SXSW 2021 reviews: ‘The Lost Sons’ & ‘United States Vs. Reality Winner’ are two mind blowing docs from this year’s virtual fest.

THE LOST SONS

1960s Chicago, a baby is kidnapped from a hospital. Fifteen months later, a toddler is abandoned. Could he be the same baby? In a tale of breathtaking twists and turns, two mysteries begin to unravel and dark family secrets are revealed.

When my son was born in 2016, I remember the extreme level of security on the floor we were staying on. We all had bracelets on with his name, while he also had an electronic ankle bracelet which would beep if he were taken past a certain threshold. The idea of some stranger coming in and taking my child terrified me. I hoped to God that I never heard that alarm go off while we stayed in the hospital. Reenactments, newspaper clips, photographs, archival footage, home video, and sit-down interviews with witnesses all make up the massively intriguing and mystery-laden doc. Who is Paul Fronczak? This is a loaded question. The Lost Sons attempts to answer this question and so many others. The editing is mesmerizing. You don’t have a moment to catch your breath as this story unfolds. The twists and turns will shock you. They are relentless. I found myself shouting at the television more often than usual in one true crime sitting. It unravels like a James Patterson novel. If you are a homegrown detective, The Lost Sons at SXSW21 will be a true highlight for you.


UNITED STATES Vs. REALITY WINNER

A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old NSA contractor Reality Winner.

Reality Leigh Winner saw something that she thought the entire country should know. She decided the public had a right to evidence the government was keeping secret. For this act, she was severely punished. The line between right and wrong can be blurry, but in this instance, it feels clear as day that Reality Winner was right. The film follows Reality’s mother, Billie J. Winner-Davis, as she tracks the public and the court’s response to Reality’s case. We learn about the kind of person Reality is through diary entries and jailhouse phone calls. She’s funny, talented, with a sharp wit. With the full understanding that most documentaries have an agenda, I cannot imagine someone walking away from the film without a ferocious sense of injustice. Including never-before-heard audio from Reality’s FBI  initial interview, sitdowns with her attorneys, family members, and fellow whistleblower Edward Snowden, you will finally learn what was in the document in question. Understanding the content is key to grasping the fact that Michael Flynn was pardoned and Reality Winner was given the harshest sentence in history for any whistleblower. I cannot stress this enough. I am thankful that United States Vs. Reality Winner is being shown to audiences when Joe Biden is now President. I join in the urgent call for justice. #FreeRealityWinner

SXSW 2021 review: ‘Broadcast Signal Intrusion’ and ‘Alien On Stage’

BROADCAST SIGNAL INTRUSION

In the late 90s, a video archivist unearths a series of sinister pirate broadcasts and becomes obsessed with uncovering the dark conspiracy behind them.

Harry Shum Jr was one of the most underutilized actors on GLEE. With a true leading man role in Broadcast Signal Intrusion in the Midnighters section, he was up against genre fans’ huge expectations. I think he definitely delivered. He gave us brooding vulnerability and a badass attitude that played well against the jarring imagery of the tapes. They were truly skin crawling. The film’s score has a throwback feel. It’s pure noir thriller deliciousness. The cinematography is certainly noteworthy. There is no denying the inspiration from Brian De Palma‘s ‘Blow Out.’ Gentry’s finale leaves a lot of unanswered questions but Shum holds his own in an inspired by true events screenplay. I was fully invested as he went down the rabbit hole of mystery and obsession. Please cast him in more roles with the complexity of Broadcast Signal Intrusion. A few things that stuck out like a sore thumb; James’ newly acquired detective skills get him further than any FBI agent, and the mystery of his stalker breaks late then peters out to less of an impact. Aside from a few script tweaks, this is a solid entry from this year’s lineup and well worth being disturbed by.


ALIEN ON STAGE

Alien On Stage is a Documentary about a unique crew of Dorset Bus Drivers whose amateur dramatics group decides to ditch doing another pantomime and try something different. Having never done anything like it before, they spent a year creating a serious adaptation of the sci-fi, horror film, Alien; finding ingenious homemade solutions to pay homage to the original film. The show is a crushing flop but fate gives them a second chance to find their audience. Whilst still adjusting to the idea that their serious show is actually a comedy, the group finds out they’re suddenly being whisked from their village hall to a London West End theatre to perform this accidental masterpiece for one night only.

This charming doc is the perfect family watch. More specifically, it is theatre nerd deliciousness. It’s Waiting For Guffman in real life. The rehearsals are almost painful to watch. I felt director Dave’s anxiety as his cast muddled through forgotten lines, missed cues, and disastrous blocking. You’re just rooting for it all to come together in the end. Each actor has a genuine love for the show. Most of them are completely clueless about dialogue delivery, making it a laugh riot for a hyped-up, tuned-in, sold-out audience. The amount of work these bus drivers and their family and friends put into this stage production of Alien is astounding. Every set piece, prop, and costume is made by hand with more love than a Broadway play. You will absolutely fall in love with them all. You’ll be cheering along with their live audience. Bravo to directors Lucy Harvey and Danielle Kummer for having the foresight to nurture this local charity production and turn cameras on them. Everyone involved in Alien On Stage deserves a standing ovation.

Review: Extraordinarily personal doc ‘GROOMED’ comes to Discovery+ this Friday.

GROOMED

GROOMED is the devastatingly powerful story of filmmaker Gwen van de Pas as she returns to her hometown in search of answers about the man who sexually abused her as a child. To understand her ongoing traumas, Gwen travels to meet survivors, psychologists, and even a convicted sex offender. Produced by Gwen van de Pas, Bill Guttentag, and Dylan Nelson, GROOMED addresses a common yet little understood manipulation type called ‘grooming’, how to recognize it, and how to stop it. What begins as an exploration into grooming becomes a dramatic journey where Gwen faces unexpected revelations in her case, finally finds her anger, and boldly confronts the evil we’d rather ignore. Executive produced by Blumhouse in association with Yellow Dot Films.

Gwen Van De Pas’s trauma has never gone away. As an 11 year old, an older swim teammate groomed her. The term was one she only learned 20 years after the abuse occurred. To regain power, she returns to Holland to decide whether or not to report her abuser. Her life cannot move forward without healing. The insight Gwen gains from sitting down with her parents are very impactful. They’re able to explain that when at 17 years old Gwen told them about her abuse that they were at a crossroads based on her mental health. Their guilt is palpable. As a parent myself, I completely understand their desire to protect Gwen from self-harm first. This is not simply about her healing. This film is about the healing of everyone around her. Sexual abuse infiltrates entire families.

The structure of the doc takes us through the grooming bullet points one by one, through the words of a convicted sex offender and behavioral experts. (1. Target The Victim 2. Gain The Family’s Trust 3. Build A Relationship 4. Sexualize The Relationship 5. Maintain Control) She interviews other victims, of all ages, sex, and backgrounds. Not only is this a part of understanding just how pervasive sexual abuse is, but it was a chance for Gwen to feel less isolated for once. Speaking with psychologists, her ultimate goal is to finally report him, but she is rightfully afraid. The evidence she kept still has a profound emotional stronghold. Watching her battle the words and the intentions of her abuser is heartbreaking. She feels complicit and he groomed her to think that way. In their interviews, other victims express how it has affected them physically. Hospitalization, eating disorders, disassociative habits, physical intimacy, panic attacks are just the tip of the trauma iceberg.

This incredibly personal and powerful doc is something parents need to watch. It’s a film survivors should watch. Reporting is not easy. Retraumatization is one of the key factors in every single one of these cases. Gwen Van De Pas was brave. Groomed is her victory lap. If we could all just have a fraction of her courage, we might be able to prevent others from becoming victims. The cycle has to stop.

Streaming Exclusively on discovery+
March 18, 2021

National Geographic and Disney+ review: ‘OWN THE ROOM’ is at the crossroads of passion and presentation.

OWN THE ROOM

Directed by Emmy® Award-Winning team behind Science Fair, Cristina Costantini and Darren Foster, OWN THE ROOM chronicles five ambitious students from disparate corners of the planet and the victories and setbacks they face as they take their budding business ventures to Macau, China to compete in the Global Student Entrepreneur Awards. Santosh is from a small farming town in Nepal; Alondra works the register at her family’s bakery in Puerto Rico; Henry is a programming wiz from Nairobi; Jason is a marketing machine from Greece; and Daniela is an immigrant escaping the crisis in Venezuela, taking on the chemical industry from her lab at NYU.

Every year, students represent each country in an entrepreneurial pitch competition where 1st prize is $100,000. The Global Student Entrepreneur Awards is a life-changing opportunity. In Own The Room (filmed in 2019) New York by way of Venezuela, Nairobi, Nepal, Puerto Rico, and Greece, were represented by Daniela, Henry, Santosh, Alondra, and Jason. You will absolutely fall in love with all five of them. While these young entrepreneurs are unique in personality and ideas, their dedication is familiar and infectious. Sustainability, housing, well-being, accessibility, and communication are merely the broad categories for each of their pitches. With intimate sit-downs and real-time competition footage, this film immerses the viewer in this global, high-stakes competition.

An intriguing highlight of Own The Room is the fact that all five students have the love and encouragement of their parents. It was great to hear the families support each dream, instilling them with the confidence to succeed. Watching the preparation, their anxiety and excitement are visceral. You’ll be on the edge of your seat as you wait for their pitches in Macau. First, they must get past the semifinal round. Contestants are split between seven rooms. The winner of each room makes it to the finals. You won’t believe the last-minute obstacles that Henry faces. It’s simply exhilarating. As a viewer, you’re proud of these young people. They give you hope that our future is bright. Own The Room is an inspiring documentary.

National Geographic will premiere OWN THE ROOM on Disney+ on March 12, 2020.

Review: ‘My Beautiful Stutter’ speaks to everyone.

MY BEAUTIFUL STUTTER

My Beautiful Stutter follows five kids who stutter, ages 9 to 18, from all over the United States and all walks of life, who, after experiencing a lifetime of bullying and stigmatization, meet other children who stutter at an interactive arts-based program, The Stuttering Association for the Young, based in New York City. Their journey to SAY find some close to suicide, others are withdrawn and fearful, exhausted and defeated from failed fluency training, societal pressures to not stutter or the decision to remain silent. Over the course of a year, we witness firsthand the incredible transformation that happens when these young people of wildly different backgrounds experience for the first time the revolutionary idea at the heart of SAY: that it’s okay to stutter.

This heartfelt doc is incredibly eye-opening for anyone who doesn’t have information about stuttering. While we learn about the neurological reasons, more importantly, we learn about the social-emotional effect on children. Bullying is already such a pervasive issue. Add on stuttering and it can really be a recipe for an exponentially challenging childhood. These beautiful, intelligent, glorious kids should not be “fixed”. They aren’t a problem. It is society that should be more accepting.

Growing up stuttering, Taro Alexander wanted to create a program to improve the lives of kids who stutter now. He understood the weight of feeling viewed as different. He founded SAY The Stuttering Association for the Young. Then came CAMP SAY. CAMP SAY is a safe environment where kids of all ages can come and learn, play, make friends, and be accepted for exactly who they are. The film features the summer of 2015. The kids have group therapy sessions, not necessarily clinical, but it allows them to share their feelings without judgment. Outside of all the typical camp activities like sports, ceramics, campfires, and swimming, Alexander utilizes theatre and creative writing to break down their barriers.

The film features members of CAMP SAY community. Juliana, now graduating from the program uses singing to boost her confidence. Malcolm’s stutter was triggered after witnessing a violent act. His passion is baseball. This is his first year at camp. Sarah and Emily are best friends at CAMP SAY. They explain how important it is to be able to connect with someone who can genuinely relate and to finally realize that they’re not alone. Travis is one of the counselors at camp. He also uses music to feel uninhibited by his stutter. Will features his college entrance essay. The gorgeous, astute, poetic writing in that essay undoubtedly wowed any essay reader. My Beautiful Stutter brings together footage from home, camp, and beyond to immerse you into a world where communication is a double-edged sword.

One of the greatest days at camp happens when an older camper is paired with a younger one and they answer questions like, “What’s your favorite subject in school?” or “Something I’ve always wanted to try but haven’t had a chance to yet…” Watching these kids grow is profound. The amount of sadness they carry with them every single day will stay with you. As a former teacher and current parent of a child on the spectrum, it was disheartening to hear that these kids all recall their teachers not understanding how their stutter affects them emotionally. The stories of constantly being cut off by others must be ceaselessly frustrating. Frankly, they all feel exhausted.

The timing of My Beautiful Stutter is incredible considering President Biden stuttered as a child. He actively reaches out to kids across the country, even giving them his cell phone number so he can pass on techniques on how to ease their frustration. Kids and parents alike can learn more about Taro Alexander, SAY and CAMP SAY here. My Beautiful Stutter is an important watch. This is a family film. Make it a movie night. Sit down with your loved ones and feel the unadulterated love these children bring to the world. As Emily says in the film, “Stop and Listen.” Solid advice.

Premiering Exclusively on discovery+ This Thursday
March 11, 2021

Directed by: Ryan Gielen (Stop The Bleeding, The Graduates)
Produced by: Michael Alden and Ryan Gielen

Executive Produced by:
Paul Rudd, Mariska Hargitay, Peter Hermann, Patrick James Lynch, George Springer

Since 2001, SAY has offered comprehensive and innovative programs that address the physical, social and emotional impacts of stuttering.

**Film Festival Awards**
Best Documentary at Boston International Kids Film Festival
Audience Award Best Documentary at the Rhode Island Film Festival
Best Documentary at the Golden Door Film Festival
Best Documentary at Doc Sunback Film Festival
 

discovery+ is the definitive non-fiction, real life subscription streaming service. discovery+ features a landmark partnership with Verizon that gives their customers with select plans up to 12 months of discovery+ on Verizon. discovery+ has the largest-ever content offering of any new streaming service at launch, featuring a wide range of exclusive, original series across popular, passion verticals in which Discovery brands have a strong leadership position, including lifestyle and relationships; home and food; true crime; paranormal; adventure and natural history; as well as science, tech and the environment, and a slate of high-quality documentaries. For more, visit discoveryplus.com or find it on a variety of platforms and devices, including ones from Amazon, Apple, Google, Microsoft, Roku, and Samsung.

RT: 90 Minutes

SLO Film Fest 2021 review: ‘BLEEDING AUDIO’ rocks.

BLEEDING AUDIO

Told through the eyes of quirky, charming and humble bandmates Shawn, Jon, Matt and Justin, BLEEDING AUDIO is an intimate portrait detailing The Matches’ promising career, defeating break up, and inspiring reunion, as they reflect on what success truly means for musicians in today’s digital industry. Their story overlaps with the drastic changes the music industry has undergone in the past several years. From declining record sales, to excessive touring, to illegal downloading and streaming, this film digs deeper into the challenges the average musician faces in the digital age and how artists can navigate their careers today

How do I not know about The Matches? Their sound is right up my alley. The minute I heard their songs in the introduction, I was hooked. Shawn, Justin, Matt, and Jon have distinct personalities and styles, and together they are unbelievable. This is the most badass entrepreneurial band I’ve ever heard of. The things they did to become known were geniuses. This was pounding the pavement in its truest form. Members Justin and Shawn made all the band’s art. Their parents worked the door, security, snack bar while they slowly wracked up fans.

Huge names in the industry like Mark Hoppus of Blink-182,  Warped Tour founder Kevin Lyman, Tom Higgenson of Plain White T’s (just to mention a few) all wonder why the hell these guys aren’t one of the biggest bands in the world. Their consensus is they had everything they needed to be massive; catchy songs, genuine talent, an ambition that blew people away. Why aren’t they household names?! Bleeding Audio breaks down the music industry. Literally explaining where the money goes and why. I think we all sort of understood this concept when Taylor Swift took Spotify to task over streaming but I don’t think I ever thought about what happens to get to the album itself. The money comes from publishing. The Matches didn’t necessarily go searching for a label. Once they were popular the labels came to them. Epitaph was their dream. They got it. Warped Tour was next. Meeting other bands who became their fans opened even more doors. These guys were loved. Their creativity surpasses anything I’ve ever seen from a single band. Then… Napster happened. Music was about to change forever.

After their third album, they were burnt out. The band played one final beautifully, raucous show. 2 years later, they find out that their overbearing manager Miles didn’t register their songs, with the exception of 4. The amount of money they lost because of this was ultimately the reason they broke up. It was a brutal blow. In 2014 the guys meet up for pancakes. This leads to a show that sells out in 2 minutes. Then another. Then another. The Matches were inexplicably back for what would become a sold-out world tour.

The doc has an unreal amount of footage, art, interviews, it’s pretty magical. If you’ve never heard of The Matches, there’s no way you’ll walk away from Bleeding Audio without needing to go find their music. Thank you to director Chelsea Christer for introducing me to my newest musical obsession.

Bleeding Audio – Official Trailer from Chelsea Christer on Vimeo.

You can get tickets to a watch BLEEDING AUDIO here

 

Netflix Original Documentary review: ‘STRIP DOWN, RISE UP’ is raw and revelatory film on the power of pole dance.

STRIP DOWN, RISE UP

STRIP DOWN, RISE UP is a cinema verité film about women from different walks of life—all ages and ethnic backgrounds—who shed trauma, body image shame, sexual abuse, and other issues locked in their bodies to reclaim their sensuality and sense of self through sensual movement and pole dance. While pole has the stigmas of being a strip club activity, and more recently, an exercise fad, the film tells deeply transformative stories of women within this little-known, supportive community who embark on a journey to heal themselves.

Did I think I would be weeping while watching a documentary about pole dancing? Absolutely not. Strip Down, Rise Up is one of the most personally impactful docs I’ve ever seen. As a dancer, a competitor, a choreographer, a performer, a wife, a mother, a sexual trauma survivor, a film critic, this movie is a therapy session and motherf*cking triumphant scream into the abyss. The stigma that pole dancing carries were created by, everyone say it with me, “Patriarchal Structure!” When I say this, I don’t just mean men. When someone tells you that a particular thing “isn’t feminine” they are part of the problem. Suggesting a stripper is a whore, that’s definitely part of the problem. These are just two examples of how we’ve all been trained to toe the line in outdated gender normative behavior. Take your bullshit standards and eat them. Strip Down, Rise Up is empowerment to the nth degree.

Actress Sheila Kelley began The S Factor after doing research for a role. After falling in love with the art and sport and strength of pole she decided to start a studio. This movement is about the reclamation of our bodies. The power, both physically and emotionally it takes to do pole is beyond most of our basic understanding. The women profiled in the film come from every background, are every age and shape. One is a widow, one a victim of Dr. Larry Nassar. Another is a cancer patient, another a first-time mother. Then there’s the lawyer, pole competitor, and studio owner. And that’s just a few of the unique individuals spotlighted here Through pole exploration, these women are allowed to feel sexy, build strength, and reclaim their bodies. Too often they are sexual assault survivors. The fear and disconnection spread so much further than I ever thought, even after the #MeToo movement kicked off. The amount of trauma is both shocking and not. Which is a scary commentary unto itself. There is so much complexity built into the intimate stories of these women. Director Michèle Ohayon has given every viewer a gift. Throw your expectations out the window. Burn them to the ground. Strip Down, Rise Up will free you.

Oscar-nominated filmmaker Michèle Ohayon‘s new doc feature, STRIP DOWN, RISE UP, is now on Netflix.

Review: ‘Narratives Of Modern Genocide’ forces us to stop talking and start listening.

Narratives of Modern Genocide

After the holocaust, the world said, “never again,” yet genocide is happening in the world right now. The stories we forget to tell, of the survivors we never knew, will haunt us until we listen and act. Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

Sichan’s Siv narrative is all too familiar. He suffered unimaginable losses at the hands of the Khmer Rouge, enduring forced labor and the eventual execution of his family. But for Sichan, it becomes a tale of bravery and audacity.  After a failed attempt to escape, he tries a second time, fleeing on foot for three days with only the sun and moon to guide him to Thailand. He is the epitome of “The American Dream”. After emigrating to CT then New York City, he would eventually end up working for President George H. W. Bush as a translator. Think about the gravity of his journey. He went from being persecuted by his native government to becoming a prominent figure in the American government. That’s extraordinary.

Gilbert Tuhabonye was just a schoolboy when he witnessed atrocities that will haunt any viewer. He was the fastest runner in his Burundi community and it served him well when escaping torture and the mass murder of his classmates and teachers. Now living in Austen, he is a motivational speaker, author, retired professional long-distance runner, and a cross-country and track coach. Gilbert also the co-founder of the Gazelle Foundation which provides clean drinking water in his homeland.

We think genocide isn’t as prevalent, but we must learn from our history. The release of this doc is eerily timed with the events of insurrection at the US capitol last week. We have to pay closer attention to the calls of violence. Our democracy is on the brink and vigilance is key. Narratives of Modern Genocide will undoubtedly punch you in the gut. Sichan and Gilbert’s stories are difficult to hear but they cannot be ignored. While this may seem like the story of two men, it is the history of too many. Combined with beautifully drawn animation and starkly contrasted news clips, this doc strikes a cord. It’s important. It must be shown to as wide an audience as possible. It must serve as a warning to future generations.

ON DVD AND DIGITAL
January 12, 2021

Review: ‘The Reason I Jump’ is a megaphone for nonverbal autism.

The Reason I Jump

Based on the best-selling book by Naoki Higashida, translated into English by author David Mitchell (Cloud Atlas), The Reason I Jump is an immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida’s revelatory insights into autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window into a sensory universe that guides audiences to Naoki’s core message: not being able to speak does not mean there is nothing to say.

Based on the book of the same name by Naoki Higashida, The Reason I Jump is an emotional rollercoaster. I was already welling up listening to the opening monologue. The echolalia, the sensory overstimulation, the hand flapping, and ear covering all punched me in the gut when presented on screen. I’m a lucky Mom. At 5 years old, my child is now very verbal, he’s hyperlexic which means he’s been reading since he was two. He loves hugs, sleep, and eats well. On the autism spectrum, he would be closer to Asperger’s, if that were a diagnosis recognized nowadays. None of these facts lessen the fear, frustration, exhaustion, and pure elation in raising an exceptional human being. The Reason I Jump is tailor-made from the words of a nonverbal 13-year-old boy’s experiences from the inside out. In film form, it’s simply triumphant.

In the doc, we are introduced to 5 unique young people with autism.

Amrit (India)
Her mother realized she was using art to communicate. Her paintings are extraordinary, some visually akin to continuous line drawings. It took time for everyone to realize they are snapshots of her day.

Joss -(UK)
His anxiety is palpable. His impulses and tendency to meltdown are understandably unpredictable. Joss’s ability to show unadulterated joy is magic. His parents break down their own existence in the most relatable ways, both the highs and the lows.

Ben & Emma – US
These two have learned to spell with letterboards and keyboards to communicate. Best friends since very early childhood, what they have to say will shock you.

Jestina – Sierra Leone
With Jestina, we tackle stimming and perception by others. Stimming a sensory-driven repetition of behavior like rocking or flapping to self soothe. Sometimes it’s a visual stim, sometimes watching wheels turn or glitter shine. Culturally, her mother and other parents in her autistic adjacent community are told their children are possessed. It destroys the spirits of entire families.

The narrated excerpts from the book directly correlate with whichever child is being highlighted at that time. Voiced by Jordan O’Donegan, they have a poetic feel to their profundity. Naoki writes, “Making sounds with your mouth isn’t the same as communication.” That quote did me in. When you hear that, truly hear it, you will be taken aback. Jestina, Ben, Emma, Joss, and Amrit all communicate in a different way, we just had to learn how to listen. The heightened sound design immerses you into the world of an autistic person. We do not understand what it is like to be utterly overwhelmed not being able to be fully understood. The cinematography is breathtaking. Quick cuts, predominantly in close-up form combined with a gorgeous soundtrack put you in an alternate headspace. The editing takes all these elements and blends them into a viscerally stunning documentary.

As a mother of a child on the autism spectrum, I feel like I can see I want to broadcast this film to the world so that neurotypical individuals can understand my son and every other person on the spectrum. The label of autism, whether people realize it or not, creates implicit bias. We are missing out on the potential and impact of an entire faction of our society. It is our duty to meet each other in the middle. The Reason I Jump is a captivating peek behind the autism curtain. Don’t look away now. Thank you Naoki Higashida for writing this book. Thank you David Mitchell for translating it for your son. Thank you Jerry Rothwell for directing such an important film. Thank you to the families that shared their lives. Watch this film, then choose to listen and learn in a new way.

The Reason I Jump will be in theaters and virtual cinemas Friday, Jan 8th

**WINNER – Audience Award, World Cinema Documentary –
Sundance Film Festival 2020**
**OFFICIAL SELECTION – AFI Docs 2020**
**OFFICIAL SELECTION – BFI London Film Festival 2020**
**OFFICIAL SELECTION – Chicago International Film Festival 2020**
**OFFICIAL SELECTION – Hot Docs Film Festival 2020**
**OFFICIAL SELECTION – Martha’s Vineyard Film Festival 2020**
**OFFICIAL SELECTION – SXSW Film Festival 2020**
**OFFICIAL SELECTION – WINNER’S CIRCLE – DOC NYC 2020**

Review: ‘Higher Love’ is in your face and important.

“That’s what happens in America.” When jobs depart, drugs arrive. That’s what happens in America. Nani and Daryl have a tumultuous relationship and drugs are to blame. Daryl is desperately trying to save both Nani and his infant son. Higher Love gets deep inside Nani’s addiction and those around her. We watch them get high while they enable one another.

They live in Camden, NJ. I remember driving home for Thanksgiving in my mid-20s. It was approaching 2 am and I was having trouble staying awake on my way to CT. I was about to turn off the highway when on the radio DJ says, “Murder capital in the U.S.? Camden, NJ.” I swerved and took the next exit. Higher Love does a fantastic job of highlighting the systemic disintegration of American cities. The police literally sit idly by as crackhouses act like revolving doors. Rehab, as we learned from American Relapse, is an economic boom. It comes down to people willing to help themselves or help each other. Daryl is an awesome father. He takes care of his children and adores them, wholeheartedly.

Nani just cannot kick her addiction. She claims she wants to be part of her son’s life, but chooses drugs over and over. Daryl is just guilty in the ways he facilitates her habits. It’s heartbreaking to watch him have so much confidence in a woman who will most likely overdose. When he snaps at her you don’t blame him one ounce. He’s doing his best and she’s doing crack. The emotional hold she has on him is stronger than almost anything, except the love of his children.

Higher Love tells the stories of the lives and deaths of so many locals. But the tragedy is everywhere. Iman, one of Nani’s associates, gets his path highlighted, as well. He explains that with a phone call, one can procure whatever they need whenever they need. His story is like so many others, he has a family that loves him and they only want his rehab stints to stick. He is the highest motivated individual we come to know. We could not be rooting for him any harder. The most engrossing aspect of the intimate conversations with these addicts is the fact that they are actually incredibly self-aware. They understand they are ultimately responsible for their behavior. It’s a cycle of sadness, confusion, trauma, and sickness. How do we, as a society, fix this? What can the government and the people do together to help this ever-growing population? I’m not sure what the answer is, but with the problems exacerbated by a pandemic, 2020 might be the worst year on record for drug deaths.

The doc could probably benefit from a trim in time, even at a tight hour and 17 minutes. One beautifully impactful moment occurs when we are treated to a slam poem presented over quick cuts of the city and it’s residents. If that does not move you, nothing will. Higher Love is honest and important. It’s not just Nani’s story, or Daryl’s story, or Iman’s story. It’s the story of the forgotten, the oppressed, the ones we find easier to gloss over. Don’t sleep on this film.

WATCH THE 7X FESTIVAL WINNER NOW ON VOD

HIGHER LOVE was directed by first-time filmmaker Hasan Oswald, executive produced by Stephen Nemeth (Rhino Records), and produced by Oswald, Alexander Spiess, & Derek Rubin. Oswald used a Robert Rodriguez-inspired zero-budget strategy to make the film, selling his blood-plasma, racking up no interest credit card bills, and learning all things films on youtube tutorials in lieu of film school.

Coming out of DOC NYC 2020, ‘THE WALRUS AND THE WHISTLEBLOWER’ will be available on VOD on November 24th, 2020

THE WALRUS AND THE WHISTLEBLOWER

will be available on VOD on November 24th, 2020.

Synopsis:                                                                                                                                                                                                   

Phil Demers is a part-time mailman who lives in a bungalow across the creek from Marineland, the iconic amusement park in Niagara Falls, where he had his dream job as an animal trainer for over a decade. He swam with killer whales and ran the show, until he quit and blew the whistle, claiming animal abuse and calling for an end to the 60-year-old practice of keeping marine mammals in pools. Known as the ‘Walrus Whisperer’ on Twitter, with over 27,000 followers, Phil has appeared four times on the Joe Rogan show and is being sued for $1.5 million for plotting to steal Smooshi, the walrus. Playing out in the swell of a paradigm shift in our relationship with animals, the film pierces the veneer of a media story and goes behind the battle lines of a stranger-than-fiction custody fight to #SaveSmooshi. At its heart are questions of compassion for others – humans and animals alike – the nuances of all our stories, and the hills we are willing to die on.

*Winner’s Circle – DOC NYC 2020*

DOC NYC 2020 review: ‘CRUTCH’

SACHI CUNNINGHAM and CHANDLER EVANS’ 

CRUTCH

AT DOC NYC

Two decades of exclusive access, plus a lifetime of archival footage depict Shannon from his early years to his rise as an award-winning dancer and cutting-edge performance artist. CRUTCH examines Shannon’s controversial street performances as he exposes a myriad of prejudices disabled people encounter in public on a daily basis.

Crutch is about Bill Shannon‘s extraordinary life. Shannon wants to be recognized as a performance artist, and rightfully so. As a dancer since the age of three, I can attest to how the physical and emotional energy toll performing can have. Like many dancers, my body is ravaged from the work I asked it to do when I was younger. But I wasn’t faced with the challenges that Bill Shannon faced from childhood. Bill Shannon is on another level from us all. He is a relentless artist and it’s magic.

He grew up making home movies, being a daredevil, skateboarding, and creating a new language for dance, all while having a rare degenerative hip condition. He is a provocateur. Exploring his own pain and emotional hurt by placing others into his realm. He essentially created “What Would You Do?” scenarios before it was mainstream. As a breakdancer and choreographer, he presented the world with evolutionary milestones in thinking and accepting. But this is only a sliver of what he deals with and tries to effect. This doc tackles ableism at its core. He uses his filmed setup moments to organically teach an audience about the human mind. It’s a refreshing perspective that will grab your attention. He never lets up. His innovation is astounding. That’s true artistry. Crutch pushes past cynicism to teach and entertain and delight.

www.docnyc.net

 

Review: ‘The Disrupted’ puts a face to wealth disparity across the United States.

THE DISRUPTED dives deep inside the lives of of three Americans working harder than ever, as their place in the middle class slips away.  For a farmer, a factory worker, and an Uber driver, rising income inequality betrays the American Dream.

What does the American Dream even look like anymore? When  I was a child, it was always something cliche like, “Married, with a house, a dog, and 2.5 kids.” When I graduated college in 2002, I moved back in with my parents for a few months transitioning from NYC to California. When I began to hear how many of my classmates had done the same, I was less embarrassed and more surprised. I began to notice my parents discuss money for the first time. How fellow upper middle class families were in  way over their heads with newly built McMansions and more than one kid in college at the same time. My mother checked out a scholarship book from the library the size of three phones books put together. (Did you know you can get one for being left handed?) This time, it was for my two youngest sisters that were merely in 7th and 8th grade at the time. It was very eye-opening. Over the last almost 20 years, this has become the norm. Getting a job immediately following graduation and then working at that job until retirement wasn’t a thing people were doing any longer. Now in 2020, with a global pandemic, the economic wealth gap in more front and center than ever before. Gen Xers knew things were bad. Now that we’re parents and the luckiest of us is homeowners, we’ve come to understand that there is nothing equal in this country. In Sarah Colt’s debut documentary The Disrupted, we follow three different workers struggling to keep food on their table and maintain dignity for themselves.

The harsh reality is that while the rich get richer, the poor get poorer and the rich keep it that way. The dichotomy of the working place is unmissable. Attempting to get an entry level job only to be told that it requires years of experience in that position is baffling. Companies like Uber are using drivers as a temporary solution. “Employees” will become completely obsolete once self-driving cars are fully on the market. Their exploitation is rampant and growing worse as each month passes, not to mention the massive hit they’ve since taken from the pandemic with its subsequent lockdowns and travel bans (albeit necessary ones for health and safety). Farmers have been feeling a massive strain since President Obama was in power and the current administration’s “bailout” doesn’t save the most vulnerable of family farms. These hardworking people, the people who feed America should not be pawns in a trade war. The Disrupted speaks to depression, guilt, frustrations, and anger, at its tipping point. If you care about human beings at all, it will crush your soul. You cannot help but feel invested in these people’s lives. Colt and co-director Josh Gleason’s editing walks a delicate line in filming the tumultuous highs and lows of how money has weight over a family dynamic. What it can do to your health, marriage, children, self-esteem, the way we speak to others, and how we are perceived by society. At times it feels intrusive but that’s what great documentary filmmaking is all about. It is a deeply personal look into how our system is broken. We are hopeful that this upcoming election brings forth change for the better. We cross our fingers for equal justice and more realistic economic policies. The Disrupted is a reminder that we’re more alike than we are different. We’re all trying to have pride in ourselves. We’re all trying to leave a better future for the next generation. We’re all looking for a chance.

The Disrupted – Trailer from Sarah Colt Productions on Vimeo.

Directed by Emmy® Award-winning NY filmmaker SARAH COLT and co-directed by JOSH GLEASON the film will be released exclusively in over 20+ Virtual Cinemas by PASSION RIVER FILMS and 8 ABOVE starting September 25th, 2020, followed by a Digital VOD release on October 13th, 2020!

 

Review: ‘Robin’s Wish’ becomes our own in this new doc from Tylor Norwood.

SYNOPSIS:Robin’s Wishtells the powerful true story of actor/comedian Robin Williams’ final days. For the first time, Robin’s fight against a deadly neurodegenerative disorder, known as Lewy Body Dementia, is shown in stunning detail. Through a gripping journalistic lens, this incredible story sheds entirely new light on the tragedy, beauty, and power behind the mind of one of the greatest entertainers of all time.

The name Robin Williams is a household name. From his early standup days to his iconic voiceover work for Genie in Aladdin to perhaps one of his most quotable film Mrs. Doubtfire, we all desperately miss this talented man and his gentle heart. We felt like we knew him. We understood that if he was booked as a guest on a late-night show, there was no script. The host might as well put their requisite question cards down because Robin was going to take the segment so far off the rails, there was little point in preparing. He could make us belly laugh but also mesmerize us with his ability to master heavier roles like Dead Poets Society and his Oscar-winning performance in Good Will Hunting. He was a god. He wore his heart on his sleeve, always. What we didn’t get to see in private was more than we can imagine.

“An emotional avalanche of mourning and celebration” is perhaps the best way to describe the viewing experience. Director Tylor Norwood has mixed intimate sit down interviews with neighbors, friends, and Robin’s wife Susan, with television appearances, personal photographs, and most notably to the subject at hand, Robin’s doctors. As someone who’s grandmother recently passed from the same disorder, this hurt just a bit more. To have an inside view of the pain and fear and confusion that Williams (and his loved ones) must have been feeling, it makes this all the sadder. His doctors agree that his high level of cognitive function, much higher than the average person, is most likely what made the diagnosis so elusive. The man was nothing short of brilliant. Weaved into the film is his love story with Susan. She has become an advocate for the disorder. When you think of soulmates, these two are it. It is beautiful to watch. For the cinephile, Robin’s Wish is also a fantastic insight into his work and mindset from some of his most iconic career moments. But it is the personal asides, the conversations with injured troops from his USO tour days that will solidify him as one of the most treasured human beings of our time. To see him celebrated properly and more fully understood feels like vindication from the tabloid mess that initially ensued following his death. It was not deserved. It was shameful. This film is both a tribute and an education for so many suffering in silence. Robin’s Wish can come true in this documentary.

“I want to help people be less afraid.”  ~ Robin Williams

 

 

Vertical Entertainment will release the documentary film ROBIN’S WISH on Demand and Digital on September 1, 2020.

OFFICIAL WEBSITEhttps://www.robinswishfilm.com/

ROBIN’S WISH features interviews with Susan Schneider WilliamsShawn LevyJohn R. Montgomery, Rick Overton, and David E. Kelly. The film is directed by Tylor Norwood (directorial feature debut) who co-wrote the film with Scott Fitzloff (The United States of Detroit).

SUSAN SCHNEIDER WILLIAMS STATEMENT:

When my husband Robin Williams died, the whole world grieved. It’s enough to grieve personally over this type of loss, and then to have the entire world grieving with you—that pushed it into a different realm altogether. Robin was one of the most beloved artists in the world, a comic genius, whose mind functioned on a mighty level. Yet in the end, it was a little known disease in his beautifully gifted brain that became his greatest and final battle.

During the last year of his life, Robin was confronted with anxiety, paranoia, insomnia, scary altered realities and a roller coaster of hope and despair. With our medical team’s care we chased a relentless parade of symptoms but with very little gain. It wasn’t until after Robin’s passing, in autopsy, that the source of his terror was revealed: he had diffuse Lewy body disease. It was one of the worst cases medical professionals had seen.

Armed with the name of a brain disease I’d never heard of, I set out on a mission to understand it, and that led me down my unchosen path of advocacy. With invaluable help from leading medical experts, I saw that what Robin and I had gone through, finally made sense — our experience matched up with the science. And what I discovered along the way was bigger than me, and bigger than Robin. The full story was revealed during the making of this film and it holds the truth that Robin and I had been searching for.

Robin’s Wish is Robin’s story, it’s our story, and in some ways it’s a universal one — as we all understand what it means to search for answers, to experience love and loss and the power of healing that keeps us going.

Finally, a note about the film title: Robin wanted to help all of us be less afraid. That was Robin’s wish. We had been discussing what we wanted our legacies to be in life; when it was our time to go, how we wanted to have made people feel. Without missing a beat, Robin said, “I want to help people be less afraid.”

 

DIRECTOR’S STATEMENT: 

Robin’s Wish is the retelling of an ending to a story that was never done the justice it deserved. Robin Williams was very much an influence on my life and so when he passed with such violence and general uncertainty it affected me deeply. However, like most people, I quickly buried that uncertainty as I went about my life, too busy with my day to day affairs to treat the questions around Robin’s passing as much more than a place I’d rather not go — telling myself instead that I would remember him only as the man who made me laugh and feel so much in my life. This process of denial of Robin as a man instead of a string of characters was interrupted when his widow, Susan, reached out to me to ask if I’d have any interest in making a science documentary about a neurological disease I’d never heard of — Lewy body dementia. I told her no, and that it would take years until we’d be sitting in a theater and watching any movie I agreed to make, so I asked her what would sustain her in that. She began telling me about herself and Robin, and what they went through in the last year and a half of his life. I told her if that was the film, I was in.

What followed was years of tracking down the facts of Robin’s case from his friends, neighbors, co-workers, widow and medical professionals that gave me a clear view of a compelling story I’d never heard before about one of the greatest entertainers to ever live. In the end I think we’ve done the work of restoring a legacy that had been tainted by a fundamental misunderstanding. It was in the spirit of completing the record, and honoring Robin with giving the world the truth of what took him from us that I think this film shines, and can serve as a moment for the world to look deeper into this beautiful man’s story. It is a moment for us to understand the pain he felt as his talents and faculties rapidly slipped away, and moreover how in the face of that terrifying reality, he was more heroic, more compassionate than any character he ever played in any of his movies. So I hope this film rights a wrong that was done to him, and takes away a cloud that has unjustly hung over his legacy for far too long.

Fantasia International Film Festival 2020 review: ‘Morgana’ opens with a bang.

‘Morgana’ is an artistic character portrait of a 50-year-old housewife, who re-invents herself as a sex-positive feminist porn star.

After 20 years as a dutiful housewife stuck in a loveless, sexless marriage, Morgana has had enough of her dreary life. Desperately lonely and starved of intimacy, she books a male escort for
one last hurrah before ending it all. Contact this London escorts agency to find more information.

Her final night takes an unexpected turn when her relationship with the escort opens up a new world of personal and sexual freedom. After hearing about a competition for first time erotic filmmakers, Morgana directs and stars in a film about her own story, ‘Duty-Bound’. Unexpectedly her film wins, catapulting her into the international Feminist Porn community.

Life merges with art as Morgana uses erotic filmmaking as a tool for creative catharsis while struggling with demons from her past.

This year’s Fantasia International Film Festival brings feminist porn to audiences that may not even know it exists. Morgana Muses is not simply breaking all the gender norms, she is blowing them to pieces in the sexiest, most honest way, ever. This doc beautifully tackles depression and the lasting effects words can have on the human psyche. Touch is a human need. Lack thereof can mean the death of the body and soul. We are privileged to be witness to Morgana finding herself, in a sense giving us full permission to say, “Fuck it, this is what I like.”  Directors Josie Hess and Isabel Peppard have presented us with an in-your-face, fearless look, at a woman to be respected, loved, and held as an example of the ever-changing times. The mixture of sit down interviews, stunning still photography, exquisite miniatures,  and scenes from Morgana’s own films paint a vivid picture. In 70 minutes, Morgana will enlighten you, entice you, and turn you on.

A Feature Length Documentary Film: TRT 71 mins in English
Official Selection Fantasia Film Festival 2020
Screening Digitally August 20 – Sept 2
Directed by Isabel Peppard + Josie Hess
Produced by Karina Astrup

Review: ‘TIME WARP: VOLUME 3 COMEDY AND CAMP’ is now available for your viewing pleasure.

SYNOPSIS: The final volume of Time Warp digs deep into what makes us laugh over and over again as we reveal the greatest cult comedies and campy classics of all-time. From “Fast Time at Ridgemont High” and “Office Space” to “Monty Python and the Holy Grail,” and “Showgirls.”

 

This is the longest in the Time Warp series. Starting off with Fast Times and the insight from Amy Heckerling, it’s a cinephile’s film class from the very beginning. Focusing first on high school films, we get a great mix from Rock N Roll High School to Napoleon Dynamite. Then we dive into Clerks and how a single film made on credit cards for $30K launched Kevin Smith’s career. The late Fred Willard talks Best In Show. The Bill Murray stories from King Ping are epic. John Cleese‘s presence for Monty Python and The Holy Grail reminds us that the best comedy is smart through its silliness. The first half focuses on Comedy for an HR and 15 minutes. The last 45 is Camp cult films. Rightfully so, Showgirls is covered. Gina Gershon’s character study background for Cristal Connors is masterful. Ed Wood’s editing style and relationship with Bela Lugosi made him one of the greatest cult filmmakers of all time. He was way ahead of his time when you look at his body of work. Speaking of being ahead of its time, Hedwig and the Angry Inch still has such an impact in so many ways. It may be more relevant right now than it was in its original run for the trans community. I’ll give you three guesses, and the first two don’t count, as to which film gets the final curtain call.

With Volumes 1 & 2, as with this third installment, these docs are like the YouTube rabbit hole we all fall into. Hours of different behind the scenes clips and stories all in one glorious place. You cannot go wrong with these films. You’ve seen more of them than you’ll realize. Feel a little cooler and a whole lot more informed after viewing. Then tell a friend so they can tell a friend and so on. All three docs are now available to stream.

TITLE: TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 3 COMEDY AND CAMP
ON DEMAND AND DIGITAL: June 23, 2020
DIRECTOR: Danny Wolf
DISTRIBUTOR: Quiver Distribution
HOSTS: Joe Dante, John Waters, Ileana Douglas and Kevin Pollak
CAST: Gina Gershon, John Cleese, Ron Livingston, Jim Gaffigan, Fred Willard, Jon Heder, David Cross, Mary Woronov, Michael McKean, Kevin Smith, Amy Heckerling, Mike Judge, Peter Farrelly, John Cameron Mitchell
RUN TIME: 128 minutes

Review: ‘You Don’t Nomi’ documentary takes a good, hard look at the phenomenon that is Showgirls.

Paul Verhoeven‘s Showgirls (1995) was met by critics and audiences with near universal derision. You Don’t Nomi traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Peaches Christ plays Cristal Connors in the stage production of “Showgirls! The Musical!” as featured in the documentary YOU DON’T NOMI, an RLJE Films release. Photo courtesy of RLJE Films.

Paul Verhoeven directed RoboCop, Total Recall, and Basic Instinct, three incredibly influential films of the late ’80s and early ’90s. Then he directed Showgirls. Oftentimes known as the rise and fall of Elizabeth Berkley‘s career, it is a film that gets s visceral reaction no matter what. You Don’t Nomi is a documentary about the ins and outs of the film’s effect on critics and audiences alike.

The film is edited to show his other films “reacting” to whatever scene we’re discussing. Which eventually becomes massively cathartic in juxtaposing sexual violence in Verhoeven’s films. Author Adam Nayman uses his book’s structure; Piece of Shit, Masterpiece, and Masterpiece of Shit. You can see how many of his films are wrapped into Showgirls. There is fascinating filmmaking happening once it’s broken down for you. You also meet April Kidwell, the star of I, Nomi, the Off-Broadway tribute to Showgirls. She discusses her parallel past and how performing a musical comedy based on the film has been her therapeutic outlet. Peaches Christ uses drag to, in a sense, improv shadow cast the film for sold-out crowds. The audience still loves this movie, no matter where that love comes from is a total phenomenon.

Audience at Showgirls at Midnight Mass in San Francisco in the documentary YOU DON’T NOMI, an RLJE Films release. Photo courtesy of RLJE Films.

The opposing opinions all make weird sense. I walked away feeling like I had just had a cinematic lobotomy. I still don’t know how I feel about Showgirls, but I know I want to gather friends and colleagues when this pandemic is all over and watch the hell out of it again. Same thing with this doc. You Don’t Nomi is brilliant in all the ways it challenges viewers and fellow critics to rethink Showgirls so many years later. It may just upend your brain, too.

YOU DON’T NOMI On Demand and Digital June 9, 2020

Free Virtual screenings of ‘Linda Ronstadt: The Sound of My Voice’ June 4th-10th from BrightFocus Foundation!

The life and career of singer Linda Ronstadt is traced from her childhood in Tucson through her decades-long career and to her retirement in 2011 due to Parkinson’s disease.

If I’m being honest, when asked to review this film, I wasn’t able to name a single Linda Ronstadt song. Growing up, The Beach Boys and Carole King were on constant rotation in Mom’s station wagon tapedeck.  How then, 40 years later, was I recognizing so many hits from a woman whom I assumed was a country singer when I heard her name? Clearly I was mistaken. This film was a reeducation, and boy am I glad for it. In watching Linda Ronstadt: The Sound of My Voice I came to realize I have always been a fan.

Linda Ronstadt’s extraordinary rise to fame is almost like a fairytale. Her incomparable voice quickly rose her from the LA club scene to a record deal. She broke genres and records along the way. Her intellect and wit were evident in the way she promoted herself and other female artists. She was fearless in calling out the toxic masculinity that was rock up until that point. Her vocal range was unmatched by almost any other artist. When a producer told her not to make a certain album, she went ahead and did it anyway… and usually won awards for it. Linda Ronstadt is someone to be respected and amazed by. You can tell, simply by the number of industry stars that participated in sit down interviews (Cameron Crowe, Bonnie Raitt, Dolly Parton, Don Henley, to name a few) what an impact she made in her long and successful career. Without even knowing it, I’ve been a Linda Ronstadt fan through Blue Bayou, Don’t Know Much, A Different Drum, Rescue Me, Desperado, When Will I Be Loved, You’re No Good, It’s So Easy To Fall In Love, and many many more. She is someone I can look up to as a performer and as a woman. Linda Ronstadt: The Sound Of My Voice is a stunning lesson in music history. You will find yourself singing along and living in the music just as Linda does.

Lucky for audiences, LINDA RONSTADT: THE SOUND OF MY VOICE At-Home Movie Night with BrightFocus can
be watched for free at brightfocus.org/movie, or via Facebook Live and viewed on any computer, tablet, or phone from June 4-10. BrightFocus Foundation, a nonprofit organization funding
scientific research and promoting public awareness to end diseases of mind and sight. The at-home movie night will feature an introduction from producer James Keach, and interviews with key scientists discussing their current research.

“I believe in the power and promise of science to end disease and save lives, and this is why I am glad to showcase both the transcendent beauty of Linda’s voice in this film as well as
the bold, groundbreaking research of BrightFocus,” Keach said, noting that Ronstadt’s iconic career was cut short by a neurodegenerative disease.

Stacy Haller, BrightFocus Foundation President and CEO, added, “The scientists supported by BrightFocus are relentless in their drive to slow and end diseases that rob us of our memory and
our sight. We could not have found a better film to both bring back so many great memories and remind us how now, more than ever, the need for innovative science is abundantly clear.”
In addition to James Keach’s introduction prior to the presentation of the film, four BrightFocus- funded scientists will briefly introduce their work. They include: Sarah Doyle, PhD, Assistant
Professor in Immunology, Clinical Medicine, Trinity College Dublin; Makoto Ishii, MD, PhD, Assistant Professor of Neuroscience and Neurology, Weill Medical College of Cornell University;
Amir H. Kashani, MD, PhD, Associate Professor of Ophthalmology, the University of Southern California and Roski Eye Institute; and Yvonne Ou, MD, Associate Professor, Ophthalmology,
University of California, San Francisco. They are among over 200 scientists around the world whose ongoing research is supported by BrightFocus.

FREE VIRTUAL SCREENINGS beginning Thursday, June 4 at 7:00 PM EST to benefit the BrightFocus Foundation. More information at brightfocus.org/movie

Review: ‘TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS’ available now!

SYNOPSIS: From “The Rocky Horror Picture Show” to “The Big Lebowski” and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.
I was 13 the first time I saw The Rocky Horror Picture Show. My life was forever changed in every way. I was a Catholic school kid who knew that a lot of what I was being taught felt wrong. I had danced since the age of two and had seen how music and showmanship affected an audience. This film was singlehandedly responsible for my college choices and the path I’ve taken ever since. There is something about a cult film that makes you feel at home. You’re in a room filled with people who get “it”, free-spirited, open-minded individuals with a sense of humor. What’s better than that? TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS is now available for everyone to experience themselves. With sitdown interviews with some of the greatest stars and directors of the most famous midnight madness films like Pink Flamingo, Reefer Madness, Freaks, The Warriors, just to name a few. This doc is a genre, cult, cinephile’s dream. It discusses the cultural shifts that occurred because of these films. How they influenced not only the audience but films that came after. There will be two more volumes; VOLUME 2 HORROR AND SCI-FI & VOLUME 3 COMEDY AND CAMP. I cannot wait to see who and what come up in the last two docs. They are undeniably fun and incredibly informative. What until you find out who was originally supposed to star in Point Break! You’ll feel like you’re in good company watching these films and maybe even add some films to your watch list (at least you should). So, set a virtual watch party with friends and catch Volume 1 now! Check out the trailer below!
TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS – April 21
RUN TIME: 105 minutes
CAST: Jeff Bridges, Pam Grier, Rob Reiner, Barry Bostwick, Michael McKean, John Turturro, Gary Busey, Jeff Goldblum, Fran Drescher, Penelope Spheeris and Peter Bogdanovich

COMING SOON:

TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 2 HORROR AND SCI-FI – May 19
TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 3 COMEDY AND CAMP – June 23

Review: ‘Close Encounters of the Fifth Kind’

As UFO’s suddenly grace the covers of the NY Times and Washington Post in the age of “fake news” and #conspiracy memes, how can we make sense of these revelations without losing our grip on reality? “Close Encounters of the Fifth Kind” is a feature documentary presented by Dr. Steven Greer, the global authority on extraterrestrials who created the worldwide disclosure movement and routinely briefs presidents and heads of state on the ET phenomenon.

 

His previous works, Sirius and Unacknowledged, broke crowdfunding records and ignited a grassroots movement. In this film, Dr. Greer presents the most dangerous information that the architects of secrecy don’t want you to know: how forgotten spiritual knowledge holds the key to humans initiating contact with advanced ET civilizations. The film features groundbreaking video and photographic evidence and supporting interviews from prominent figures such as Adam Curry of Princeton’s PEAR Lab; legendary civil rights attorney Daniel Sheehan, and Dr. Russell Targ, who headed the CIA’s top secret remote viewing program. Their message: For thousands of people, contact has begun. This is their story.

My little brother had that famous X-Files poster on his wall as a kid. The one that Mulder displayed in his office that read ‘I Want To Believe’. I have seen things that I cannot explain, both otherworldly and perhaps alien spacecraft related in my almost 40 years on Earth. All of that being said, Close Encounters Of The Fifth Kind would be better consumed as a series. There is a lot of information thrown at you, especially on the front end. While I was immediately suspect at the use of Fox News clips 4 times in the first 15 minutes, I was genuinely intrigued by information from Dr. Greer, founder of CSETI. As a total nerd myself, I am very familiar with this organization. My issues with the doc come in the very conspiratorial terms that get thrown at the audience. Not only that but also the complete shift in tone when Dr. Greer begins to explain how we are already communicating with beings from space. The videos of sightings and contact incidents are severely undermined by a distracting electronic soundtrack. It feels like an infomercial for one of Dr. Greer’s CE-5 workshops. I should be high on peyote in a yurt in Crestone. While you can see the passion behind what Dr. Greer is trying to communicate, the editing hurts the messaging. It takes what little we are given in way of video evidence and dumbs it down to YouTube-style nuttiness that you might run across on Reddit these days. I do encourage people to make their minds up for themselves as the new information does lead you to question life as we know it.

You can watch Close Encounters Of The Fifth Kind is available to purchase digitally on today, April 7th and available to rent on April 21st. Check out the trailer below.

On Digital today April 7th and available to rent on April 21st.

Directed & Written By: Michael Mazzola

Produced by: Phillip James, Jim Martin

Starring: Dr. Steven Greer, Jeremy Piven, Daniel Sheehan, Adam Michael Curry, Joe Martino, Jan Harzan, Dr. Russell Targ