Mad Women is a dark satire about Harper Smith, a middle-aged mom who, following a one-year prison sentence for having committed an act of conscience, becomes a local hero and folk legend in her small community of Iris Glen, NY. She runs for local office but has much grander aspirations up her sleeve. She is a woman accustomed to personal challenges: She lost her third child at the age of three to cancer, her first-born daughter, a pediatrician, is in Ukraine having joined Doctors Without Borders, her own mother lost an eye in her youth in an archery mishap, and her husband, a successful and beloved dentist, commits statutory rape under the influence of LSD at a rock concert. It’s up to Harper and her middle daughter, Nevada, to persevere, and they do, as a most unlikely mother/daughter bond emerges.
About the genesis of Mad Women Lipsky explains:
“I began writing Mad Women in early 2013, just after President Obama’s second inaugural, moments after a season of political drivel came to an end, and seemingly seconds before cable outlets began their non-stop palaver about the 2016 election. So I set out to conjure up my personal candidate, one whose idealism can’t be blunted, even as the world would be playing whack-a-mole with her. When I finished the script I knew there could never be a ‘Harper Smith.’ But now that Bernie Sanders and Donald Trump are front-runners, well, now I’m not so sure anymore!”
Mad Women marks the third consecutive collaboration between Lipsky and co-star Reed Birney (“House of Cards,” 2014 Tony Award nominee “Casa Valentina”). It also spotlights three extraordinary actresses – Kelsey Lynn Stokes, Christina Starbuck, and Sharon Van Ivan (John Cassavetes’ “Opening Night”) and marks a reunion for Lipsky with Jamie Harrold who co-starred in “Flannel Pajamas.” Lipsky’s previous films include Twelve Thirty, Molly’s Theory of Relativity, and Once More With Feeling, which along with Flannel Pajamas, have starred Justin Kirk, Julianne Nicholson, Jonathan Groff, Mamie Gummer, Chazz Palminteri, Drea deMatteo, Linda Fiorentino, Cady Huffman, Rebecca Schull, Halley Feiffer and Barbara Barrie.









Corruption in the police force is not a new topic. In 







We’ve all been there at one time or another. Sitting in a cubicle, or the like, wanting desperately to staple a co-worker’s mouth shut or just whiteout our own eyes. But we think, hey, if I work hard enough, I’ll get that promotion and maybe, just maybe, this won’t suck as much as I think it does. Welcome to BLOODSUCKING BASTARDS, where all your daydreams and nightmares come true.









































10,000 Saints follows three screwed up young people and their equally screwed up parents in the age of CBGB’s, yuppies and the tinderbox of gentrification that exploded into the Tompkins Square Park Riots in New York’s East Village in the 1980s. This film is essentially the story of how small life connections become the ties that bind a group of estranged friends and family. It’s quite extraordinary and a brilliant translation of Eleanor Henderson‘s New York Times best-selling novel. After the loss of his best friend Teddy, Jude is sent to live his absentee father, Les. Reconnecting with Les’ girlfriend’s daughter, Eliza and straight edge punk singer and brother of Teddy, Johnny, the three embark on a path that was thrust upon them. 




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