Mola: A Tibetan Tale of Love and Loss
Filmmakers Martin Brauen and Yangzom Brauen give SXSW 2025 audiences many things in their intimate documentary Mola: A Tibetan Tale of Love and Loss. Kunsang Wangmo is a firecracker. A Tibetan nun exiled from her homeland in 1959 to escape the Chinese occupation turns 100, and her final wish is to die in her homeland. The film explores respect, a stunning cultural snapshot, and generational healing.
The audience gets a boot camp lesson in Buddhism. The religion relies on the concept of embracing life to achieve full consciousness. In this practice, death is more fulfilling. Mola displays respect for all creatures through prayer and everyday gestures, some as small as encouraging flies to feast upon her leftover fruit.
Archival footage from Tibet is equal parts magical and devastating. Mola recalls her life’s journey in voice-over narration. Her harrowing escape to an Indian refugee camp as a young mother is difficult to hear but hauntingly parallels the current global upheaval. Twelve years later, a move to Switzerland with Sonam and Martin changed everything, finally providing well-deserved stability and forty-five years of family life.
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However, the underlying generational trauma manifests in a contentious mother-daughter relationship. Mola uses humor and cutting words as shields. Patrick Kirst‘s score captures each beat, whether melancholy or joy. Sonam wishes for her to stay for all the reasons one would expect a loved one to feel.
Mola’s birthday wish is to go home. Martin works diligently toward obtaining a visa for her return to Tibet. After months of back-and-forth emails, Mola begins a new adventure in her homeland, while Sonam starts a new stage of grief. Watching her mother experience pure joy after 40 years is draining. Six months later, the Chinese government denied Mola’s visa renewal, but she is ready to return to Switzerland. Unsurprisingly, Mola’s health rapidly declines upon her return, and a new wave of acceptance falls upon the shoulders of the entire family. Witnessing the decline of a loved one is something you can never prepare yourself for.
There is something peaceful about MOLA. Its quiet, contemplative nature delivers an unexpected universality. It honors the life of a woman whose faith extended until her last breath.
Kunsang Wangmo – known as “Mola” to her family – is a Tibetan nun exiled from her homeland in 1959 to escape the Chinese occupation. Now 100 years old, and after living with her daughter Sonam in Switzerland for the past 45 years, she decides her last wish is to die in Tibet. This is the story of a mother and daughter coming to terms with this phase in Mola’s life, and Sonam and her husband Martin’s journey to make Mola’s last wish come true.
Yangzom Brauen
Yangzom is an award-winning Film & TV Director recognized for her short film Born in Battle, which won UNESCO and audience awards. She has directed over 30 hours of TV, including NCIS LA, Hawaii Five-0, and American Horror Stories. A bestselling author of Across Many Mountains, she’s a passionate Tibetan Freedom advocate, fluent in five languages.
Martin Brauen
Martin Brauen (b. 1948) is an anthropologist, curator, and author specializing in Tibetan, Nepalese, Bhutanese, and Japanese cultures. Former chief curator of the Rubin Museum in NYC, he has curated nearly 100 exhibitions and authored many works, including The Mandala. A filmmaker, he explores cultural traditions through films and 3D animations.
Credits
Directors:
Yangzom Brauen, Martin Brauen
Executive Producer:
Sonam Brauen, Martin Brauen, Yangzom Brauen, Daniel Stanca-Di Marco, James Haygood, Michael Raimondi
Producer:
Katherine LeBlond
Screenwriter:
Yangzom Brauen, Martin Brauen
Cinematographer:
Martin Brauen, Yangzom Brauen
Editor:
James Haygood, Samir Samperisi
Sound Designer:
Peter von Siebenthal, Arlind Sermaxhaj, Eliot Martig
Music:
Patrick Kirst
Principal Cast:
Kunsang Wangmo, Sonam Dolma Brauen, Martin Brauen
Additional Credits:
Co-Producer: Kevin Merz, Co-Producer: Samir Samperisi, Co-Producer: Silvana Bezzola Rigolini, Co-Producer: Michael Beltrami, Co-Producer: RSI Radiotelevisione Svizzera
Credits
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