CLOSE TO YOU
Dominic Savage‘s CLOSE TO YOU finds Sam as he returns home for the first time in four years. Intense feelings come from every angle as he lives an authentic life for the first time.
Each character experiences a unique form of grief that only those with trans loved ones can speak to. It is a dichotomy of emotions, loss, and celebration. Page and Savage do not sugarcoat it. One particular character provokes with his hypermasculinity, rage, and ignorance. It is an essential part of the narrative. It is raw, tender, tense, and cathartic.
CLOSE TO YOU feels like a documentary from the acting and handheld camera work. The script, co-penned by Page and Savage, is exquisitely crafted. The cast’s chemistry is so organic. The film feels like a genuine ensemble piece, delving into mental health, parenting, fear, and truth.
Hillary Baack delivers a beautiful performance. She gives Katherine a different kind of wound. Elliot Page goes to magic places. We should thank him for allowing us into such an intimate space. Witnessing Page take in the dialogue feels like a privilege. Baack and Page connect on a pure level that pours off the screen.
CLOSE TO YOU delivers a gut punch of complex feelings, like a walk down memory lane for anyone with family drama or deep, unrequited love. As a parent, you will be unable to hold in your emotions. It will hit on a different level. It is undeniably a remarkable and vital film.
Check Out The Trailer Here!
In Theaters Nationwide on August 16!
**World Premiere – 2023 Toronto International Film Festival**
**Official Selection – 2024 BFI Flare**
**Official Selection – 2024 NewFest
Directed By: Dominic Savage
Screenplay By: Dominic Savage
Starring: Elliot Page & Hillary Baack
Produced By: Krishnendu Majumdar, Richard Yee, Daniel Bekerman, Chris Yurkovich, Dominic Savage, Elliot Page
Executive Produced By: Anita Gou, Sam Intili, Nia Vazirani, Francine Maisler, Matt Jordan Smith, Andrew Frank
CLOSE TO YOU tells the story of Sam (Elliot Page) who hasn’t been home since his transition. After four years in Toronto, he takes a long-dreaded trip back to his hometown for his father’s birthday. Once there, he confronts unresolved wounds and reconnects with an old flame.
Close To You had its World Premiere at TIFF last year. Dominic Savage is a British BAFTA award-winning director, writer and actor. He’s known for I Am Ruth (2022), I Am… (2019), Love + Hate (2005) and Barry Lyndon (1975). Dominic and Elliot worked very closely together on the story. Dominic has a unique style in that he writes an outlined script but fully expects it to be a jumping off point for the actors to improvise from. Giving them the time to fully feel the truth of their character and use their own words. Elliot is a producer and also has a story credit and completely trusted Dominic to tell this story.
Kate Walsh (Grey’s Anatomy) is outstanding as a woman on the brink. Her physical performance is seeped in anguish. Walsh is such a pro in tackling characters in the emotional trenches. 13 Reasons Why introduced her to a younger, perhaps even broader audience than Grey’s, and she continues to select roles that showcase her dazzling abilities. 
In filmmaker Miguel Llansó‘s Fantasia 2024 film INFINITE SUMMER, Mia wants to enjoy the last few weeks before moving into higher education. When her close friend decides she’d rather hang out with people closer to her age, Mia dabbles a newfangled mindfulness app that goes awry. Too much of a good thing is never really true. 
The pacing is inconsistent. The wildly sophisticated sci-fi scenes do not match the dragging dialogue. While all the storylines are connected, some characters feel superfluous, thus lacking genuine emotional connection. I could not marry the ups and downs. In the end, the film is visually spectacular but narratively messy. I found myself simultaneously lacking focus but entirely entranced by the special effects. Egert Kanep deserves all the credit for intrigue. While the runtime is only an hour and thirty minutes, it feels much longer. INFINITE SUMMER might be a film best viewed a little high.
For all things Fantasia 2024, 
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Nerea Barros captivates as the titular character. She walks a perfect line between anxiety and persistence. Barros becomes a feminist icon we so desperately need.
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DIRECTOR Joe Stephenson 
Desperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.
Life changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In 
Jack Greig
A commentary on environmental and economic realities, Eunkyoung Yoon‘s Fantasia 2024 feature THE TENANTS hypnotizes with Kafkaesque absurdity in stunning black and white.
THE TENANTS cleverness is through the roof, no pun intended. The fact that Shin-Dong’s landlord is a child makes all the sense in the world to anyone who has stepped into the rental arena in a major city. The near future visual indications, like projected video calls and digital advertising, are seamlessly integrated.
Kim Dae-gun is quietly magnetic as Shin-Dong. Perfectly playing off the enormous physical aura of fellow cast member Heo Dong-won. The audience feels sufficiently sad for him. Shin-Dong’s evolution is mesmerizing, causing viewers to question their morality meter and sanity. THE TENANTS says the quiet parts out loud and is a creative forced look in the mirror.
Directors Julien Maury and Alexandre Bustillo craft an intricate mystery that intertwines folklore and crime. Screenwriters Annelyse Batrel and Ludovic Lefebvre skillfully adapt the French novel by Alexis Laipsker, keeping audiences off-kilter and second-guessing. 
Performances from our two leads are stellar. Virginie Ledoyen gives Elisabeth deep personal darkness stemming from unimaginable loss. Paul Hamy makes Franck down to earth in an indescribably tangible way. Their chemistry is a fantastic mix of caution, stubbornness, and authentic partnership. They make a genuinely solid on-screen team. 
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The attention to detail in world-building is delicious. The jewel-toned costumes and set dressings draw you in. Natural light, candles, and soft-bulbed corner lamps create an atmosphere that makes your heart race from the very beginning. 
Ashleigh Cummings and James Cosmo ground the narrative with emotionally wrought performances. Kit Harington proves yet again his ability to fill a frame with little more than a facial expression. Harington keeps the audience on their toes with fierce volatility. His chemistry with fellow cast members is alarming. 
Caoilinn Springall delivers an astonishing turn as young Willow. Her performance in Stop Motion turned heads. Her vulnerability and fierce curiosity keep you entranced every second. She is a star. 
Ladi Emeruwa is a star. He exudes effortless charm, diving headfirst into Eddie’s unresolved trauma and the ensuing panic attacks. Emeruwa’s ability to grab the audience is a filmmaker’s dream. He has that ” It” factor in spades. 
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Graphic novel animation serves as visually delightful childhood memories surrounding Lola’s backstory with the villain. The poster is undoubtedly an homage to Black Christmas, and the classic trope of a killer in a Santa suit plays, ala Silent Night Deadly Night, still rules.
Jeremy Moineau gives Lola an effortlessly badass persona but beautifully balances toughness with authentic vulnerability. Her monologue about the town’s history is perfection. 
A road trip through Canadian oil fields conjured up fantasies of secrets deep in the dirt for the Adams family, and inspired them to create HELL HOLE, an indie rock-n-roll monster movie set at a far-away fracking site. Known for their DIY ethos, John and Lulu Adams and Toby Poser, partnering with Shudder, have joined the team behind The Last Drive-In with Joe Bob Briggs and FX legend Todd Masters to shoot their latest in Serbia with a local cast and crew. Absurd, mutinous, and transgressively comical, Hell Hole is old-school sci-fi horror, yet in typical family fashion, they subvert the genre with textures of biological and environmental horror in tandem with questions of gender and bodily autonomy. This will be the fourth time Fantasia World Premieres work from the gifted filmmaking family, following launches of 
After the success of 
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The stunning sophomore feature from award-winning director Carlota Pereda (
My favorite shorts collection of the year, this wildly eclectic and insanely talented group of female filmmakers aims to please, shock, and gag audiences. You never know what you’ll get with each passing year and I get giddy in anticipation. Fantasia 2024’s Born Of Woman lineup includes the following films:
THE BLEACHER
WILDFLOWER
DEAD TOOTH
Tribeca 2024 Shorts
Short | United States, France | 18 MINUTES | English, French | English subtitles
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