Review: ‘The Public’ gives truth to the phrase “knowledge is power”.

THE PUBLIC

In “The Public” an unusually bitter Arctic blast has made its way to downtown Cincinnati and the front doors of the public library where the action of the film takes place. At odds with library officials over how to handle the extreme weather event, some homeless patrons turn the building into a shelter for the night by staging an “Occupy” sit in. What begins as an act of civil disobedience becomes a stand-off with police and a rush-to-judgment media constantly speculating about what’s really happening. This David versus Goliath story tackles some of our nation’s most challenging issues, homelessness and mental illness and sets the drama inside one of the last bastions of democracy-in-action: your public library.

 

This star-studded film follows the lives of the people who come in and out of a Cincinnati Public Library. Written and directed by Emilio Estevez, each character is fully fleshed out and complex even if they aren’t on-screen for very long. It’s carefully edited. You get a real sense of relationships and circumstance from the solid writing and stellar performances from this massive ensemble cast including Emilio Estevez, Alec Baldwin, Jena Malone, Taylor Schilling, Gabrielle Union, Michael K Williams, Christian Slater, Che “Rhymefest” Smith, and Jeffrey Wright. The film is about knowledge and power in the larger sense. It’s a thoughtful commentary on the socioeconomic dynamics of the homeless, the manipulative perceptions created by the media, and the politicians and law enforcement that allow it to happen. It’s filled with humor and heartbreak from beat to beat, and the twists are surprising and impactful. The Public has amazing storytelling and a truly poignant look at class warfare.

THE PUBLIC features veteran actors Alec Baldwin (“30 Rock,” The Departed, It’s Complicated), Emilio Estevez (The Way, Bobby, The Breakfast Club), Jena Malone (The Hunger Games” series, The Neon Demon, Inherent Vice)Taylor Schilling (“Orange is the New Black,” The Lucky One, Argo), Christian Slater (“Mr. Robot,” The Wife, True Romance), Gabrielle Union (“Being Mary Jane”, Bad Boys II, Bring It On), Michael KWilliams (12 Years A Slave, “Boardwalk Empire,” “The Wire”), Jeffrey Wright (“Westworld,” “O.G.,” The Hunger Games” series), and Che “Rhymefest” Smith (co-writer and performer of “Glory” from Selma, “Jesus Walks” from Four Brothers, “Make Noise” and “Weaponized” from The Public, theatrical acting debut).

Universal Pictures Content Group will release THE PUBLIC in Theaters on April 5, 2019.

Retro Review: John Hughes’ The Breakfast Club Changed the Teen Movie Game Thirty Years Ago Today

Breakfast Club poster 1

When John Hughes died nearly six years ago, we all lost something pretty big. People throw around terms like “voice of a generation” all the time without merit, but I think that many people would openly and happily vouch for Hughes as the voice of my generation, me included. I have argued that he might have had the strongest 5-year run in film history before and I think that its hard to argue against it especially since so few filmmakers are able to match Hughes‘ output. While my favorite film of his oeuvre is Weird Science, for many reasons, but I don’t think there is any doubt that his most enduring film is The Breakfast Club. One of the crown jewels of film from 1985, The Breakfast simultaneous took the teen movie genre to new heights and smashed them at the same time. I don’t think another teen film prior to or since has captured the teen experience as well as this film. Hughes had some preternatural feel for the teen condition, for their trials and tribulations, even coming at it from a sizable distance – he was 35 when he made The Breakfast Club. Read More →