It makes sense that Home Sweet Hell was released on Friday the 13th. Chock full of bad luck, and playing out like an Ozzie and Harriet version of Very Bad Things, the film capitalizes on familiar horror tropes with a touch of humor. It’s very clear throughout the film, by its script as well as how director Anthony Burns directs it, that the film has pulled from other great films. But does that make it good? Well… Read More →
Hamlet, Romeo & Juliet, Twelfth Night… Ghostly apparitions, star-crossed lovers, mistaken identity… If you mashed up all three of these Shakespeare plays, you would get the plot of his work Cymbeline. We’ve seen modernized versions of Shakespeare in the past, with films like Baz Luhrmann‘s Romeo + Juliet, O (for Othello), Hamlet, 10 Things I Hate About You, which was a modern incarnation of The Taming of the Shrew, and She’s The Man, meant to resemble Twelfth Night. Only R+J and Hamlet made the bold decision to use the original text. This can be a hindrance in getting audiences through the door. Some might look at this as too much of a challenge when stepping into a movie theater versus going to see a live play. Let alone the general understanding of the language, it’s not the easiest to follow for some. Cymbeline knocks it out of the park in both use of text and understanding. With a glorious cast, filled to the brim with talented celebrities, this version of Shakespeare’s work is pretty spot on. Read More →
Most horror films are relatively formulaic. I can appreciate that as a fan, but every once in a blue moon, something truly special comes along. It Follows is the story of 19 year old college girl, Jay. During the early stages of a relationship with a boy named Hugh, Jay is knocked out by chloroform and tied to a chair. He explains that since they have slept together he has passed a curse onto Jay. A thing, a force, an entity, call it what you like, will now follow her wherever she goes. It will take many forms, oftentimes of a loved one, sometimes deceased. Never let it touch you, for if you do, it will kill you. The only way to pass along the curse it to sleep with someone else. Absurd premise, yes. Scary as hell, absolutely. Writer/Director David Robert Mitchell takes us into a world that was created from one of his childhood nightmares. A presence that stalked him slowly and incessantly. We’ve all had these dreams; something or someone following us. The main difference here is we always wake up. Read More →
The film world lost an absolute giant last night when documentarian Albert Maysles passed away at the age of 88. Maysles started making films back in 1955 with the short film Psychiatry in Russia. He frequently collaborated with his brother David and together they created some of the most iconic documentaries of all-time, among them Gimme Shelter, Grey Gardens and The Beales of Grey Gardens and the seminal Salesman. A fair amount of his work was dedicated to covering music, film and art, most notably his series of films on artists Christo and Jeanne-Claude.
Albert Maysles was an American treasure and I am considerably thankful that I had the opportunity to meet him and see him introduce Gimme Shelter at the Indiana University Cinema a couple of years ago, an experience I won’t soon forget.
Rest in peace, Al. Your films gave us a up close and personal look at the human condition in its rawest sense.
Here’s Al‘s TEDx talk on The Gift of Documentary:
Regret and personal penance are issues we all tackle. Life’s small decisions can turn into life’s large consequences. Fleeting moments become the the ones that stick with you forever. In the new film October Gale, a woman looks to move on from her husband’s death by opening their seasonal cabin by herself. When her solace is shattered by an oncoming storm, she must tap into her emotional resources not only to save her home, but the mysterious who washes ashore with it.
Writer/Director Ruba Nadda brings us a story of trust and instinct. Set in Ontario’s Lake Joseph, While perhaps under the guise of a thriller, when you get to the heart of this film, it’s sincerely about two people healing from their respective tragedies. Patricia Clarkson is a legend in my book. Every beat and breath has purpose. Scott Speedman, who still looks like a Greek god, is a superstar. The chemistry between Clarkson and Speedman is electric. These two are truly gifted actors. Each battling their own demons, the pair is a joy to watch.
The film has a lovely structure, utilizing flashbacks as sense memory. The first 20 minutes are focused on Clarkson‘s character, Helen, while the final 20 minutes shift towards Will, Speedman‘s character (as far as the flashbacks are concerned). The location is breathtakingly stunning. Each long shot is a warranted break from the chaos that ensues during the meat of the story line. I must give pause and recognize the composer, Mischa Chillak. The score is both reminiscent and hopeful. It sets a beautiful tone throughout. October Gale is a slow and steady burn. I very much enjoyed this film and would specifically recommend it for the 30+ audience for the full appreciation of subject and tone.
Toronto doctor Helen Matthews (Patricia Clarkson), mourning the death of her husband (Callum Keith Rennie), retreats to the isolated island cabin where they’d spent some of their most cherished moments together. Her reverie is cut short when a mysterious man, Will (Scott Speedman), washes ashore with a bullet in his shoulder. As he recuperates, the two develop a tentative connection, though Will refuses to explain what happened. When a severe storm traps them on the island as Will’s would-be killer returns, their ability to trust each other then becomes a matter of survival. Also co-starring Tim Roth. OCTOBER GALE is a story about a couple warily exploring their growing bond under extreme circumstances.
Writer-director Ruba Nadda has received critical acclaim for character-driven dramas such as SABAH and CAIRO TIME (winner of Best Canadian Feature Film at the 2009 Festival). In OCTOBER GALE, she brings her astute psychological insight to bear on an intimate, suspenseful thriller.
Directed by: Ruba Nadda
Screenplay by: Ruba Nadda
Starring: Patricia Clarkson, Scott Speedman, Tim Roth
Release Date: March 6, 2015
Running Time: 91 minutes
So many of us are brilliant actors in our everyday lives. There is a fine line between what everyone expects our lives to be like and actual happiness. More often than not we’re giving into the these expectations without fully contemplating the consequences. Poor choices lead to the need to subconsciously push back by making even more terrible decisions. It’s easier to bullshit everyone. In the new film X/Y, we’re thrown the perfect examples of shitty decision making skills. Four people, all living life on the edge of falling apart. When do any of us ever realized enough is enough? Read More →
I promised Joel I wouldn’t title this “The Buzz on Buzzard”, and I didn’t. I kept that promise (though, I guess I just wrote it… but I digress) Anyone that would degrade this film in using that title, just plain sucks at life. I know, my eloquence astounds you, but in all seriousness, BUZZARD is one of the weirdest, coolest, totally magical, and yet indescribable movies of the year. Yup. I said it, and I’m not even sorry. We’ve all had endless conversations, at this point, about our Top 10 Movies of 2014. And if you haven’t seen our posts yet, shame on your face. But, what most of you didn’t know is that I had a secret addendum to mine. BUZZARD was my special “I have to tell people about this movie” selection.
So let me just launch into the premise. Marty works a crap temp job. Scamming the system is his game, and he’s pretty good at it. Until one truly face palm moment throws his existence into a series of even more terrible life choices and a downward spiral of paranoia. How long can Marty survive? It’s anyone’s guess. This film is an inspiration for everyone who has worked a mundane job just to live paycheck to paycheck. Marty is every man’s hero. He takes the “Damn The Man” attitude to the nth degree. He does all the things we think about doing, but he actually does them. Unapologetically and with much pride, Marty’s fearless audacity lies somewhere between genius and insanity. He is most definitely someone I would dub the “King of Mediocrity” or “Captain Bullshit”, both I mean in all due respect. He is kind of like a giant 14 year old in 1994, trapped in a 20-something year old’s body. Let’s be real, if you or I could get away with the shit this guy pulls, we would do it in a heartbeat.
Joshua Burge plays Marty in such a effortless manner it’s frightening. One might almost think that this film were a documentary. This says a lot about both Josh’s acting ability and how sensational Joel’s script is. Fun fact I learned in watching the credits, Joel plays Derek, Marty’s best friend in the film. He is also downright hilarious in his honesty. He likes what he likes even if a tad socially inept. Playing by the rules is his safety net. He is the perfect foil for Marty, whose disdain for authority is incontrovertible. BUZZARD is undeniably accessible. Everyone I’ve spoken with since I first saw this film at the New Directors/New Film Fest in 2014 love it. All ages, all backgrounds, not a single person has anything negative to say about this film. Clearly, I am on that ship. I cannot express how much fun this film is, so you know what that means, right? You now have to go see it and/or rent it on demand, and then you can come back and tell me how right I was. Good Talk.
Speaking of good talks… I got to have a sweet one with Joel Potrykus about this awesomeness. Take a listen because we both know you’ll be better for it. *PS- a small office dog makes an appearance, you’ll hear the jingle of this little dude at moments. Try not to get confused. OK, now go! *
BUZZARD – TRAILER from Oscilloscope Laboratories on Vimeo.
Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.
Oscilloscope Laboratories will release Joel Potrykus‘ BUZZARD in U.S. theaters and digitally on March 6, 2015. Written and directed by Potrykus, the film stars Joshua Burge and was produced by Michael Saunders and Ashley Young. Associate Producers are Kevin Clancy and Tim Saunders.
Cults are fucking terrifying to me. Watch Martha Marcy May Marlene and try not to be creeped the hell out. There is so much psychological warfare that goes on in these stories that it’s easy to question whether or not you would be able to resist the charms of a charismatic leader who says the right things to you at a possibly vulnerable time in your life. Hell, Scientologists have been milking this notion ever since its inception 3 million years ago to combat the evil Xenu. Films that depict cult life, the aftereffects or the process of removing someone from the grips of a cult can turn campy, silly and unintentionally funny (think of the Veronica Mars cult episode appropriately named “Drinking the Kool Aid”). The absurdity of how one falls into it is a foreign concept to many of us and that’s why they can easily stray into this territory. Riley Stearns, writer-director of the fantastic Faults, flips the script with these type of films/stories and gives us a fresh look perspective, one that is most deserving of your time this weekend. Read More →
I was happy today to get news that one of my fave films of 2014, Ben’s at Home, is in the process of getting made into a web series. I was lucky enough to catch the film at the Indy Film Fest and had the fantastic opportunity to speak with both co-writer/star Dan Abramovici and co-writer/director Mars Horodyski about the film and their process. You can catch my review here.The basics of the plot is a guy who goes through a bad breakup decides not to leave his house…ever. Everything he needs, he can get sent to his house. Why leave?
So, there is a way that you (yes you!) can help out the Ben’s at Home team. Watch the teaser below and throw a comment their way on YouTube. The Canadian-based filmmakers are looking to get funding through Canada’s Independent Production Fund to get this thing off the ground. So what harm can that do? The film was funny, witty and topical and I expect the web series will expand on what Ben is up to now.
Get there, people. I’m really excited about this project and you should be too.
South African-born filmmaker Neill Blomkamp returns for his third science fiction film in the last 6 years, Chappie, a film about a a robot who becomes the first of his kind with the ability to think and feel for himself. Like all of Blomkamp’s films, class warfare takes center stage as an underdog must rise up to fight against the high tech authoritative establishment. While with good intentions and a strong cast to support the story, Chappie is a film that starts off with a huge amount of potential, but ultimately succumbs to it’s shortcomings. A film caught in an identity crisis somewhere between Short Circuit and Robocop.
The year is 2016, and Johannesburg’s crime has reached an apocalyptic level. The police have enlisted the help of robotics company Tetravaal and their latest creation, a robotic police forces, to help decrease the need for police activity across the city. A young scientist, Deon (Dev Patel), the chief engineer behind the creation of these robots, has his sights set on the next level of his creation, a machine with the ability to think and feel on its own. Company CEO Michelle Bradley (Sigourney Weaver) doesn’t share Deon’s enthusiasm about the next evolution of their prized technology and denies Deon’s request for more research. Former soldier and current Tetravaal engineer, Vincent (Hugh Jackman), has also created his own police robot, the “Moose”, a robot which looks eerily similar to the ED-209 from the 1987 Robocop film. Seeing Deon’s creation as a threat, Vincent aims to make the young scientists A.I appear inferior to his creation at all costs.
Deon decides to continue his research, without consent, and steals a decommissioned robot for further evaluation. Local criminals Ninja and Yo-Landi (played by Ninja and Yo-Landi Visser of the South African rap group Die Antwoord), along with Yankie (Jose Pablo Cantillo), manage to kidnap Deon in order to steal his access to control the robots. After realizing that Deon is in possession of a robot, the trio demand that he program the machine to do their bidding. Seeing this as an opportunity to test out his new self learning program, Deon agrees and Chappie is born. Deon, excited about the possibilities, demands to continue his work on the newly born robot but Ninja has other ideas and schemes to use the robot to pull off a major heist.
As Chappie begins to learn, he is presented with two very different teachers in Deon and Ninja. One is educated scientist with aspirations of turning Chappie into a shining representation of what A.I could evolve in to, and one is a street raised, gangster thug with goals of wealth and power. But it is the caring voice of Yo-Landi that mesmerizes Chappie. The young woman becomes a surrogate mother to the robot and tries to help him learn and understand what it’s like to be loved, but Ninja’s influence becomes dominant and Chappie must chose between what’s right and what’s wrong. Convinced that Deon is up to something, Vincent sets out to find the answers. When he finds out what Deon has created, he sets out on a path to destroy the legacy of the young scientist and expose Chappie as a threat to society.
Blomkamp has created a thought-provoking, yet entertaining, action film with effective visuals that has all the makings of a blockbuster success if it weren’t for it’s shortcomings. The story starts strong, but loses it’s charm somewhere around the halfway mark of the film. The transformation of Chappie from newborn robot to confused Robothug is, at times, cringeworthy. The vocal work of Blomkamp veteran Sharlto Copley loses it’s appeal after a while and the portrayal of the titular character becomes little more than a Ali-G type portrayal of a young street kid. Hugh Jackman is equally as ineffective as the films antagonist. There are glimpses in the film that the character of Vincent might offer some juicy confrontations, but the chemistry between Jackman and costar Dev Patel is nonexistent. Patel plays a similar character to his “Neil” on HBO’s Newsroom and never seems to find a way to flush out his character. The interaction between Patel and Copley’s Chappie is close to what you expect from a creator to his creation, but the two are left with few opportunities in first half of the film to gain any momentum.
Ninja and Yo-Landi Visser are actually serviceable as street hardened versions of their real life selves. The caring nature from which Visser creates her character is a nice touch while Ninja depicts a loathsome, street thug with precision. Jose Pablo Cantillo has a few chances to achieve a noteworthy performance but ultimately the actor is merely there to support Ninja and Visser. The biggest let down for me is the under use of Sigourney Weaver, whose character was prime for a super villain type reveal, but Blomkamp opts for a more sterile type of performance.
Overall, Chappie will not win many audiences over this weekend and will surely disappoint fans of Blomkamp’s District 9. While not as disappointing as Elysium, this film will leave you wanting so much more from a director who has proven he has so much to give.
Stars:
2 1/2 out of 5
Trailer:
Everyone has their own story. Everyone remembers where they were and what they were doing when they found out about the planes hitting the towers. It was not a good day for our country. Sadness, confusion, fear all still come to mind when allowing ourselves to go back to that day. What many people outside New York will never understand, is what happened the days and months following the attacks on 9/11. WTC View, was released 10 years ago. Tuesday, March 3rd, it is finally available on iTunes. This film is a beautiful glance at the time after the world came to a stop in 2001. What we, as New Yorkers, felt, saw, smelled, heard, and had to process after a day that will never leave us. Read More →
“It would be boring if we all made safe films.” – Nicolas Winding Refn
Thinly veiled as a movie about Nicolas Winding Refn, the director of the highly successful, Drive, starring Ryan Gosling in 2011, My Life Directed by Nicolas Winding Refn follows Refn during the production of Only God Forgives in Bangkok. So what makes this interesting? It’s directed by Liv Corfixen, his wife.
Liv Corfixen and Nicolas Winding Refn in MY LIFE DIRECTED BY NICOLAS WINDING REFN
At only 58 minutes, it’s just long enough to show the basics of pre-production, meeting with actors (Ryan Gosling does make an appearance), and balancing that with family. On the surface, it’s an extremely personal view of a director during production and succeeds brilliantly. Corfixen has unprecedented access to her subject, not only to his actions but his emotions behind important decisions and his doubts.
But then the bomb is dropped and you suddenly understand the point.
Nicolas Winding Refn in MY LIFE DIRECTED BY NICOLAS WINDING REFN
This is not a movie about Nicolas Winding Refn, this is about a couple who are working out how to both have a career they want. Highly personal, this documentary is able to simultaneously focus on a behind-the-scenes portrait of a filmmaker and a profile of a modern relationship.
Available on demand and in theaters as of February 27th.
Having gone to my fair share of film festivals, it is rare that I agree with the juries who award the prizes for “best of the fest.” They often see far more in films that I dismiss and frequently don’t give enough credence to those that I love, because as anyone knows my opinion is always correct (wink, wink). The one time I attended a fest that got it 100% was the 2004 Chicago International Film Festival when Nimrod Antal‘s mesmerizing Kontroll took home the Gold Hugo. Now, while I didn’t see every film at this year’s Indy Film Fest, Lance Edmands’ Bluebird was far and away my favorite of those that I saw and certainly worthy of the Grand Jury Prize, tops of the fest, as well as the American Spectrum Prize for the best film made by an American director (the Audience Award has yet to be awarded). So, bravo to the jury! Read More →
I’ve now seen most of the films that had a release in 2014. This makes me more qualified to vote for the Oscars than 97.548% of the Academy’s membership. With the Oscar ceremony occurring tonight, I’ve picked, as I have the previous two years, who I think the nominees and winners should be in the bulk of the major categories. Once again, the foreign film category will be left off because I simply haven’t had access to enough foreign films to make a comment on them. Those that have made it to my neck of the woods, I will say, have been very good for the most part. Read More →
Watching movies is a crap shoot most times, most of the time not knowing what to expect especially from a first time writer-director. So, I love it when a film sneaks up on you and catches you when you least expect it. All the Wilderness is one of those films.With a similar tone and feel as David Gordon Green‘s early good stuff like All the Real Girls and George Washington, this film takes on a post-coming of age story in a fresh and interesting way. Read More →
Even though I had seen What We Do In The Shadows, I couldn’t pass up an opportunity to attend the Center For Communication screening and Q&A with the co-directors/co-writers/co-awesome Taika Waititi and Jemaine Clement.
You may remember Clement from the sleeper HBO hit, The Flight of the Conchords with Bret McKenzie. Since then he’s been keeping busy with roles in Muppets Most Wanted and Men In Black 3. Waititi directed and starred with Clement in Eagle VS Shark, then gained notoriety with Boy, with 11 nominations and 6 wins at the New Zealand Film Festival.
Here’s the audio from Q&A:
With their signature deadpan (excuse the pun) style, the comedy works beautifully with a live audience, as there are roars of laughter and chuckles filling every moment. It’s both obvious and unexpected hilarity. The story loosely follows four vampire flatmates in the year leading up to the Unholy Masquerade, an annual gathering. Each character has their own unique charm and the supporting characters lend their own charm.
Taika Waititi
During the Q&A, the two revealed they first had the idea over 10 years ago and made a short film. They admit that the movie was “5 weeks of fun and 14 months of editing” explaining that one cut was heavy on story, but not funny, the other was hilarious, but no story.
Jemaine Clement
Clement also admitted that they owe their crew to Peter Jackson, as he let them use the second unit from The Hobbit, as well as camera equipment and some of the green screens.
The movie has already opened in New Zealand, and rather than sell to a U.S. distributor, they opted to create a Kickstarter campaign to raise the money to distribute to over 70 cities themselves. Their goal was met on February 13th and opened in New York and Los Angeles. The rollout continues to more cities every week.
The event was an advanced screening hosted by the Center For Communication with tickets free to students and faculty. After the screening a 30 minute Q&A was led by Indiewire, followed by a spread of cheeses and custom drinks.
When John Hughes died nearly six years ago, we all lost something pretty big. People throw around terms like “voice of a generation” all the time without merit, but I think that many people would openly and happily vouch for Hughes as the voice of my generation, me included. I have argued that he might have had the strongest 5-year run in film history before and I think that its hard to argue against it especially since so few filmmakers are able to match Hughes‘ output. While my favorite film of his oeuvre is Weird Science, for many reasons, but I don’t think there is any doubt that his most enduring film is The Breakfast Club. One of the crown jewels of film from 1985, The Breakfast simultaneous took the teen movie genre to new heights and smashed them at the same time. I don’t think another teen film prior to or since has captured the teen experience as well as this film. Hughes had some preternatural feel for the teen condition, for their trials and tribulations, even coming at it from a sizable distance – he was 35 when he made The Breakfast Club. Read More →
When I graduated college in 2002, everyone was buzzing about a new musical by one of my favorite lyricists/composers Jason Robert Brown. Not a single person I spoke to about The Last Five Years walked away without some sense of wonder. God only knows how I missed the run, perhaps graduation and surrounding shenanigans got in my way. Needless to say, when I heard that the show was making the jump to the big screen, I leapt at the chance to finally get in on the magic.
In this adaptation of the hit musical, The Last Five Years is a musical deconstruction of a love affair and a marriage taking place over a five year period. Jamie (Jeremy Jordan), a young, talented up-and-coming Jewish novelist falls in love with Cathy (Anna Kendrick), a Shiksa Goddess and struggling actress. Their story is told almost entirely through song. All of Cathy’s songs begin at the end of their marriage and move backwards in time to the beginning of their love affair, while Jamie’s songs start at the beginning of their affair and move forward to the end of their marriage. They meet in the center when Jamie proposes.
The camera work in this film is stunning; voyeuristic without being intrusive. The opening shot is very much an homage to Hitchcock‘s bird’s eye opening shot in Psycho (no story line similarities, I assure you.) The tinted lenses used to represent the good and bad in the relationship are thoughtful and extraordinarily effective for each emotional shift. There is something truly special about this film. It appears absolutely seamless as it bounces from timeline to timeline. Jason Robert Brown‘s lyrics are some of the most accessible in the industry. Think thought provoking, stream of consciousness, meets clever and catchy musical theater for the any audience. Anna Kendrick does some of her strongest work to date as Cathy. The opening ballad, “Still Hurting’ is a killer punch in the gut. This is tough stuff and she nails it. I was thoroughly impressed. The stickler in me wishes her presence had been a tad bit stronger when it came to sharing the screen with Jordan as he sings. There seems to be a slight disconnect when he takes center stage. But, I will say her acting chops on the heavier songs are quite lovely. Jeremy Jordan as Jamie is a stunner. From the moment he appears on screen, from the first note, he owns this character. I could not have asked for more from his performance. He lights up the screen, his voice is delicious, and he is an unapologetic scene-stealer and I am so fine with that. In no way is he obnoxious, or over-the-top. In my pretty harsh musical theater book, he gets an A+. Jeremy Jordan is a star. Standing ovation to director Richard LaGravenese. Successfully adapting a musical is a huge task. This film is so down-to-earth. You do not have to be a musical theater fan to enjoy this movie. That alone, makes it a hit. I highly recommend The Last Five Years and I guarantee you will walk away humming some, if not all, of these gorgeous songs.
The Last Five Years opens today!
Liz has read the book, but Melissa hasn’t. Here’s their individual takes on the movie they were totally surprised by.
Melissa Hanson aka Dial M For Melissa
Managing Editor / Podcast Producer
Growing up, Melissa’s favorite destination was always the video store and would agonize over whether to watch something new or to rewatch a favorite. Things have not changed.
Follow on Twitter @DialMForMelissa
I did not read the books. Once the hype started, I pretty much dismissed them and the movie announced. I had a few friends read it, and did try to read it myself, but couldn’t get past a few pages. All I knew was that there’s a “plain,” innocent girl and there’s a rich guy who’s into BDSM. Oh, and people (mostly women) are going nuts over it and it’s already selling out screenings. I didn’t really pay much attention to it and had zero interest in watching, but then, I saw Jamie Dornan is Christian Grey. This piqued my interest because he’s in the Netflix series, The Fall, which I absolutely love. Ok, so I’ll watch Fifty Shades of Grey.
Here’s the big shock: it’s actually a very interesting story of a man and woman who surprisingly talk about their relationship intimacy. It’s just disguised as sex. This could have been shown at a film festival and I wouldn’t have even known the difference.
Although it’s a little drawn out and definitely crawls in the third act, it keeps your interest. The dialogue starts out a little flat, but quickly picks up once the focus is just on Anastasia and Christian. The music and score is works beautifully. The remix of “Crazy In Love” by Beyoncé is magnificent.
When it comes to the sex, it’s really nothing shocking. The most shocking parts are the conversations they have TALKING about the sex. If you want to see a shocking sex scene, just watch The Counselor and wait for Cameron Diaz to get on top of a car.
Liz Whittemore aka IndieBizLiz
Managing Editor / Girls on Film Podcast Host
Actor / Singer / Dancer / Writer / Producer / Adventurer / New Englander / AMDA Alum / Wifey / MBAMrs / Whovian / Literary Sponge / Odd Duck / Pot Stirrer / Awesome Gal
Follow on Twitter @Liz_Whittemore
Yes. I read the damn book. In fact, I read the book in a book club at Yale School of Management’s Partners Club. I know, I know, I know, I sound like a cliche. We most definitely read it because of the hype. It could not be avoided, the hype I mean. BDSM and hot sexy “Mummy Porn”? I mean, is there really a question as to why we chose it? I don’t think so. To be honest, as I’m sure you’ve heard by now, the writing is atrocious. E.L. James began this “novel” as Twilight Fan fiction. I’m not sure if Christian Grey was meant to resemble Edward Cullen or not, though I do know that Robert Pattinson was James’ first pick to fill the role. Let’s just say that the entire book is from the inner monologue of Anastasia, a fresh faced college grad and virgin. Although, from the inner monologue presented by the author, you’d think she was 11. The book was a tough read in respect to the repetitive nature of James’ phrasing. If I had to read “My Inner Goddess” one more damn time, I don’t know if I ever would have finished. The infamous “tampon” scene alone made me toss my kindle across the bed. I didn’t pick the book back up for another three weeks; I hate to leave something unread simply on principle. Thankfully, that was not included in the film. Now, shall we launch into said version? I think we shall…
Truth be told, I actually REALLY liked the film. I don’t even care what you think about me after that statement. I liked it. Had there been zero hype, had I not ever heard of the book, had I not read any articles anywhere, I would be one happy audience member. The structure of the film versus the book is a vast improvement. We skip through the garbage and head straight into a courtship with a twist. It has a very tongue and cheek, rom-com formula in the beginning. Dakota Johnson is charming and funny, just the way I imagined Ana to be, without the gushing jargon of a pre-teen. Jamie Dornan is a pretty good Christian Grey. He grew on me as the film rolled on. His presence is strong and quiet and I think his interpretation is a thoroughly thought out character study. It is certainly a performance that would easily progress with two additional scripts. The chemistry is a tad tough to read, but not altogether unbelievable.
When you get to the heart of the screenplay, this story is about an intimate relationship between two people. Real moments, real issues, something for everyone to relate to. The sex scenes, while relatively intense, are no more “porny” than anything else we’ve seen before in film. Johnson is full frontal nude for a good amount of time. And, don’t worry, you get plenty of Dornan abs, and just enough rock hard bum shots a girl can handle in a span of two hours (*not enough, sorry not sorry*.) The struggle of power between a man and a woman, both emotionally and physically, is beautifully set out on screen. I applaud Sam Taylor-Johnson for a fantastic job in both shot layout and a keen hand in knowing what will play well with the intended audience. Also, I would be remiss if I did not high five the screenwriter, Kelly Marcel. She takes an average narrative and spins it into what would be considered a great little indie flick in any other world. Try your best to separate the book and the film. I think as a reader, you will be very pleased with Fifty Shades of Grey. As a movie goer, it will put a smile on your face. Take it at face value, and go from there. I, for one, walked away a happy book-clubber and a very happy audience member.
One of the things that makes a Matthew Vaughn movie an event is the stylistic nature of his interpretation of the source material and his knack for creating a unique movie experience that everyone can enjoy. Taking from the comic book The Secret Service, created by Dave Gibbons and Mark Millar (Vaughn previously adapted Millar’s Kick Ass for the screen), this up tempo, high powered action film is exactly the adrenaline jolt that the spy sction thriller genre needed. Enlisting an all star supporting cast and mixing them with a group of fresh faces creates an environment on film that enables the director to get the very best out of the story which will no doubt make Kingsman: The Secret Service the movie to see this weekend.
Colin Firth stars as Harry, an impeccably suave spy, in KINGSMAN THE SECRET SERVICE.
Colin Firth plays Harry Hart, an old school super spy, reminiscent of the old Roger Moore James Bond days, where a suit was more powerful than the weapon in the eyes of the man. When the loss of a protege on a mission leaves Harry carrying a guilt that has haunted him for nearly two decades, his natural tendency is to reach out to the man’s family and make sure they are looked after. Leaving behind a wife and a young boy named Eggsy, Harry leaves a medal with the young family with a number to call if they ever need anything from the organization.
Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.
Now a young man, Eggsy (Taron Egerton) has lost his way and has turned to a life of crime and hooliganism. His mom has remarried to a town crime boss and life has never been worse for the young man. After an altercation in a local pub leaves Eggsy in jail, he decides to call the number his family was given all those years ago. Harry and Eggsy meet once again after all these years and Harry recruits the young man into the Kingsman, an mSpy secret agency free of government regulations. Eggsy is selected along with eight other young prospects, who must pass a vigorous training regiment which will test them both physically and mentally. One of the young recruits is a girl named Roxy (Sophie Cookson), whom Eggsy becomes fond of. The training is overseen by Merlin (Mark Strong) and Arthur (Michael Caine), each of whom have their own vested interest in the candidates.
Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.
When a technology tycoon named Richmond Valentine (Samuel L Jackson), becomes a threat, the Kingsman begin to investigate the aspiring philanthropists actions. Deeming him a threat to the world, Harry must go deep undercover to infiltrate Valentine’s organization and learn the true nature of his plan. As the training comes to a close, it’s up to Eggsy and Roxy to make hard decisions, in the final stages, to ensure their place in the Kingsman organization. As the plot of the tech villain unfolds, it will be up to the young group of recruits to spoil the plot, but will the unseasoned rookies be up to the task? The fate of the world is in the hands of the Kingsman.
Harry (Colin Firth) and Eggsy (Taron Egerton) meet Richard Valentine (Samuel L. Jackson), a tech billionaire with devastating plans for the world.
The film is a non stop action thrill ride which never takes itself too seriously. The campy nature of the film allows the over the top story line to unfold with ease and never allows for the cliche’s to engulf the fun nature of the film. Director Matthew Vaughn loves to incorporate stylistic action sequences into his films which are both memorable and as important to the telling of the story as the script itself. This action driven film really relies on the actors to flush out the story and help the audience believe in their characters arcs. Colin Firth is wonderful as the old school super spy. Never have I seen the award winning actor in such an action packed role, but he pulled it off with ease and has shown he can be just as effective with his fists as he can with his mouth. The supporting cast that features Mark Strong, Mark Hamill, Michael Caine, and Sophie Cookson, is tremendous and each character adds his or her own unique style into the film, but its Taron Egerton that is the star of this film and rightfully so. Egerton is humorous and charming as the would be Kingsman, and the young actor shows veteran prowess in his first feature film and shows he is ready for the big time.
Harry (Colin Firth), an elite member of a top-secret independent intelligence organization known as the Kingsman, prepares to teach some ruffians a lesson.
Overall, Kingsman: The Secret Service is wonderful and will no doubt entertain all those who give it a shot. Nevermind that other film opening this weekend, this Valentine’s Day, spend your evening with the Kingsman!
Stars:
4 out of 5
After Credit Scene?
During credits there’s a new scene, end of credits there is nothing
Trailer:
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