‘BANGS’ (Fantasia 2024 short) Sinfully relatable.

Fantasia 2024 logoBANGS

Bangs-PosterMontreal-based comedy duo Emelia Hellman and Nancy Webb (Hellgirl Productions) bring their paranoia-fueled short Bangs to Fantasia Festival’s Fantastiques week-ends du cinéma québécois this summer for the film’s Canadian premiere.

Bangs Still 3

On the eve of hosting a dinner party for her 30th birthday, a woman cuts her hair. When her friends don’t notice, it drives her mad. Nancy Webb‘s Fantasia 2024 short film BANGS has unexpected fringe benefits. Pun, very much intended.

With each passing hour that her guests don’t mention the bangs, our protagonist becomes tenser and more enraged. The audience is in on the joke, making us increasingly nervous. But the film does not go the way you might expect.

BANGS 2

The handheld camera work gives the audience an immersive feel. Partly fly on the wall, but mostly, chaotically a member of the friend group. Lead Emelia Hellman, who co-writes the script with Webb, is excellent. She perfectly captures the need for approval and the rush of dopamine a compliment can supply.

BANGS is smirk-inducing and cringey in the best way. It’s an entirely relatable set-up. It is a commentary on narcissism and perceived identity, with a bit of magic realism thrown in for good measure.

DIRECTOR

Nancy Webb

PRODUCER

Emelia Hellman

WRITER

Emelia Hellman, Nancy Webb

CAST

Travis Cannon, Nicky Fournier, Emelia Hellman, Kelly Kay Hurcomb, Andi E McQueen, James Watts

For all things Fantasia 2024, click here!

‘BERTA’ (Fantasia 2024) Female rage is the best kind

Fantasia 2024 logoBERTA

Berta poster

The story of a woman called Berta who seeks understanding from a man that hurt her in the past. Despite her methods might be seen as unorthodox, she’ll make her point.

Berta still 2Nerea Barros captivates as the titular character. She walks a perfect line between anxiety and persistence. Barros becomes a feminist icon we so desperately need.

Think Hard Candy meets Promising Young Woman. BERTA nails the subgenre. The practical FX team delivers sleight-of-hand twice.

Filmmaker Lucía Former Segarra‘s writing is so slick. She comes full circle in her shorts trilogy, specifically calling out the names of her previous films in the dialogue. BERTA is the ultimate form of therapy for all of us with unresolved trauma. It is a delicious treat for our revenge fantasies.

For previous years’ BORN OF WOMAN coverage click here and here!

Find all other Fantasia 2024 coverage right here 🙂

‘DIRTY BAD WRONG’ (Fantasia 2024 short) Erica Orofino’s short finds a mother between a promise and a boundary.

Fantasia 2024 logo

DIRTY BAD WRONG

Dirty Bad Wrong PosterDesperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.

STILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOSTILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOLife changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In Erica Orofino‘s Fantasia 2024 short film DIRTY BAD WRONG, audiences are plunged into the world of a mother who would do anything for her child. 

Dirty Bad Wrong 3 - Photo by Samantha Falco50Jack Greig has a presence that is hard to teach. He gives Jesse a palpable innocence and curiosity. Michaela Kurimsky plays Sid with earnest desperation and unconditional love for her son. The chemistry between her and Grieg is enchanting. Kurimsky is nothing short of captivating in fourteen minutes. I would watch her in anything.

Outside of the authentic choices for survival, the horror aspect is subtle in the most powerful way. The messaging behind the images screams off the screen. The necessary evils one will endure for a loved one knows no bounds. DIRTY BAD WRONG begs for a feature. There is enough meat on the bone, no unintended, for delicious worldbuilding. 

Dirty Bad Wrong stars Michaela Kurimsky (Alouette, Firecrackers, The Boathouse), Jack Greig (Dark Side of the Ring), and Cody Thompson (The Shape of Water, May the Best Wedding Win, Mrs. America) and is produced by Fonna Seidu (virgins!, Fresh Meat, Being Black in Toronto). It was shot in Toronto, Canada.

Fantasia 2024 posterFor all things Fantasia 2024, click here!

‘CARNAGE FOR CHRISTMAS’ (Fantasia 2024) A murder podcaster’s unresolved trauma turns holiday horror in Alice Maio Mackay latest

Fantasia 2024 logo

CARNAGE FOR CHRISTMAS

CARNAGE FOR CHRISTMAS POSTER

Alice Maio Mackay‘s fifth film makes its Montreal premiere at Fantasia 2024. CARNAGE FOR CHRISTMAS finds a murder podcast host answering a listener’s question, “How did you get into true crime?” Lola recounts a childhood hometown legend, then returns to said location for the Christmas holidays.

When the town’s queer population starts getting murdered, and with a sudden uptick in sightings of The Toy Maker, Lola digs into her expertise and goes over the heads of the local cops to try to find the killer.

CARNAGE_FOR_CHRISTMAS_STILLS_1_148_1Graphic novel animation serves as visually delightful childhood memories surrounding Lola’s backstory with the villain. The poster is undoubtedly an homage to Black Christmas, and the classic trope of a killer in a Santa suit plays, ala Silent Night Deadly Night, still rules.

The practical FX team nails it, aided by the slick editing. Speaking of, the editing and featured neon lighting feel like a calling card for Mackay and editor Vera Drew, Aka “The People’s Joker.” (A must-see feast for the eyes) If you’ve seen Mackay’s 2023 film T BLOCKERS, you’ll understand she’s building a brand here.

CARNAGE_FOR_CHRISTMAS_STILLS_1_327_1Jeremy Moineau gives Lola an effortlessly badass persona but beautifully balances toughness with authentic vulnerability. Her monologue about the town’s history is perfection.

Alice Maio Mackay provides a creative space for trans artists to thrive. CARNAGE FOR CHRISTMAS has a solid mystery and great performances. It is another sweet notch in Mackay’s stylistic belt.

CARNAGE_FOR_CHRISTMAS_STILLS_1.8

AUSTRALIA 2024 70 MINS OV ENGLISH

GENRE DramaHorrorLGBTQIA2S+


DIRECTOR

Alice Maio Mackay

PRODUCER

Alice Maio Mackay

WRITER

Alice Maio Mackay, Ben Pahl Robinson

CAST

Zairf ., Dominique Booth, Olivia Deeble, Jeremy Moineau, Tumelo Nthupi

COMPOSER

Alexander Taylor

EDITOR

Vera Drew


Remaining Screenings of Carnage For Christmas:

Wed July 24, 2024
5:00 PM

Fantasia 2024 posterFor all things Fantasia 2024, click here!

Fantasia 2024: It’s Heeerrreee (almost). Genre’s best of the best is about to begin.

Fantasia 2024 posterFANTASIA 2024

It’s no secret that Fantasia is the festival I gush about the most. If you want to call yourself a genre film fan you have to know about the buzziest films coming out of the fest each year. Once again, Quebec will host a plethora of premieres, a gaggle of talks with the industry’s best, and scare the pants off of you. Would you expect any less? Fantasia 2024 is the 28th edition of this wonderfully wacky cinephile playground.


IN OUR BLOOD Fantasia 2024

IN OUR BLOOD

Nothing is as it seems when filmmaker Emily Wyland (Brittany O’Grady) teams up with cinematographer Danny (E. J. Bonilla) to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.

Directed by Oscar-nominated documentary filmmaker Pedro Kos (Rebel Hearts, Lead Me Home) in his first narrative feature, IN OUR BLOOD masterfully blends psychological mystery with chilling horror. The film weaves a twisted tale of reconciling with the ghosts of our past and confronting the complicity we share in creating a world that preys on the most vulnerable.


HELL HOLE Fantasia 2024

Hell HoleA road trip through Canadian oil fields conjured up fantasies of secrets deep in the dirt for the Adams family, and inspired them to create HELL HOLE, an indie rock-n-roll monster movie set at a far-away fracking site. Known for their DIY ethos, John and Lulu Adams and Toby Poser, partnering with Shudder, have joined the team behind The Last Drive-In with Joe Bob Briggs and FX legend Todd Masters to shoot their latest in Serbia with a local cast and crew. Absurd, mutinous, and transgressively comical, Hell Hole is old-school sci-fi horror, yet in typical family fashion, they subvert the genre with textures of biological and environmental horror in tandem with questions of gender and bodily autonomy. This will be the fourth time Fantasia World Premieres work from the gifted filmmaking family, following launches of THE DEEPER YOU DIGHELLBENDER, and WHERE THE DEVIL ROAMSWorld Premiere.


THE BEAST WITHIN

The Beast Within Fantasia 2024

The haze of childhood is a magic lantern that throws light on the wall through a veil of dark both frightening and exciting, and nowhere is this better articulated than in THE BEAST WITHIN (previously titled WHAT REMAINS OF US). Kit Harington (GAME OF THRONESETERNALS) is a father with a secret that he is desperately trying to keep under control. His mysterious excursions at night leave his ailing daughter (Caoilinn Springall, THE MIDNIGHT SKYSTOPMOTION) plagued with questions. The old, timeless house in the woods that she lives in with her caring mother (Ashleigh Cummings, NOS4A2) and absent father feels more like a haunted castle than a loving home. As she investigates her father’s bizarre and dark behaviour, a monstrous figure emerges from the shadows, terrorizing those who encounter it. Supported by her grandfather (James Cosmo, HIGHLANDERBRAVEHEART), she attempts to unravel the mysteries of the creature, and the revelations that she discovers will rock her family and leave her forever changed.


FRANKIE FREAKO Fantasia 2024

Frankie FreakoAfter the success of PSYCHO GOREMAN, FX artist and director Steven Kostanski hits back with the zany, over-the-top FRANKIE FREAKO! Starring Conor Sweeney and Adam Brooks of Astron-6 fame, the film follows a nerdy man who just isn’t cool. In an attempt to impress his wife and boss, he’s lured by a 1-900 TV ad to party with a strange little creature called Frankie Freako. All hell breaks loose when Conor calls and Frankie and his two friends wreak interdimensional havoc in Conor’s life. Kostanski fans will flock to his latest imaginative adventure, saturated with throwback cartoonish fun à la GHOULIES, wildly creative puppets, big laughs, and a helluva good time! Septentrion Shadows section. World Premiere.


THE CODE Fantasia 2024

The CodePeter Vack (ASSHOLES) and Dasha Nekrasova (THE SCARY OF SIXTY-FIRST) star as couple on the rocks during the early part of the Covid-19 pandemic in American filmmaker Eugene Kotlyarenko (SPREE)’s latest, THE CODE – a generation-defining, wickedly dark comedy that blends post-New Wave French sensibilities of aesthetic disillusionment with a singularly alien view of contemporary American life. A transgressive and singular experience, nothing is off limits in this surveillance-heavy narrative, which uses multiple formats, points of view, and cameras to create a visionary collage-like experience of modern life. An epic poem for our post-pandemic world. Underground Section. World Premiere.


BLACK EYED SUSAN Fantasia 2024

Black Eyed SusanIt’s been 21 long years since Scooter McCrae (SHATTER DEAD) released a new feature, and he’s lost none of his smart, transgressive bite. Desperate for work, Derek (Damian Maffei, THE STRANGERS: PREY AT NIGHT) accepts a job at a shady tech start-up, working intimately with Susan (Yvonne Emilie Thälker in a powerful debut role), a bleeding-edge BDSM sex doll meant to receive and appreciate sexual punishment as an integral part of her evolving AI. Shot on Super 16, BLACK EYED SUSAN counterbalances its dark, vulgar core with a surprisingly tender vulnerability, creating a lo-fi science-fiction landscape infused with surprising fragility, as legendary Italian composer Fabio Frizzi (THE BEYOND, ZOMBIE) lends the picture a lush, atmospheric backdrop. Not for the faint of heart, BLACK EYED SUSAN delves into themes and questions that will only become more pertinent with the continued evolution of artificial intelligence. World Premiere.


CHAINSAWS WERE SINGING Fantasia 2024

Chainsaws Were SingingA true DIY passion project from Estonian filmmaker Sander Maran, CHAINSAWS WERE SINGING is a zany, blood-soaked musical about lovers split up by a chainsaw-wielding killer. Over a decade in the making, Saran not only directed but wrote, scored, shot, and edited this colorful murder-fest that’s part gory horror movie and part ridiculous musical. The camerawork is inventive, the editing slapstick, and the tone truly absurdist. Most importantly, though, the songs are incredibly catchy, with Sander clearly deeply indebted to Trey Parker and Matt Stone’s CANNIBAL! THE MUSICAL and Frank Oz’s LITTLE SHOP OF HORRORS. Underground Section. International Premiere.


THE CHAPEL Fantasia 2024

The Chapel Fantasia 2024The stunning sophomore feature from award-winning director Carlota Pereda (PIGGY), THE CHAPEL marks the fantastic return of atmospheric, character-driven supernatural Spanish horror. Emma (Maia Zaitegi) wants to learn how to communicate with the spirit of a little girl who has spent centuries trapped inside a chapel. She tries to convince Carol (THE ORPHANAGE’s Belen Rueda), a cynical and fake medium, to help her in the hopes that contacting the spirit may help her to remain close to her dying mother after she passes. What Carol doesn’t suspect is that Emma really does have “the gift” and, if she keeps on trying to use it without her guidance, she will be putting her young life at terrifying risk. Winner: Best Actress, Belen Rueda, Cinefantasy 2023. Official Selection: Sitges 2023. North American Premiere.


BORN OF WOMAN 2024 Fantasia 2024

https://fantasiafestival.com/en/program/born-of-woman-2024

Fantasia 2024 - Born of Woman 2024 - fantasiafestival.comMy favorite shorts collection of the year, this wildly eclectic and insanely talented group of female filmmakers aims to please, shock, and gag audiences. You never know what you’ll get with each passing year and I get giddy in anticipation. Fantasia 2024’s Born Of Woman lineup includes the following films:

IZZY

Nahema Ricci stars in this sharply staged build piece expressionistically conveying a person’s realization that they’d rather not fit in, if it means continuingly giving in.

 


the_bleacher_poster_THE BLEACHER

An outright bonkers stop-motion freakazoid about a woman, a laundromat, and a missing sock. From the makers of SEXY FURBY.

 


wildflower posterWILDFLOWER

A reclusive woman gives everything she can to a blood-sucking flower that she’s devoted every waking minute towards caring for.


Mosquito Lady poster Fantasia 2024

MOSQUITO LADY (see our previous coverage)

A sharp intersection between Filipino folklore and the ever-devolving issue of bodily autonomy in the U.S.

 


Dead Tooth posterDEAD TOOTH

A stylishly inventive and considerably bloody take on the one-terrible-day film.


LES YEUX D’OLGA

A senior vampire who moves herself into an elder care facility so as to feed solely on those already at the edge of death.


I'm Not A Robot posterI’M NOT A ROBOT

We’ve all had the annoyance when forced to solve wonky online captchas to convince a website that we’re real-deal human. What if we were to repeatedly fail it?


BERTA

Following the extraordinary DANA, Spanish filmmaker Lucía Forner Segarra returns to Fantasia with BERTA, a tensely compelling new work that continues her explorations of accountability and empowerment following gendered violence.

(You can find past Born of Woman coverage here) Fantasia 2024


You can find more info on Fantasia 2024’s lineup and tickets by tapping HERE


Fantasia 2024 Dates:
Thursday, July 18 – Sunday, August 4th

For previous years’ FANTASIA coverage, click here!

(Tribeca 2024 shorts) ‘A ROSE FOR KATRINA, ‘ ‘LICE,’ ‘MY BEST FRIEND,’ & ‘WHEN EVERYTHING BURNS’ – Exemplary work from across the globe

tribeca 2024 logoTribeca 2024 Shorts


A ROSE FOR KATRINA Tribeca 2024 Shorts

https://tribecafilm.com/films/rose-for-katrina-2024

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Short | Australia | 9 MINUTES | English

Harry Quinlan‘s short film A ROSE FOR KATRINA is technically dizzying. Augmented and overlapping sound editing combined with its one continuous take filmed from outside the busy household immediately throws you into a subconscious panic.

An unknowing Michael shows up for a first date, rose in hand for a girl named Katrina. Accosted at the front door by her twin and surrounded by the chaos inside, his frustrations get the better of him. When Katrina tracks him down outside, the questions don’t end there.

The dialogue barrels ahead like a freight train, weaving in and out of innocuous and aggressive. A ROSE FOR KATRINA leaves you buzzing. It would be impossible to move on without debating what you witnessed.


LICE Tribeca 2024 Shorts

https://tribecafilm.com/films/lice-2024

LICE-Clean-16x9-02 Tribeca 2024 shorts

Short | India, United States | 14 MINUTES | English, Hindi | English subtitles

Filmmaker Vindhya Gupta‘s Tribeca 2024 short LICE tackles the challenges of childhood cruelty and power dynamics. The subject had me itching and cringing as a former teacher and mother of two elementary-aged children. In the film, we find two girls, one a popular bully and the other a quiet loner. When Roshni tries to blame her lice infestation on Chakor, an unusual friendship begins, but are her intentions pure?

Guilt and redemption flow through the lines. DP Maria Belen Poncio captures eye-catching natural light in India’s architecture. The final scene puts you through the emotional wringer. Each viewer may take away a different ending. Either way, the film serves attention for its tangible dialogue, compelling performances, and universal messaging.


MY BEST FRIEND Tribeca 2024 Shorts

https://tribecafilm.com/films/my-best-friend-2024

MY_BEST_FRIEND-Clean-16x9-0Short | United States, France | 18 MINUTES | English, French | English subtitles

A post-breakup Clara (Marie Zabukovec) meets up with her best friend Léa (Lana Boy) for a staycation in NYC. Léa divulges she has convinced her boyfriend to have an open relationship. Will a night alone bring friends closer together or push them apart?

The natural lighting in each scene is a visual gift. Watching the credits shows you the predominantly female crew, making a difference in storytelling and environment as this dynamic spills into the project in all the right ways.

My Best Friend encompasses female friendship to a tea. It expresses the beauty and purity of everything and nothing all at once. Marie Zabukovec and Lana Boy are spectacular. Their chemistry feels palpably authentic. It’s movie magic. Filmmaker Elina Street has a dazzling gem in MY BEST FRIEND.


WHEN EVERYTHING BURNS Tribeca 2024 Shorts

https://tribecafilm.com/films/mazda-presents-moving-the-spotlight-2024

cuando_todo_arde-- when everything burns poster

Maria Belen Poncio‘s Tribeca 2024 short begins with a bang and an ominous visual. Isabel is a fire brigade volunteer with no official authority besides her moral compass. As the flames swiftly approach a neighborhood, she shares a stubborn fortitude with a local man, each standing their ground to survive.

Juan Pablo Toch‘s poignant score says it all. Lead actors Annabella Bacigalupo and Ruben Gattino speak volumes in their silence and circumstances, with each generation silently resigned to the world’s fate by the time the screen goes black. In 12 minutes, WHEN EVERYTHING BURNS is powerful.

Tribeca 2024 Shorts

For more Tribeca 2024 coverage, click here!

Fantasia 2022 ‘BORN OF WOMAN’ rules supreme, again.

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BORN OF WOMAN (2022)

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One of the best shorts collections at the Fantasia International Film Festival is the annual Born Of Woman program. This year’s selections ran to a sold-out audience. The Born Of Woman selection is special because the films are bold genre stories created exclusively by female filmmakers. 2022’s iteration saw nine films from five countries and every single one blew me away. Each year, this is my personal favorite program. The films are fresh, vibrant, scary, relatable, and wildly intriguing.

Lily’s Mirror

A shocking opening leads to one of the sharpest takedowns of the patriarchy I’ve seen in quite some time. Lily receives a therapeutic mirror allowing her to take back the power so freely stolen by men. The depiction of the erasure of women is a comic and creative chef’s kiss. I didn’t think it was possible to make misogyny funny, but the script is carefully crafted. I found myself nodding, laughing, and exclaiming, “This is sheer perfection.” Highlighting women going to bat for other women and the fragility of the white man, Lily’s Mirror could easily be an entire series or feature film. This type of short drives audiences wild, and Fantasia 2022 knew what they were doing programming this film. A slow, celebratory clap for everyone involved. 

Everybody Goes to The Hospital

Everybody Goes to the HospitalThis haunting stop-motion animation speaks to the often barbaric side of medicine. Fear, misogyny, and the medical staff’s good complex are all in full view. While the story occurred in the 60s, its relevance does not wane. Writer-director Tiffany Kimmel does an excellent job capturing the terror of a child that undoubtedly attached itself to adulthood. The narration from Lucia Hadley Wheeler hits you square in the heart. The short was surprisingly personal for me. When I was 20, doctors at Saint Luke’s Roosevelt subjected me to a battery of invasive tests, unconvinced that I was a virgin. What I knew was appendicitis was treated as an STD. After 12 hrs and an emergency surgery later, my medical gaslighting experience still haunts me. Fantastic 2022 audiences will watch in awe of the artistry and storytelling style. Everybody Goes To The Hospital will make your blood run cold.

Wild Card

Writer-director Tipper Newton gives us a glorious, tongue-in-cheek, neo-noir throwback. Daniel makes a dating tape, and his first date brings nothing but good trouble. I’m not sure if Wild Card was shot on 16mm, but the combination of costumes, sets, and score gives the film’s overall aesthetic an era legit look. Fantasia 2022 viewers got an excellent treatment in Wild Card. When the credits rolled, I was left wanting to know what happened to Daniel. I needed to know what happened to Daniel! Billy Flynn and Newton give great performances. I cannot stress how perfect they are for these roles. The subtle nuance between them walks a fine line between serious and absurd. Overall, I’m beyond thrilled to follow Wild Card‘s journey.

Punch Drunk

A young woman recovering from surgery works the night shift as a bartender and contends with the memories of her surroundings. Horror doesn’t have to be a creature feature in the traditional sense. Punch Drunk is a creative declaration of power. Writers Cason Weiss and Emily Lerer (who also directs) bring a uniquely intimate short to Fantasia 2022. Danielle Argyros is stunning in the lead role. I would love to see this developed into something bigger. It has endless potential. Punch Drunk is a bold, fearless, funny, and relatable look at the trauma that sent a shiver down my spine. 

Stained Skin

A mesmerizing juxtaposition of live action and 2D animation, Stained Skin uses fable storytelling to ease the reality of women stuck in an endless work cycle. Attempting to combat their sadness, the story passes from Samy to Alba as a coping mechanism. As screenwriter Mirjam Khera’s narrative grows, so too does their sense of hope. Marisa Wojtkowiak and Safinaz Sattar are captivating in the eight minutes they share alongside beautifully drawn images from Andrei Ebîncā. Directors Adam Graf and Mandy Peterat understand the balance of dark and light. It’s films like these that bring Fantasia audiences to Born of Woman. Stained Skin is a gorgeous addition to 2022.

The Anteroom

Writer-director Elisa Puerto Aubel gives Fantasia 2022 audiences a heart-stopping short. In the near future, a refugee and her infant daughter must negotiate with a customs AI. As the seconds dwindle toward one of two options, tension is palpable. The sparse and ominous set adds to the suffocating feeling, and the desperation in actress Irene Anula’s voice against the callous echoes of the machine will take your breath away. 

Daughters of Witches

A young mother brings her baby Iris to participate in a traditional ritual. Generations of women trek into the forest, but Clara is unsettled and guilt-ridden, having missed her grandmother’s recent passing. Written by Karen Acosta, Naria Muñoz, and director Faride Schroeder, Daughters of Witches is another excellent example of the intrigue a short can generate. As night breaks into dawn and Clara finds Iris crying in another location, the final reveal left me emotionally invested in each character of this family lineage. Starring Yalitza Aparicio (ROMA), Daughters of Witches builds an engrossing world in ten minutes. 

Don’t Go Where I Can’t Find You

This intoxicating short film from writer-director Rioghnach Ni Ghrioghair teases every one of your senses. Margaret has lost her lover Freya to something she believed was haunting them inside the walls of their expansive Victorian mansion. Capturing Freya’s presence becomes an obsession, compromising her relationships with the living and the dead. Garrett Sholdice and Benedict Schlepper-Connolly’s score becomes a plot point. Truthfully, the sound design from Garret Farrell is one of the most impactful aspects of the story. The film’s audio consumes the viewer, placing them in the stranglehold of grief. Fantasia 2022 audiences will undoubtedly fall in love with this film, from its costumes to Allyn Quigley’s editing. It’s nothing short of sumptuous. 

Kin

Striking cinematography by Marc Patterson and a dissonant score from Jonathan Keith set the scene for director Sarah Gross’ Fantasia 2022 short film Kin. Three siblings must survive the western plains on their own. Eldest sister Ida takes the familial reigns to protect everyone. Madison Tebbutt’s screenplay subverts expectations bringing us an unusual creature feature that twists and turns from beginning to end. The final shot made me shudder.

 

More Fantasia coverage can be found here 🙂

‘FAMILY PORTRAIT’ (2024) Authentic and unsettling award-winning film comes to Metrograph at Home this Friday

Factory 25 logoFAMILY PORTRAIT

Family Portrait poster

Filmmaker Lucy Kerr follows a well-off family as they gather to take a photo for their annual Christmas card. When the matriarch goes missing, one daughter makes it her mission to find her. In the dawn of Covid, FAMILY PORTRAIT is a haunting film whose title is a stunning double entendre.

Family Portrait groupThe heightened sound editing by Andrew Siedenburg and Nikolay Antonov is a character in the film. There is no better way to articulate its effect. The camera work from Lidia Nikonova swings from following closeups to static long takes, and it is nothing short of magnificent.

family portrait 1There is a theatrical delivery of much of the dialogue. Deragh Campbell is marvelous playing Katy. She delivers a compelling performance, reminding us how much we rely on the family matriarch to set our boundaries. Campbell’s pervasive anxiety flows on the screen.

Family_Portrait_new_screenshots_02The film brilliantly captures the poetic chaos of family gatherings. A myriad of intimate vignettes are all swirling together in an authentic picture where time loses all meaning. FAMILY PORTRAIT is haunting in so many ways. It will leave you breathless and wanting more.

Opens at Metrograph Theater in NYC Friday, June 28, Expands to Chicago and Los Angeles in July & Makes US Streaming Premiere Exclusively on Metrograph at Home Friday, July 5

Synopsis: Family Portrait follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.



FAMILY PORTRAIT stars a captivating Deragh Campbell (Kazik Radwanski’s ANNE AT 13,000 FT., Nathan Silver’s STINKING HEAVEN) and world premiered at the 2023 Locarno Film Festival in the Concorso Cineasti del presente section, the festival’s slate dedicated to discovering the cinema of tomorrow, where it took the Boccalino d’Oro for Best Director for Kerr. In addition to the US theatrical rollout, FAMILY PORTRAIT will make its US streaming premiere exclusively on Metrograph at Home on Friday, July 5, where it will be available for a two-month online engagement alongside a collection of Kerr’s short films.

In addition to the film’s winning reception at Locarno, FAMILY PORTRAIT has received accolades from the Black Canvas Film Festival (Best Director), the Hainan Island International Film Festival (Best Picture, Best Actress, and the Best Artistic Contribution), the Austin Film Society (Feature Film Grant), FIDLab (AirFrance Prize), and the New Horizon Award from the U.S. In Progress event in Wroclaw, Poland.

Kerr, Houston-born and New York-based, was one of Filmmaker magazine’s 25 New Faces of Film of 2022 and a graduate of CalArts film and video program. Inspired by familial pain and the feeling of loss that reflects what was felt by many during the pandemic, in the world of her film —which was shot in Hunt, TX, along the Guadalupe River— when grief is denied, mourning transforms into a melancholia that begins to undermine the sense of “reality,” ultimately leading to a divergence beyond the territory of the living.

Chris Galust (GIVE ME LIBERTY), Katie Folger (DAY 5), Rachel Alig (FIRST BLUSH), Robert Salas (CASSANDRO), and Silvana Jakich (WHAT HAPPENED AT 625 RIVER ROAD?) round out the cast alongside Campbell. The film is produced by Megan Pickrell and Frederic Winkler, co-produced by Rob Rice, and executive produced by Kerr for Conjuring Productions, her production banner, and Brittany Reeber. Lidia Nikonova lensed, Karlis Bergs edited, the sound department was comprised of Andrew Siedenburg and Nikolay Antonov, and production design was done by Tim Nicholas.

For more Drama coverage, click here!

‘HOW I ROLL’ (DWF:LA 2024 short) Resilience at its finest

DWF-LA logo

HOW I ROLL
https://danceswithfilms.com/HOW-I-ROLL-2/

How I roll posterOne of the most harrowing stories I’ve seen featured in a short film comes from BriGuel‘s HOW I ROLL. This 13-minute emotional rollercoaster is an eye-opening tale of resilience. Robin Cohen lives with MS, navigating Miami, Manhattan, and a family history of shocking violence, loss, and great love. 

HOW-I-ROLLBriGuel beautifully edits Cohen’s innermost thoughts, one on top of the other in the most organic way, mimicking the chaos of our mind’s intrusive thoughts. With an abundance of home videos and footage of Robin’s daily life and love story, HOW I ROLL introduces the world to a woman who inspires us to love, laugh, and live life to its fullest despite what might feel like insurmountable odds. Eternal positivity and perseverance are the beauty of life.

Get Tickets Here!

How I Roll (Official Trailer) from BriGuel on Vimeo.

DIRS: Brianne Berkson & Miguel Gluckstern, BriGuel
PRODS: Robin Cohen, Brianne Berkson, Miguel Gluckstern, Stefany Dobken

Facing unthinkable hardships – murder, loss, battling MS for 25 years, Robin Cohen impressively defies the odds, finding light despite the darkness.

For more DWF coverage, click here!

‘WHAT A FEELING’ (Frameline 48) An age and stage charmer from filmmaker Kat Rohrer.

Frameline 48Frameline_Logotype_Web

WHAT A FEELING

What a Feeling (2024) - www.imdb.comIt is easy to see why Kat Rohrer‘s Frameline 48 feature WHAT A FEELING played to a sold-out crowd last night. This authentic love story is everything you want it to be.  Workplace shenanigans and complicated family dynamics genuinely ground the film. This naturally progressing script has it all.

what a feeling 3Fa is a wildly unpredictable woman who enjoys creating things with her hands and bouncing from woman to woman. Marie is a doctor whose husband demands a divorce on their 20th wedding anniversary. When the two run into each other, almost quite literally, they discover an unexpected spark between them.

what a feeling 2Caroline Peters delivers laughs and heart in the role of Marie Theres. Proschat Madani gives Fa a firecracker spirit. Both offer depth to roles that could easily remain surface-level clichés. Their chemistry is magic, and Rohrer thoughtfully crafts their characters’ journeys.

what a feeling 1The film leans into conversations of identity, both sexual and national, with Fa being Iranian. It tackles inherent bias and standing up for what’s right, no matter the issue. WHAT A FEELING dives into the nuance of relationships and the mistakes we make that either force us to grow or flee. It’s a lovely film.

https://youtu.be/-MRHS5I1umI

DIRECTOR
Kat Rohrer
YEAR
2024
COUNTRY
Austria
RUNNING TIME
110 mins
LANGUAGE
German, English, & Persian
SECTION
Narrative Features

For more LGBTQIA+ films, click here!

‘FAMILY THERAPY’ (Tribeca 2024) A twisted tale of trauma

tribeca 2024 logoFAMILY THERAPY

https://tribecafilm.com/films/family-therapy-2024

FAMILY_THERAPY-Clean-16x9Sonja Prosenc‘s Tribeca 2024 film FAMILY THERAPY features a nouveau riche household that operates in rigid formality, slowly cracking upon the arrival of a new member.

The film opens with Aleksander, Olivia, and daughter Agata picking Julien up at the airport. He is patriarch Aleks’s twenty-five-year-old son from a previous relationship. Following an awkward evening, they awaken to loud knocking in the middle of the night, setting off a chain of events that will make or break these four people.

Their home is modern, essentially a glass box with cement walls. The production design team’s selection of art inside the house speaks volumes. They are strategically placed on vast walls, begging for your eyes. The music by SILENCE is based on Henry Purcell‘s King Arthur Opera. This decision creates an entire mood from the first frame. The camera work is delicious.

FAMILY_THERAPY-Clean-16x9-0Mila Bezjak gives Agata a suspicious sass. Her personality gets a boost from her severe hairstyle. Blunt bangs and thick coiffure make her resemble an overgrown doll. Her attention-seeking behavior has everything to do with her parents’ infantilism.

Aliocha Schneider is Julien. Down-to-earth, kind-hearted, edgy, and fearless. Schneider connects with each family member in a layered way. It’s a compelling turn.

Olivia is mean, anal retentive, gallerist. Actress Katarina Stegnar gives off a genuine wicked stepmother vibe, a cover for genuinely feeling powerless. Her arch is visceral.

FAMILY_THERAPY-Clean-16x9-03Aleksander never shuts up. He flaunts his eccentricity most ignorantly, fancying himself a writer despite only writing a single piece twenty years prior. Marko Mandic is loathsome in the best way.

Writer-director Sonja Prosenc does a spectacular job of holding back information, leaving us small breadcrumbs of this odd family dynamic. The symbolism of fracture and subsequent healing comes in multiple genius forms. Bites of fantasy further the nuance of unresolved trauma and the search for joy. FAMILY THERAPY is brilliant stuff.

International Narrative Competition
Feature | Slovenia, Italy, Norway, Croatia, Serbia | 122 MINUTES | English, French, Slovene | English subtitles

Director

Sonja Prosenc

Producer

Rok Sečen

Screenwriter

Sonja Prosenc

Cinematographer

Mitja Ličen

Editor

Ivana Fumić

Composer

Primož Hladnik & Boris Benko

Co-Producer

Marta Zaccaron, Fabiana Balsamo, Tamara Babun, Matija Drnikovć, Jarle Bjørknes, Dimče Stojanovski

Cast

Mila Bezjak, Aliocha Schneider, Marko Mandić, Katarina Stegnar, Judita Franković Brdar, Jure Henigman



For more Tribeca 2024 coverage, click here! Read More →

‘DARKEST MIRIAM’ (Tribeca 2024) Excels in its mystery and the magnificent Britt Lower

tribeca 2024 logo

DARKEST MIRIAM

https://tribecafilm.com/films/darkest-miriam-2024

DARKEST_MIRIAM-Clean-16x9-0Someone seems to be leaving Miriam cryptic notes and clues connected to her life. A kind-hearted and observant Toronto librarian at a quiet branch filled with an eclectic group of patrons, Miriam’s mundane existence gets upended by increasingly weird incidents and a new love affair with a young foreign cab driver. 

Britt Lower’s narration moves this enigmatic story forward. The entire narrative flows as a reminder that this is a splendid adaptation of Matha Baillie’s novel The Incident Report.

The notes are poetic in their veiled threats, filled with delicious language choices. It is a pensive tug-of-war between love and grief. 

DARKEST_MIRIAMBritt Lower commands the screen with not much more than a stare. Miriam is mired quietly in grief. Lower is effortlessly magnetic, capturing every bit of nuance inside of Miriam.

The film delves into the fact that libraries are often a public refuge for the misunderstood. More importantly, the love story is a haven of intimacy and honest expression. As the plot shifts, her unresolved trauma, tinged with the macabre, becomes a worry for the audience. You are rooting for Miriam, full stop. Tribeca 2024 should settle into the pros of the script and allow themselves to live with Miriam, if only for a short time. 

Darkest Miriam

Viewpoints

Feature | Canada | 87 MINUTES | English

Darkest Miriam

Director

Naomi Jaye

Producer

Julie Baldassi, Brian Robertson

Screenwriter

Naomi Jaye

Cinematographer

Michael LeBlanc

Editor

Lev Lewis

Composer

Louie Short, Eliza Niemi

Executive Producer

Charlie Kaufman, Martha Baillie, Brian Robertson, Julie Baldassi, Adi Chand, Jonas Prupas, Dean Perlmutter, Charles Baillie, Harland Weiss, Donovan M. Boden, Isil Gilderdale, Emily Harris, Stephanie Hickman, Naomi Jaye

Based on the novel

The Incident Report by Martha Baillie

Cast

Britt Lower, Tom Mercier, Sook-Yin Lee, Jean Yoon

For more Tribeca 2024 coverage, click here!

‘DON’T YOU LET ME GO’ (Tribeca 2024) Stunning work from filmmakers Ana Guevara and Leticia Jorge captures the whimsy and grace of a grieving mind.

tribeca 2024 logo

DON’T YOU LET ME GO

https://tribecafilm.com/films/don-t-you-let-me-go-2024

full_DON'T_YOU_LET_ME_GO-Clean-1

Filmmakers Ana Guevara and Leticia Jorge bring their new film DON’T YOU LET ME GO to Tribeca 2024 audiences. At the funeral of her best friend Ele, Adela experiences the bizarre buzzing about of grief-stricken visitors, some recalling funny stories, others weeping. Feeling entirely overwhelmed, Adela seeks solace in her car only to find a mysterious bus pulls beside her, destination Solis. Dropped off at a seaside home and finding Ele asleep in bed, Adela curls up beside her until morning. Back in time, Ele and Adela relive a weekend filled with beer, drugs, music, gossip, and mayhem.

DON'T_YOU_LET_ME_GO-CleanVictoria Jorge gives Elena a tangibility that keeps us engaged. Ana Guevara and Leticia Jorge write a fun and authentic character, putting us at ease. Chiara Hourcade delivers a self-aware performance that allows the audience to ride this emotional rollercoaster alongside Adela. Hourcade and Jorge capture our hearts with genuine familiarity in their chemistry.

The film opens with a slick visual bait and switch. Such a choice sets you up for the magical realism that takes hold in this exploration of grief and the purity of female friendship. Playing out in chapters like the ones in Elena and Adela’s detective novels, a narrator gives the audience insight into Adela and Elena’s past, sometimes possessing an otherworldly power over Adela as she speaks. Small absurdist details remind us that none of this is real, but what joy it would bring if it were. DON’T YOU LET ME GO is a delicious journey through the looking-glass story that conjures a yearning jealousy for those we’ve lost.

International Narrative Competition

Feature | Uruguay | 74 MINUTES | Spanish | English subtitles

Director

Ana Guevara, Leticia Jorge

Producer

Agustina Chiarino

Screenwriter

Ana Guevara, Leticia Jorge

Cinematographer

Yarará Rodríguez

Composer

Luciano Supervielle

Editor

Lucía Casal, Stephanie Tabárez

Sound Design

Catriel Vildosola

Art Director

Cecilia Guerriero

Line Producer

Hernán Olivera Quesada

Production Manager

Agostina Malnatti

Assistant Director

Andrea Pollio

Cast

Chiara Hourcade, Victoria Jorge, Eva Dans

For more Tribeca 2024 coverage, click here!

‘THE EVERYTHING POT’ (Tribeca 2024) cooks up a snack versus a meal

tribeca 2024 logoTHE EVERYTHING POT


https://tribecafilm.com/films/everything-pot-2024

THE_EVERYTHING_POT-Clean-16x9In the Tribeca 2024 feature film THE EVERYTHING POT, two couples in vastly different places collide, and it all starts with a wedding gift.

Claire and Charlie are engaged. Charlie insists on inviting his former co-worker Rachel and her husband to the wedding. Newly empty-nesters, their overly enthusiastic RSVP triggers both couples to reevaluate their feelings.

Claire is irrationally jealous but without any specifics. Rachel and Adam are a lovely pair, filled with the familiarity of being with a partner for a long time. The film suggests that Rachel has lost interest as of late, but the mention of marital boredom only comes in the form of eye-rolls and innuendos from neighbor Gail.

There are many gaps that the audience needs to fill in. Charlie’s unresolved feelings towards Rachel go without much detail, and his waffling in making a move leaves Charlie coming off as flaky and inconsistent. It is a common theme as THE EVERYTHING POT plays out.

The most successful aspect comes in the natural dialogue between Rachel, Adam, and Gail. In the scene where they co-opt Adam’s phone over Claire’s childish shenanigans, the plot finally picks up the pace. Lisa Edelstein, Erik Griffin, and Gina Torres‘ talents feel wasted. Despite their delicious chemistry, there is a feeling as if entire scenes were left on the cutting room floor. Not that I’m suggesting making the runtime longer because I’m not.

The cast delivers enthusiasm and charm, but that “it” factor is missing in the script’s flow and pace. THE EVERYTHING POT ultimately falls flat.

Spotlight Narrative

Feature | United States | 90 MINUTES | English

Director

Sherise Dorf

Producer

Callie Bloem, Sherise Dorf, Lisa Edelstein, Christopher J. Ewing, Sean Patrick Kelly, Emily Sheehan, James Wolk

Screenwriter

Sherise Dorf

Cinematographer

Steven Breckon

Editor

Christopher J. Ewing

Composer

Jina Hyojin An, Shirley Song

Executive Producer

Edward Burns, Aaron Lubin

Co-Producer

Julianne Gabert

Cast

Lisa Edelstein, James Wolk, Gina Torres, Erik Griffin, Delaney Rowe, Deja Monique Cruz

For more Tribeca 2024 coverage, click here!

‘BEACON’ (Tribeca 2024) A shining example of terror

tribeca 2024 logoBEACON

https://tribecafilm.com/films/beacon-2024

BEACON-Clean-16x9-01

Director Roxy Shih brings mystery and tension to Tribeca 2024 audiences with her film BEACON. Emily’s solo sailing voyage ends when she shipwrecks in rough seas. Her rescuer is the lighthouse keeper on a remote island. They are wary of one another, trading sailor superstitions while they wait for the weather to comply. 

Demián Bichir plays our suspicious keeper l, Ismael, with grace and calm but always quietly keeping Emily at arm’s length. His apprehension is palpable. Bichir delivers a complex portrayal of a man haunted by his isolation. He is magnificent. Julia Goldani Telles gives Emily a slick darkness. Holding her own on-screen opposite Bichir, Telles brings a mesmerizing feistiness that pushes the envelope. 

Daphne Quin Wu‘s cinematography is inviting. The intimacy, the lighting, and the beautiful framing draw you in. Two strangers in a small space automatically lead to distrust and claustrophobia. Screenwriter Julio Rojas challenges us at every turn as Emily and Ismael continuously manipulate one another. Clever fantasy sequences and questionable behavior from both parties have you guessing from moment to moment. BEACON is a heart-pounding psychological thriller of the highest caliber. You’ll be questioning everything the second the screen goes black.

BEACON-Clean-16x9-03

World Premiere
Midnight

Feature | United States | 96 MINUTES | English

 
Director

Roxy Shih

Producer

Neil Elman, Taralee Gerhard, Andrew C. Erin

Screenwriter

Julio Rojas

Cinematographer

Daphne Quin Wu

Editor

Don Money

Composer

Nuno Malo

Executive Producer

Fernando Szew, Tony Vassiliadis, Hannah Pillemer, Ani Kevork, Angie Day, Tomás Yankelevich, Peter Bevan, Mariana Sanjurjo, Alex Zito, Demián Bichir

Co-Executive Producer

David Brown Massey, Michael Meilander

Cast

Demián Bichir, Julia Goldani Telles

For More Tribeca 2024 coverage, click here!

‘ARZÉ’ (Tribeca 2024) is a slice of genius.

tribeca 2024 logo

Arzé

https://tribecafilm.com/films/arze-2024

ARZE-Clean-16x9-02Director Mira Shaib brings a story of perseverance to Tribeca 2024 audiences with ARZÉ. A single mother living with her sister and teenage son makes pies to support the family. Delivering them on foot loses them potential clients. Arzé secretly pawns a piece of her sister’s jewelry to put a down payment on a scooter, but when it’s stolen, she and Kinan embark on a wild goose chase through the streets of Beruit in a race against time.

Mother and son hit the ground running, quite literally, in a manic search for the stolen scooter. Arzé tries every trick in the book. Her negotiations for information include swapping whichever religious icon will get her to the next clue, though her delightful pies become the slyest currency.

Betty Taoutel gives agoraphobic Layla a delusional sense of hope that her estranged husband will return. She is a wonderfully character-driven foil for Kinan and Arzé. Her mental health and emotional trauma hide her deep love for her nephew and sister. It’s a lovely turn.

Bilal Al Hamwi plays Kinan with ferocious energy. His head is in the clouds. A push and pull between childhood and adulthood, Kinan longs to escape Beruit but feels tethered to his girlfriend and the mother he thinks holds him back.

ARZE-Clean-16x9-03As the titular Arzé, Diamond Abou Abboud shines with a palpable determination. Her relentless pursuit to make things right will capture your heart. She is abundantly charming. Abou Abboud delivers a shockingly powerhouse performance that sneaks up on you.

The cinematography is beautiful in the ever-changing natural light of Beirut. The script is a thoughtful mix of sadness, desperation, and hope. The score is almost comically upbeat but perfectly suits the surprising highs and lows in all the shenanigans.

Screenwriters Louay Khraish and Faissal Sam Shaib offer moments of levity amidst the seriousness of Arzé’s plight. It is also an interesting commentary on blame, the dangers of stereotyping, and tribalism. They give our leading lady a level of observant intelligence that reigns supreme.

ARZÉ is a delightful and entirely unexpected film in Tribeca 2024’s lineup, but undeniably one of the best.

Viewpoints

Feature | Egypt, Lebanon, Saudi Arabia | 90 MINUTES | Arabic | English subtitles

Director

Mira Shaib

Producer

Louay Khraish, Faissal Sam Shaib, Ali Elarabi

Screenwriter

Louay Khraish, Faissal Sam Shaib

Cinematographer

Heyjin Jun

Editor

Hisham Saqr

Composer

Hany Adel

Cast

Diamand Abou Abboud, Betty Taoutel, Bilal Al Hamwi

For more Tribeca 2024 coverage, click here!

‘TIGER STRIPES’ (2024) A biting film about girlhood

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TIGER STRIPES

Cannes Film Festival Critics’ Week Grand Prize Award Winner

Tiger Stripes poster

Zaffan is the first girl to get her period at her school. Her condition, deemed dirty, ignites jealousy in her friend circle, leading to severe bullying from her middle school peers. Perpetuated by ignorant folklore and fear, the shaming comes from home and school. 

tiger stripes 2Girls are not held in the highest regard, and the slightest infraction or break from compliance is frowned upon. Zaffan dares to be an individual. The consequence of her behavior arrives in punishment with harmful words and physical abuse. Enter an opportunistic scam artist, and things get worse. Her unrelenting trauma triggers a fight response. Zaffan’s physical and emotional changes gradually manifest themselves into a dazzling creature of revenge.

TigerStripes-jpgZafreen Zairizai is extraordinary as Zaffan. It is a fearless and emotionally wrought performance that is undeniably award-worthy. TIGER STRIPES takes a satisfying page from Frankenstein and perhaps a clever nod to The Crucible. TIGER STRIPES is like a live-action horror version of Disney Pixar’s TURNING RED. It is a fantastical allegory for girlhood and feminist power.

Tiger Stripes Trailer:

In Select Theaters June 14, 2024



NEW YORK 6/14

Cinema Village / 22 East 12th Street


LOS ANGELES 6/21

Lumiere Music Hall / 9036 Wilshire Blvd


Synopsis

The first amongst her friends to hit puberty, Zaffan, 12, discovers a terrifying secret about her body. Ostracised by her community, Zaffan fights back, learning that to be free she must embrace the body she feared, emerging as a proud, strong woman.



Directed by:
Amanda Nell Eu



Cast:

Zafreen Zairizal
Deena Ezral
Piqa
Shaheizy Sam
June Lojong
Khairunazwan Rodzy
Fatimah Abu Bakar

About Dark Star Pictures

Dark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country. We are committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space.

For more horror films, click here!

‘MISSING FROM FIRE TRAIL ROAD’ (Tribeca 2024) Shouting from the rooftops for their loved ones

tribeca 2024 logoMISSING FROM FIRE TRAIL ROAD 

World Premiere: Spotlight Documentary Section

Sabrina Van Tassel‘s TRIBECA 2024 documentary MISSING FROM FIRE TRAIL ROAD speaks for those without a voice. Indigenous women are in crisis. Why aren’t we talking about the statistics of missing native women? The number is vastly higher than any other group in the United States.

The film focuses on the story of Mary Ellen Johnson Davis, missing since 2020, as her family tries to piece together all the information they can, while also showing up for those in their community with similar circumstances. There are far too many unexplained disappearances and deaths for one community not to call it an epidemic.

MISSING_FROM_FIRE_TRAIL_ROAD 2The reservation has its own justice system, under which not a single white man has been prosecuted in connection to a disappearance. Families must rely on the Feds to intervene. They never do. It is endless, lawless mayhem.

Story after story, family after family, one thread connects them all. That is abuse from white outsiders. You can’t tell this story without delving into the trauma of native children stolen from their families and physically and emotionally tormented in boarding schools. MISSING FROM FIRE TRAIL ROAD delivers the horrific truth through the words of survivors.

MISSING_FROM_FIRE_TRAIL_ROAD 1A quote from a manual given to households when children the government was ripping from their homes reads, “The goal is not to make scientists, or doctors or lawyers out of these citizens. The goal is to make domestic housewives and farmers and laborers.” Keeping the population suppressed remains the goal. It’s cyclical genocide. It is the continuation of colonization, plain and simple.

The question remains. How many of these documentaries need to be made to get the message across? Tribeca 2024 audiences can share the native plight and, perhaps, move the dial toward justice. Do something.

Remaining Screenings of MISSING FROM FIRE TRAIL ROAD:

Saturday, June 15 – 11:00 AM:  AMC 19th St. East 6


Mary Ellen Johnson Davis has been missing since the eve of Thanksgiving 2020 from the Tulalip Reservation. She is only one of hundreds of Native American women who continue to go missing in the U.S. As director Sabrina Van Tassel (“The State of Texas vs Melissa”) investigates Mary Ellen’s case, dozens of Native women speak up about the violence suffered and observed by them. 

 

Executive Produced and featuring Deborah Parker, activist and indigenous leader, Deb Haaland, US Secretary of the Interior, to many of Mary Ellen’s friends and family, the film threads a haunting but important report about these underlooked cases and the urgency for attention and action in these investigations. 

MISSING FROM FIRE TRAIL ROAD 

For more Tribeca 2024 coverage, click here!

‘1-800-ON-HER-OWN’ (Tribeca 2024) Ani DiFranco’s vulnerability still rocks

tribeca 2024 logo

1-800-ON-HER-OWN

Spotlight+

1-800-ON-HER-OWN poster

Ani DiFranco was a force of nature in my high school and college years. Her songs informed my passion, my power, and my voice. 32 Flavors remains my theme song as a woman. Dana Flor‘s 1-800-ON-HER-OWN gives Tribeca 2024 audiences a sneak peek behind the righteous audacity of Ani DiFranco

An editing wonder, the doc opens with performances of her song Shameless throughout the years and mashes them into one great montage. As a fan, it is electric. Ani talks about the extreme highs and lows of fame. She has always been entirely honest about the traps of the industry, but her fans clammer for her fearless writing. 

1-800-ON-HER-OWN-Clean-16x9The revelations in the film are astounding. In a collab session, Ani confides in Justin Vernon (Bon Iver) that she’s never written a song with anyone else. Her warmth and honesty are not simply for show. Witnessing this creative potion-making is chill-inducing. At 18, Ani and Scot Fisher created Righteous Babe Records. Their partnership proved to be an emotional rollercoaster, for better or worse. The remnants of that time echo in her present-day reclamation of her power. 

The doc chronicles Ani during lockdown, leading her to discuss her childhood in Buffalo, NY. Her mother’s feminist anger and the household’s minimal parenting drove her into survival and creativity mode from early on. 1-800-ON-HER-OWN boasts a brilliant amount of archival footage with voiceover stories from all the artists in her life. Lockdown also brings uncertainty and the relatable chaos of forced homeschooling our kids, Zoom glitches and attempting to maintain an identity and sanity under the circumstances. Her vulnerability spills off the screen beyond the songs. Ani’s unfiltered confessions hit you square in the chest.

1-800-ON-HER-OWN-21-800-ON-HER-OWN is a celebration of an artist in a league of her own. Ani DiFranco‘s relentless magic hangs in the air in my house. This film reintroduces her to the world. 

Feature | United States | 77 MINUTES | English

1-800-ON-HER-OWN follows groundbreaking indie musician/feminist Ani DiFranco, founder of the first “woman-run non-corporate queer-happy” label, Righteous Babe Records, on wild road trip from her punk-folk past to her life today as an activist, mother and rock star. Throughout, Ani remains resolutely true to herself, no matter the cost

Directed by Dana Flor
Produced by Amy Hobby
Producers Dana Flor, Emily Wachtel
Executive Produced by Alex Appel
Music by Ani DiFranco

 

Remaining Tribeca Screenings of 1-800-ON-HER-OWN:

Thu June 13 – 2:15 PM

 Village East by Angelika

Upcoming Film Festivals
DC/DOX Film Festival- June 16th, 2024
Provincetown Film Festival – June 15th & 16th, 2024
Montclaire Summer Film Showcase – June 28th, 2024

For more Tribeca 2024 coverage, click here!

‘THIS REALLY HAPPENED’ (Tribeca 2024) The delirious dating dilemma is REALLY that good

tribeca 2024 logo

THIS REALLY HAPPENED

This Really Happened

NOW PROGRAM 
WORLD PREMIERE

This hilariously relatable and immersive short captures the nightmare that dating has become with an added element of surprise. In the Tribeca 2024 short film, THIS REALLY HAPPENED, Kate and Zoe break the 4th wall in one giant fantasy retelling of their unfortunately shared experience.

Abubakr Ali is effortlessly charming as Boy. His authentic interest and quirky, but completely believable, delivery of the dialogue make him a star. His chemistry with AbiAssi and Prosterman is magnetic.

Speaking of our leading ladies, Kallen Prosterman‘s portrayal of Kate fits every characteristic of an actor in NYC. I should know. I too attended a “fancy theatre school.” Olivia AbiAssi plays her brilliant foil in Zoe. Her self-deprecating stand-up routine perfectly captures her personality. It only makes sense that they write the script and play themselves. It is entirely lived-in viewing.

THIS REALLY HAPPENED has all the potential for a spectacular series. It begs for your attention. Director Emily Cohn deserves notice for helming their hilarity. This team of women earns your eyes and time in a slew of great Tribeca 2024 shorts programming. I’m looking at you Tribeca Creators Market. You’ve got potential gold in this one.

27 MINUTES | English | 2024 | NOT RATED

Cast & Credits:
Director: Emily Cohn
Project Creator: Olivia AbiAssi & Kallen Prosterman
Producer: Olivia AbiAssi, Kallen Prosterman, Emily Cohn & Allison Joy Gale
Screenwriter: Olivia AbiAssi & Kallen Prosterman
Cinematographer: Alexander Roque Petersen
Editor: Kate Pedatella

Based on a true story, Kate and Zoe, two young creatives in the throes of new love, have discovered they’ve been dating the same person: “BOY.” Determined to produce some kind of brilliant revenge project, they recount their experiences in filmed interviews and fantastical flashbacks full of (literal) red flags. But will this process turn out to be more cathartic or soul-crushing?

Remaining Screenings of THIS REALLY HAPPENED: