one stylized to high heaven in all it’s glory. The specificity and care in which the sequences are dressed, the minute details like a nautical wallpaper, or the name of a frat house is not to be ignored. But the homages did not end with the titles. Evil Dead, Corpse Bride, Beetlejuice, The Shining, are only a few films that feel referenced. The performances are outstanding from every single cast member. But I’ll focus on Clancy Brown and Caitlin Custer, specifically. Brown in all his towering presence and booming voice glory is a mere half of this spectacular. His wise, seen it all manner of spookiness is nothing short of perfection. Custer’s smart-alecky persona is an excellent foil here. Her nonchalance both puts you at ease and tips you off to something darker. They are both undeniably incredible.

The Mortuary Collection presents us with morality tales wrapped in scary, unexpected delight. In no way whatsoever does it appear to have been made on an indie budget. It’s simply stunning to behold from every single angle. The practical fx are gross and gorgeous. The storytelling is both tongue-in-cheek and terror-filled. I don’t think I could have asked for anything more from Spindell except perhaps an entire franchise.

 

Santa Barbara International Film Festival 2020 review: The world premiere of ‘The Night’ is as captivating as it is terrifying.

Kourosh Ahari’s THE NIGHT
The Iranian-American Ahari makes a startling feature directorial debut with a stylish psychological thriller about a young couple trapped in a mysterious hotel that hungers for their secrets and may not release them or their child back into the world. The film stars Shahab Hosseini (star of A SEPARATION and THE SALESMAN).

What a knock out world premiere for director Kourosh Ahari. Beautifully lush cinematography (including some early haunting POV shots) props up the richness of The Night. The score adds a layer or jarring dread that is simply gorgeous. While the script skillfully utilizes a number of classic tropes, it is also stacked with a multitude of original imagery that unnerves the viewer from the very beginning. I was thrown for a loop more times than I can count. The heightened sound editing also pushes The Night into next-level scary. The plot will have you questioning your own sanity. Is this a dispute between exhausted new parents? Is this an alcohol-induced hallucination? Or is this hotel housing unwanted guests?

Performances are so strong you will quickly forget that the film is predominantly in Farsi. As Parasite director Boon Jong-Ho so eloquently stated at this year’s Golden Globes, “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.” This is the most important quote in cinema right now. Kourosh Ahari’s THE NIGHT is a heart-pounding and twisted watch. Santa Barbara International Film Festival is lucky to host its world premiere. This film should be on every genre fan’s radar this year.

WORLD PREMIERE – SATURDAY, JANUARY 18

Tribeca Film Festival Review: ‘TIGER RAID’ is a spectacular test of loyalty.

Tribeca Film Festival logo 2016

World Premiere in the Midnight Category
Section at the 2016 Tribeca Film Festival

tider raid brain and glesson and moloney

Starring:
 Brian Gleeson (Snow White and the Huntsman, The Eagle),
Damien Molony (Suspects),
Sofia Boutella (Kingsman: The Secret Service, upcoming Star Trek Beyond)  and
Rory Fleck-Byrne (The Quiet Ones)

Directed by: Simon Dixon

Written by: Simon Dixon, Mick Donnellan

While on a covert mission, two cold blooded mercenaries form an unlikely bond as they race across the desert in the dead of night. When their violent and desperate world implodes, past atrocities come to the surface threatening to tear each of them apart.

Tiger_Raid_brian gleeson

With Tarantino-esque dialogue driven scenes, TIGER RAID opens in the arid Iraq dessert, as Joe and Paddy approach their mission location. They are assigned with the kidnapping of an unknown individual, receiving orders from earpieces whose instructions are just muffled enough to be a mystery to the audience. Along the way, we learn piecemeal that each man has a haunted past. About 10 minutes in, we get our first plot twist. These flips in writer/director Simon Dixon’s script keep coming as the film’s 92 minutes roll along. I think I lost count at 4. Brian Gleeson as Joe is fierce and domineering, yet somehow totally lovable as he revels in his joy for the kill. Damien Molony shines as Paddy, a man whose emotional obsession comes between his sense of right and wrong. The story is about the extremes of loyalty and the justification of past indiscretions. For me, there is not one moment that is out of place in this film. The score has both a menacing and ethereal feel. The close-ups are delicious and meaningful. The sound design is impeccable and poignant. TIGER RAID takes you on a journey into the minds of men who kill for money and for sport. This vibrant and unapologetically violent ride is beyond engrossing from every angle. It will not disappoint.

  • Section: Midnight
  • Year: 2016
  • Length: 92 minutes
  • Language: English
  • Country: U.K.
  • Premiere: World
You can still get rush tickets for tonight’s screening. I highly recommend that you do.
9:45 PM – FRI 4/22 BOW TIE CINEMAS CHELSEA 5Icon-fg-map RUSH

*Watch here for FREE* Rose McGowan’s short film ‘Dawn’ – Liz’s Review

From the opening shot of Dawn, you know something is not quite right. In an eerie flash-forward, the scene is set for the directorial debut of Rose McGowan (Jawbreakers, Planet Terror, Charmed). The story focuses on Tara Barr (God Bless America) who plays the title character. She is a shy and quiet teenager in mid last century America, donning saddle shoes and all. Clearly sheltered by strict parents, she is a rule following good girl. One smile to the local boy who works at the fill up station and she is smitten. Her innocence isn’t long lived when she invites the boy and his two friends over to listen to records while mom and dad are out of town. All she wants is some attention but, as everyone knows, peer pressure can be the end of who you truly are.

Watch below!!

This 17 minute short is so incredibly lush in it’s color pallet and the soundtrack truly captures the era. Tara is lovely on screen. Regardless of the year, this character is someone we either knew or were at some point in our adolescence. You see every honest beat in Barr’s eyes. You want everything to turn out alright for her in the end. The film left me literally breathless, heart racing and disturbed. I am so impressed with McGowan’s dark choices. The woman clearly has a strong point of view and I cannot wait to see what’s next.

Directed by: Rose McGowan
Written by: M.A. Fortin, Joshua John Miller
Cast: Tara Barr, Reiley McClendon, Hannah Marks, Michael Moskewicz, Julia Sanford, John Grady
TRT: 17 minutes
Country: USA
Langauge: English
Genre: Thriller

h/t Cinemit