Tribeca Film Festival Review: ‘TIGER RAID’ is a spectacular test of loyalty.

Posted on April 22, 2016 by Liz Whittemore — 1 Comment ↓

World Premiere in the Midnight Category
Section at the 2016 Tribeca Film Festival

Starring:
Brian Gleeson (Snow White and the Huntsman, The Eagle),
Damien Molony (Suspects),
Sofia Boutella (Kingsman: The Secret Service, upcoming Star Trek Beyond) and
Rory Fleck-Byrne (The Quiet Ones)

Directed by: Simon Dixon

Written by: Simon Dixon, Mick Donnellan

While on a covert mission, two cold blooded mercenaries form an unlikely bond as they race across the desert in the dead of night. When their violent and desperate world implodes, past atrocities come to the surface threatening to tear each of them apart.

With Tarantino-esque dialogue driven scenes, TIGER RAID opens in the arid Iraq dessert, as Joe and Paddy approach their mission location. They are assigned with the kidnapping of an unknown individual, receiving orders from earpieces whose instructions are just muffled enough to be a mystery to the audience. Along the way, we learn piecemeal that each man has a haunted past. About 10 minutes in, we get our first plot twist. These flips in writer/director Simon Dixon’s script keep coming as the film’s 92 minutes roll along. I think I lost count at 4. Brian Gleeson as Joe is fierce and domineering, yet somehow totally lovable as he revels in his joy for the kill. Damien Molony shines as Paddy, a man whose emotional obsession comes between his sense of right and wrong. The story is about the extremes of loyalty and the justification of past indiscretions. For me, there is not one moment that is out of place in this film. The score has both a menacing and ethereal feel. The close-ups are delicious and meaningful. The sound design is impeccable and poignant. TIGER RAID takes you on a journey into the minds of men who kill for money and for sport. This vibrant and unapologetically violent ride is beyond engrossing from every angle. It will not disappoint.

Section: Midnight
Year: 2016
Length: 92 minutes
Language: English
Country: U.K.
Premiere: World

You can still get rush tickets for tonight’s screening. I highly recommend that you do.

9:45 PM – FRI 4/22 BOW TIE CINEMAS CHELSEA 5

RUSH

Review: ‘WE THE PEOPLE: THE MARKET BASKET EFFECT’ puts the humanity in corporation.

Posted on April 20, 2016 by Liz Whittemore — Leave a reply

PRESENTS
AN NBTV STUDIOS AND BUNGALOW MEDIA + ENTERTAINMENT FILM

WE THE PEOPLE: THE MARKET BASKET EFFECT

As a proud New Englander transplanted to New York City, I have a great understanding for small town living. I grew up in a storybook town in northern Connecticut, called Simsbury. It’s a place where people flock each year to see the turning of the leaves. If you’re a fan of Gilmore Girls, well Stars Hallow isn’t too far fetched when you grew up where I did. Everyone pretty much knows what’s going on with everyone else in town. When Target wanted to build a store on one of our busiest streets, well you can bet that got shut down pretty quickly. Everyone prides themselves on shopping local. We’ve got the chain grocery stores on the edge of town, but we all shopped, and still do, at Fitzgerald’s, or Fitzy’s as we so lovingly refer to it. At least one of your closest high school friends worked there at some point. It is a center point in our community. I can’t imagine what would happen if someone from with a corporate mindset came in and try to change things. If the Target incident is any indication, I’m guessing we’d raise hell. In the new doc WE THE PEOPLE: THE MARKET BASKET EFFECT, you get to see what happens when greed battles small town pride.

In an epic account of the warring Demoulas family, corporate greed breaks up a massive family empire. A groundswell of employee & community support cuts to the heart of the volatile, emotional, and dramatic conflict between Arthur T. Demoulas and arch-rival, cousin Arthur S. Demoulas over control of the $4 billion supermarket chain, Market Basket. A conflict that brought down the August 2014 U.S. jobs report by 17,000 jobs, sending shockwaves through the nation. With plot turns worthy of a Greek tragedy, the family feud raged on with the livelihoods of 25,000 employees hanging in the balance.

The film should be shown to such corporations as Johnson & Johnson and Walmart. The formula seems simple; treat your employees with respect and high wages and productivity soars. Perhaps it doesn’t have to be about making a buck, especially when loyalty is on the line. The film utilizes intimate interviews with lifelong employees of the chain as well as a family history of the court proceedings. Dialogue from board meetings is highlighted and read to illustrate just how cut and dry this story really is. It’s like being afly on the wall in some of the largest businesses in America. At times, it’s actually heartbreaking to hear what we may already know to be true. Money makes the world go round, at least in some minds. With real time footage of protests from not only the staff but customers as well. With such love for their CEO, the people come together, sacrifice for what could have easily been a lost cause, and persevere to show who’s really the boss. It’s a beautiful depiction of what happens when small town heart overthrows greed.

Opening in New York on April 22nd
Opening In New England Starting April 14th
Opening On Demand May 18th

Narrated by Michael Chicklis
(Gotham, American Horror Story, The Shield, Fantastic Four)

Directed by Tommy Reid
(Danny Greene: The Rise & Fall of the Irishman, $uperthief: Inside America’s Biggest Bank Score)

Written by Jeff Pinilla
(The Earth, The Way I Left It)

Produced by
Nick Buzell
Robert Friedman
Ted Leonsis
Paul Nero

Executive produced by
Mike Buzzell & Todd Hoffman

Tribeca Film Festival Review/Interview: ‘DETOUR’ is a modern noir with two sides of one story.

Posted on April 19, 2016 by Liz Whittemore — Leave a reply

Sometimes in life, a single instance, a momentary decision, is something we wish we could change. Thinking that if only you had said something else, gone the other way, chosen another path, your life might be completely different. These “what ifs” might haunt us but unless you’re a Time Lord there isn’t much you can do about them. That doesn’t stop us from wondering what life would be like. In a Tribeca Film Festival world premiere, DETOUR takes us on a ride that begs that very notion.

Harper, a seemingly naive law student, obsesses over the idea that his shifty stepfather is somehow involved in the devastating car crash that leaves his mother lying comatose in the hospital. He drowns his suspicions in whiskey and, with little forethought, finds himself suddenly entwined in conversation with a volatile grifter, Johnny, and his stripper companion, Cherry. As daylight breaks and the haziness of promises made becomes clearer, how will Harper handle the repercussions—and the violent duo—on his doorstep?

From director Christopher Smith (Creep, Black Death, Triangle), Detour is a stylized noir throwback with a trio of lead performances by of-the-moment actors: Tye Sheridan (Mud, The Tree of Life), Emory Cohen (Brooklyn) and Bel Powley (Diary of a Teenage Girl). Utilizing a unique split-narrative structure to tell his tale of deception and murder, Smith takes his audience on a twisty, thrilling ride, where it’s never quite clear what or whom can be trusted.

The cast, comprised of Hollywood’s young up and comers Tye Sheridan, Emory Cohen, and Bel Powley, make this noir throwback as successful as it is. With suspicion and grief fueled motives and a $20,000 agreement, murder and mayhem are the goal. Powley, coming off her extraordinary breakout performance in Diary Of A Teenage Girl, is a stunning presence on screen. Caught somewhere between girl next door and Middle American white-trash, her quiet strength and sympathetic nature make the character of Cherry more intriguing than one might think. Emory Cohen, who was completely unrecognizable from his appearance in Brooklyn, takes on the role of Johnny with vigor. With a badass exterior, and hair trigger temper, Cohen’s best moments are built in fear and protection. Tye Sheriden‘s Harper is whip smart and more cunning than at first glance. This young man is so incredibly comfortable in his own skin, he probably could have played Johnny had he and Cohen’s wardrobe’s been reversed.

Writer/Director Christopher Smith‘s script is sharp. While I knew about the multi-narrative plot going in, I wasn’t expecting to have to remain on my toes as much as I did. In fact, when I initially left the theater, I waxed poetic with a colleague for a good 25 minutes. The more I thought about it, the more I liked it. I would be remiss if I didn’t mention the glorious look of the film. Shot on wide-angle lenses in South Africa (which is skillfully made to look like a road trip from America to just across the border into Mexico), Smith’s choices of color and set dressing are key to the ever so slight differentiation in the two narratives. I completely agree with producer Julie Baines, who I was fortunate enough to run into during interviews, who backed up the notion that once you’ve seen the film for the first time, you’ll want to go back and follow the breadcrumbs knowing what you now know. That is exactly how I felt the morning after. I needed to see it again. Baines also reinforced the infectious chemistry between the three leads, both on and off the screen. Think a more complex version of Sliding Doors with a noir aspect. Detour is aptly named.

I was able to sit down with Tye, Emory and Chris over the weekend. You can listen to a spirited and totally down-to-earth interview below. Ladies and Gentleman, Tye Sheridan, Emory Cohen, and Christopher Smith on their new film DETOUR… (and other musings). Enjoy!

Remaining screenings at the fest are Rush only, but definitely worth trying to check out now!

4:00 PM – THU 4/21 BOW TIE CINEMAS CHELSEA 9

RUSH

9:30 PM – FRI 4/22 REGAL CINEMAS BATTERY PARK 11-1

RUSH

7 documentaries to see at the Tribeca Film Festival

Posted on April 16, 2016 by Liz Whittemore — Leave a reply

Ghostheads

Brendan Mertens’ documentary exploring the many faces of Ghostbusters fandom and celebrating 30 years of one of cinema’s most iconic franchises.Featuring interviews with Dan Aykroyd, Ivan Reitman, Sigourney Weaver, and Paul Feig.

Haveababy

Infertility is just the beginning of a long road in the quest to have a child for the couples at the center of haveababy, Amanda Micheli’s documentary profile of patients of a Las Vegas fertility clinic. Each year, the clinic hosts a YouTube-based competition called “I Believe,” which gives one lucky couple a shot at an in vitro fertilization treatment they could not otherwise afford. Hundreds of couples apply, yet there can be only one winner. Even after the competition ends, Micheli’s sensitive lens continues to follow the ups and downs of the various competitors—depicting the enormous physical and emotional toll of this journey, and for some, the inspirational rewards on the other side.

—Genna Terranova

Life, Animated

I had actually heard of Owen’s story when it was featured on a RadioLab episode. As a Disney fan and as a former teacher working with children on the spectrum, seeing this family’s story on the big screen really touched my heart. I adored the integration of hand drawn animation in telling stories from Owen’s past. It’s an important film for so many families struggling to understand that they are not alone. I am excited for it’s release in July. – Liz

Midsummer In Newtown

In the wake of the Sandy Hook tragedy, a theater production comes to Newtown, Connecticut, seeking to cast local children in a rock-pop version of A Midsummer Night’s Dream. The project is aimed at healing the hearts and minds of a community devastated by the school shooting that occurred just over one year prior to production. From auditions and read-throughs to dress rehearsals; we witness the children find their voice, build their self-confidence, and ultimately shine on opening night. In parallel, we see a grieving family honor their daughter through the creation of a jazz album dedicated to her memory. The film culminates in a moving performance by Jimmy Greene and the pensive words of Nelba Márquez-Greene. Midsummer in Newtown is a testament to the transformative force of artistic expression to pierce through the shadow cast by trauma, and to the resilience of a community that is fighting to not be defined by tragedy.

The Grammy-nominated Jimmy Greene Quartet will perform after the premiere screening.

—Marina Hanna

My Scientology Movie

‘I find that the most inexplicable behavior is motivated by very relatable human impulses,’ comments Louis Theroux as he heads to Los Angeles for his feature documentary, in collaboration with director John Dower and two-time Academy Award–winning producer Simon Chinn, exploring the Church of Scientology. Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable, and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux. Suffused with a good dose of humor and moments worthy of a Hollywood script, My Scientology Movie is as outlandish as it is revealing.

—Shayna Weingast

Pistol Shrimps

Brent Hodge and Morgan Spurlock (A Brony Tale, TFF 2014) spin a variation on the classic underdog story told in fun-loving and free-wheeling style. Their focus: an eclectic group of actresses, musicians, writers, comedians, and moms who compete in the Los Angeles women’s recreational basketball league. With team names guaranteed to make you smile (Shecago Bulls, Traveling Pants, Space Glam, Ba Dunka Dunks, LA Nail Clippers), this documentary shows that girls not only wanna have fun, they wanna ball too. The team that started it all is the Pistol Shrimps, whose lineup includes Aubrey Plaza (Parks & Recreation). From inspiring a podcast to creating their own merchandise, this group of exceptional women proves that organized sports can be enjoyed at any age and any skill level. Talented both on and off the court, they prove all the haters wrong as they full-court press their way to glory. Haters beware!

—Karen Kemmerle

Team Foxcatcher

Meant to be a retreat for elite American athletes, Foxcatcher Farms, and all it was intended to represent, was lost in the paranoid downward spiral of its troubled benefactor John Du Pont. Heir to the Du Pont family fortune, John Du Pont funneled his considerable resources into his love of sports—wrestling in particular. Aiming to reinvigorate the US Olympic wrestling team, Du Pont created Foxcatcher, and invited gold medal champion Dave Schultz to lead the charge. What began as an idealistic sports idyll soon deteriorated into suspicion, distrust, and ultimately murder.

Through fascinating archival footage and never-before-seen home videos shot during Schultz’s time at the farm, director Jon Greenhalgh’s absorbing film unpacks the events leading up to Foxcatcher’s well-documented tragedy, exploring the complex and contradictory character of Du Pont, while serving as a poignant memoir to the legacy of Schultz as a champion wrestler, husband, and father. Team Foxcatchercharts a true American tragedy of Olympic dreams, ambition, mental illness, and murder.

—Cara Cusumano

Happy 15th Anniversary! TRIBECA FILM FESTIVAL 2016 started today. Check out some of the films we’re excited about!

Posted on April 15, 2016 by Liz Whittemore — Leave a reply

For such a new festival, only 15 years old, the Tribeca Film Festival is well known and becomes more attended every year with almost 500 screenings and over 467,000 attendees in 2015. The screenings take place at 5 different venues throughout lower Manhattan and represent over 40 countries.

“Over 400 films have been acquired after premiering at Tribeca. On average, more than half of available films find distribution within a year of their Tribeca premiere.”

Melissa and I are very excited about several movies this year, and we’d like to share which are on our lists. Here’s the top three for each, in no particular order. We’ll be sharing more day by day. We’ve already got a few interviews lined up and we’ll be tweeting and instagramming some of the unique experiences from the Tribeca Hub. Stayed tuned!

The Devil and the Deep Blue Sea

Based on Jason Sudeikis’ brilliant performance in last year’s Tumbledown, I’m excited to see him in another drama. Plus Maisie Williams AND a score by Justin Timberlake, what’s not to look forward to? – Liz

Women Who Kill

Sharp dialogue and an intriguing premise make this one of my favorites so far. – Melissa

Don’t Think Twice

Having seen Mike Birbiglia’s comedy in person, his particular brand of humor is something everyone can relate to. Sleepwalk With Me was a Tribeca hit and if Ira Glass is producing your work, well that says a whole lot about the quality. – Liz

Here, Alone

Remember those first few episodes of The Walking Dead when life was turned upside down and you watched people change? This movie captures that through the eyes of a young woman trying to survive. Less zombies, more humans = better story. – Melissa

High Rise

Tom Hiddleston and Jeremy Irons are at the helm of this breathtaking adaptation of the J.G. Ballard novel. Being familiar with Ben Wheatley’s other work, I was blown away by the colorful feast I was treated to. The entire ensemble cast is beyond stellar. Wrought with foreshadowing, both auditory and visual, from the music to the cinematic framing, High Rise is an incredibly cool and poignant commentary on class warfare. – Liz

Wolves

I love a deep drama, and look forward to this story of a boy growing up in New York City. – Melissa

For tickets and more information in the meantime, visit TribecaFilm.com

Jordan’s Review: Accepting “The Invitation”

Posted on April 12, 2016 by Jordan Jenkins — Leave a reply

Forget everything you know about the past films of director (Karyn Kusama) and writers (Phil Hay and Matt Manfredi). These filmmakers have created a new style and beginning for themselves in the genre of suspense that will sincerely put audiences on the edge of their seat; The Invitation is their new beginning.

After two years since the tragic event that split them apart, nine friends come together to reunited at a dinner party in the Hollywood Hills. Despite their uncomfortable history, Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi), decided to attend this reunion hosted by his ex-wife, Eden (Tammy Blanchard), and her new husband David (Michiel Huisman). A lot has changed in two years, and in an awkward attempt to mingle as normal, certain changes start to become more and more apparent. After hearing more about Eden’s travels to Mexico and her life changing program, Will begins to feel like this invitation has a hidden agenda. While being haunted by a tragedy of the past and his ex’s strange behavior, Will and the audiences’ paranoia worsens as the night progresses.

Your unfathomable thirst for information in order to piece together this cringeworthy night is what makes the writing so great. Director Karyn Kusama said “I like movies that reward our patience and curiosity.” While paying tribute to traditional suspense films, The Invitation constantly washes us over with self doubt, and makes us question whether we should feel uneasy or are we just paranoid? Are we the crazy ones or are they? I guess you have to see and find out for yourself. The Invitation will be released and available on VOD on April 8th.

4 out of 5 stars

https://www.youtube.com/watch?v=-UVh8_mM8uM

Review: ‘THEY’RE WATCHING’ and so are we.

Posted on March 25, 2016 by Liz Whittemore — Leave a reply

THEY’RE WATCHING

A New Horror Comedy from Micah Wright and Jay Lender

Every Saturday, my husband and I sleep in as long as we can enjoying the bed and the mattress we got with one of those coupons for Nolah Mattress, wander out of bed after an hour of silent phone checking, and finally, migrating to the couch we turn on what we call “real estate porn”; international house hunting stories, flipping crappy property series, and how to buy a damn island in the middle of nowhere weirdness. We always make fun of the couples. One of them is usually a royal pain in the ass and the other is overly excited about a total piece a shit. Now that we’re getting into the Manhattan real estate game, we know the harsh reality of trying to purchase property in an impossible market. We’ve seen some real horror shows. But, nothing like in the new horror comedy THEY’RE WATCHING. If you own a real estate property like a parcel of land that you want to sell, you should get in touch with the right experts. We buy Kentucky land, providing property owners with a stress-free way to turn their real estate into cash without any delays.

When an American home improvement TV show visits a remote Eastern European village, the young crew thinks the lack of mocha lattés and free wifi will be the worst of their problems because they were going to teach these fixes you can do yourself. But after their filming interrupts the superstitious villagers’ private religious ritual, the situation takes a turn for the homicidal… and when the blood starts flowing, that’s when things get really weird. With THEY’RE WATCHING, noted graphic novelists and animators Micah Wright and Jay Lender turn a classic horror premise upside down to create a fresh, funny, eye-popping twist on the genre.

The script is funny and absolutely tongue-in-cheek with both the premise and the FX. The performances from the ensemble cast are pretty tight all around. Think Blair Witch meets any of those programs on HGTV. The story kicks off during the mock series episode and picks up when the crew returns 6 months later to film the owner’s flip results. All hell breaks loose when the locals don’t take kindly to American attitude and accidental cultural disrespect. While I pretty much knew what was coming as the story rolled along, that didn’t take away from the unapologetic schlock/ blood filled ending that seemed to go on and on. If you’re an Evil Dead fan, They’re Watching will speak to your sense of comedy and visual carnage. Wright and Lender‘s backgrounds as graphic novelists and animators make this film what it is. By the time the film comes full tilt, I sort of felt like I was playing a first person video game with it’s cinematography style and true B-Horror classic slaughter-fest. You can check out THEY’RE WATCHING today in theater and on VOD. Feast your eyes on the trailer below:

In Theaters and On Demand March 25, 2016

THEY’RE WATCHING from filmmakers Micah Wright and Jay Lender. Starring David Alpay (“The Tudors”), Brigid Brannagh (“Army Wives”), Kris Lemche (Haven”), Carrie Genzel (“All My Children”) and Mia Faith (“Dracano”)

Runtime:95mins

Not Rated

Social Media:
Twitter: @theybewatching
Facebook: They’re Watching

Review: ‘THE BRAINWASHING OF MY DAD’ takes on The Right and how wrong they really are.

Posted on March 18, 2016 by Liz Whittemore — Leave a reply

in association with

JSenko Productions and Cinco Dedos Peliculas

present

Everyday, I have the urge to block friends on Facebook. The vitriolic political rhetoric being thrown around in both “article” and meme form is more over the top than it has ever been. Thank the internet gods for Snopes. Now that we’re heavy into this circus of a presidential campaign, a new film could not be more timely. Director Jen Senko brings us her personal story in her doc THE BRAINWASHING OF MY DAD.

Right-wing cable news and “conservative” talk radio attract older Americans like graying moths to an angry flame. But why would someone who was either apolitical or a Democrat in younger days become addicted to conservative talk shows in their twilight years? Filmmaker Jen Senko wondered how her WWII veteran and Kennedy Democrat father had been transformed into a Fox News fanatic, suddenly and inexplicably railing against minorities, homosexuals, poor people, and Democrats. Using her dad as an entertaining example, Senko pulls back the curtain to expose the tools and tricks of the wizards behind the right-wing media revolution. And in discovering what happened to him, Senko reveals the all-too-chilling bigger picture of what’s happening behind-the-scenes to influence our national discourse.

The Republican Noise Machine.
Illustration by Bill Plympton.

Delving into this phenomenon in interviews with industry insiders, Senko illustrates how Right-wing media is used to manipulate conservatives. (Speaking of illustrations, the film features fantastic original art from the great Bill Plympton.) In memos and interviews, Roger Ailes and Rupert Murdoch openly admit how they use FOX News to turn people into sheeple for pure profit, and how the term “Liberal Media” was another product of the machine. “War on Christmas”? Yeah, that’s another doozy pumped out to infuriate for entertainment purposes.

Check out this clip from the film:

Clip #7: Language is Not Neutral from Cinco Dedos Peliculas on Vimeo.

Frank Luntz discusses his language techniques.

But, it’s not just Senko’s father we’re privy to. Hundreds of people reached out to her to tell their story of how they “lost” family members to conservative radio. The film has a wonderful mix of informative visuals. The chronological breakdown of the industry is user guide friendly, with examples of each step in it’s creation. It is certainly beyond successful in it’s history lesson, though I fear it may be preaching to the choir. Democrats will adore this film, there is no doubt about it. Trying to get a viewing audience on the far right may prove just a difficult as trying to talk foreign policy with Donald Trump. (Too soon?)

The right-wing media boat pushing National Thought.
Illustration by Bill Plympton.

You can check out THE BRAINWASHING OF MY DAD today in theaters and on VOD and I highly recommend you do. A little knowledge is a powerful thing.

https://www.youtube.com/watch?v=jdd6lEu9SWA&feature=youtu.be

Directed by: JEN SENKO

Narrated by: JEN SENKO and MATTHEW MODINE

Produced by: MATTHEW MODINE & ADAM RACKOFF

Featuring animation by Academy Award nominee BILL PLYMPTON

Official Website: www.thebrainwashingofmydad.com

Facebook: https://www.facebook.com/thebrainwashingofmydadmovie?ref=hl Twitter: @brainwashingdad

Instagram: https://www.instagram.com/the_brainwashing_of_my_dad/

Opening Theatrically in New York (Cinema Village) and Los Angeles (Laemmle Music Hall) on Friday, March 18 and on VOD (iTunes, GOOGLE PLAY, VUDU and many more)

Review: ‘THE CONFIRMATION’ tackles faith, family, and forgiveness.

Posted on March 18, 2016 by Liz Whittemore — Leave a reply

presents

In Select Theaters and On Demand Friday, March 18^th

Clive Owen shines in this irresistible comedy as Walt, a down-on-his luck carpenter tasked with entertaining his eight-year-old son Anthony while Anthony’s mom (Maria Bello) and her new husband are away. But when Walt’s prized toolbox is stolen, a quiet father-and-son weekend turns into an adventure of a lifetime. Aided by an oddball drywall repairman (Patton Oswalt), Walt and Anthony go on a wildly funny search for the thieves—and find something they never imagined: a true family connection. Also featuring performances by Matthew Modine, Robert Forster, Stephen Tobolowsky, and Tim Blake Nelson.

On the heels of his beautiful script for Nebraska, writer/director Bob Nelson brings heart and levity to what might otherwise seem to be a mundane scenario. The estrangement of an alcoholic father and his young son is nothing new, but by adding a religious element to the mix, it makes for a funny and honest look into the innocence of a child’s mind. Clive Owen‘s portrayal of Walt is raw and real. You empathize with his struggle to do right by his son. Speaking of Anthony, St. Vincent prodigy Jaeden Lieberher is, once again, a star. His purity in presence and intention glow as a young boy thrust into religion by his Mother. Caught in between parents of opposite end spectrum, he is an old soul, yet is constantly discovering when it is okay to push social boundaries. Owen and Lieberher are a perfect pairing. Nelson’s script allows both actors to take the reins as the story progresses. Each character has the opportunity to emotionally care for the other in a truly lovely dynamic.

The subtlety of the film is what makes it so successful. In an era of overblown CGI fare, Bob Nelson gives us an honest to goodness family story. The Confirmation is a joy.

The Confirmation Trailer from Saban Films on Vimeo.

In Select Theaters and On Demand Friday, March 18^th

ABOUT WRITER/DIRECTOR, BOB NELSON

BOB NELSON is a screenwriter, director, and producer, whose script “Nebraska” was produced in 2013 for Paramount Pictures and directed by Alexander Payne. The film starred Bruce Dern, Will Forte, June Squibb, and Stacy Keach. It was nominated for six Academy Awards including Best Original Screenplay, and received the Best First Screenplay award at the Independent Spirit Awards.

In 2016 Saban Films is releasing Nelson’s directorial debut from his original screenplay, “The Confirmation,” starring Clive Owen, Maria Bello, Patton Oswalt, Matthew Modine, Tim Blake Nelson, Robert Forster, and Stephen Tobolowsky.

The TV pilot he wrote and executed produced for Amazon, “Highston,” has been picked up for a full season and will premiere in 2017. It’s directed by Jonathan Dayton and Valerie Faris, and stars Lewis Pullman, Mary Lynn Rajskub, Chris Parnell, and Curtis Armstrong.

Before screenwriting, Nelson was a journalist, talk radio producer, and wrote for Comedy Central, Fox Television, VH-1, and Bill Nye the Science Guy. Nelson was a performer in the original Bill Nye PBS series, “Bill Nye the Science Guy” and a writer and performer for “Eyes of Nye.”

In the 1990s, Nelson was a cast member, writer, director, and segment producer for the iconic Seattle sketch show, “Almost Live!” on the NBC affiliate KING-TV. The program was named the best local program in the United States for several years and won over 100 Emmys. Nelson received five Emmys for writing and one for performing. Besides a two year run on Comedy Central, “Almost Live!” was twice syndicated nationally.

Nelson was born in Yankton, South Dakota and grew up in the Seattle, Washington area. He currently lives on Whidbey Island, north of Seattle, with his wife Valerie.

Review: ‘BARNEY THOMSOM’ makes murder relatively complicated.

Posted on March 11, 2016 by Liz Whittemore — Leave a reply

Directed by and starring Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later) in his directorial debut the film features Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Ray Winstone (The Departed) and Tom Courtenay (Quartet).

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.

Robert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.

The dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one, look forward to any future endeavors. Barney Thomson is a hit.

BARNEY THOMSON On Demand February 2^nd, 2016 and in theaters March 11^th, 2016.

Directed By: Robert Carlyle (directorial debut)

Written By: Richard Cowan and Colin McLaren based on the novel by Douglas Lindsay

Produced By: John G. Lenic, Kaleena Kiff, Holly Brydson, Brian Coffey, Holly Brydson and Richard Cowan

Starring: Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later), Ray Winstone (The Departed), Tom Courtenay (Quartet)

Distributed by: Gravitas Ventures

Running Time: 96 Minutes

Rating: NR

Review: Norwegian disaster film, THE WAVE, hits you like a ton of bricks… or a giant ass tsunami.

Posted on March 4, 2016 by Liz Whittemore — Leave a reply

Mother Nature is not one to be trifled with. The Earth is going to do as it sees fit, no matter what our plans may be as humans. THE WAVE is based on a very real “what-if” scenario. Not all too different from the horrors that will most certainly be coming our way in the future, if we don’t get out proverbial shit together. And very much like The Wave, this is not a matter of if, but when.

The Wave is an epic thriller that takes place in the majestic village of Geiranger, one of the most spectacular tourist locations on the planet. There are more than 300 unstable mountainsides in Norway, one of the largest being “Åkerneset.” When – not if – the mountain collapses due to widening cracks, the rock will crash into the fjord below, creating a massive tsunami that will hit the community. All inhabitants will have just 10 minutes to reach higher ground before tragedy strikes.

The film centers around geologist, Kristian and his family. Leaving his current position as safety gatekeeper for the village, Kristian has a tough time letting go on his final day on the job, and for good reason. Testing fate is not something that comes easily when an entire population is at stake. When the alarms sound and the what-if becomes a reality, Kristian will do whatever it takes to save anyone he can from impending doom.

The film has incredible effects. This is Norway’s Deep Impact. If you replaced the cast with big budget Hollywood A-listers, this could have easily been a film made in the US. THE WAVE is Scandinavia’s first-ever disaster movie. It has broken box office records in Norway and was their official entry for the Academy Awards. Hollywood is taking notice of director Roar Uthaug (Cold Prey). He just signed on to direct the upcoming Tomb Raider reboot. The cast is incredibly solid, especially our leading man, Kristoffer Joner (The Revenant). I came to care deeply for each character. The script makes an interesting statement about survival and the human condition. If you had only minutes to escape a fire, flood, or tornado, who/what would you take with you? Do you lend a hand to those outside your intimate circle? I was truly impressed with The Wave. Don’t let the language barrier stop you from checking out this well made film. (There are English subtitles) THE WAVE will bowl you over with action and remind you to respect the hell out of the environment.

THE WAVE comes to theaters and VOD today, March 4th.

Review: EMELIE is a parent’s worst nightmare.

Posted on March 4, 2016 by Liz Whittemore — 1 Comment ↓

presents

EMELIE

Directed by: Michael Thelin

Starring: Sarah Bolger (ABC’s “Once Upon a Time,” AMC’s “Into the Badlands” )

In Theaters and On Demand March 4, 2016

As a parent, all you want is for your family babysitter to care for your kids like you would.. When you do find a reliable sitter, you hold onto then for dear life. But what happens when, once in a while, your beloved child care provider is unavailable? You might panic and start calling other parents for recommendations, but if you’re really lucky, your babysitter has an alternative option already in the pipe line. Evening saved, right? What if the kids don’t like them? They’re probably just overreacting. What if it’s for a good reason? EMELIE is a parent’s worst nightmare.

As their parents head out for a date in the city, the three young Thompson children immediately take to their new babysitter, Anna (Sarah Bolger, Into the Badlands, Once Upon a Time), who seems like a dream come true: she’s sweet, fun, and lets them do things that break all of their parents’ rules. But as Anna’s interactions with them take on a more sinister tone, the kids realize that their caretaker may not be who she claims to be. Soon it’s up to big brother Jacob to protect his siblings from the increasingly nefarious intentions of a very disturbed woman whose weapon is trust, and whose target is innocence.

Featuring tour-de-force performances from Bolger and its three young leads, EMELIE is a multidimensional, nail-biting thriller that asks the question: how can you put an end to horror after you’ve already let it in?

Sarah Bolger stuns as the babysitter from Hell. Soft and cool one minute and downright sociopathic the next. Her backstory makes her motives all the more incredible. Never is there a moment when you don’t feel beyond uncomfortable. You never know what she’ll do with the constant passive aggressive look in her eyes. It is completely terrifying. Scene stealer award goes to Bolger’s foil, Joshua Rush, as Jacob. He is perfect from beat to beat. It’s a complex role for any actor, let alone someone so young. Think a slightly older Jacob Tremblay from ROOM. That’s the quality Rush gives in Emelie. He deserves much more attention and I look forward to SEEING more of him in the future, as the majority of his current body of work has been voice. Director Michael Thelin has created a quite a roller coaster of fear. I was off my game from the first frame to the very last. EMELIE will make any parent think twice about who’s really watching their children.

In Theaters and On Demand March 4, 2016

#EmelieMovie
@DarkSkyFilms

Review: Now available on VOD, film festival favorite ‘ANGEL OF NANJING’ soars.

Posted on February 22, 2016 by Liz Whittemore — Leave a reply

Balance Films and Blue Bus Productions Presents

In the US, depression is a subject we either tackle with prescription drugs or after a suicide. Most of us are so consumed with our own lives, we oftentimes fail to look beyond the emotional scope of our own noses. In a new documentary by Jordan Horowitz and Frank L. Ferendo, ANGEL OF NANJING, one solitary man makes it his mission to save the souls on The Yangtze River Bridge.

SYNOPSIS:

The Yangtze River Bridge in Nanjing is one of the most famous landmarks in China. It is also the most popular place in the world to commit suicide. After hearing reports about this from the news, Chen Si, an average man with no professional training, decided to do something about it. On September 19, 2003, he went to the bridge with a heart-shaped sign that read, “Nothing is impossible. When God closes a door he opens a window.” That morning he saved someone, and has dedicated his life to standing vigil on that bridge ever since. Incredibly, he’s saved over 300 lives since he began.

Despite all the lives he’s saved, Chen’s mission has taken an unexpected toll on him. He feels incredible guilt when he learns someone committed suicide while he wasn’t at the bridge, and even more when he is there and is still unable to save them. He’s become a heavy smoker and drinker, and often finds himself battling with depression. He is also under growing pressure from his family to quit, who cannot understand why he spends so much time and money helping others when he has his own family to worry about.

The film has an incredibly organic feeling from its handheld camera work to the pulled back moments when Chen is speaking to the men and women so seemingly desperate to jump. Once rescued, the audience feels as if they’re part of the healing as they are treated to intimate face to face conflict resolution. It is a perfect snapshot into the Chinese culture. Suicide is considered extraordinarily shameful. Chinese media always refers to a desperate or depressed individual as in a “bad mood” in any aftermath coverage. Once you accept the familial implications of a suicide, you begin to understand Chen’s pragmatic approach. Cultural tactics are perfectly balanced with genuine tenderness resulting in incredibly touching rescues. Chen is a complex man, struggling with the sense of responsibility to those in such despair and his own happiness. Horowitz and Ferendo do absolute justice to Chen and this unique scenario. As an added bonus, the film’s score is both haunting and glorious. It is something I would seek out on its own. As a whole, ANGEL OF NANJING is a beautiful story of hope and humanity.

ANGEL OF NANJING is now available! Check out the trailer below…

Award-winning documentary debuted on VOD (iTunes, Amazon, and Google Play) February 16

Winner – Best Documentary, Phoenix Film Festival
Winner – Best Documentary, Catalina Film Festival
Winner – Best Documentary, SaMo Indie Fest
Winner – Best Documentary, Big Apple Film Festival
Winner – Best Documentary, New Jersey Film Festival

Directed by Jordan Horowitz and Frank Ferendo, ANGEL OF NANJING tells the story of an ordinary man doing something extraordinary, and at great personal sacrifice. It is a personal portrait of a man, who in a country of over one billion people, has chosen to dedicate himself to making a difference, one person at a time.

‘CABIN FEVER’ reboot leaves a familiar taste in your mouth.

Posted on February 12, 2016 by Liz Whittemore — Leave a reply

Presents

CABIN FEVER

A Film By Travis Zariwny

Executive Produced By Eli Roth

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

In 2002, Writer/Director/Producer, Eli Roth, brought us the original Cabin Fever. I happened to be in college at the time and just finishing college. Already questioning the cleanliness of city dwelling, this film did not help. I just kept hearing Dave Matthews Band, “Don’t Drink The Water” over and over. Now, I know better. I tell out-of-towners that we have the best tap water in the country. In the wake of the Flint, Michigan disaster currently playing out in the national media, the release of Travis Zarwiny‘s reboot (With Roth as Exec. Prod) is both terrifying and timely.

The set up is exactly the same. Five friends head to a remote cabin, man with flesh-eating disease contaminates the drinking water, people start to die. With a cast including Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3), the acting is strong. Shot over the course of 20 days in Oregon, this incarnation is pretty much the exact same script, save a few minor details; updated technology, weaponry, social media shout references, and some gender bending in a role. I was impressed with the practical effects in the original. Seeing how closely the reboot stayed true, oftentimes with shot for shot symmetry, there is one big uptake; gore factor. I thought you couldn’t possibly get any grosser than the first, and boy was I wrong. As a horror vet, even I had to look away for one moment in particular that I had been anticipating having to do with the character of Karen. I might just prefer the 2002 ending as I admit this version had me scratching my head a bit after the credits begin to roll. Anyhow, the reboot is a pretty good splatter-fest for those who weren’t treated to the original.

Executive producer Eli Roth presents this reboot of his instant classic gorefest, which features all new characters and all new kills. This story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying- only to become snacks for a gruesome, flesh-eating virus. What’s surprising are the ingenious new deaths, which offer a fresh spin on a horror-comedy milestone. With Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3).

Directed by: Travis Zariwny

Executive Produced by: Eli Roth

Starring: Gage Golightly, Dustin Ingram, Nadine Crocker, Matthew Daddario & Samuel Davis

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

Love never dies as ‘NINA FOREVER’ comes to theaters and VOD today.

Posted on February 12, 2016 by Liz Whittemore — Leave a reply

Epic Pictures Presents

NINA FOREVER

Written & directed by Ben and Chris Blaine

Just in for Valentine’s Day weekend, there is a new trailer and bonus clip from indie horror film Nina Forever.

HOLLY wants to save ROB, has fallen in love with him. She is training to be a paramedic and works a dead end job in a supermarket where Rob is the only remarkable thing; lost and angry since the death of his girlfriend NINA. Drawn into a relationship, the first time they’re in bed together so is Nina. A tangled and bloody mess of broken limbs, she is very much dead but still here, still talking, still angry…

However Holly doesn’t freak out and run – she is determined to be the one who heals Rob’s wounds. She can deal with the dead girl sharing their bed, their lives, their minds. If it’s what Rob needs, it’s what Holly will do, whatever the consequences…

It’s sounding like a potentially more successful film than the 2014 release of Burying The Ex, starring Anton Yelchin and Ashley Greene. Seemingly similar premise, but hopefully a bit more promising. Nina Forever has been a hit on the festival circuit following its premiere at the 2015 SXSW Film Festival. On their website, http://ninaforever.com/, they have created a Spotify playlist you can access featuring the film’s soundtrack. Great marketing ploy and a bit of extra fun for fans. Just released is a clip from the film. If this is any indication of how weird and wonderful the rest of the story will play out, count me in. Stay tuned to ReelNewsDaily later on today for our full review!

Nina Forever comes the theaters and on iTunes/VOD and other digital platforms beginning today, Friday, the 12th. Happy Bloody Valentine’s Day, Everyone!

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Posted on February 2, 2016 by Liz Whittemore — Leave a reply

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

Posted on December 17, 2015 by Liz Whittemore — Leave a reply

Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.

The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.

Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

Where is the line between truth and fiction with Thomas and Rose’s story?

Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.

Liz: You write and direct this project. What was the biggest challenge in wearing both hats?

Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.

Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?

Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.

Liz: When writing, did you already have Vincent and Patricia in mind?

Nick: I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.

Liz: Was mob history an interest of yours prior to discovering this story?

Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.

Liz: How easy/difficult was it to shoot in the city for it being a period piece?

Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.

Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?

Nick: I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.

Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?

Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.

Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?

Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.

Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.

Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood), Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

Shocking Tribeca doc ‘DREAM/KILLER’ finally gets released in theaters!

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

One of the most acclaimed docs from this year’s Tribeca Film Festival, dream/killer, is being released in NY today and in LA next Friday, Dec 11th. Fans of the podcast Serial and HBO’s The Jinx, this film is right up your alley, I highly recommend you seek it out!

In the fall of 2005, 19-year-old Ryan Ferguson was convicted of murder and sentenced to 40-years in prison based on someone else’s dream. Over the next ten years while Ryan languished in prison, his father Bill engaged in a tireless crusade to find justice. dream/killer tells the story of this extraordinary father’s journey to free his son.

When Columbia Daily Tribune sports editor Kent Heitholt was brutally murdered in the newspaper’s parking lot, the crime went unsolved for two years, leaving the affluent college town desperate to bring home justice. At the time, it was the only unsolved murder in the city. A break in the case lead police to Chuck Erickson, who confessed to the crime, implicated Ferguson as an accomplice and left America with one of the country’s most outrageous miscarriages of justice.

The documentary uses archival footage from when Ryan was first arrested, interviews with him in prison, and court hearings that reveal the strengths and the flaws of the American judicial system. The arguments of the ruthless prosecutor and Ryan’s brilliant defense attorney are also depicted to show how easily the system is influenced. Interspersed with footage from the Ferguson family archive, dream/killer looks at the personal consequences of a wrongful conviction.

dream/killer – OFFICIAL TRAILER (2015) from Bloom Project on Vimeo.

You can check out my original review and listen to my exclusive interview with Ryan and Bill in the link below. This is one extraordinary story and family.

Review/Interview with ‘Dream/Killer’ subject Ryan and Bill Ferguson

Review: ‘THE LADY IN THE VAN’ is Alan Bennett’s mostly true story brought to life by Dame Maggie Smith and Alex Jennings

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

The Lady in the Van, Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir will open in New York & Los Angeles for a Limited Engagement on December 4, 2015. Dame Maggie Smith reprises one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner, who also directed the stage version. Damian Jones and Kevin Loader produced, along with Hytner.

The film tells the true story of Alan Bennett’s strained friendship with Miss Mary Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years. Their unique story is funny, poignant and life-affirming.

Miss Smith, who plays the singular Miss Shepherd, is joined by Alex Jennings (The Queen), who plays Bennett. Smith incarnation of Shepard is nothing but her usual brilliance. She is quirky and earnest. We are treated to a true character study in her subtle facial expressions and physicality. Each beat is masterful in comic timing. Jennings, as Bennett, is equally as charming in his quiet insolence. As Miss Shepard’s inevitable enabler, their relationship is actually a foil for Bennett’s real life lack of a relationship with his own mother. Bennett as narrator of his own tale, has the opportunity to play two very distinct sides of his personality. The performance should not go unnoticed come awards season. Others in the cast include Frances de la Tour, Roger Allam, Dominic Cooper, Jim Broadbent & James Corden.The script has a lovely Odd Couple feel to it. Filed with heart, emotional pull, mystery and levity, The Lady in the Van, (however much based on true events) will capture your soul. With a cast such as this, under the delightful direction of Nicholas Hytner, one cannot go wrong.

Sony Pictures Classics Will Release The Lady in the Van In The U.S. on January 15, 2016 Following A Limited Engagement In New York & Los Angeles Starting on December 4, 2015

THE LADY IN THE VAN runs 103 Minutes.

The film is Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on The Madness of King George and The History Boys. Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) produced, along with Hytner. Hytner is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happens, and One Man, Two Guvnors. At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein. In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis. He has won multiple Olivier and Tony Awards, and a BAFTA.

Dame Maggie Smith has led a distinguished, varied career on stage, in film and in television over the past six decades. She is a two-time Academy Award® winner (The Prime of Miss Jean Brodie, California Suite) and has been nominated an additional four times. Among many other accolades and honors, she has won multiple BAFTA Awards, Emmy Awards and a Tony. Her achievements range from performing Shakespeare opposite Laurence Olivier, to capturing the attention of a new generation when she played the strict witchcraft teacher Minerva McGonagall in the Harry Potter films, and recently as the Dowager Countess of Grantham, in the acclaimed television drama Downton Abbey.

Alex Jennings is one of the most successful British actors of his generation. He has played Alan Bennett multiple times and is currently shooting the Netflix series “The Crown” where he portrays the Duke of Windsor.

Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England. Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.

Review: ‘A ROYAL NIGHT OUT’ contains light introduction to feminism.

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

What little girl, at some point or another, didn’t want to be a princess? I wanted to be Princess Leia but I’m pretty sure that still counts. What I didn’t think about back then was the oppressive sense of duty and decorum that stunted normal adolescent growth.

A ROYAL NIGHT OUT is a film about one perfect, glorious evening in the lives of two real-life princesses. They are Elizabeth and Margaret Windsor at and the night is 8 May 1945, V-E Night. The whole of London is on the streets to celebrate the official end of World War II in Europe. It is known the young princesses, aged 19 and 14, slipped out of the palace to join the communal euphoria and went dancing at the Ritz. They apparently returned to Buckingham Palace just after midnight. Directed by acclaimed UK director Julian Jarrold (Becoming Jane, Brideshead Revisited), A ROYAL NIGHT OUT is an affectionate ‘what-if’ story about the adventures Elizabeth and Margaret might have had on the joyous night that brought the whole of London together.

Sarah Gadon‘s portrayal of Elizabeth is absolutely stunning. She gives us the perfect mix of proper royal behavior, wide-eyed innocence and subtle heroism. She is elegant and soft all while giving us a beautifully timed coming of age performance thanks to writers Trevor De Silva and Kevin Hood and, of course, Julian Jarrold‘s direction. You can see Sarah in Dracula Untold, the upcoming 11/22/63, and as the face of Armani Beauty. Bel Powley, who was outstanding in Diary of a Teenage Girl, takes only somewhat of a backseat to Gadon as sister Margaret. Reminiscent of Prince Harry today, as second in line for the throne, she is more carefree and much more outspoken, constantly telling people that no one cares what she does. Her rambunctious energy is electric. Jack Reynor is the object of young Elizabeth’s fascination. Firstly as a savior and secondly as a teacher. His opinions shape her sheltered view of what the country really thinks of the war and the royal family. Rounding out the cast are heavy hitters, are Rupert Everett as the King and Emily Watson as The Queen. We are treated to moments that will throw your memory back to blockbuster The King’s Speech, starring Colin Firth. This is a key part of the emotional growth experienced by Elizabeth. A Royal Night Out will play particularly well with a YA audience. It’s a great family film that parents can take their children to. It contains a soft entrance of feminist message, with both princesses trying to break free from familial duty for just a brief moment in time. It’s subtle but eased into slowly and appropriately for the plot, the period, and the audience. With meticulous sets, gorgeous costumes and a message of culture and class relations, A Royal Night Out is a real victory.

You can check out the trailer below:

Directed by: Julian Jarrold

Written by: Trevor De Silva and Kevin Hood

Starring: Sarah Gadon, Bel Powley, Jack Reynor, Rupert Everett, and Emily Watson

Produced by: Robert Bernstein and Douglas Rae

Running Time: 97 Minutes / Rating: PG-13A ROYAL NIGHT OUT comes to theaters today!

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WE THE PEOPLE: THE MARKET BASKET EFFECT

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