
Fox Searchlight Pictures announced today that Domhnall Gleeson (The Revenant) is set to play well known author and Winnie the Pooh creator A. A. Milne with Margot Robbie (The Wolf of Wall Street) as his wife Daphne. The film will be directed by Simon Curtis (Woman in Gold) and written by Frank Cottrell Boyce (Millions) and Simon Vaughan (“War and Peace”). Damian Jones (The Lady in the Van) and Steve Christian (Belle) will serve as producers. Goodbye Christopher Robin continues Jones’ long term relationship with Fox Searchlight and is part of his first look deal.
“I am delighted to be collaborating with Frank Cottrell Boyce to tell the remarkable and poignant story of the family behind the creation of Winnie the Pooh. We are assembling a wonderful cast, headed by two actors I am longing to work with – Domhnall Gleeson and Margot Robbie,” says Curtis.
David Greenbaum and Matthew Greenfield, Fox Searchlight Pictures Co-Heads of Production said: “We are thrilled to be partnering with Damian Jones and Steve Christian again and can’t wait to see Simon Curtis’ unique vision come to life. In Domhnall and Margot we have the next generation of acting talent who we know will shine a beautiful light on A. A. Milne’s incredible and enduring story.”
Goodbye Christopher Robin gives a rare glimpse into the relationship between beloved children’s author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin, whose toys inspired the magical world of Winnie the Pooh. Along with his mother Daphne (Margot Robbie), and his nanny Olive, Christopher Robin and his family are swept up in the international success of the books; the enchanting tales bringing hope and comfort to England after the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family?
The film will be overseen by Greenbaum, Greenfield and Director of Production & Acquisitions Katie Goodson-Thomas. Gleeson is repped by The Agency and Paradigm and Robbie is repped by CAA, Management 360, Aran Michael Management and attorney Jeff Bernstein.
Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and the films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of 21st Century Fox.


Tommy Shellner (Ryan O’ Nan) is one of four children who return home to celebrate their father’s last birthday before he passes away from lung cancer. Their father, Dr. Nathaniel Shellner (Judd Hirsch), is a retired psychologist of the CIA, who specialized in working with soldiers suffering from PTSD, and wants to be remembered for his patriotic achievements. With the knowledge that their father is approaching his final days, the children and their mother do what they can to make their night a pleasant one, however that is not Tommy’s main concern. Tommy, his sister Julie (Jaime Ray Newman), and their brother Harry (C.S Lee) were adopted into the family when they were kids while their other brother Leonard (Joseph Lyle Taylor) was their mother (Caroline Lagerfelt) and father’s biological son. For a while now, Tommy has felt that his father has been hiding something from his children, and after multiple sessions of therapy he has now reached the conclusion that his father had experimented on him and his adopted siblings when they were young. Over the course of the night, voices get raised and minds get rattled, while Tommy and his siblings trying to piece together what seems like a repressed memory of torture.
It’s probably safe to say that every young man’s fantasy would be to have an affair with a hot older woman. The age gap alone could cause all sorts of problems… especially if she’s married. In Elizabeth Allen‘s new film, CAREFUL WHAT YOU WISH FOR, the innocent boy next door gets more than he bargains for.
Home for the summer holiday, brainiac Doug becomes entangled with the stunningly beautiful wife of his next door neighbor. Lena is in need of a rescue from a her controlling husband Elliot. Once drawn into a circle of deceit by from both husband and wife, Doug is determined to get her out from under Elliot’s thumb, all while indulging in a hot and heavy affair. Things go wrong pretty quickly. What’s a good kid to do when bad things find him?
Nick Jonas is one hot commodity. His on screen presence is so natural it’s a wonder it has taken this long for him to land such a leading role. Nick easily carries the entire film on his shoulders. He has true star potential. After his success in Ryan Murphy‘s Scream Queens, Nick is not slowing down in establishing himself in the acting industry. Forget the days of The Jonas Brothers sugar pop image. Those days are long gone. Isabel Lucas plays the haunted Lena. Massive sex appeal and an elegant air, you know there is more lurking behind those sad eyes. Dermot Mulroney is scary as Elliot. Usually a lead in a rom-com role, it was nice to see him stretch his very capable acting chops.
Careful What You Wish For is a surefire noir. A total departure from director Elizabeth Allen‘s previous films. It’s in the same league at another Starz Digital fave of mine, 

The series centers on Michael Kenneth Williams as Rock Banyon, who becomes the prime suspect in the double murder of his occasional lover Fresno Foxglove (Maya Rudolph) who is found dead with another man. Panicked, Rock splits for Mexico where he reunites with his one-time big band singer Delores DeWinter (Kristen Wiig). With 72 hours to clear his name or fry in the electric chair, Rock and Delores embark on a dangerous quest for the truth that takes them into an abyss of sex, drugs, betrayal, and of course, jazz. While his world crumbles, Rock’s hard-charging manager Alistair St. Barnaby (Haley Joel Osment) pressures him to record a mainstream jazz album.
Funny Or Die can pretty much do no wrong in my opinion. Following up on the 2014 The Spoils of Babylon, The Spoils Before Dying is another total win. If you haven’t seen the first season in IFC, imagine a Sin City narrative combined with the Rodriguez/Tarantino Grindhouse schlock and add in the compressed timing of an SNL Digital Short (sort of, each episode is 30 minutes). Tough in our age of binge-watching, you can happily run through the entire series in the time it would take you to watch any other film, half as fun. The mock commercials stuck into the episodes are as completely tongue-in-cheek as the rest of the production.
The performances are off the rails hilarious. Will Ferrell reprising his role as Eric Jonrosh is pure insanity. His oftentimes linear thinking combined with overindulgence and narcissism is pitch perfect. Michael Kenneth Williams is a breath of fresh air as he takes on his role with (almost) complete seriousness. We all knew Maya Rudolf has a set of pipes on her, but I had no idea that Kristen Wiig can sing. And when I say sing, I really mean SAAAANNNNNGGGG. The songs are unapologetically ridiculous AND maintain gorgeous melodies. I would be remiss if I didn’t mention Haley Joel Osment, who steals each scene he appears in with total commitment and one over-the-top accent. With appearances by Tim Robbins, Kate McKinnon, Molly Shannon, Michael Sheen, Chris Parnell, Tim Meadows, to name a few, you simply cannot go wrong with this series. The Spoils Before Dying is now available in DVD. Check out the trailer below!



The cinematography from Austria’s preeminent DP Martin Gschlacht (Goodnight Mommy, Oscar-nominated Revanch
Presents
I’ve said it before and I’ll say it again, anyone who thinks climate change is a manufactured idea, to me, is way off the rails. But, if by some chance you’re unconvinced, a new doc is resolved to change your mind. It seems like, with most threatening events in our lives, it is not until they directly affect our own families that we take the time to address them head on. It is much easier to sweep them under the rug or dismiss them as someone else’s problem. TIME TO CHOOSE may be your wake up call.


Will Allen‘s 22 years of footage appear, at first, to resemble a long-lost infomercial from the 80’s. It only takes a few minutes to realize that this is not VHS from our youth but the continuous documenting of a group of people seeking something different. What they ultimately find is a mysterious man who is nothing he claims to be. Utilizing intimate, present-day, sit down interviews with members of Buddhafield combined with Allen’s chronological documentation of the group’s daily activities, HOLY HELL is unlike anything we’ve seen before. To have such unguarded footage and insider knowledge is pretty unprecedented, especially for this length of time. From private therapy sessions to retreats, public outings and the eventual breakdown, each year is more shocking than the last. There are moments that will make you cringe, question your judgement, and certainly, times that will turn your stomach. HOLY HELL is as relevant today as it was when it began its seedling production. It will both open your eyes and terrify you.
Presents

Oliver Thompson‘s duel role as writer and director suits this indie gem to a T. Stylistically vibrant and charming, WELCOME TO HAPPINESS is something akin to ETERNAL SUNSHINE OF THE SPOTLESS MIND in look and quirk factor, but most assuredly has its very own unique voice. The colorful cinematography is a brilliant reflection of each character’s momentary mood. The plot has intrinsically intertwined story lines and is full of surprisingly insightful glee all while tackling the ghost of depression. Thompson has achieved quite the feat, no doubt. 

BBC recently produced a spectacular new adaptation of Leo Tolstoy’s timeless novel, where three young people experience life, love and loss against the epic backdrop of Russia’s wars with Napoleon. The 6 episode mini-series was filled to the brim with talented actors that included Lily James, Paul Dano, James Norton, Tuppence Middleton, and Jim Broadbent to name a few. With breathtaking period costumes and sweeping cinematography, Director Tom Harper has successfully created a magical adaptation that is as heart-rending and exhilarating as Tolstoy’s original work. Take a look at our exclusive clip of Harper and the cast at the very first read-through of WAR & PEACE.















Everyday, I have the urge to block friends on Facebook. The vitriolic political rhetoric being thrown around in both “article” and meme form is more over the top than it has ever been. Thank the internet gods for 



On the heels of his beautiful script for Nebraska, writer/director Bob Nelson brings heart and levity to what might otherwise seem to be a mundane scenario. The estrangement of an alcoholic father and his young son is nothing new, but by adding a religious element to the mix, it makes for a funny and honest look into the innocence of a child’s mind. Clive Owen‘s portrayal of Walt is raw and real. You empathize with his struggle to do right by his son. Speaking of Anthony, St. Vincent prodigy Jaeden Lieberher is, once again, a star. His purity in presence and intention glow as a young boy thrust into religion by his Mother. Caught in between parents of opposite end spectrum, he is an old soul, yet is constantly discovering when it is okay to push social boundaries. Owen and Lieberher are a perfect pairing. Nelson’s script allows both actors to take the reins as the story progresses. Each character has the opportunity to emotionally care for the other in a truly lovely dynamic.
The subtlety of the film is what makes it so successful. In an era of overblown CGI fare, Bob Nelson gives us an honest to goodness family story. The Confirmation is a joy.

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