Synopsis: Heroes band together to face ancient, dark magic that falls into sinister hands.
Fantasy, folklore, and bloody horror are on full display in this unique animated film. It’s a story of neverending violence and rule. The Spine Of Night is a glorious retelling of past, present, and inevitable futures, as knowledge, magic, and power are on the line. The cast is extraordinary. Two performances, in particular, stand out in my mind. As The Guardian, Richard E Grant‘s performance is exquisite. His voice and rhythm are so iconic. Lucy Lawless is the lifeblood of Tzod. She projects strength and vulnerability through her performance, and it is captivating.
The Spine Of Night is often a whirlwind of information. Numerous lands and leaders collide through time. Keeping track proved slightly challenging for me, but that does not lessen its epicness. I would watch a live-action version in series form. The hand-drawn rotoscope work is impressive. The physicality of the characters feels organic, which is usually difficult to produce in animation. Some retellings are in the style of black shadow form backed by ever-evolving colors. It’s a nice switch up for that particular section. Even if the amount of information feels overwhelming at times, The Spine of Night is a timeless fantasy. It will stand among the likes of Willow, Game of Thrones, and The Hobbit. It’s good versus evil in its most sincere form.
RLJE Films will release the fantasy horror animated film THE SPINE OF NIGHT in theaters, on-demand and digital October 29, 2021.
Starring: Richard E. Grant, Lucy Lawless, Patton Oswalt
Directed By: Philip Gelatt, Morgan Galen King
The Man Who Killed Don Quixote
Decades in the making, The Man Who Killed Don Quixote is finally coming to the big screen. It was worth the wait. Adam Driver plays a young director taking on his own passion project under the financial thumb of studio execs, locals, and his own ego. No doubt is the film about as metaphorical as you can get for the wild ups and downs the legendary Terry Gilliam has endured in bringing this film to fruition. Poking fun at itself and the industry at every turn, it must have been truly cathartic for Gilliam to shoot. The visuals and writing are all so satisfying you’ll want to applaud at the twists and turns along the way. Though admittedly, you’ll most likely be just as confused as both Driver and “Don Quixote” himself, J
Having watched, there is no way these roles would have been better served by other actors. Pryce walks the perfect line between madness and sadness. His commitment from beat to beat is the glue that keeps the story moving along its absurdist pace. But it is Driver who had me belly laughing every time a “FUCK” was spewed with genuine intention. I’ll have to go back and watch again if only to count the number of “F” words, each precisely placed and completely warranted. It’s sheer perfection. There is no doubt that Toby is Terry… and Don Quixote. The love that is so obviously infused within the film will be evident to anyone familiar with Gilliam and his fantastic passion project. It’s a combination of hilarity and insanity. The Man Who Killed Don Quixote and filmmakers like Terry Gilliam are the reasons we go to the movies. 
**WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**
presents
This film is nothing short of awesome’/hilarious/bizarre/fantastic. I can only imagine that this must have been one of the most fun sets to work on. The hours it must have taken to construct, with each room completely different than the last. With nods to past adventure films around each corner, the tongue in cheek dialogue and perfect suspension of disbelief from the cast is pure genius. Speaking of the cast, you will easily think that this cast regularly hangs out with one another, as their chemistry is so chill and comfortable. The witty banter is endless. Mixing stop-motion animation, puppetry, and on camera optical illusions, you cannot help but enjoy Dave Made A Maze. You’ll wish there were a replica of the maze (for the most part… no spoilers from this lady) for you to romp around in. Huge props to the artists that made big kid dreams come true. But don’t just take the film at face value, there is a deeper message underneath all the fun. You can catch the film in theaters and on VOD this Friday! Check out the trailer below for a sneak peek at what waits beyond the “Enter” sign. 
The cinematography from Austria’s preeminent DP Martin Gschlacht (Goodnight Mommy, Oscar-nominated Revanch
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