
MARVELOUS AND THE BLACK HOLE

A teenage delinquent (Miya Cech, ALWAYS BE MY MAYBE) befriends a surly magician (Rhea Perlman, “Cheers,” MATILDA) who helps her navigate her inner demons and dysfunctional family with sleight of hand magic. A coming-of-age comedy that touches on unlikely friendships, grief, and finding hope in the darkest moments.
After losing her mother, Sammy lashes out physically and emotionally. When her dad forces her to take a business class in summer school, she encounters a magician by happenstance. Under the guise of a final project, Sammy trades anger for magic.
The score heightens the film’s charm. Cartoon animation and black & white fantasy sequences create playful transitions whenever Sammy feels rage. The costumes are meaningful. Sammy is in black the entire film, while Margot dons lush colors adorned with embroidery or applique.
Rhea Perlman plays Margot, AKA The Marvelous. Perlman’s cheery disposition is a brilliant foil for Miya Cech‘s Sammy. She brings a motherly quality that Sammy so desperately needs. Cech is outstanding. She possesses a fierce attitude that’s relatable. Cech levels up the typical teenage angst with grounded sass and genuine vulnerability underneath. Together, their chemistry is like a warm hug. If I’m being honest, I would gladly watch an entire series about these two characters.
Marvelous and The Black Hole is nothing short of darling. This family-friendly flick is about navigating grief. Writer-director Kate Tsang gives audiences a sweet ode to storytelling and healing.
MARVELOUS AND THE BLACK HOLE
Opens in Select Theaters on April 22, 2022
Written + Directed by: Kate Tsang
Produced by: Carolyn Mao
Co-Producers: Allison Avery Jordan, Christa Boarini
Director of Photography: Nanu Segal, BSC
Production Designer: Yong Ok Lee
Edited by: Cyndi Trissel, Ryan Denmark
Costume Designer: Amanda Bujak
TRT: 81 minutes

Could we put together a cuddly list of family-friendly Easter films? Probably. But where’s the fun in that? Here is a list of films where a rabbit is featured in one way or another. Most are straightforward. A few, well, I guess you’ll have to watch them and figure out why they’re there. Happy Easter, and happy hunting for those pesky wabbits.



Peter Rabbit and his three sisters — Flopsy, Mopsy and Cotton-Tail — enjoy spending their days in Mr. McGregor’s vegetable garden. When one of McGregor’s relatives suddenly moves in, he’s less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the n








In the early 18th century, England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne, and her close friend, Lady Sarah, governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new s









As each episode begins, the filmmakers behind the miniseries DECEIT make it abundantly clear that the show involved a plethora of research. In 1992, a woman named Rachel Nickell was brutally murdered in front of her two-year-old son. Police believed they found the guilty party based on an expert forensic profiler. After bringing top undercover officer Sadie Byrne into the mix, they devise an elaborate operation to obtain a confession.
Eddie Marsan
*Let me begin their review by stating that I have not seen the original Wyrmwood. I can only comment on Wyrmwood: Apocalypse as a stand-alone film.*
This cast is gold. The commitment to these characters is commendable. The fight sequences and choreography are damn entertaining. These actors go hard into the action. Bravo, to 

As the first person in the world with Down Syndrome to run for public office, 






“A Cripple’s Dance” bases pieces of its choreography on Kelsey and Gabe’s moments of impact and what followed in the water. The intimacy of the camera work is visceral. Gabe’s lyrics are profoundly beautiful and hit you in the heart like a dagger. The result will give you chills.
Co-Directors: Kelsey Peterson, Daniel Klein

Dianna Agron

Celena Rea nails every line with total commitment. She has a commanding presence, accentuated by specific hair, make-up, and costume choices. Also, she does her own stunts. Her chemistry with writer-director John Stuart Wildman as Sweaty Man is electric. He knocks it out of the park. I knew John was charming, but, damn. Casting directors pay attention. John could easily carry leading roles in literally every genre. Shout out to Chris Gardner for his comic timing as Saxophone Player.

PTSD is something that never truly leaves you. As a sexual assault survivor, I can attest to the flashbacks and how my trauma affected my relationships moving forward. It’s a permanent piece of my psyche. I understand why women don’t come forward, even to family. Not until #MeToo became mainstream did I reveal my hurt to family, and even that occurred via social media. Jane’s functionality in Disfluency mimics mine. PTSD is often an unseen burden.
Inventions That Changed History
Ready to dominate at the next Trivia Night? “Inventions that Changed History” is a light, silly romp that is likely to help your team win a free round. With a mix of historical exposition on familiar inventions– Mr. Potato Head and waterbeds make silly and fascinating segments– it is the perfect palette cleansing alternative to more serious documentaries (or the news).
Filled with surprising celebrity cameos from fan favorites like Guillermo from “What we do in the Shadows,” Meredith from “The Office,” and Amanda Seals from “Insecure” candidly riffing on a nostalgic parade of core memories for Gen X/ Millennials, the show is a good time all around. In particular, I was locked in learning the origins of the Easy-Bake Oven while simultaneously trying to remember if and how severely I burned myself– not enough to stop it from being one of my favorite toys. Oh, the 90s! 
Episode 2 Inventions:

Director
Comic relief comes in the form of 
Witness the downward spiral of an already unwell young man as he slowly travels down the rabbit hole of complete darkness. When Nitram finally connects with a reclusive heiress named Helen, his world appears brighter. Helen provides the comfort and emotional shelter his parents could not. When the sadness becomes too much, his anger and anxiety manifest in violence and unfathomable tragedy. Inspired by actual events,
Caleb Landry Jones

Chris Pine
Opening with a disturbing turn,
Alexandra Loreth

The creature design is reminiscent of something that might come out of the Wētā Workshop from Jim Henson‘s team. Its evolution is fascinating. It manages to be shockingly grotesque and yet adorable. If you’re a fan of 
Perfect for audiences that like their cartoons dramatic and dark, Poupelle of Chimney Town uses polished Japanese animation to tell a complex story of friendship, acceptance, environmentalism, and– the folly of authoritarian states? 
“With great power comes great responsibility.” A group of children in an apartment complex realizes they have a strange and often dangerous bond. They possess otherworldly powers. As the connection between the children grows, so too do their abilities. The Innocents plays like a mysterious superhero and villain origin story.
The complexity of The Innocents is endless. This young cast carries a heavy emotional weight. They delighted and terrified me. The evolution of this dark sci-fi narrative gave me full-body goosebumps. The volatility of young feelings is on an entirely uncharted plain. What these characters do with their power speaks to the purity of good and evil. Look for an extraordinary turn from 
TOPSIDE is a dark and dispiriting portal into the literal underbelly of New York City. The film follows a suburban community hidden amongst the subway tunnels of the city, and the struggles a mother and daughter face when they are suddenly evicted from this home. They are forced to venture up onto the city streets, but even there, there’s no real light to be found. Powerful but stomach-turning, this stuff is bleak with a capital B.
By contrast, Little’s first experience in the sunlight is traumatic and saturated with new noises and fears. The narrative moves behind Nikki, and here the film began to lose me. Where Little’s view is full of naïve wonder, Nikki’s is laid low by the crushing reality of her circumstances. However wonderful life in the tunnels may seem to Little, there’s no romancing Nikki’s reality. But it also quickly becomes clear that those dark, dirty tunnels below Manhattan are in fact far safer than what lies ahead.

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