Creation Stories tells the unforgettable tale of infamous Creation Records label head Alan McGee; and of how one written-off young Glaswegian upstart rose to irrevocably change the face of British culture.
I was immediately charmed by director Nick Moran after congratulating him on Creation Stories. “Oh, Thank You! I was very concerned about whether it would work with American audiences, ya know because Trainspotting didn’t work as big as it did over here. And ya know, Lock, Stock, (and Two Smoking Barrels) didn’t work as big as it did over here. So I’m like, are they gonna get this sort of Brit Pop-tastic film. And I’m really excited that everyone I’ve spoken to has really, really liked the film.” I assured him that any cinephile in the US knows what those Trainspotting and Lock, Stock are. I was hard-pressed to find a wall in college without one or both of those posters plastered on them. It was a cultural phenomenon in the late 90s. These films opened the minds of countless fans and future filmmakers.
Creation Stories is of a similar ilk. The film’s pace is like a runaway freight train, easily identifying itself as an Irvine Welsh script. In an early scene, young Allen discovers the Sex Pistols. There is joyous, visceral energy to the editing. Moran was the perfect choice for director. After having spoken with him, it all makes even more sense now. This matches Nick’s personal energy. The entire viewing experience of Creation Stories brought me back to when I was in high school and got riled up on the way to live shows or just listening to bands like Oasis. Having to wait in front of the radio for a song to play, that buzzy anticipation isn’t something today’s generation experiences.
Allen McGee was a hustler and a dreamer. But also an addict. His vices were drugs and alcohol, but also risk. His innate ability to take risks on bands changed the face of music. His influence reached beyond the music industry. McGee had his hands in more than the music scene. His stories are so wild you’d almost believe that they were total BS. Ewen Bremner nails this role. He captures Allen McGee‘s dizzying aura. Allen went from a kid excited about music to establishing an inspired empire. Bremner leaves it all on the screen surrounded by a cast of brilliant players like Jason Isaacs, Suki Waterhouse, Leo Flanagan, and many more, including a brief but memorable appearance from Nick Moran as Malcolm McLaren. The way Moran harnesses Welsh and Dean Cavanagh‘s script melds so well with the era. Bringing on Danny Boyle solidified the film version. The drugs, the parties, the hair, and clothing. The entire look of the film has the impression of what I imagine a really great acid trip feels like. It’s a whirlwind. I cannot begin to imagine what was shot and not used! I would not be mad at an eventual director’s cut version.
Let’s talk about the music. The soundtrack is nothing short of a hit. Combining tracks from The Jesus and Mary Chain, David Bowie, Sex Pistols, and yes, Oasis, Moran explains how he chose what would be featured in the film. “It wasn’t much of a learning curve for me, It was more of a case of going through the record collection I’ve already got, brushing the dust off a few of them, and going, ‘Well, what about this?’ ” He perfectly sums up Creation Stories by saying, “If you don’t know that music, then it’s a great discovery!” It’s a celebratory history lesson in a way.
You can watch Creation Stories through Tribeca At Home beginning tonight. Check out the trailer for a taste of what’s to come.
Streaming Tribeca at Home is not available outside the USA
Purchased films remain available to stream on-demand from the above date through June 23
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