Tribeca Festival 2021 capsule reviews: ‘Settlers’, ‘Glob Lessons’, and ‘7 Days’

Settlers

Mankind’s earliest settlers on the Martian frontier do what they must to survive the cosmic elements and each other.

Undeniably riveting, Settlers pits one family unit against another. Brooklynn Prince, who burst onto the scene in The Florida Project, captivates as a child whose survival depends on the lies she’s been fed by adults. Sofia Boutella skillfully plays her mother and ardent protector. As the reality of the situation of humanity is slowly revealed, the peril grows for everyone involved. Settlers is a film about trust, through and through. As time passes, Remmy’s role is taken over by Nell Tiger Free. She must navigate loneliness, and more importantly, the advances of the man who keeps her both alive and captive. Settlers’ unique script by director Wyatt Rockefeller allows us to question what we would do when faced with extreme circumstances. The landscape beautifully mimics the surface of Mars. Its desolate surroundings create palpable isolation and ceaseless desperation. The addition of a robotic character is the only thing that brings levity. Ismael Cruz Córdova as Jesses walks a precarious line between savior and villain. His beliefs steer the story into the darkest regions of human nature. Settlers is worth the watch for extraordinary performances and one hell of a feature debut from Rockefeller.

DIRECTOR
Wyatt Rockefeller
CAST

Sofia Boutella, Ismael Cruz Córdova, Brooklynn Prince, Nell Tiger Free, Jonny Lee Miller


Glob Lessons

Two mismatched strangers confront their fears of intimacy and inadequacy as they tour low-budget children’s theatre out of a minivan across the frozen Upper Midwest.

Nicole Rodenburg and Colin Froeber give us every emotion on screen. As a theater major, I know Jesse and Alan. But as a human being, everyone will know them. The concept of pouring your soul into your passion with little in return is universal, be it children’s theatre or any other occupation. There is a fine line between love and loathing. The laughs are plenty lying within awkward non-conversation and road movie tropes. Tension and tolerance levels eventually come to a head with creativity as their savior. In Glob Lessons, the moments of genuine intimacy between Froeber and Rodenburg grab hold of the viewer. Jesse and Alan are fleshed-out characters. At times they are pathetic, other times endearing. The chemistry between Froeber and Rodenburg is the stuff of movie magic. Glob Lessons isn’t flashy and that’s the point. Life is messy. Let’s own it. I am excited to see what comes next from a voice like Rodenburg’s. If Glob Lessons is any indication, we’ll be seeing more very soon.

 

DIRECTOR
Nicole Rodenburg
SCREENWRITER

Colin Froeber, Nicole Rodenburg


7 Days

As if their pre-arranged date, organized by their traditional Indian parents, wasn’t uncomfortable enough, Ravi and Rita are forced to shelter in place together as COVID-19’s reach intensifies.

This film snuck up on me. Filmed during lockdown and using COVID as a major plot point, 7 Days turns the concept of traditional arranged marriage on its head. Geraldine Viswanathan brings the laughs as Rita. Breaking the mold of the dutiful would-be bride, she begrudgingly comes to Ravi’s rescue with little to no hope of being his match. Karan Soni, who co-wrote the screenplay with director Roshan Sethi, plays straight-laced, Ravi.  As boredom sets in and guards are let down, a genuine connection slowly develops. The chemistry between Viswanathan and Karan feels grounded and made for some incredibly memorable moments. 7 Days is funny and heartfelt. I was not expecting the darker turn in the script. It was a bold move that paid off in spades. Filmed mostly in one room created the tension and awkwardness we needed to experience alongside Rita and Ravi. It takes the idea of close quarters to the extreme. 7 Days is a true gem from this year’s festival.

DIRECTOR
Roshan Sethi
SCREENWRITER
Karan Soni, Roshan Sethi
EXECUTIVE PRODUCER
Mark Duplass, Jay Duplass, Roshan Sethi, Karan Soni, Geraldine Viswanathan

SXSW 2021 reviews: ‘Language Lessons’ translates universally, and ‘Violet’ silences the voices that haunt us.

LANGUAGE LESSONS

A Spanish teacher and her student develop an unexpected friendship.

Unique, shocking, insightful, complex, beautiful, these are a few words that describe one of the best films from this year’s SXSW virtual festival. Two strangers become connected through chance and a gift of Spanish lessons. Cariño and Adam communicate through zoom, voicemail, genuine human connection. Mark Duplass plays Adam. Unsurprising that he is completely natural and down to earth. You’re instantly enamored with his performance. Natalie Morales is charming and honest. She’s funny and relatable. Their chemistry is the stuff of movie magic.  I would love to see them paired up again and again. They completely work around the entire subject of Covid. This could be happening at any point in time and that’s nice to feel right now. Ultimately, this screenplay is about the human spirit without a filter. Written by Morales and Duplass, and directed by Morales, Language Lessons is profound and revealing. It will touch you in ways you won’t expect.

 

VIOLET

A film development executive realizes that “guiding voice” inside her head has been lying to her about everything.

I don’t know if a film could be any more relatable to everyone. My husband used to point out how negatively I spoke about myself. Once I noticed the self-deprecating behavior, I started noticing my mother doing the same thing. It’s a learned behavior. One we permit to exist. Olivia Munn, who wowed me back in The Newsroom, represents so many of us. This issue is ageless, ingrained, suffocating. Her vulnerability and honesty shine and we’re better for it. Justin Theroux‘s voice acting is the dickheaded tone we all know too well. What a fantastic choice. The internal battle of never feeling like we’re enough is universal. In Violet, the visual juxtaposition of handwritten thoughts, like a right-brain/left-brain battle, and Theroux as “The Voice” is perfection. When you finally catch onto the overall picture, it’s really quite genius. It’s telegraphed without our knowledge early on. Writer-director Justine Bateman nails her feature debut. What a complex and carefully curated script. Women, in particular, are going to be locked into this film.