
With comedy, facts, music, and puns mixed to bite-sized perfection, the new series THE PARK PLAYERS is a treat for kids and parents alike. Creator Joe Cobden‘s Sesame Street experience is on full display. Modern children’s programming has exploded over the past few years with shows upping the anty on clever and educational dialogue. THE PARK PLAYERS introduces us to characters like Rose, the curious skunk, the confident dog Mr. Whiskers, the chatty raccoon Rico, and the brave but timid Mouse.
As a 43-year-old mother raised by Big Bird, PBS Kids is now a morning fixture in our house. Any parent will tell you that YouTube has made their life simpler now that official channels for kids’ shows are available. THE PARK PLAYERS enters the scene with unique characters, carefully crafted and hilariously voiced. Backed by the lovely park audio of birds and wind places the viewer in the environment with their new colorful friends, subconsciously exposing kids to places they might not have seen in real life. The original songs are smirk-inducing, and the score is calming. There is something about each one of our new friends that’s charming and quirky. Even in brief, quiet moments, you find yourself gazing at them with glee.
THE PARK PLAYERS is sure to delight audiences of all ages. Congratulations to the entire production team for delivering new smiles.


Founded in 2004, Big Beach is a Los Angeles-based
company that produces, finances, and distributes
independent films, television, and theater productions.
With an eye toward intelligent, character-driven,
humanistic material, the company’s overall mission is
to showcase stories that inspire, engage, and entertain.
Meet Our Friends

In true Park Players fashion, Joe invited a slew of his
friends along to help bring his vision to life.
From Fred Stoller lending a voice to Shelley, to
Hombre McSteez illustrating initial sketches and
design legend, Rhek, lending a helping hand.
Ron Clark, an original writer on the muppets, helped
Joe crack a few jokes for your laughing pleasure too.
Park Players encourages you to come together with
your friends and enjoy the magic that real-life
connection can bring.


Filmmaker Kailee McGee shares snapshots of her innermost thoughts on her journey with breast cancer. Tongue in cheek, manic, clever, stream of consciousness, unfiltered, and hilariously meta, CAN feels revelatory. It is celebratory irreverence. McGee makes her situation relatable and palpable. She is raw and funny as hell. I would 1000% watch a feature-length version. It has that “it” factor, and McGee owns every bit of its magic.



Dr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.
What might sound crazy is that this tech already exists. Customers can pay several different companies worldwide to build an AI version of their past loved ones. A recent Sundance documentary, 







George Basil plays Dave, the construction foreman, with a life-affirming kindness. One of his lines perfectly sums up the film’s heart, hitting you square in the chest, “We’re just friends walking each other home.” Hollowell is outstanding as Gloria. Her comic timing is the stuff of the gods, but she also delivers authentic depth. She is a star.
Kate Jean Hollowell is a multi-hyphenate director, comedian and musician, who honed her humor, storytelling and visual style by making her own music videos, showcased at SXSW in 2022 and 2023, as well as her short film Are They Smiling?, which premiered at the 2020 Portland Film Festival and won several awards. Taking on narrative, Kate has managed to find a unique voice that balances humor and heart through all her work. Finding ways to insert unexpected musical numbers in everything she does is a trademark all her own.




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To find out more information on all things Sundance 2024, head to
2nd Annual Dances With Films – NYC 



MOSQUITO LADY
Phillipino folklore Manananggal meets Catholic guilt in Kristine Gerolaga‘s short film, MOSQUITO LADY. When a young woman can no longer hide her pregnancy from her devout parents, she resorts to a legendary monster to assist her. The practical and Special FX are exquisitely gag-worthy. What a frightening jab at religious righteousness and an exploration of culture.
A little girl who lost her sight tries to convince her mother that an old woman haunts her. ALICIA is a standout short in story, production, and performance. The score is a perfect combination of high-intensity strings. The film hinges on the spectacular young lead, Naia Las Heras, as the titular character. There’s nothing more unsettling than experiencing the genuine fear of a child. Director Tony Morales and writer Cekis Casanova give us enough information to grow an entire franchise. I could see studios from Blumhouse to IFC Midnight snapping this up for development.










Les Dents Du Bonheur (Sweet Tooth)



Filmed in my and Kind’s neighborhood of the Upper West Side, the film takes place as Chloe describes it, making the scenario even funnier. Do I want to see the feature-length version of this? Yup. Is this perhaps the most convincing actual proof of concept ever created? I think it might.

Troy’s vulnerability flows off the screen. Reenactments directly from Troy’s storytelling deliver every emotion possible. Have tissues on hand. It will be impossible to maintain a dry eye. I wept through this film, thinking about my child with autism. If I can be a fraction as supportive as Len Kotsur, imagine what Wes may be capable of achieving. In just over twenty minutes, this unforgettable film is an ode to a parent’s unconditional love.
Directed by: Steve Buscemi











FIRST WAVE OF TITLES FOR ITS 27th EDITION


ENDLESS SEA

Pure O
Raging Grace (United Kingdom)
Another Body




















AIRHOSTESS-737
In AirHostess- 737, we meet Vanina, a 39-year-old flight attendant trying to hold it together. Self-conscious over her new braces, her anxiety rises as the film progresses, exacerbated by a passenger, the pilots, and strong turbulence. But there is far more on Vanina’s mind than her newfound hardware.
As a frequent flyer, I instantly grinned at actress Lena Papaligoura‘s deadpan demonstration of safety protocols. Her performance hits every note. She is funny, manic, dedicated, and pitch-perfect.
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