THE HONGFU HOTEL
https://tribecafilm.com/films/hongfu-hotel-2024

Undoubtedly one of the most visually spectacular short films at Tribeca 2024, Tian Xu’s THE HONGFU HOTEL finds a father and son on the eve of the demolition of their family hotel in New York City. Feng arrives to check in on his father, Chan, the proprietor of their generations-old Chinatown hotel. Sold and marked for destruction to make way for a new road, Chan’s mission to see the spirits of the hotel’s old inhabitants reincarnated has seemingly failed. He plans to return to China and wishes to sign over the hotel and the profits to Feng.
Feng battles demons past and present as he agrees to bid farewell to the upper floors one last time. What he finds has little impact on him but transfixes the audience with the lush production design. The set is intricate from ceiling to floor. Without spoiling the magic of THE HONGFU HOTEL, the film delves into Chinese mythology and religion in a mesmerizing way, challenging the viewer to open their minds to intergenerational trauma and the things we cannot see.
Tian Xu and the entire HONGFU HOTEL crew have something indisputably special on their hands. I would be incredibly interested in an expanded universe here. The possibilities are endless. THE HONGFU HOTEL is spellbinding.

World Premiere
The HongFu Hotel
Shorts
Short | United States | 19 MINUTES | English | English subtitles
Director
Tian Xu
Producer
“Amy” Kouxiao Zhang
Screenwriter
Tian Xu, Michael Ben-Iftah Nutovits, Bing Xu, Jacob Vaus
Cinematographer
“Steven” Sixiong Xie
Editor
Tian Xu, Yumeng “Judith” Zhu
Production Designer
“Mojo” Miao Wen
Executive Producer
Bing Xu
Associate Producer
Michael Ben-Iftah Nutovits
Co-Producer
Xiaojia Zhu
Cast
Kevin Dang, Zhu-Sheng Yin, Annalee Richards, Christine Liao, Jason Sun

Genre: Horror, Family, New York
Synopsis: A son reunites with his father on the eve of their family hotel’s demolition and is asked to bid farewell to the lingering spirits of the hotel’s past guests.
The film combines Chinese mythology and religion with modern-day New York City. Telling an immigrant story through the lens of horror.

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As the titular Arzé, Diamond Abou Abboud shines with a palpable determination. Her relentless pursuit to make things right will capture your heart. She is abundantly charming. Abou Abboud delivers a shockingly powerhouse performance that sneaks up on you.









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US Narrative Competition
Goodnight Mommy filmmakers Severin Fiala and Veronika Franz‘s latest film, The Devil’s Bath, opens with a
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Steve Buscemi is a legend. In pretending to be Keane and Suzie’s marriage counselor, he brings his murder advice into the sessions, equally confusing and intriguing his faux clients. Buscemi’s calm and confident nature is captivating. 
Yale’s Class of 97′ boasted the largest admission of black students in the university’s history. Filmmakers John Antonio James and Bill Mack bring Tribeca 2024 BLACK TABLE, a documentary that delves into the complexities of learning, thriving, and simply existing within a predominantly white Ivy environment and beyond.
There is no escaping the discussion of Affirmation Action, and filmmakers fully understand it. We delve into the racist talking points that thrive today in diminishing accomplishments and a sense of belonging. An explosive incident at Naples forced Yale and its student body to confront the reality of being black on campus. Rodney King changed the name of the game from a student action standpoint. Then O.J. Simpson’s trial reignited cultural tension.



Beth’s protective best friend Julia, played by Alex Essoe, balances Emma’s anxiety-ridden nature. Essoe’s level-headed portrayal feels authentically grounded. Juliette Kenn de Balinthazy as Lex is extra cool as writers David Blair and Vida give her character a rare disease, making her unable to sense physical pain. Juliette Kenn de Balinthazy is a star.
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Based on the 1999 novel Too Many Men by Lily Brett
**WORLD PREMIERE**
A celebration of family-friendly indie filmmaking, Invaders From Proxima B has arrived to delight the budding cinephile. Ward Roberts brings audiences a whimsical story of intergalactic mayhem.
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Something is happening within the family. Every member has a secret, leaving Sally with no one but her beloved housekeeper to care for her needs. Once Magdelaina, the heart of the household, gets dragged into the chaos, Sally intrusively discovers the extent of the mess.
Kynlee Heiman
The camera work from Mike Lobello and Paul W. Sauline is brilliant. The audience experiences the goings-on from a child’s eye level. Beautifully lit close-ups of Sally convey the emotional rollercoaster. 
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