September Movie Preview – 61 movies opening including 12 documentaries & 13 also on demand

September-Movie-Preview-Reel-News-DailyThere are an insane amount of movies releasing this September. There are 12 that are on the top of my watchlist. Which are on yours?

  1. 99 Homes
  2. About Ray
  3. Ashby
  4. Cooties
  5. Dragon Blade
  6. Finders Keepers
  7. Mississippi Grind
  8. Prophet’s Prey
  9. Sicario
  10. Steve Jobs: The Man in the Machine
  11. Stonewall
  12. The Keeping Room

September 2nd

The Black Panthers: Vanguard of the Revolution

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Produced by PBS, this is likely to be in a classic documentary style.

https://youtu.be/F56O3kZ9qr0


A Walk in the Woods

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Robert Redford tried to make a comeback last year with his solo effort, All Is Lost, but this time he teams up with Nick Nolte. Potential to be great.


September 4th

Before We Go – available to rent

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Chris Evans directs with the unpredictable and amazing Alice Eve. She also stars with Matthew Broderick in Dirty Weekend, out this same day.

https://youtu.be/QnJDq3k7t2Q


Bloodsucking Bastards
Also on VOD
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Liz is reviewing – stay tuned!


Break Point

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Dirty-Weekend_Press_1 TribecaDirty Weekend
Tribeca Film Festival 2015, also on VOD
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This didn’t impress Liz or myself, but Jeremy is going to give it a try. Stay tuned for his review!


Dragon Blade

Also on VOD
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Adrien Brody, Jackie Chan and John Cusack. Swords, armor and anticipated over-acting.


My Voice, My Life

Documentary

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Number One Fan

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https://youtu.be/iLZykA1w068


The Transporter Refueled

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Coming Home

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Welcome to Leith

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Jeremy is reviewing – stay tuned!


chloe and theo stillChloe and Theo
Also on VOD
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Jordan is reviewing – stay tuned!


Steve Jobs-3Steve Jobs: The Man in the Machine
Also on VOD
Documentary[imdb id=”tt4425064″ plot=”short”]

Liz and I will attended a special screening and Q&A with director Alex Gibney – stay tuned for their side-by-side reviews! Can you guess which is the iPhone user?


Wolf Totem


September 9th

The Visit

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Are you going to give M. Night another shot?


Maze Runner: The Scorch Trials

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September 11th

TIME OUT OF MIND NYFFTime Out of Mind

On demand September 18th
New York Film Festival 2014
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Sleeping with Other People
Tribeca Film Festival 2015
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Don’t even think about it – just see it. I raved about it here.


Breathe

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Mélanie Laurent directs. I’m there.


Goodnight Mommy

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Listening
also on VOD
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Meet the Patels

Documentary

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Paul Taylor Creative Domain

Documentary

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Triple 9

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TBD


90 Minutes in Heaven

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The Perfect Guy

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September 18th

Captive

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Cooties

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Pawn Sacrifice

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Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Sicario
Toronto International Film Festival 2015
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Emily Blunt once more kicking ass. Love it.


About Ray
Toronto International Film Festival 2015
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https://youtu.be/_86baBTbNtU


Black Mass-00001Black Mass

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You can catch the doc on Netflix right now here.


Everest

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This might be worth the extra moola for IMAX.


Katti Batti

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The New Girlfriend

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Prophet’s Prey

Documentary

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Amy Berg has wowed me with West of Memphis and Deliver Us From Evil, so I’m looking forward to this.


Uncle John
Also on VOD

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War Pigs

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https://youtu.be/CFdGHYADDZw


Some Kind of Hate
Also on VOD
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Jeremy Scott: The People’s Designer

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https://youtu.be/irY1JuCY-u4


September 23rd

Pay the Ghost
Also on VOD
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Trailer TBA


September 24th

The Reflektor Tapes

Documentary, Toronto International Film Festival 2015

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September 25th

Finders Keepers

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Mississippi Grind

Ben Mendelsohn is one of those actors that greatly elevates the movie without overshadowing it. CAN’T WAIT. (Insert joke from @harmonov about Ryan Reynolds)

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Stonewall

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Before I Wake

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https://youtu.be/mmfp1l1ZfCw


The Green Inferno

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Misunderstood

Also on VOD, New York Film Festival 2014

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Mission to Lars

Documentary

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https://youtu.be/G4ArGYzTtc0


The Intern

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10 Days in a Madhouse

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99 Homes

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https://youtu.be/sfttvNCIJvE


A Brave Heart: The Lizzie Velasquez Story

Documentary

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Ashby

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Ashby TrailerLife is about knowing how to take a hit. Brace yourself, Ashby opens in Select Theaters, On Demand and DIGITAL HD September 25th!

Posted by Ashby on Saturday, August 22, 2015


Drunk Stoned Brilliant Dead: The Story of the National Lampoon

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Labyrinth of Lies

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The Keeping Room

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https://youtu.be/Z_9zidgoPuA


Before I Wake

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Hotel Transylvania 2

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Brand: A Second Coming

Documentary

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Could not find a trailer. This is not a good sign.


Wildlike

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September 30th

The Walk
New York Film Festival 2015
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Review: ‘QUEEN OF EARTH’ is stunning portrait of a maddening descent.

Queen of Earth PosterMelissa and I were privileged to be invited to a special screening and Q&A of Alex Ross Perry‘s fourth feature, QUEEN OF EARTH, a deeply unnerving psychological drama. The film traces the relationship between Catherine (Elisabeth Moss, MAD MEN) and Virginia (Katherine Waterston, INHERENT VICE), best friends who retreat to a lake house after Catherine’s father dies and her boyfriend leaves her. Desperately seeking rest and recovery, when Catherine arrives at the cabin, she’s overwhelmed with memories of time spent at that same house with her boyfriend the year before and finds herself unable to decompress. As Virginia begins spending increasing amounts of time with a local love interest, Rich (Patrick Fugit), what was once closeness between the two women pivots toward hostility and resentment, sending Catherine into a downward spiral of delusion and madness. Read More →

Review: ‘THE MEND’ shoves a mirror up to adulthood.

 

The Mend posterWhat happens when two self destructing brothers come face to face in a small NYC apartment? Chaos and truth are forced into the light in John Magary‘s first full length feature, THE MEND. Josh Lucas and Stephen Plunkett play mind games with one another and themselves in this existential mid-life crisis. The Mend still Stephen and JoshAlan and girlfriend Farrah are on their way out of town but not before throwing an intimate get together as a send off for their travels. Freeloading brother (and oftentimes asshole of a human) Mat shows up after his girlfriend Andrea kicks him out. The two are clearly estranged for reasons that come to light in subtle and brilliant ways as the story progresses. Alan and Farrah leave the next morning and Mat takes it upon himself to squat in the apartment, eventually inviting Andrea and her son Ronnie to join them. The small space leads to confessions on all parts when Alan returns sans Farrah. Three adults and one child in a one bedroom in the city is a sure fire recipe for some serious self analysis and confrontation. Booze, drugs, rage, pity, blame all come into play as these people face the cynicism of adulthood and circumstance. The Men Josh LucasLucas nails this role. His brash, disgusting habits and frankly haggard outwardly appearance make this role extra juicy. He is both unapologetic and somehow down to earth all at once. Plunkett tries to play cool and steady but he is not so secretly a mess. The blatant similarities between the two brothers becomes a beautiful revelation. Lucy Owen as Andrea is an emotional volcano and I loved everything about her vulnerability. Ronnie is played by the spectacular Cory Nichols. Another refreshing performance following up from Tribeca’s KING JACK. What a natural. Magary‘s script and ability to make the familiar seem new is so intriguing. Small seemingly mundane scenes are anything but. The Mend has this throwback feeling to it. Something about the mix of music and watered down hipster mentality makes it quite the work of art. You can catch The Mend today in NYC and next Friday in L.A., with a national release throughout the fall.

Synopsis:

For anyone who’s ever loathed and loved a sibling in equal measure, The Mend is the wonderfully strange and acidic debut comedy from writer / director John Magary. Shot through with the wicked humor and anarchy of Bruce Robinson’s Withnail & I and Mike Leigh’s Naked , The Mend follows a mismatched yin-yang pair of NYC brothers, loose cannon Mat (Josh Lucas in a career-best performance) and put-upon Alan (Stephen Plunkett) as they stagger dimly towards some understanding of love, women, masculinity and what it truly means to be a brother.

Featuring a gorgeous, minimalist score by Michi Wiancko & Judd Greenstein and beautiful, fluid cinematography by Chris Teague (Obvious Child), the film unfolds as three stylistically distinct but interwoven acts, each with its own mesmerizing rhythm. With superb supporting performances by Mickey Sumner (Frances Ha) and Lucy Owen as the brothers’ sharp-tongued girlfriends.

Review: Sara Newens & Mina Son’s Documentary ‘Top Spin’ Is an Engaging Look Into the World of Competitive Table Tennis

top spin_posterLast year, I reviewed the documentary Touch the Wall about Olympian swimmers Kara Lynn Joyce and superstar Missy Franklin and really enjoyed it. I loved the journeys that were shown for both women as one tried to make a fourth Olympic team while the other tried to make her first. Swimming is a well recognized sport and those depicted in that film are familiar to a fairly wide audience all things considered. So when I began watching Sara Newens’ and Mina Son’s Top Spin about competitive table tennis/ping pong, I wasn’t sure what to expect as someone who doesn’t follow the sport. Hell, I didn’t even know that it was an Olympic sport until watching, However, the journeys of the films’ subjects, Ariel Hsing, Lily Zhang and Michael Landers were every bit as compelling as those of Joyce and Franklin, perhaps even moreso.

Top Spin-ariel_hsing_match

Newens and Son seem to have unfettered access to three subjects of the film. Hsing, Zhang and Landers are all three American teenagers vying for their one true dream – representing the United Stats at the 2012 Olympic games in London. All three, despite their young age, are the best in country, but they have a grueling process in which they have to compete in order to make the team. They first must win tournaments to qualify for the US team, each team consisting of four men and women. But that’s not it…they have to compete against the Canadian National Team to secure one of three spots granted to North America.

Top Spin-lily_zhang

Zhang and Hsing have cultivated quite a rivalry leading into the Olympic trials. Hsing has beaten her twice to claim the National Title, but even through this they are friends outside of the table. They root for one another because they can empathize with each others dreams. Both girls have very supportive families and both are allowed special schedules at school to allow for their training. Zhang only goes to school until noon each day so she can spend 5-6 hours/day training. Hsing‘s father devotes himself full-time to helping coach her and get her prepared for tournaments and the Olympics However, through all of this, the girls appear to maintain fairly normal lives, being with friends and doing things that most kids their age do. Zhang is far more successful in this arenathough. Hsing is shown hanging out with titans Warren Buffett (whom she calls Uncle Warren) and Bill Gates. She has a high profile, and rightfully so as the US Champion. You never get the creepy feeling about their parents and their motives like you do from something like Toddlers & Tiaras, where delusional parents clearly live vicariously through their young children. What we see here is a team effort on the part of the players and their parents. The win together, they lose together, they share in the joy and pain together. If you are as fan of this sport, you will also want to check the posts at tennisinformation.net.

Top Spin-michael_landers

Landers on the other hand is a different case. He is more of a rockstar than the two girls. He likes the limelight and is completely dedicated to his craft as a table tennis player. He doesn’t go to traditional school, but takes classes online at home to better accommodate his training regimen. We get glimpses that he still has somewhat of a social life, but not to the same degree as the two young ladies. He is being courted by major sponsors (he even gets his own Kellogg’s Corn Flakes cereal box) and his mother hints that if he makes the Olympics, that David Letterman is interested in bringing him on the show. He goes to the hip table tennis club Spin in New York City. All these things paint a different picture of Michael although he is no less a fierce competitor than Ariel or Lily. Michael is able to go to train in China where the best table tennis players in the world reside and who have taken 12 of 21 men’s gold medals,15 of 21 women’s gold medals both of the team gold medals awarded.

Top Spin-lily_zhang_match

This film trumpets the rigors of competitive table tennis and the heart and dedication of these three talented youths and their support networks. It is a film that is careful not to judge these kids and their parents who devote everything they can to help them achieve their dream. While some might see this dedication as over the top or overbearing, it’s clear that these kids are keeping perspective on their durability in what is a tough sport as well as future goals outside of the sport. Landers, who dedicated his entire youth to table tennis, has an easy time letting go of the sport and embracing what life has to offer after his run at the Olympics. With Ariel and Lily, we will have to wait and see because they are both younger than Michael. I would love to see a follow up to this film picking up where this one left off because I believe that there is more story to tell here.

Top Spin-ariel_hsing

With a running time just under 80 minutes, this film packs a tremendous amount about these three kids in. I never felt like one got more screen time than the other and that there tales were fleshed out enough that we really got a sense of who they are so kudos to the Newens and Son for that. Ariel, Lilly and Michael‘s stories are worth telling and frankly this is a refreshing look at kids competing in the highest levels of sports with all the tension and drama you might expect from a fiction film. I experienced their highs and lows, triumphs and defeats right along with them and when a film can place me asthe viewer in those situations, you know it’s successful.

While many people don’t know much about table tennis outside of the table they have in the basement, this film demystifies the appeal of the sport and the many facets of the game. I really enjoyed this film and was completely taken by these three teens. I would certainly recommend this film of the vast wasteland of films in theaters now. Get there, people!

For those of you fortunate enough to live in Los Angeles, this film has its world premiere today at the Laemmle Theaters and being distributed by First Run Features.

 

 

Review: ‘LEARNING TO DRIVE’ rides right into your heart.

Learning to Drive-poster2Two very different people cross paths in a cab, changing both their lives forever. This is the basic outline for the charming new film LEARNING TO DRIVE. But, this movie is so much more than basic. Sir Ben Kingsley and Patricia Clarkson come together to explore love and life as they enter new stages and become each other’s teacher.

LTD_09-07-13_139_R_CROP Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Clarkson plays successful writer, Wendy, whose marriage suddenly falls apart. In order to take control of her new found single life, she navigates selling her home, dating, and relinquishing her comfort behind the wheel. Kingsley becomes Wendy’s instructor after witnessing the intimate crumbling of her marriage in the back of his cab. As he returns some forgotten property to her home, the two become pupil and instructor during the day and dear friends as the film progresses. Kingsley’s Darwan battles some personal struggles of his own as a long time single man finally accepting an arranged marriage. He must learn to communicate with his new bride while letting go of control himself.

LTD_09-05-13_793_R_CROP (l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

(l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Ben Kingsley is brilliant as ever. Never missing a beat in a character that is so beautifully genuine. He is a treasure to watch. Patricia Clarkson is engrossing as always.Lovely and vulnerable, her journey through the film is relatable on all levels. Her accessibility as an actress is palpable. With solid performances from Jake Webber as Wendy’s ex and Grace Gummer as their daughter, this changing family dynamic is one we’ve all come across. Much applause to Sarita Choudhury as Darwan’s new wife Jasleen. This reminds me of how I felt when I moved to India in 2008. A little lost, confused, relying heavily on television to entertain me, and afraid to venture too far outside at first. She is a gem n everything she appears in. LEARNING TO DRIVE will certainly have an audience in the over 30 category. Director Isabel Coixet and screenwriter Sarah Kernochan make a truly cohesive team. I hope we see more from them as a pair in the future.

LEARNING TO DRIVE comes to theaters today

http://learningtodrivemovie.com

Running Time: 90 minutes      Rating: R

Review: ‘DIGGING FOR FIRE’ ignites the funny and poignant.

Digging For Fire_posterThey say curiosity killed the cat. In the new film DIGGING FOR FIRE, curiosity most definitely killed somebody… but who? Jake Johnson and Rosemarie DeWitt lead an all star cast in this dark new indie from Joe Swanberg. While house-sitting for a client, Lee and Tim find a bone and a gun in the backyard, sparking a mystery that must be solved. Digging for Fire-4Johnson plays gym teacher Tim and husband to Dewitt’s yoga instructor Lee. While the film appears to tackle the mystery aspect at full force, the screenplay veers off onto the topics of marriage, parenting, and losing one’s identity. As Tim and Lee part ways for the weekend, Tim throws an intimate get together at the house, encouraging his guests to participate in his sleuthing. Lee drops their son Jude (played adorably by Swanberg’s real life son) off with her parents to visit with friends and explore some alone time. As their days and nights progress, the two weave in and out of age and stage realizations and reveal subtle personality quirks that are all too relatable. Digging for Fire-8While I wasn’t the biggest fan of Swanberg‘s Happy Christmas last year, Digging for Fire feels more like Drinking Buddies in it’s organic camera work and down to earth quality. Jake Johnson is always funny as hell and this is no exception. His every-man approachability combined with his genuine comic timing is a real win. Rosemarie DeWitt has the same “making the audience feel at ease” way about her. Their chemistry with one another and the entire rest of the cast including, Judith Light, Sam Elliott, Melanie Lynskey, Mike Birbiglia, Jenny Slate, Anna Kendrick, Brie Larson, Orlando Bloom, Ron Livingston, and Sam Rockwell (to name a few) is refreshing and fun to watch. I am really digging, no pun intended, the screenplay pairing of Johnson and Swanberg. This is clearly a great team.

DIGGING FOR FIRE opens in theaters and VOD today

 

Review: ‘GUIDANCE’ is an underachiever’s playbook.

Guidance_posterFormer child star, alcoholic, narcissistic David is in desperate need of a job. Using the internet, his acting skills, and his ability to overachieve only when taking the path f least resistance, he gets hired as a high school counselor. Hilarity ensues in the form of lies, awkward social encounters, and a seemingly misguided sense of self redemption. Guidance_DavidBikingWriter/Director/Star Pat Mills‘ nonchalance and willingness to look like a total whack job makes each scene a joy to watch. He has an Adam Pally quality about his timbre and tone and comic timing, which is a huge compliment. Rule breaking and advice a playboy playmate might give are the driving fores behind the comedy. His connections with the kids are genuine and as a former high school substitute teacher and current actor/writer, this film resonates pretty personally (minus the scamming and alcoholism). Guidance_2Knowing that Mills has another film in the pipeline makes me excited. He clearly understands funny, situational comedy and structure. Sharp wit, keen observational skills, and the brilliant use of self motivational voice overs make Guidance a must see. GUIDANCE opens theatrically in NYC on August 21 (Village East) and LA on August 28 (Sundance Sunset Cinema) with a national release to follow.

A New Look At Daredevil’s Costume in Season 2!

daredevilheader

Netflix has released a new “Daredevil” teaser image of the masked vigilante’s suit…check it out!

 

  Oh..and then there’s this…  

 

And don’t forget that the Punisher is lurking in the shadows…

2016 can’t come quick enough!

Review: Andrew Hinton & Johnny Burke’s Doc ‘Tashi and the Monk’ Pulls the Heartstrings in All the Right Ways

tashi - posterHBO has been in the documentary game for as long as I can remember. They’ve been bringing quality stories about a wide spectrum of subjects and people and tonight it premieres the new documentary short Tashi and the Monk, which is no less interesting than the great bulk of what they show.

tashi - monk and girl

After deciding to end his tenure as a Buddhist monk working in the United States, Lobsang Phutsok felt compelled to return to his native Nepal to help children in need, those who had no options. Upon his return he started Jhamtse Gatsal, what amounts to a commune where at risk children were not just taken in to be cared for but essentially adopted by Lobsang. Parents/grandparents/family members had to relinquish rights to the children in order for him to take them in, where he would he there proxy father. There, they would be fed, educated and prepared for a life bigger than any they could expect from their circumstances otherwise by the monk and his incredibly dedicated staff.

tashi - girl herself

The force that carries us through the film really is the titular Tashi Drolma, a troubled 5-year old girl whose mother had just died and whose alcoholic father can’t or won’t take care of her. She is the youngest of the children at Jhamtse Gatsal and is a willful young girl who starts out as a troublemaker. However, we witness her journey over the period of filming into a more integrated and happy young girl who makes friends and is taken under the wing of one of the older children there. She is the embodiment of all the good that occurs under Lobsang and the staff’s guidance.

tashi - kids

Try as he may, Lobsang isn’t able to take in all of the children that he’d like to or that need to. He heeds the advice of his overworked staff that should they take on more children, the ones currently in their care would not get what they need. This is a delicate balancing act and one that can have heartbreaking consequences, which are shown with as much compassion as any film can. These choices take their toll on Lobsang, but he never loses sight of the mission of Jhamtse Gatsal.

This is an incredibly uplifting film and one the shines a light on some really wonderful and amazing people. Beautifully filmed, capturing the beautiful scenery of Nepal and the Himalayas,it will tug on your heartstrings, but you’ll come out better for it. I promise.

This film premieres tonight on HBO at 8:00 EST. Be sure to check this one out.

Review: “PEOPLE PLACES THINGS” will charm the pants off you.

People Places Things poster1PEOPLE PLACES THINGS tells the story of Will Henry (Jemaine Clement), a newly single graphic novelist father balancing single-parenting his young twin daughters, writers block, a classroom full students, all the while exploring and navigating the rich complexities of new love and letting go of the woman who left him.People Places Things 1

Clement‘s asurbic brand of wit and delivery is the driving force behind the entire film… a million thanks, of course, to writer/director Jim C. Strouse for the script and casting Jemaine. Genius move for this piece of writing. Clement has you laughing out loud from the very first scene. Charming and genuine, the character of Will struggles to balance fatherhood, personal romantic, and career satisfaction. His affection for two of our wee leading ladies, Aundrea and Gia Gadsby, radiates off the screen. These kids are real naturals and their chemistry with Clement is a pure delight. Stephanie Allynne as Charlie (Will’s ex) does a fantastic job as one giant, narcissistic mess of a woman. She makes this character easy to loathe. Regina Hall is Diane. A strong, intelligent mother whose walls are understandably pretty high up. Clement and Hall make a lovely comic pair. Their witty, rapid fire back and forth is super relatable. Jessica Williams, who I am most familiar from her hilarious corespondent spot on The Daily show, plays Kat (One of Will’s students and Diane’s daughter). Her performance is down to earth and refreshing. I look forward to seeing more of her on the big screen. People Places Things 2During the scenes where Will teaches his class, there is a wonderfully cathartic flow, not only through the use of dialogue but Will’s graphic novel panels. The visuals speak volumes where words become useless. The music is a fun addition and lends to the perfect pace. Jim C Strouse has given us one hell of a gem. People Places Things is a pure joy from start to finish. With a superb cast and a clearly skilled writing and directing style, I strongly recommend you seek out this film.

PEOPLE PLACES THINGS opens in theaters Friday, August 14th

Review: “10,000 Saints” will rock you gently.

10K Saints poster 10,000 Saints follows three screwed up young people and their equally screwed up parents in the age of CBGB’s, yuppies and the tinderbox of gentrification that exploded into the Tompkins Square Park Riots in New York’s East Village in the 1980s. This film is essentially the story of how small life connections become the ties that bind a group of estranged friends and family. It’s quite extraordinary and a brilliant translation of Eleanor Henderson‘s New York Times best-selling novel. After the loss of his best friend Teddy, Jude is sent to live his absentee father, Les. Reconnecting with Les’ girlfriend’s daughter, Eliza and straight edge punk singer and brother of Teddy, Johnny, the three embark on a path that was thrust upon them. 10K Saints Asa EthanEthan Hawke, who I am convinced is a Timelord at this point, gives a flawless performance. His loose lipped, nonchalance is the perfect foil to quietly angsty and gentle Asa Butterfield as Jude. Les’ storyline of fatherly redemption is pretty poetic. Jude’s search for his soul is much more pensive but just as stunning with Butterfield’s innate ability to live the screenplay’s emotional highs and lows. Hailee Steinfeld‘s natural performance as wild child turned guilt ridden and lost pregnant teen is one that should be noted. Emile Hirsh‘s Johnny is a beautifully zen enigma. With a truly talented cast rounded out by Juilanne Nicholson, Avan Jogia, and Emily Mortimer10,000 Saints is one hell of an ensemble film. 10K Saints Emile HaileeThis coming of age tale is deals with guilt, unrequited love, self realization, parenting and death, all in delicate yet fully  meaningful ways. The music is most defintiely its own character, with a soundtrack featuring The Replacements, The Cure, REM, Social Distortion, The Stone Roses, and Johnny’s band Army of One. Directors Shari Springer Berman and Robert Pulcini are gifted storytellers and you bet I will be going out and grabbing Henderson’s novel soon. 10,000 Saints will not disappoint your eyes, ears or heart. 10,000 Saints comes to theaters, iTunes and other VOD platforms Friday, August 14th

Review: “Fort Tilden” is a generational face palm.

fort tilden posterIt’s a generation that makes you want to punch them. Millennials aren’t  all bad, that’s definitely not what I’m saying, but we all know a few bad apples… or orchards that give us the feeling of arson. I’m sure that 10 years ago, when I was 25, someone wanted to strangle me over whatever drama seemed life threatening at the moment. Let’s be serious though, it’s a running joke that we have a real problem with a generation that we just have to urge to physically shake until their bobble heads fall off… but we don’t… because sometimes it’s such delicious fodder that sitting back and watching is much less stressful and way more entertaining, as long as they don’t disrupt your way of living, of course. Enter onto the scene, festival favorite Fort Tilden.fort tilden 5The entire plot of the film ( Harper and Allie try all day to get to the beach) is pretty much the perfect metaphor for their reality. Fort Tilden is bravely tongue in cheek but also unapologetically the truth. Shiny objects distract, social media owns them, money might as well be made exclusively by Monopoly, and yet someway, somehow they make their way through this world and promptly demand a cookie. They have balls and you have to respect that. Bridey Elliott‘s performance as Harper, daughter of a CEO and self proclaimed “artist” is brash, rude, and does not care what you think. Elliott is hilarious in her sincerity. Clare McNulty as manic and failed overachiever Allie, is sweet and high strung and equally as genuine in her performance as Elliot. The two are a fantastic match with a genius give and take. Their ability to whine, complain, ignore everyone and make it both endearing and horrendous should earn them attention and applause.fort tilden 1The quarter life crisis now seems much longer and much more ridiculous that ever before. One the flip side of the coin, Fort Tilden is also ans awesome commentary on the lack of parenting going on today. Virtual high fives to writer/directors Sarah-Violet Bliss and Charles Rogers for throwing the millennial cliche in out faces so damn well.  Fort Tilden makes it way to theaters and VOD Friday, August 14. Get There.

HBO Released First Teaser for the Upcoming Series “Westworld”

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HBO has released a first look at “Westworld” and we have it for you below!

The story revolves around two guests at a high-tech amusement park go on a wild west adventure. The park is peopled by robots and is designed to provide a 100% life like experience simulating Roman times, cowboy times, and medieval times. When the park’s central computer breaks down, the robots start to run amok and our two guests find themselves stalked by a robot gunslinger.

The cast includes Anthony Hopkins, Ed Harris, Evan Rachel Wood, James Marsden, Thandie Newton, Jeffrey Wright, Sidse Babett Knudsen, Rodrigo Santoro, Shannon Woodward, Ingrid Bolsø Berdal, Ben Barnes, Jimmi Simpson, Clifton Collins, Jr., Simon Quarterman and Angela Sarafyan.

“Westworld” will debut in 2016

 

My 5 Favorite Jason Bateman Roles You May Have Missed – p.s. Go See ‘The Gift’ This Weekend

JASON BATEMAN and REBECCA HALL star in THE GIFT. FACEBOOK.COM/GIFTMOVIE  TWITTER@GIFTMOVIE  INSTAGRAM@GIFTMOVIE  #GIFT MOVIE

JASON BATEMAN and REBECCA HALL star in THE GIFT.
FACEBOOK.COM/GIFTMOVIE TWITTER@GIFTMOVIE INSTAGRAM@GIFTMOVIE #GIFT MOVIE

Jason Bateman stole young hearts in “Silver Spoons” with Ricky Schroder and as young David Hogan in the TV show that changed it’s name, not once, but twice. (First “Valerie,” then “Valerie’s Family,” then finally, “The Hogan Family.”) ANYWAY, his new movie, The Gift was unexpected and twisted in a good way.

Meanwhile, I thought I’d share some of my favorite Jason Bateman roles that perhaps you haven’t seen or totally forgot about.

What’s your favorite Jason Bateman movie?


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Everyone was pleasantly surprised at the comic relief of the commentary. Surprising and hilarious.

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Almost unrecognizable, he’s disgusting and fantastic.

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This didn’t get a lot of play (see what I did there?), but it’s a really solid flick, you should check it out.

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This was the perfect role as it epitomizes his on-screen persona. Unbelievably rewatchable.

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A timely and poignant story of communicating in our time. A must see.

JASON BATEMAN stars in THE GIFT. FACEBOOK.COM/GIFTMOVIE  TWITTER@GIFTMOVIE  INSTAGRAM@GIFTMOVIE  #GIFT MOVIE

JASON BATEMAN stars in THE GIFT.
FACEBOOK.COM/GIFTMOVIE TWITTER@GIFTMOVIE INSTAGRAM@GIFTMOVIE #GIFT MOVIE

Retro Review: Martha Coolidge’s ‘Real Genius’ Was Released 30 Years Ago Today and Remains one of the Great 80s Comedic Cinematic Treasures

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When most people think of Val Kilmer‘s greatest performance, they usually default to his portrayal of of Doc Holliday in the uneven Tombstone. Don’t get me wrong, his performance as the gunslinger is impressive, but to me he has never been and never will be finer than he was as Chris Knight in Martha Coolidge‘s incredibly humorous and wonderful Real Genius.

real genius - ice is niceReal Genius is centered at Pacific Tech (loosely based on CalTech) where under the direction of Dr. Jerry Hathaway (the always bastard-y William Atherton), geniuses hone their skills, bringing fortune on both them and Dr. Hathaway. The narrative focuses mostly on two characters: Knight, resident brainiac who is about to graduate, and his new protégé, Mitch Taylor (Gabriel Jarret), who happens to be a 15-year old and the first student ever admitted to Pacific Tech for the mid-Winter term.

real genius - mitchWhy was Mitch admitted to the university early, you ask? Well, it seems Dr. Hathaway is working in league with the military on a top secret project, one which employs a high-powered laser to vaporize single targets/people from outer space. Of course, the students aren’t privy to what Hathaway has been up to. When the military decides they need the project complete in 4 months, not 18, Hathaway brings in Mitch, his ace in the hole.

real genius - gangKnight doesn’t act like what most would expect from a genius. He is insubordinate, he is wild and all-together unpredictable. He and Mitch couldn’t be more opposite. A perfect example:

So it takes a while for them finally find a good footing, but they do and for the most part prosper. Like any good 80s movie, one villain isn’t enough. Not only do they have to deal with Hathaway, but also his toadie, Kent (Robert Prescott), who is jealous that Knight and Mitch get all of Hathaway’s attention despite the fact the he has done everything Hathaway has ever asked him to do. He’s the typical brown-nosing asshole that we all hated when we were in school.

real genius - kentIn keeping with a certain weirdness that crept over 80s teen comedies (a la Better Off Dead), this film wouldn’t be complete without the crazy genius recluse who lives in a closet, right? And that would be Lazlo Hollyfeld (the incredible Jon Gries), the gentle-souled former BMOC from Pacific Tech, who went underground after finding out that a product he invented was killing people. He also lives in Mitch and Chris’ closet. But never fear, he’s not some nut – he ends up being the last cog in the wheel that helps set everything straight in the end.

real genius - lazloWhen Kent sabotages the project finally tipping Knight over the edge, he has an epiphany and is able to solve the problem with the laser:

When Hollyfeld finds Knight, Mitch and their merry band of misfit geniuses including Jordan (Michelle Meyrink) and Ick (Mark Kamiyama) celebrating, and tells them what they’ve done, they band together to stop the military from testing the weapon all while exacting revenge on Kent and Hathaway.

Despite being every bit an 80s film, Real Genius was strangely prophetic. When you look at the Crossbow Project, which is the weapon that the guys build, it is basically a different version of the now famous and widely reviled drone program employed by our government and military. The Crossbow was undoubtedly born out of of Ronald Reagan‘s delusional Strategic Defense Initiative (SDI) unveiled in 1983. So go figure, right?

This is one movie that I truly believe still stands tall given its age. The humor is as fresh and biting as when this film was released nearly 30 years ago (for the most part). Val Kilmer had just come off of a strong comedic performance in the Zucker Bros.’ Top Secret! and really shines in this film. From his delivery:

to his reactions:

to the offbeat:

…it’s just a a top notch performance. It’s a real shame he abandoned the more comedic roles and instead went for fare like Top Gun. Literally broke my heart when he was in that one.

And how can we ever forget probably the best line in the entire film delivered by Dr. Hathaway?:

PRICELESS and applicable on so many occasions in real life.

And like all 80s movies, the soundtrack is very important contributing immensely to the film. The usage of Tears for Fears’ “Everybody Wants to Rule the World” over the ending and credits is an absolutely perfect complement to the premise and the actions of Dr. Hathaway and the US government. Add to that the two incredible montages set to “I’m Falling” by The Comsat Angels and “Number One” by Chaz Jenkel and you have yet another example of the effective use of music to convey the feelings of the characters and add to the story. I just think that 80s movies had a better grasp of this concept. There was no equivalent of Rick Ross playing over a western like in Django Unchained and for the better.

While there are mediocre performances (Mitch?), the whole of the film is strong. Getting a rare glimpse inside the world of the young genius is quite fun and this film is positioned differently than other films like it from the same time, i.e. War Games and The Manhattan Project. While the pall of the Cold War is cast over the three of them, only Real Genius is able to make light of the situation and really empower the kids in the film. I tribute that to a great script from Neal Israel and Pat Proft (who co-wrote Tom Hanks’ Bachelor Party and Police Academy) and Peter Torokvei with really adept direction by Martha Coolidge. A winner on really every level. If you haven’t caught this one, do so at your leisure. It’s one that is not to be missed.

It’s a shame that this one has been relatively forgotten amidst so many of great 80s films. This one still resides at the top of my list.

Here’s the trailer:

 

Liz’s Review: Kevin Bacon brings the unexpected in ‘COP CAR’.

Cop Car posterAs a kid, curiosity probably should have gotten me killed a slew of times. Running away wasn’t really my thing, but playing with the boys in the woods, rough housing and climbing things I probably shouldn’t have went hand in hand with ballet lessons and dressing up as Princess Leia. In the new film COP CAR, two young boys come upon what appears to be an abandoned sheriff’s vehicle in the middle of nowhere. Coming to the naive conclusion that no one is coming back for the car, they take it upon themselves to claim the vehicle as their own and go on one hell of a joyride. Unbeknownst to them, it’s shady owner has secrets hiding within the vehicle. An innocent coming of age tale spins wildly out of control as the boys decide between right and wrong and the threats of grownups with their own agenda.Cop Car-00005Kevin Bacon gives an outstanding performance as the infamous Sheriff Kretzer. This man is a master as manipulation. Watching his character get in and out of dangerous scenarios is fascinating and frightening. Bacon never disappoints me with his uncanny ability to be both charming and smarmy all in one. (He was totally booked for sit down interviews this time. I was disappointed as I dream of being able to say that “I am 0 degrees from Kevin Bacon.” Next time, sir. Next time.) Cop Car-00008The young boys that we want so desperately to get away are played heroically by James Freedson-Jackson and Hays Wellford. Both performances should be lauded as total success stories. These two young boys have careers ahead of them, for sure. Freedson-Jackson plays the more dominant of the pair  with gusto and complete ownership. Wellford, as the meeker young man, is heartfelt and thoughtful. It makes me wonder the amount of time these kids spent  together prior to and during filming. Their chemistry is organic and beyond solid. Camryn Manheim plays a concerned local woman, putting the boys on blast to the authorities. I love Manheim in everything from Ghost Whisperer to her innumerable guest appearances on what feels like every television series since the mid-90’s. Shea Whigman, one of my favorite actors from Boardwalk Empire, makes a phenomenal appearance in this film. Setting the bar high is the name of his game and he blows us away.Cop Car-00007The film’s pace starts out free and easy, throwing you into a false sense of stability. Ramping up and never stopping until the final frame, Cop Car really took me by surprise. It was a purely intriguing script and I was never bored. Fare warning: it is quite violent but totally worth it. Great performances, fantastic story, completely unexpected, I really dug this film. It is crystal clear why director Jon Watts was brought on to helm the UNTITLED SPIDER-MAN REBOOT for 2017. This gives me so much hope for the franchise. Beyond looking forward to more from this talented man.Cop Car-00009COP CAR opens in theaters today, August 7th.

Kevin Bacon (THE FOLLOWING, HBO’s TAKING CHANCE, MYSTIC RIVER) stars in director Jon Watts’ delightful throwback thriller COP CAR.   When two good-natured but rebellious young boys (Hays Wellford of INDEPENDENCE DAY: RESURGENCE and James Freedson-Jackson) stumble across an abandoned cop car hidden in a secluded glade they decide to take it for a quick joyride.  Their bad decision unleashes the ire of the county sheriff (Kevin Bacon) and leads to brutal consequences.  COP CAR  firmly establishes Jon Watts as a master of minimalist suspense and a directing force that will soon extend well beyond the independent landscape—Watts has just signed on to helm the UNTITLED SPIDER-MAN REBOOT for 2017.

Liz’s Review: ‘HOMME LESS’ is worth far more than 1000 words.

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From his dapper appearance and his suave sensibilities, you’d never guess that Mark Reay is homeless in NYC. Using a YMCA locker room as his bathroom and personal storage system, Mark is able to blend seamlessly into the upper echelon of New York’s fashion and film business. As a former model, he hustles the streets of Manhattan as a photographer and smooth talker. Genuinely talented and extremely good looking, Mark’s adaptability to his circumstances is astounding and certainly commendable. He lives in secret on a friend’s rooftop, enduring the changing weather and fearing, each night, that he may be found out and forced to find somewhere else to survive the nights. He lives off his extraordinary photography skills, acting residuals, and his uncanny ability to cold approach beautiful women, for both personal and professional rewards.

Mark Reay BY GREG SCAFFIDI

Mark Reay BY GREG SCAFFIDI

HOMME LESS follows Mark’s ventures as he narrowly eludes the total collapse of the very existence he has built for himself. His emotional highs and lows drive the heart of this doc. As New Yorkers, we most definitely have a built up image of what it  means to look homeless. It’s the man in the subway station that wreaks of urine, is dirty, and oftentimes muttering to himself, or yelling incoherently on a street corner. Mark is the penultimate opposite of these images. Clean cut, eloquent, genuine, resourceful. You route for him at each turn as we tag along on his day to day routine, using every networking trick known to man. I would hang out with Mark in a heartbeat. He is optimistic, as much as any one man can be facing his current situation. I admire the hell out of him.

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Director, Thomas Wirthensohn, has been friends with Mark for 20 years, since their modeling days back in Europe. When the two reconnected over drinks, Thomas had no idea that Mark was homeless. The two decided to take a new journey together in making this fascinating documentary. Wirthensohn is very careful to stay at arm’s length, which must have been extra difficult already being so emotionally invested in his subject. One of the toughest things you hear from documentary filmmakers is the challenge they face in trying to stay objective. There are quite a few moments in the film that directly address this issue and I commend Wirthensohn for his efforts.

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HOMME LESS is a beautifully shot portrait of one man’s journey to not only survive, but thrive, in this big city. As someone who has lived here on and off since college, I can only imagine having to do what Mark does on the daily. Living paycheck to paycheck takes on a whole new meaning in this film. I highly recommend you catch this documentary this weekend. It will rattle around in your brain and, if you happen to live in NYC, make you wonder if you’ll run into Mark any day soon. It would be my pleasure to buy him dinner and a drink… and then book him for new headshots.

HOMME LESS Trailer from Thomas Wirthensohn on Vimeo.

Synopsis: HOMME LESS is about the underbelly of the American Dream, the hidden backyard of our society. Mark’s life stands as a metaphor for the struggle of the vanishing middle class in America. But it’s also a film about the relationship between New York City and one of its residents. New York is not simply a beautiful backdrop for this story. She’s the antagonist that dictates the direction Mark’s life is going in. The joy and pain, the love and hate, the success and denial New York is teasing him with, the hardship he is going through in order to stay in her grace and the inventiveness he comes up with to be with her are all unique.

HOMME LESS captures a raw and unfiltered moment in time, our time, and raises the question of how far are we from losing everything, even our homes? How often do we have to pretend that everything is fine in order to keep up the facade of being a well-off member of society? And how far do we go to take the financial pressure off our shoulders to live a more carefree life, a life we aspire to live?

What went wrong in Mark’s life? How is he able to keep up his facade of success and fool everyone?  What keeps him from going under? What motivates him to put up with this rather unthinkable situation?  What were and are his hopes and desires in life?

Mark stands lost and alone in the midst of eight million dreams, balanced between the glamorous surfaces of this vibrant and inspiring city and its far from glamorous hidden backyard. He is the HOMME LESS

Opening at the IFC Center on August 7th

Retro Review: Weird Science Joins the 30-Year Old Club and It’s Still as Funny as Ever

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Fewer films have ever made me laugh as hard as John HughesWeird Science. This film is a sign post of my childhood, one that carries tremendous meaning and nostalgia. While this one may not register on many folks’ radar as a top notch Hughes example, I happily rated it my favorite of his oeuvre back in 2013. That it came out in what might be considered the most 80s month of films in the entire decade (along with the original Fright Night, Real Genius, Teen Wolf, Better Off Dead and American Ninja) makes it all the better. So, it is with great pleasure that pleasure that I fête Weird Science as it turns 30 this year (released August 2, 1985), a fantastic example of 80s film hijinks replete with Hughes‘ ability to take something that is on the surface a typical male teen horn-dog film and give it some substance at the end. I am unashamed in my love for this film and I can happily report that even to this very day, Weird Science towers above the poor excuses for teen comedies of today.

weird science - openingThe story of the film, for you unfortunate louts who have yet to see it, is a somewhat standard territory for Hughes – two loveable losers, Gary (Anthony Michael Hall in his finest role) and Wyatt (Ilan Mitchell-Smith), cast outs at their school long for nothing but to be cool. However, those dreams are consistently dashed again and again by the masses, especially Max (Robert Rusler) and Ian (a very young Robert Downey Jr.). That Gary and Wyatt are smitten with Deb (Suzanne Snyder) and Hilly (Judie Aronson, one of my all-time crushes), Max and Ian’s girlfriends certainly doesn’t help. So when Wyatt’s parents leave for the weekend, they decide to make a girl…actually make a girl, using Wyatt’s then high-tech computer set-up and know how, a sort of new wave Dr. Frankenstein. When it actually works and Lisa (the stunning Kelly LeBrock) materializes in Wyatt’s bedroom, the boys’ futures start to change for the better.

weird science - kellyBut as always, there are roadblocks. Wyatt’s older brother Chet, in what is arguably the best shithead older brother performance in film history graciously given to us by the incomparable Bill Paxton, is home from college to “watch over” the boys. He harasses and harangues them all while they and Lisa set about changing their fortunes over the course of one weekend. The key to this is not only was Lisa created to be incredibly beautiful (and trust me, in 1985 LeBrock was the pinnacle of beauty) but she also had special, witchcraft-like powers that allowed her certain license to create ideal situations in which Gary and Wyatt could prove themselves to their otherwise unsuspecting classmates. They do so in memorable fashion thus ingratiating themselves to said classmates and more importantly the apples of their eyes, Deb and Hilly.

weird science - chetThis is a month that will likely be a one-way Nostalgia Express for me. It’s fitting that it is starting out with Weird Science. I hold this film in the highest regard. While it may not be Hughes‘s “best” film, it certainly is my favorite of his. It may not have quite the same touching ending that both Sixteen Candles or The Breakfast Club have,but Weird Science earns its ending. It’s honest despite the preposterous nature of the events leading up to it and there is something that we can all likely identify with in Gary and Wyatt. And to me, any film that gives moviegoers a scene like the one where they go to a bar on the Southside of Chicago is complete and total magic. Check it out:

There are very few scenes that are as quotable as this one. That it’s just one among many in the film is a testament to the quality of Weird Science. And despite falling into the shadows of the acting world for a long while, Anthony Michael Hall gives one of the all-time great comedic performances in this film. I wish I could understand why he faded away like he did even though he has resurfaced in the past few years. The same could be said of Ilan Mitchell-Smith who was solid in The Wild Life and really encapsulated the character of Wyatt. This film is a true treasure and deserves mention alongside any comedy of the 80s and beyond.

This film has significant personal meaning to me as I got to see it with my brother and sister at the Rivoli Theatre in downtown Muncie, Indiana, when my parents were in court hammering each other over visitation rights post-divorce. This film was the perfect antidote to the trepidation my siblings and I felt that day. So to John Hughes, the cast of the film and anyone else who had anything to do with the making of this film, I thank you. It’s rare the one can point to one person and call them the voice of a generation, but I don’t doubt that anyone who came of age in the early to mid-80s couldn’t at least tip John Hughes as the most likely candidate.

Enjoy the tasty original trailer and if you have yet to watch this puppy, get there people:

Touching documentary I AM CHRIS FARLEY finally comes to theaters today.

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I AM CHRIS FARLEY. Courtesy of Virgil Films

From the directors of A Brony Tale, I Am Evel Knievel, and the upcoming Johnny Cash – American RebelI AM CHRIS FARLEY tells Chris Farley‘s story, from his early days in Madison, Wisconsin and at Marquette University, through his work at the legendary club Second City to his rapid rise to the top of the comedy world on “Saturday Night Live” and in hit films like Tommy Boy and Black Sheep.

I AM CHRIS FARLEY. Courtesy of Virgil Films

I AM CHRIS FARLEY. Courtesy of Virgil Films

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U2 and HBO Announce Documentary and Live Concert Coming in November!

U2

U2 and HBO will debut a unique combination of two exclusive world premiere specials this fall, it was announced today by Michael Lombardo, president, HBO Programming. First, to debut November 7th, a behind-the-scenes documentary offers unprecedented access to the band and the team that worked with them to conceptualize and create its current iNNOCENCE + eXPERIENCE world tour. The following week, the network will present the tour’s November 14th performance, shot at the newly renovated Bercy Arena in Paris and aired exclusively on HBO that same day. Both the documentary and the concert will be available on HBO GO and HBO NOW simultaneous to the programs’ world premieres on HBO. But if you’re into other music genres, you can still search for upcoming concerts near me. 

            “U2 continues to take risks, which has made them one of the most consistently exciting forces in rock’n’roll,” said Lombardo. “The one-two combination of this documentary special, followed by the concert, will provide viewers with the ultimate look at this remarkable band behind the scenes and on the stage.”

The documentary takes a look into the creation of U2’s wildly innovative and widely acclaimed iNNOCENCE + eXPERIENCE world tour, which began May 14 in Vancouver and currently runs through November. The special will detail how a show of this magnitude is conceived, revealing the blood, sweat and imagination that have gone into making iNNOCENCE + eXPERIENCE, the tour that would ultimately “reinvent the arena show,” according to Rolling Stone’s opening-night review.

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Interviews in the documentary include all four members of U2 – Bono, The Edge, Adam Clayton and Larry Mullen Jr. – as well as the supporting cast of Willie Williams, who has created tour concepts for the band for more than 30 years, award-winning designer Es Devlin, newly signed on for this tour, production director Jake Berry, audio director Joe O’Herlihy, executive director Gavin Friday, set designer Ric Lipson and others who bring iNNOCENCE + eXPERIENCE to life around U2’s music, night after night.

The special also explores the challenges and setbacks U2 faced in the months before tour rehearsals began in April, including Bono’s serious bicycle accident in New York last fall, and his — and the band’s — hard road getting back into “fighting shape” for their triumphant return with iNNOCENCE + eXPERIENCE. This exclusive documentary chronicles in detail how these same four friends, who started out as a humble punk band from the Northside of Dublin more than 30 years ago, continue to create magic nightly with the most grandiose, yet most intimate, arena tour ever staged.

On Nov. 14, the audience will see for itself the results of all of that hard work when U2 plays the Bercy Arena in Paris on the iNNOCENCE + eXPERIENCE tour, showcasing the inventive set that allows U2 to explore the concepts of iNNOCENCE + eXPERIENCE via a performance that literally moves throughout the venue via multiple stages, a one-of-a-kind interactive floor-to-ceiling arena-length LED screen that has earned its reputation as the fifth member of U2 on this run, and a radical new approach to surround sound that ensures everyone in the audience sees, feels and hears the show with maximum impact from every seat in the house.

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And of course, there are the songs: The iNNOCENCE + eXPERIENCE setlists span the band’s entire career, from its 1980 debut album, “Boy,” to its most recent effort, “Songs of Innocence.” The concepts of innocence and experience are explored in vivid musical and visual detail, progressing from songs inspired by the members of U2’s earliest influences and formative life experiences through decades’ worth of indelible anthems from the band that has won more Grammys than any other living rock band.

The documentary will be produced and directed by Davis Guggenheim (the Oscar®-winning “An Inconvenient Truth,” plus “Waiting for Superman,” “It Might Get Loud,” featuring U2’s The Edge, and “From the Sky Down,” the 2011 documentary chronicling the recording and release of U2’s 1991 classic “Achtung Baby”) and produced by Shannon Dill, with U2 manager Guy Oseary serving as executive producer.

The concert will be produced by Done And Dusted with executive producers Hamish Hamilton, Simon Pizey, Davis Guggenheim and Guy Oseary. It will be directed by Hamish Hamilton, who has worked with the band since 2001, including such collaborations as “Elevation: Live from Boston,” “U2 Go Home: Live from Slane Castle,” the “Beautiful Day” documentary, and “Vertigo in 2005: Live from Chicago.” The youngest recipient of the BAFTA Special Award, Hamilton has directed and executive produced the London 2012 Olympic and ParaOlympic opening and closing ceremonies, and directed the last six Super Bowl halftime shows, multiple Academy Awards® ceremonies, the “Victoria’s Secret Fashion Show” for more than a decade, President Obama’s inaugural ball, MTV’s VMAs and many more.