SHOUTING AT THE SEA
Two friends reconnect in the seaside town where they grew up. They confront the past, share who they’ve become and conclude the conversation that tore them apart. The ever-present sea narrates a tale of memory, belonging and vulnerability.

In director Benjamin Verrall‘s short film, SHOUTING AT THE SEA, old friends meet up and reminisce.
The ever-changing light in SHOUTING AT THE SEA is delicious, and DP Tom Hooker uses every bit of it. The dialogue is funny and raw, becoming more honest as the moments tick by. Joe and Katherine exchange untold childhood trauma, philosophical ideas, and unspoken confessions.
Daisy Haggard voices the sea, offering a poetic narrative of our protagonists’ innermost wishes. It is a dreamy addition to Richie Johnsen‘s wistful score.
Harry Michell gives Joe a down-to-earth quality. He’s an every man existing in a quietly mundane existence. Michell’s gentleness is refreshing. Maddie Rice is Katherine. She is so watchable, possessing a quality similar to Olivia Colman. Rice has a tangible likeability. Michell and Rice share undeniably organic chemistry. It’s a bit mesmerizing.
SHOUTING AT THE SEA reminds us how revitalizing and healing face-to-face interaction can be – no phones, just human connection. It’s a beautiful short, more moving than most features. What a lovely addition to HollyShorts 2024.
SHOUTING AT THE SEA – SHORT FILM – TOFFEE HAMMER – OFFICIAL TRAILER from Toffee Hammer on Vimeo.
Benjamin Verrall’s SHOUTING AT THE SEA takes the audience on a journey of emotions as two friends rekindle their friendship in the town they grew up in. This incredible short film is set to premiere at the Oscar-qualifying HollyShorts Film Festival. SHOUTING AT THE SEA stars Harry Michell (Hijack, Life After Life) and Maddie Rice (Fleabag, The Other One), the sea is voiced by Daisy Haggard (Breeders, Boat Story).
Director and co/writer Benjamin Verrall has always been drawn to the power and mystery of the sea – a theme that resonates in SHOUTING AT THE SEA. Since graduating from film school, Benjamin has carved out a successful career in the media industry. His journey led him to establish Toffee Hammer, a creative agency and production company that has gained recognition for its innovative storytelling and collaborative ethos.
Co-writer/producer Kate Auster has over 10 years of experience and a diverse portfolio. Her design background brings a unique blend of artistic insight and technical expertise to film production.
Co-writer/producer Ruth Marshall excels in commissioned digital content for learning communication and narrative filmmaking.
Co-writer/producer Amelia Rowcroft has previously worked as a sculptor on films including Harry Potter and the Half-Blood Prince, Hugo, Atonement, and Batman Begins. Her recent work includes HollyShorts selected SHOUTING AT THE SEA.
The incredibly cinematic cinematography was carefully created by Tom Hooker.



Kate Walsh (Grey’s Anatomy) is outstanding as a woman on the brink. Her physical performance is seeped in anguish. Walsh is such a pro in tackling characters in the emotional trenches. 13 Reasons Why introduced her to a younger, perhaps even broader audience than Grey’s, and she continues to select roles that showcase her dazzling abilities. 
Montreal-based comedy duo Emelia Hellman and Nancy Webb (Hellgirl Productions) bring their paranoia-fueled short Bangs to Fantasia Festival’s Fantastiques week-ends du cinéma québécois this summer for the film’s Canadian premiere.


Nerea Barros captivates as the titular character. She walks a perfect line between anxiety and persistence. Barros becomes a feminist icon we so desperately need.
For all things Fantasia 2024,
Tribeca 2024 Shorts

Short | United States, France | 18 MINUTES | English, French | English subtitles
SWEATY LARRY
Our introduction to Sweaty Larry is as ridiculous as it should be, and the original song saying over the credits (written and performed by ATL’s 

One of the most harrowing stories I’ve seen featured in a short film comes from BriGuel‘s HOW I ROLL. This 13-minute emotional rollercoaster is an eye-opening tale of resilience. Robin Cohen lives with MS, navigating Miami, Manhattan, and a family history of shocking violence, loss, and great love.
BriGuel beautifully edits Cohen’s innermost thoughts, one on top of the other in the most organic way, mimicking the chaos of our mind’s intrusive thoughts. With an abundance of home videos and footage of Robin’s daily life and love story, HOW I ROLL introduces the world to a woman who inspires us to love, laugh, and live life to its fullest despite what might feel like insurmountable odds. Eternal positivity and perseverance are the beauty of life.

Something is happening within the family. Every member has a secret, leaving Sally with no one but her beloved housekeeper to care for her needs. Once Magdelaina, the heart of the household, gets dragged into the chaos, Sally intrusively discovers the extent of the mess.
Kynlee Heiman
The camera work from Mike Lobello and Paul W. Sauline is brilliant. The audience experiences the goings-on from a child’s eye level. Beautifully lit close-ups of Sally convey the emotional rollercoaster. 



Founded in 2004, Big Beach is a Los Angeles-based

Filmmaker Kailee McGee shares snapshots of her innermost thoughts on her journey with breast cancer. Tongue in cheek, manic, clever, stream of consciousness, unfiltered, and hilariously meta, CAN feels revelatory. It is celebratory irreverence. McGee makes her situation relatable and palpable. She is raw and funny as hell. I would 1000% watch a feature-length version. It has that “it” factor, and McGee owns every bit of its magic.



Dr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.
What might sound crazy is that this tech already exists. Customers can pay several different companies worldwide to build an AI version of their past loved ones. A recent Sundance documentary, 







George Basil plays Dave, the construction foreman, with a life-affirming kindness. One of his lines perfectly sums up the film’s heart, hitting you square in the chest, “We’re just friends walking each other home.” Hollowell is outstanding as Gloria. Her comic timing is the stuff of the gods, but she also delivers authentic depth. She is a star.
Kate Jean Hollowell is a multi-hyphenate director, comedian and musician, who honed her humor, storytelling and visual style by making her own music videos, showcased at SXSW in 2022 and 2023, as well as her short film Are They Smiling?, which premiered at the 2020 Portland Film Festival and won several awards. Taking on narrative, Kate has managed to find a unique voice that balances humor and heart through all her work. Finding ways to insert unexpected musical numbers in everything she does is a trademark all her own.




DIG! XX





To find out more information on all things Sundance 2024, head to
2nd Annual Dances With Films – NYC 



MOSQUITO LADY
Phillipino folklore Manananggal meets Catholic guilt in Kristine Gerolaga‘s short film, MOSQUITO LADY. When a young woman can no longer hide her pregnancy from her devout parents, she resorts to a legendary monster to assist her. The practical and Special FX are exquisitely gag-worthy. What a frightening jab at religious righteousness and an exploration of culture.
A little girl who lost her sight tries to convince her mother that an old woman haunts her. ALICIA is a standout short in story, production, and performance. The score is a perfect combination of high-intensity strings. The film hinges on the spectacular young lead, Naia Las Heras, as the titular character. There’s nothing more unsettling than experiencing the genuine fear of a child. Director Tony Morales and writer Cekis Casanova give us enough information to grow an entire franchise. I could see studios from Blumhouse to IFC Midnight snapping this up for development.

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