
SWSX 2023 has something for everyone, from franchise horror expansion to the hotly anticipated premiere of Dungeons & Dragons: Honor Among Thieves. But we’re here to share some of the films on our radar this year.
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Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD while juggling his recent engagement and his day job at a high-end Malibu drug rehab. Inspired by the filmmaker’s own personal true story.
Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)
Speaking as someone existing in a neurodivergent family unit, this one will hit hard for anyone battling invisible disabilities.
Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for.
Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)
Femme-centric horror from Paris Zarcilla explores assimilation, trauma, and horror.
Another Body
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)
As if women didn’t have enough to fear, AI porn enters the arena. This mind-bending and infuriating doc shocks over and over.

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)
Hold on, I know that art! This charming and insightful doc will introduce you to Geoff McFetridge, an artist we all know, but don’t know we know. Ya know?

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever.
Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)
Get ready for chills and politics to collide. You’re not ready.

Hail Mary
Director: Rosemary Rodriguez, Producer: Karina Miller, Screenwriter: Knate Lee
A young Belizean girl, Maria, finds herself mysteriously pregnant and trying to cross the US/MEX border while outrunning a deadly virus, the Cartels, Border Patrol, and the right-hand man of the Devil. This genre-bending retelling of the Mary and Joseph story begs the question – who are the real monsters? Cast: Natalia del Riego, Benny Emmanuel, and Jack Huston with Angela Sarafyan (World Premiere)
As a former Catholic school kid and a lover of genre-defying fare, Hail Mary is 100% on my list. The meer idea that this will work brings my eyeballs to the screen.

Only The Good Survive
Director/Screenwriter: Dutch Southern, Producers: Thomas Mahoney, Justin X Duprie
While unwittingly doing crimes in Texas, Brea Dunlee stumbles upon a QAnon-like cabal that preys on the poor and the powerless. Through a series of interrogations led by a gaslighting sheriff named Cole Mack, we discover not everything is as it seems.
Cast: Sidney Flanigan, Frederick Weller, D’Pharaoh Woon-A-Tai, Will Ropp, Darius Fraser, Lachlan Watson, Jon Gries, Patrick Grover (World Premiere)
Quirky, colorful, and confusing, this ping-pong, time-hopping delight is pure delightful mayhem.

Peak Season
Directors: Henry Loevner, Steven Kanter, Producers: Lovell Holder, Patrick Ward, Henry Loevner, Steven Kanter, Screenwriter: Henry Loevner
An emotionally adrift young woman forges an unexpected friendship with a wilderness guide when she and her fiancé take a summer trip to Jackson Hole, Wyoming.
Cast: Claudia Restrepo, Derrick DeBlasis, Ben Coleman, Fred Melamed, Stephanie Courtney, Will Neff, Caroline Kwan, Ron Hanks, Gadiel Del Orbe, Natasha Dewhurst (World Premiere)
Look out for this authentic, easy breezy dramedy that is like an emotional warm hug.

Art for Everybody
Director: Miranda Yousef, Producers: Morgan Neville, Tim Rummel
Thomas Kinkade’s pastoral landscapes made him the most collected and despised painter of all time. After his shocking death, his family discovers a vault of unseen paintings that reveal a complex artist whose life and work embody our divided America. (World Premiere)
You could not escape his art in the late 90s. His “lit from the inside” painting of countryside cottages and mass marketable art held America captive. I almost bought one in a mall gallery at 20 years old. They were that enchanting.

Satan Wants You
Directors/Screenwriters: Sean Horlor, Steve J. Adams, Producers: Michael Grand, Melissa James
The shocking story of how a young woman and her psychiatrist ignited the global Satanic Panic with their bestselling memoir Michelle Remembers. (World Premiere)
One book twisted the narrative of a nation. It would start an avalanche of conspiracy theories that continues to run rampant in crazy circles today.

Who I Am Not (Romania, Canada)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is i. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)
Timely and important. That’s all you need to know.

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts.
Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)
Just because I know Ted Geoghegan to be one of the kindest and coolest gents in the biz doesn’t mean I have to mention his newest and perhaps most personal project yet. His work and the company he keeps (he is also producing Molli and Max screening at the fest this year), speak for themselves. I mean, how cool does this still look?! Shudder was smart enough to snap this up ages ago.

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story.
Cast List: Lily Sullivan (International Premiere)
The history of deceptive podcasting has changed the lives of suspects and the far right in recent years. This one deserves your full attention.

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces.
Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)
We caught this one at Sundance and can report that it is franchise worthy. Do not miss it. Talk To Me

The Wrath of Becky
Directors/Screenwriters: Matt Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack.
Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Dalla Villa, Michael Sirow, Denise Burse, Jill Larson, Kate Siegel (World Premiere)
Firstly, Lulu Wilson is a phenom in my book. A follow-up to the 2020 film BECKY, I cannot wait to see this girl kick ass and not give a shit about names.

The Artifice Girl
Director/Screenwriter: Franklin Ritch, Producers: Aaron B. Koontz, Ashleigh Snead
Three special agents develop a bold new computer program to catch online predators, but its rapid advancement poses unexpected challenges.
Cast: Tatum Matthews, Sinda Nichols, David Girard, Franklin Ritch, Lance Henriksen (U.S. Premiere)
We could not escape the buzz that this film has been generating on the festival scene. It’s about time we join the crowd.

Molli And Max In The Future
Director/Screenwriter: Michael Lukk Litwak, Producers: Candice Kuwahara, Ben J. Murphy, Mallory Schwartz, Kate Geller, Michael Lukk Litwak
Molli and Max In The Future is a Sci-Fi Romantic Comedy about a man and woman whose orbits repeatedly collide over the course of 12 years, 4 planets, 3 dimensions, and one space-cult.
Cast: Zosia Mamet, Aristotle Athari, Danny Burstein, Arturo Castro, Okieriete Onaodowan, Erin Darke, Grace Kuhlenschmidt, Michael Chernus, Aparna Nancherla, Matteo Lane (World Premiere)
After following the cast and crew of this film along the way, Molli and Max feels like a festival darling from the start.

With Love and a Major Organ
Director: Kim Albright, Producer: Madeleine Davis, Screenwriter: Julia Lederer
In an alternate world where hearts are made of objects and suppressing emotions is self-care, a lonely woman rips out her own heart for the man she loves, only to discover that he has run away with it.
Cast: Anna Maguire, Hamza Haq, Veena Sood, Donna Benedicto, Lynda Boyd, Arghavan Jenati, Enid-Raye Adams, Ryan Beil, Laara Sadiq (World Premiere)
The concept alone makes me want to run to the theater.

My Drywall Cocoon
Director/Screenwriter: Caroline Fioratti, Producers: Rui Pires, André Montenegro
Virginia’s death during her 17th birthday shakes up a luxurious building complex. For most residents, it’s a passing tragedy. For her mother and her friends, it is the beginning of a transformation: the crack in their drywall cocoon.
Cast: Maria Luisa Mendonça, Bella Piero, Michel Joelsas, Mari Oliveira, Daniel Botelho, Caco Ciocler (World Premiere)
The only Brazillian film in the fest this year, this intricately written film will surprise again and again.

Is There Anybody Out There?
Director: Ella Glendining, Producer: Janine Marmot
Inhabiting a bizarrely unusual body (the body I love), and navigating daily discrimination, I search the world for another like me. Is there anybody out there? (Texas Premiere)
Check out our previous coverage of Ella Glendining’s unfiltered look at self-acceptance and judgment. It will live in my family’s heart forever.

The Angry Black Girl and Her Monster
Director/Screenwriter: Bomani J. Story, Producers: Jack Davis, Darren Brandl, Bomani J. Story
Death is ever present in Vicaria’s world – violence, police brutality, substance abuse – and after watching her mother and brother succumb, she’s had enough. Vicaria is going to put an end to all this death… by bringing the dead back to life.
Cast: Laya DeLeon Hayes, Denzel Whitaker, Chad Coleman, Reilly Brooke Stith, Keith Sean Holliday, Amani Summer Boyles, Edem Atsu-Swanzy (World Premiere)
Writer-director Bomani J. Story takes on the complexities of survival and oppression with a femme-centric modern take on Frankenstein. Yes, please, and thank you.
SHORT FILMS

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charlie Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)
As someone who “survived” a 5+ year long distance relationship, this one is a yes.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jensen, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites. (World Premiere)
Horror shorts for the win, ladies, and germs. Give me a new badass final girl every day of the week.



On the surface, the film is an intimate character study of the growing tensions in a family and community in close quarters and the disruption of everyday life. Slyly mirroring the Israel-Palestine tensions in a darkly comedic way, LET IT BE MORNING tackles the status quo, the want for power, and the need for change in a superbly brilliant way. 


Slamdance 2023 Premiere of
After jail-time, 12-step programs and five marriages, Annie begins her acting career in her mid-fifties with the help of a young director she met at a Burger King. In this show within a show, Annie tackles both her gigs as an actor and the role of herself in her own life story.
A farcical meta delight, Slamdance 2023 episodic WHO’S ANNIE skewers the absurdity of Hollywood, but that’s only the beginning. Annie Pisapia plays herself and doesn’t. Yup. You read that correctly. This “series within a series” is wildly entertaining and wholly bizarre.
Writer-director Sophia Peer plays “herself,” a television director with awkward and quirky energy. Peer bears a striking resemblance to Rhea Pearlman. It’s a head-scratching role, and I could not look away. Sofia Dobrushin plays the “series” version of Peers. Wide-eyed and perfectly cast, Dobrushin appears both afraid and at home in coordinated chaos. I adored her. Annie Pisapia owns the screen, as her comic timing is something to behold. Her rough exterior feels part false flag, part true identity. She is so convincing it is genuinely tough to discern between Annie’s real life and the script. That is the entire point of the series, and Peer has succeeded with flying colors. Adding in Peer’s manic confidence and Dobrushin’s “yes, and” attitude, these three women exquisitely complement one another.
Because the show jumps in style, so does the cinematography. It is eye candy that never gets boring. It is pure silliness, and I’m dying for more. It’s Comedy Central meets Mad TV. There is a lot of meat on the bone for series development. Everyone has enough (or a lot) of backstory to expand upon and plenty of weirdness to start. 

The film looks beautiful. Fran Fernández Pardo‘s cinematography highlights the rich colors in fabrics and paint and captures extraordinary angles in fantasy sequences. The commentary on religious oppression and desire is unmissable. The performances are outstanding. Kiti Mánve breathes vulnerability and quiet ferocity into the role of Mari Cruz. It is a stunning, award-worthy turn.
Screening Times
In AirHostess- 737, we meet Vanina, a 39-year-old flight attendant trying to hold it together. Self-conscious over her new braces, her anxiety rises as the film progresses, exacerbated by a passenger, the pilots, and strong turbulence. But there is far more on Vanina’s mind than her newfound hardware.
As a frequent flyer, I instantly grinned at actress Lena Papaligoura‘s deadpan demonstration of safety protocols. Her performance hits every note. She is funny, manic, dedicated, and pitch-perfect.
Living in New York has its ups and downs. No matter how expensive your apartments are, the walls are always paper thin. You come to know your neighbors for better or for worse. Director Mike Donahue and writer Jen Silverman give Sundance 2023 audiences so much in their 15-minute short film TROY.
DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST
Flamin’ Hot
Parachute
Angel Applicant
Down Low
A Disturbance in the Force
Brooklyn 45
Breaking Fast with a Coca Cola
I Probably Shouldn’t Be Telling You This
The Bus (Spain)
Beyond The Fringe (Spain)
Dead Enders
Breaking Silence
Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Eggscape (Argentina)



Daniel Craig returns as Benoit Blanc, the debonair southern detective. This time around, Blanc is invited to an isolated Greek island by billionaire Miles Bron (Edward Norton, giving Elon Musk post-burning man vibes.) Bron has invited several of his closest friends for a weekend getaway that just happens so happens to include a murder-mystery game. Things go wrong faster than you can say “bad idea.”
I was worried that Glass Onion would suffer from an overreliance on Craig’s detective. Knives Out benefited immensely from a core focus on Ana de Armas’ fish-out-of-water character. The film smartly employs him as a foil for its many new cast members. The new faces are stellar across the board. Janelle Monae shows incredible versatility. Leslie Odom Jr. and Kathryn Hahn have the tough job of playing the respective sticks in the mud while the rest of the cast gets to have fun. Kate Hudson and Dave Bautista really let it rip. We’re used to this from Bautista, but it is a particularly welcome departure for Hudson. As I reflect back on the past years of the pandemic, her character provides particular hilarious relief. There are also several delightful cameos. I won’t spoil them for you, but suffice it to say it seems like nearly everybody wanted in on this thing.
Whodunit films seem to be light work for Rian Johnson. His 2005 debut, Brick, was an exceptionally hard-boiled film noir that just happened to be set in a high school. Despite their common director, Brick and Glass Onion could not be more different. Where Brick was pitch black noir down to its very bones (even down to the dialogue), Glass Onion is a sun-drenched delight inspired by holiday mysteries such as Evil Under the Sun and The Last of Sheila. It provides necessary effervescent support as we head into the cold winter months. I can’t wait for the next chapter!
Victoria Moroles is Jane. Her precociousness is spot a delight. Segan gives her dialogue deliciously reminiscent of Dawson’s Creek, i.e., she is far too eloquent for fifteen. Her chemistry with Segan is comfortable and endlessly amusing. Her takedown of the film’s misogynist energy is chef’s kiss.
Writer-director-star Noah Segan plays Francis as a Yiddish-spewing loaner. His penchant for a happy-go-lucky attitude is more function over form. We learn about his deep-seated loneliness and unresolved trauma, which creates an equally funny and tragic persona. Segan gives a star-making performance.
BLOOD RELATIVES is an undeniably fun vampire coming-of-age family film. Heartwarming, silly, and intimate, it is easy to see why it garnered so much attention in the festival circuit. Shudder is the perfect platform for Segan’s madcap creation. I formally request a sequel when Jane gets to college. I have to know where this family unit ends up. Don’t forget to bring Fieldner along.

Charming and breezy, Sam & Kate is a lovely exploration of generational communication and the joy and complexities of newfound intimacy.
Jake Hoffman and Schuyler Fisk learned a lot from their parents because they are spectacular. Hoffman’s boy next door goodness is pitch-perfect. Fisk is effortlessly elegant. Together, they transfix the audience with their wounded imperfection.
The script from writer-director Darren Le Gallo feels like a comforting hug, yet fresh. I love that Sam and Kate aren’t 20-somethings. I respect the grown-up, lived-in realities of caring for aging parents while exploring their place in the world. Tina and Kate’s histories affect every beat. In the end, Sam & Kate boasts incredibly grounded dialogue and flawless pacing. It’s a gem and a notable debut for Darren Le Gallo.
Jessica Lowe is positively loathsome as influencer girlfriend Sadie. You cannot help but laugh at her ridiculously aloof behavior. Brendan Scannell as Runway Dave and Asif Ali as Angry Mike provide the added laughs to round out our group of guys. They give unforgettable performances.
The script has honest Hangover vibes. While I wish the film focused more on actual roommate scenarios and less on the wacky road trip aspect, I still laughed my ass off. The climate change aspect is subtle and pitch-perfect. Kudos to the writers for using it effectively. The numerous cameos and ancillary characters no doubt strengthen the film, from beginning to end. Rob Riggle, Flula Borg, and Parvesh Cheena leave lasting impressions. In the end, raunchy and over-the-top, BROMATES is undeniably goofy as hell. You’ll laugh at the sheer absurdity of it all.

Paula Gallego plays Marta and brings everything we need from sass to “final girl” greatness. Her chemistry with Ramiro Blas takes you by surprise. It is one hell of a pairing. Speaking of Ramiro Blas, as Blasco, he manages to be slimy and loveable all at once. There’s a reason he won The Grimm Reaper award for Best Actor. You’ll love to hate him and hate and love him. 

The era jokes and visual cues are kickass. Wyatt says, “Penis wrinkles,” a phrase I know from my first feature film in theaters, E.T. High five for the obscure homage. Also, the fact that I can remember the lyrics to, “Hey Girl,” days later, says a lot. 





You immediately fantasize about all the fun things you would do together. There’s an undeniably brilliant poker scene. But things get weird, and Clay has second thoughts about helping Whit for eternity. The chemistry between Whitmer Thomas and director Clay Tatum is otherworldly. Pun intended. They make awkward endearing.
The script, penned by our two leads, might seem straightforward at first but do not get comfortable with the buddy comedy genre. The Civil Dead goes in a direction I did not see coming, though, in retrospect, I should have. From hilarious to shockingly dark, the film tackles loneliness in a brutally honest way. This one is going to haunt you in the best way possible.
The script tackles guilt, a longing for acceptance, prejudice, and a willingness to take a chance. The otherworldly score by Sebastián Zeluta is hypnotic. It’s a touch transcendent. The handheld camera work, particularly during emotionally wrought scenes between our two leads, is a specific and keenly impactful choice. It also highlights the progressing surreal chaos occurring along Peter’s journey.
As a writer, this script is essentially a dream, pun intended. Leading lady
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