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‘THE MISSING (Fantasia 2024) Beautiful digital rotoscope animation unfolds a genre-defying film.

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Fantasia 2024 logoTHE MISSING

The Missing poster

Eric has a well-paying job as an animator, a crush on a co-worker, and harbors a secret. Filmmaker director Carl Joseph Papa brings Fantasia 2024 audiences his third feature-length animated film, THE MISSING. Hindering Eric’s new romance are the memories triggered after discovering his estranged uncle dead. Can Eric finally find his voice? 

The_Missing_02The longer Eric waits to tell his loved ones, the stranger his life gets. An alien threatens to take him back to outer space. He is losing time, and his body parts are falling off. This aspect is particularly upsetting because he is literally missing his mouth. This creative metaphor becomes the backbone of THE MISSING. 

Digital Rotoscope adult animation often has a heavy feel. In the last 20 years, films like A Scanner Darkly (which blew my mind in 2006), The Spine of Night, and The Peasants give audiences a similar vibe. It is undoubtedly a cinematic wonder, drawing your eye to places you might not otherwise look had filmmakers shot on digital or even traditional film. There is a beauty that harkens back somewhere between Henri Matisse and Disney. 

The_Missing_04I wasn’t aware that I grew up on Rotoscope films before doing a quick Google search. Some of my most beloved childhood films fall into the genre- The Lord of the Rings (1978), The Secret of NIMH (1982), and Anastasia (1997). First introduced in 1918, I had no idea the process was so old. THE MISSING stylistically mirrors The Spine of the Night rather than Alice In Wonderland. 2D animation illustrates Eric’s childhood memories in a stunning visual contrast that serves a dual purpose. The choice to childishly scribble over Uncle’s face speaks volumes. It is a visually captivating film. 

Carlo Aquino is esquisite as Eric. The vulnerability that flows from Aquino without dialogue is astonishing. What a star. Backed up by the extraordinary duo of Dolly De Leon and Gio Gahol, THE MISSING is a uniquely crafted metaphor for unresolved trauma. It’s a poignant exploration of abuse, grief, and healing, and a creative catharsis.

Remaining Screenings of THE MISSING:

Sun August 04, 2024
5:15 PM

Salle J.A. De Sève
PRESENTED WITH The Sun, Moon and the Mountain

BUY TICKETS
 

OFFICIAL SELECTION

Annecy International Animation Festival 2024
Palm Springs International Film Festival 2024
International Film Festival Rotterdam 2024
Osaka Asian Film Festival 2024
Queer East Festival 2024

HONORS

Best Supporting Actress for Dolly de Leon – Cinemalaya Independent Film Festival 2023

Philippines’ submission to the 96th Academy Awards

Best Film – Cinemalaya Philippine Independent Film Festival 2023

NETPAC Award – Cinemalaya Philippine Independent Film Festival 2023

For all things Fantasia 2024, click here!

SHUDDER news: ‘THE SPINE OF NIGHT’ to premiere exclusively on SHUDDER on MARCH 24

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Shudder, AMC Networks’ premium streaming service for horror, thriller, and the supernatural, announced that The Spine of Night will be available exclusively to stream on the platform starting on Thursday, March 24, 2022. As a Shudder exclusive, the platform will be the only subscription service that will carry the film in the U.S., Canada, the United Kingdom, Ireland, Australia, and New Zealand.

 The Spine of Night stars an all-star cast of Richard E. Grant (Can You Ever Forgive Me?), Lucy Lawless (“Xena: Warrior Princess”), Patton Oswalt (Young Adult), Betty Gabriel (Get Out), and Joe Manganiello (“True Blood”). The film was co-written and co-directed by Philip Gelatt and Morgan Galen King.

 In The Spine of Night, an ultra-violent fantasy epic, ancient dark magic falls into sinister hands and unleashes ages of suffering onto mankind. A group of heroes from different eras and cultures must band together in order to defeat it at all costs.

THE SPINE OF NIGHT TO PREMIERE EXCLUSIVELY ON SHUDDER ON MARCH 24

 ABOUT SHUDDER

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand. To experience Shudder commitment-free for 7 days, visit www.shudder.com.

 

Review: ‘The Spine Of Night’ is classically epic and ultra-violent adult animation.

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Synopsis: Heroes band together to face ancient, dark magic that falls into sinister hands.

Fantasy, folklore, and bloody horror are on full display in this unique animated film. It’s a story of neverending violence and rule. The Spine Of Night is a glorious retelling of past, present, and inevitable futures, as knowledge, magic, and power are on the line. The cast is extraordinary. Two performances, in particular, stand out in my mind. As The Guardian, Richard E Grant‘s performance is exquisite. His voice and rhythm are so iconic. Lucy Lawless is the lifeblood of Tzod. She projects strength and vulnerability through her performance, and it is captivating. 

The Spine Of Night is often a whirlwind of information. Numerous lands and leaders collide through time. Keeping track proved slightly challenging for me, but that does not lessen its epicness. I would watch a live-action version in series form. The hand-drawn rotoscope work is impressive. The physicality of the characters feels organic, which is usually difficult to produce in animation. Some retellings are in the style of black shadow form backed by ever-evolving colors. It’s a nice switch up for that particular section. Even if the amount of information feels overwhelming at times, The Spine of Night is a timeless fantasy. It will stand among the likes of Willow, Game of Thrones, and The Hobbit. It’s good versus evil in its most sincere form. 

RLJE Films will release the fantasy horror animated film THE SPINE OF NIGHT in theaters, on-demand and digital October 29, 2021.

Starring: Richard E. Grant, Lucy Lawless, Patton Oswalt

Directed By: Philip Gelatt, Morgan Galen King