Jordan’s Review: Accepting “The Invitation”

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Forget everything you know about the past films of director (Karyn Kusama) and writers (Phil Hay and Matt Manfredi). These filmmakers have created a new style and beginning for themselves in the genre of suspense that will sincerely put audiences on the edge of their seat; The Invitation is their new beginning. 

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After two years since the tragic event that split them apart, nine friends come together to reunited at a dinner party in the Hollywood Hills. Despite their uncomfortable history, Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi), decided to attend this reunion hosted by his ex-wife, Eden (Tammy Blanchard), and her new husband David (Michiel Huisman). A lot has changed in two years, and in an awkward attempt to mingle as normal, certain changes start to become more and more apparent. After hearing more about Eden’s travels to Mexico and her life changing program, Will begins to feel like this invitation has a hidden agenda. While being haunted by a tragedy of the past and his ex’s strange behavior, Will and the audiences’ paranoia worsens as the night progresses.THE-INVITATION_Argument

Your unfathomable thirst for information in order to piece together this cringeworthy night is what makes the writing so great. Director Karyn Kusama said “I like movies that reward our patience and curiosity.” While paying tribute to traditional suspense films, The Invitation constantly washes us over with self doubt, and makes us question whether we should feel uneasy or are we just paranoid?  Are we the crazy ones or are they? I guess you have to see and find out for yourself.  The Invitation will be released and available on VOD on April 8th.

4 out of 5 stars

Don Cheadle’s directorial debut ‘Miles Ahead’ to close the 53rd New York Film Festival

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The Film Society of Lincoln Center announced today that Don Cheadle’s directorial debut Miles Ahead will make its World Premiere as the Closing Night selection of the upcoming 53rd New York Film Festival (September 25 – October 11). Cheadle, who co-wrote the script, stars as the legendary musician opposite Emayatzy Corinealdi and Ewan McGregor.

NYFF 53 bannerNew York Film Festival Director and Selection Committee Chair Kent Jones said: “I admire Don’s film because of all the intelligent decisions he’s made about how to deal with Miles, but I was moved—deeply moved—by Miles Ahead for other reasons. Don knows, as an actor, a writer, a director, and a lover of Miles’ music, that intelligent decisions and well-planned strategies only get you so far, that finally it’s your own commitment and attention to every moment and every detail that brings a movie to life. ‘There is no longer much else but ourselves, in the place given us,’ wrote the poet Robert Creeley. ‘To make that present, and actual … is not an embarrassment, but love.’ That’s the core of art. Miles Davis knew it, and Don Cheadle knows it.”

Don Cheadle added: “I am happy that the selection committee saw fit to invite us to the dance. It’s very gratifying that all the hard work that went into the making of this film, from every person on the team, has brought us here. Miles’ music is all-encompassing, forward-leaning, and expansive. He changed the game time after time, and New York is really where it all took off for him. Alice Tully Hall, Lincoln Center… feels very ‘right place, right time.’ Very exciting.”

Miles Davis was one of the greatest artists of the 20th century. And how do you make a movie about him? You get to know the man inside and out and then you reveal him in full, which is exactly what Don Cheadle does as a director, a writer, and an actor with this remarkable portrait of Davis, refracted through his crazy days in the late-70s. Holed up in his Manhattan apartment, wracked with pain from a variety of ailments and fiending for the next check from his record company, dodging sycophants and industry executives, he is haunted by memories of old glories and humiliations and of his years with his great love Frances Taylor (Emayatzy Corinealdi). Every second of Cheadle’s cinematic mosaic is passionately engaged with its subject: this is, truly, one of the finest films ever made about the life of an artist. With Ewan McGregor as Dave Brill, the “reporter” who cons his way into Miles’ apartment. The film was produced by Don Cheadle, Pamela Hirsch, Lenore Zerman. Along with Daniel Wagner, Robert Barnum, Vince Willburn and Daryl Porter.

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.

The Walk NYFF 53NYFF previously announced Robert Zemeckis’s The Walk as the Opening Night selection and Luminous Intimacy: The Cinema of Nathaniel Dorsky and Jerome Hiler, the first-ever complete dual retrospective of the experimental filmmakers.

Tickets for the 53rd New York Film Festival will go on sale in early September. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount! To find out how to become a Film Society member, visit filmlinc.com/membership.

For even more access, VIP Passes and Subscription Packages give buyers one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP Passes and Subscription Packages are on sale now.  For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.com/NYFF.