BUFF23 review: ‘MISTER ORGAN’ is a terrifying and infuriating story of a con man.

MISTER ORGAN

Journalist David Farrier takes audiences on a baffling five-year story that began as a car park scam that swiftly became the investigation into the chase of a professional con man. Michael Organ is a master manipulator, a gaslighter, a world twister, and a terrifying person. He can spot a victim in an instant. He is an evil parasite.

Farrier is fearless. He faces the monster head-on by inviting Michael to participate in the investigation under the guise of a documentary. Feigning dumb, Farrier allows Organ to blow smoke, knowing full well that every word is a lie. Weaving in interviews with a barrage of former roommates and targets in between, most of whom are terrified to show their faces in fear of retaliation. We see a picture of a devious man doing as he pleases to intimidate everyone.

Organ’s favorite thing is to hear the sound of his voice. He is a sociopath. He reminds me of Trump. Farrier’s ability to sit in on the long conversations astounds me. We feel his palpable exhaustion, confusion, and frustration. Digging into Organ’s family, Farrier hits a wall. No one wants to talk. Will this con artist ever see real consequences? David Farrier sums the experience up for the audience. “Michael Organ is a black hole, and I’ve fallen in.” BUFF23 audiences are not ready for the madness.


BOSTON UNDERGROUND FILM FESTIVAL 2023

Review: Based on the true events, ‘The Lost King’ is a charming story of one woman’s mission to correct history.

THE LOST KING

*World Premiere – TORONTO INTERNATIONAL FILM FESTIVAL 2022*

Underappreciated and taken for granted, Phillipa Langley gets a bee in her bonnet when she sees a production of King Richard III. Something compels her to start reading about the lost king. In a deluge of research, she falls down the rabbit hole, only to make one of the most astounding discoveries in history.

Two dominant themes in The Lost King are disability visibility and gender bias. Phillipa feels a kinship with Richard, angered he has been deemed a monster due to his severe scoliosis. It seems Shakespeare had a hand in demonizing his appearance for these years. The historical digging that happens in the film is eye-opening. She is whipsmart and undeterred in her mission to clear King Richard’s sullied reputation. We feel the frustration as Philiipa comes up against men taking credit for her work. Cheering her on when she stands up for herself, choosing to spread a strong feminist message to young girls rather than chase the fame regaled onto male archeologists on her dig.

The film’s magical realism adds a beautiful element to Phillipa’s journey. It highlights the emotional pull to finish her search. Not to mention how charming actor Harry Lloyd is as Richard. Steve Coogan plays Phillipa’s ex-husband John, a man going through a mid-life crisis who grows to respect Phillipa’s passion for her subject. Coogan is an icon and is no less intriguing in this role. Sally Hawkins plays Phillipa. Her ability to live in a character’s skin is magnificent. Her physicality dazzles. She can do no wrong in my book. Her enthusiasm is contagious.


EXCLUSIVELY IN OVER 750 THEATERS ON MARCH 24, 2023


In the archaeological find of a century, the remains of King Richard III — presumed scattered over 500 years ago — were discovered under a parking lot in Leicester in 2012. The search was spearheaded by amateur historian Philippa Langley, whose passion and unrelenting research were met with skepticism by the academic establishment. Directed by two-time Oscar® nominee Stephen Frears (The Queen, “A Very English Scandal”) and starring two-time Oscar nominee Sally Hawkins (The Shape of Water, Spencer) as Langley, The Lost King is the inspiring true story of a woman who refused to be ignored and took on Britain’s most eminent historians, forcing them to rethink the legacy of one of the most controversial rulers in English history. A tale of discovery, obsession, and stolen glory (both then and now), The Lost King is a magical adventure illuminated by one woman’s awakened sense of purpose.


CAST: Sally Hawkins, Steve Coogan, Harry Lloyd

DIRECTED BY: Stephen Frears

WRITTEN BY: Steve Coogan and Jeff Pope

PRODUCED BY: Christine Langan, Dan Winch and Steve Coogan

EXECUTIVE PRODUCED BY: Jeff Pope



Run Time: 108 minutes

Distributor: IFC Films

Review: ‘SCRAP hides unresolved trauma behind bad behavior.

Beth (Vivian Kerr) has recently been laid off and struggles to maintain the appearance of a successful middle-class lifestyle as she bounces around Los Angeles. Hoping to land a new job and change her situation before her estranged older brother Ben (Anthony Rapp) finds out, Beth must confront her own pride in order to reconnect with him and provide for her young daughter Birdy. Meanwhile, Ben and his wife Stacy (Lana Parrilla) consider a third round of IVF and Stacy, a successful attorney, must re-evaluate her own conflicted relationship with motherhood.


Writer-director Vivien Kerr brings a story of estranged siblings Beth and Ben. One thrived, while the other faltered after the death of their parents. Beth lives in her car, spending beyond her means and shirking parenting responsibilities of her 5-year-old daughter, while Ben is a successful fantasy novelist whose wife is going through IVF.

Beth is not a likable character. She is a selfish mess. Underneath is deep unresolved trauma that manifests in habits like spending money as a coping mechanism, endless lying, and terrible decision-making. Kerr lives in the role. You will grapple with supporting her self-destructive behavior. Anthony Rapp plays Ben with a gentle tone. He carries palpable guilt for things beyond his control. Rapp is excellent. He effortlessly embodies a man in a quiet emotional crisis.

I feel like SCRAP would do well as a series. Kerr gives us just enough backstory to reel us in, and there is a complexity that drives Beth and Ben. I would love to see more of their childhood. SCRAP allows for a redemption story and one of healing. I feel compelled to ask Kerr for more of this family. The film speaks to a vast number of Americans struggling to stay afloat. It is unimaginably relatable.




SCRAP was written, directed, and produced by Vivian Kerr and was produced by Rachel Stander. The film has a running time of 105 minutes and is available for sale in all territories.

The film had its World Premiere at Deauville International Film and is currently screening as part of Cinequest where it recently had its US Premiere.



SCRAP WILL SCREEN AT THE PHOENIX FILM FESTIVAL AT THE FOLLOWING TIMES:



​Friday, March 31st, 2023 – 2:25pm
Saturday, April 1st, 2023 – 4:35pm
Sunday, April 2nd, 2023 – 4:40pm
​ (Harkins Scottsdale 101 Theater)


 

Review: ‘THE WORST ONES (Les Pires)’- art imitates life in this beautifully moving film.

Set in the suburbs of Boulogne-Sur-Mer in northern France, The Worst Ones captures a film within a film as it follows the production of a feature whose director turns to the local Cité Picasso housing project for casting. Eager to capture performances of gritty authenticity, the director selects four working class teenagers to act in the film to the surprise and consternation of the local community, who question the director’s choice of “the worst ones.” As the director and crew audition, rehearse, film, and interact with their hand-picked cast, jealousies are stoked, lines are crossed, and ethical questions arise, with thought-provoking and at times darkly funny results. Winner of the top prize in the Un Certain Regard section of the 2022 Cannes Film Festival, The Worst Ones announces directors Lise Akoka and Romane Gueret as exciting new voices in French cinema.


THE WORST ONES is a meta-narrative that succeeds in conveying hope through hardship. Not only does the film shine in its storytelling, embracing heartbreak and socioeconomic trauma, but the performances also by our four young actors will hypnotize the viewer. Check out the clip below for a taste:

Timéo Mahaut and Mallory Wanecque play the theatrical brother and sister duo, Lily and Ryan. Each pulling from the script an element of abandonment and aggression. This recurring theme is “permission to feel,” The screenplay skillfully taps into the idea that these children struggle to experience a traditional childhood when food, parents, stability, and peace seem out of reach. Their casting becomes the ultimate healing outlet. THE WORST ONES boasts a compelling film-within-a-film structure with an ending that leaves an impression on your soul.

 


Cannes award-winning feature THE WORST ONES (Les Pires), will open theatrically today in New York on March 24 (The Quad) and in Los Angeles on April 7 (Laemmle Monica) with additional cities including Chicago, Denver, and more to follow.

BUFF 2023 review: ‘SMOKING CAUSES COUGHING’ is Quentin Dupieux at his finest.

SMOKING CAUSES COUGHING

Keep an Eye Out and Incredible But True director and master of the absurd, Quentin Dupieux, brings his latest film, SMOKING CAUSES COUGHING, to BUFF 2023 audiences. A brilliant bait-and-switch, this bizarre superhero team film is not what it seems.

Structured as a deranged knockoff of the Power Rangers, the film follows the superhero crew Tobacco Force. Ordered to go on retreat to recharge their relationship, their Chief, a scrawny puppet akin to TMNT Master Splinter, warns them of the ultimate intergalactic evil. Within the larger narrative, the film soon pivots to a campfire story anthology, each tale wilder than the last. Murder, mayhem, an industrial accident, and forbidden love all mix in Dupieux’s most bizarre film yet.

Quentin Dupieux’s style screams off the screen. You never know what weirdness comes next. He makes it a habit of pushing the envelope. The limit does not exist in his dialogue. Jokes often go on for longer than the audience expects. That is quintessential Dupieux. SMOKING CAUSES COUGHING is yet another over-the-top entry, and BUFF23 audiences are in for an unforgettable time. Heads up, stick around for the credits.


BOSTON UNDERGROUND FILM FESTIVAL 2023

BUFF 2023 review: Kirby McClure’s ‘SPAGHETTI JUNCTION’ is sci-fi meets family drama.

SPAGHETTI JUNCTION

August lives with her troublemaker sister and a father stuck in mourning. Navigating the world with a newfound physical disability, she discovers a mysterious traveler needing her help. Filmmaker Kirby McClure brings BUFF23 audiences an otherworldly story of belonging with SPAGHETTI JUNCTION.

With music by HEALTH and the constant din of cicadas, an overarching ominous feeling follows August from start to finish. The lighting plays a beautiful role, from sunsets to firelight, natural light to pink hues surrounding Shiny. DP Kristian Zuniga creates a dizzying and awe-inspiring perspective with a mix of drone and handheld camerawork.

Eleanore Miechkowski plays Shiny with manic energy. She is perfectly loathsome, and that is a compliment. Jesse Gallegos is Antonio. His entire aura is punchable but perfect.

Cameron McHarg plays August’s father with equal parts empathy and fury. His performance brings the story back down to Earth (pun intended). Tyler Rainey is The Traveller. I could not keep my eyes off him. His theater training serves this role perfectly.

Cate Hughes plays August with a grounded curiosity and natural delivery. From beat to beat, her ability to adapt is breathtaking. She’s a star. Her chemistry with Rainey creates an undeniably captivating emotional journey.

The script is complex. I have so many questions. Breaking it down to its most basic concept, two wounded souls seek a tranquil existence. The further into the story, the more intriguing. So much so that I exclaimed, “Oh, shit!” at one unexpected revelation. SPAGHETTI JUNCTION might fair better as a limited series, but there is much to explore in McClure’s creation, and surely enough to grab viewers’ attention.


BOSTON UNDERGROUND FILM FESTIVAL 2023

BUFF 2023 review: ‘THE UNHEARD’ takes sensory overload to the extreme.

THE UNHEARD

Jeffrey A Brown  (The Beach House) brings B7FF 2023 audiences THE UNHEARD. The film follows Chloe, a young deaf woman who undergoes an experimental treatment to restore her hearing. While recuperating at her family’s beach house, auditory hallucinations and family secrets haunt her. Writers Michael and Shawn Rasmussen explore the impact of sound in everyday life through a series of heartache and small-town mystery.

Disability recognition and accessibility weren’t something I gave too much energy to until my son was diagnosed with ASD. I’ve found myself an advocate these past seven years, bringing attention to neurodiversity and education. THE UNHEARD gives audiences a taste of living with a disability in a straightforward and equally creative way. The Rasmussens understood the assignment and heightened the issue with a supernatural thriller.

Brendan Meyer (The Friendship Game) plays Joshua with a gentle approach. He deserves more screen time. Lachlan Watson (Only The Good Survive) is sensational. They handle the physical and emotional weight like a pro, weaving in and out of pain, fear, and curiosity at any moment.

The Unheard has meticulous sound editing. The silence places us into the mindset of Chloe. It is jarring at first but draws your attention to everything minute detail. You find yourself more cognisant of every noise. THE UNHEARD boasts clever cinematography, subconsciously building a claustrophobic environment with tight shots and the alarmingly quiet Cape Cod off-season location. It’s a slow-burn mystery that puts you through the wringer. BUFF 2023 audiences got an all-sensory experience, and Shudder subscribers are in for something unnerving.

THE UNHEARD streams on SHUDDER on March 31st.


BOSTON UNDERGROUND FILM FESTIVAL 2023

BUFF 2023 review: ‘STAND BY FOR FAILURE: A NEGATIVLAND DOCUMENTARY’ walks a brilliant tightrope between art and culture.

STAND BY FOR FAILURE: A NEGATIVLAND DOCUMENTARY

BUFF 2023 documentary feature STAND BY FOR FAILURE is an acid trip in creativity. An explosion of overlapping media and audio, jump cuts, and dissolves are mind-bending. Filmmaker Ryan Worsley takes us on a journey through Willy Wonka’s creepy ass tunnel whether or not we want to ride. Welcome to the world of Negativland.

David Wills, Don Joyce, Ian Allen, Tim Maloney, Chris Grigg, Mark Hosler, Peter Dayton, Jon Leidecker, Mark Gergis, Peter Conheim, and Richard Lyons embrace creativity to make things that have never existed before. Mixing home videos, commercial clips, photographs, and creative sound editing of everyday items like a toilet flush, Negativland comes to life. Beginning in 1980, bizarre albums and a radio show with live on-air mixing caught an unexpected audience’s attention. A lawsuit with U2 over some cover art got them a different kind of attention. Negativland turned that into a book. These guys are smart. Negativland exposes the intersection of culture and profit.

Immaculate editing from Worsley wows from the very first frame. The film includes videos from their live stage shows and studio time. It is fascinating to witness their genius in real-time. The film slyly reveals how the media sculpts our perception of life. You might not immediately realize how relevant the film is today. David Wills’ ramblings teeter on the edge of madness and insanity. Are we witnessing an unstable person’s stream of consciousness or an artist holding a mirror up to society? Who’s to say? As a whole, the band, and the film, are unafraid to cross the line and blow your mind.

As a theatre kid, a singer in a ska band, a podcaster, a writer, and a general weirdo, the film is tailor-made for my sensibilities. It is hypnotizing. It deserves a watch in IMAX or a planetarium. For maximum effect, it should show in every modern art museum. STAND BY FOR FAILURE: A NEGATIVLAND DOCUMENTARY is an undisputed must-see.


Boston Underground Film Festival 2023

SXSW 2023 documentary review: Dan Covert paints a picture of art and artist in ‘GEOFF MCFETRIDGE: DRAWING A LIFE’

GEOFF MCFETRIDGE: DRAWING A LIFE

The mind of an artist is a splendid thing. SXSW 2023 doc GEOFF MCFETRIDGE: DRAWING A LIFE delves into the wondrous mind of a nurtured creative. Director Dan Covert puts a face and a name to the work we’ve seen for years. Meet Geoff McFetridge, graphic designer, visual artist, and family man.

Geoff’s animated drawings curiously play over his voice. Combined with the equally infectious score, you are instantly charmed. Talking heads of fellow artists, filmmakers (friends Sofia Coppola and Spike Jonze), writers, photographers, and every creative in between share their admiration of Geoff’s mind. As a child seeking identity, Geoff used drawing as an outlet. It helped him to explore his inner turmoil. Poems describe childhood moments with effortless glee. These are yet another form of communication.

“Running on ambition.” Geoff is obsessed with his process, his created color palette, and the perception of his work. Balancing his passion and his family only works because of his wife, Sarah Devincentis. She pulls him out of his angst. He 100% credits her for their work-life harmony.

Geoff uses the most minimal lines possible, and still, his work expresses life’s mundane snapshots in wildly profound ways. They are spellbinding pieces. There is something in his repertoire for every human. Geoff’s is a hot commodity in the corporate world, from Nike, Oreo, Apple, and everyone in between. Geoff is that artist you know, but you don’t know you know. Ya know? Thanks to Dan Covert, now the whole world will.


Film Screenings

 
 

Credits

Director:

Dan Covert

Executive Producer:

Spike Jonze, Andre Andreev, Amanda Adelson

Producer:

Dan Covert

Screenwriter:

Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg

Cinematographer:

Claudio Rietti, Daniel Vecchione

Editor:

Erik Auli, Dan Covert

Sound Designer:

YouTooCanWoo

Music:

YouTooCanWoo: David Perlick Molinari, Derek Muro

Principal Cast:

Geoff McFetridge, Spike Jonze, Sofia Coppola, Sarah DeVincentis, Andrew Paynter, Bill Powers, Liv Siddall, Atiba Jefferson, Jesper Elg, Andy Spade

Additional Credits:

Co-Producers: Erik Auli, Amy Dempsey, Tara Rose Stromberg, Still Photography: Andrew Paynter, Camera Operators: Tucker Phillips, Andre Andreev, Andrew Trost, Sean Mattison, Connor Lawson, Adam McDaid, Herbie Wei, Sound Mixing: Matteo Liberatore, Ben Adams, Kelly Wright, Kevin Crawford, Cel Animation: Hao Li, Additional Animation: Colin Hess, Archival Researcher: Richard Kroll

SXSW 2023 short film reviews: ‘ENDLESS SEA’ & ‘FUNNY FACE’ are two stories of humanity and compassion.

ENDLESS SEA




 Follows Carol, an elderly woman on Medicare in New York City, as she struggles through the US healthcare system, a reality faced by millions of Americans who find themselves stuck between a rock and a hard place.


Carol navigates the healthcare system after finding that her heart medication has quadrupled in price. Doing all she can to pay for her pills, she hustles through Valentine’s Day, calling in favors, delivering flowers for tips, and waiting on hold with Medicare customer service. ENDLESS SEA culminates in a choice between life and death. Brenda Cullerton plays Carol brilliantly. She breaks your heart with unfiltered vulnerability and desperation.

Did you know we are the only country that advertises drugs? Profit over people, I guess. I lived in India in 2008 and had a health scare. I walked into a top hospital, saw the head of the ER, a specialist, got a biopsy, a mammogram, and results on a scanned card and printed in a folder I got to take from appointment to appointment, all for $73. The American healthcare system is broken. ENDLESS SEA illustrates the chaos of remaining healthy or merely staying alive in this country. In a short amount of time, this film packs a punch. It’s a must-see.


Film Screenings

 
Mar 15, 2023
6:30pm8:12pm
 

Credits

Director:

Sam Shainberg

Executive Producer:

Henry S., Alex O Eaton, Sam Shainberg, Catherine Shainberg

Producer:

Rachel Walden

Screenwriter:

Sam Shainberg

Cinematographer:

J. Daniel Zuniga

Editor:

Luca Balser

Production Designer:

Charlie Robinson

Sound Designer:

Eric Brown

Principal Cast:

Brenda Cullerton, Jacque Sebag , Iskandar Dridi, Johnny Zito, Vilma Ortiz Donovann, Nora Delighter, Alexandra Templar , Basil Constable, Anne Zuk , Muhammad Gueye

Additional Credits:

Casting Director: Eleonore Hendricks, 1st AC: Carlos Amador Wong, Gaffers: Adam Kim, Vuk Lungulovk, Wardrobe: Emily Costantino, Sound Mixer: Boris Krichevsky, Art Directors: Holly Mcclintock, Key Grips: Jordan Tetewsy, Eli Freireich


Live-action FUNNY FACE




An autobiographical dramedy that retells Harris’ experience directly following her facial feminization surgery with the support of her brother and girlfriend, played by their real-life counterparts.


From the filmmakers of GAY HAIRCUT, SXSW 2023 short film FUNNY FACE brings audiences a conversation starter. The plot revolves around the hours following Sophie’s ten-hour face feminization surgery. It’s a family affair with her girlfriend and her brother from out of town, who are also meeting for the first time. Both take on the in-home care nurse who’s too wrapped up in her drama to do her job or be a human being. Funny Face is about respect and sacrifice, identity and love. The script is grounded in emotional honesty. It allows space for discussion while remaining lighthearted. Writer-director Jude Hope Harris retells her very personal story with her real-life family in the starring roles. Amusing, thought-provoking, and brave. FUNNY FACE is one to see.


Film Screenings

Credits

Director:

Jude Hope Harris

Producer:

Genevieve Jones, Nick Vitale

Screenwriter:

Krista Fatka, Jude Hope Harris

Cinematographer:

Ingrid Sanchez

Editor:

Aviva Siegel

Music:

Charlie Harrison

Principal Cast:

Charlie Harrison, Krista Fatka, Sharon Zhang, Marieve Herington, Jude Hope Harris

Additional Credits:

Special Effects Makeup Artist: Kyrsta Morehouse

SXSW 2023 TV review: Sci-fi episodic ‘SHATTER BELT’ is the mindfuckery we hoped for from James Ward Byrkit.

SHATTER BELT

From director James Byrkit (Coherence) comes a collection of stories from the other side of consciousness.

A modern mind-bender for a new generation, Shatter Belt dives head first into the deep end of questions about our relationship to reality.


Episode Two: Immotus
Schrödinger’s cat meets If A Tree Falls in the Wood meets the internet age. An internet channel covers a seemingly innocuous apple that becomes a global viral sensation when it does not age and cannot be touched by humans. Panic and chaos ensue.

Episode Three: The Specimen
Patton Oswalt plays a writer looking for his big break. The subject of his impending article is a quote I have said for years. Oswalt races against time to get his laptop and work out of hock. His good graces wear thin with everyone in his life. Juxtaposed this story with a team of archivists in the museum, Episode Three is a shockingly profound misinterpretation of history. It is lovely, and Oswalt captures the hearts of the viewer instantly.

Episode Four: Pearls
The absurdity of high-concept cuisine, business jargon, and how both are a load of bullshit. Once again, the performances, storyline, and magical realism wow.

SHATTER BELT comes as no surprise to fans of James Ward Byrkit‘s brilliant film Coherence. This episodic creation allows audiences to have their minds blown, shaking their heads and reintroducing watercooler discussion after each story. This is solidly mesmerizing writing.


Film Screenings

 
Mar 14, 2023
11:00am12:34pm
 

Credits

Showrunner:

James Ward Byrkit

Director:

James Ward Byrkit

Executive Producer:

James Ward Byrkit, Alyssa Byrkit, Olaf Carlson-Wee

Producer:

Tom Cline, Laura Evans

Screenwriter:

James Ward Byrkit

Cinematographer:

Mitchell Orcino, Chris Cuthbert

Editor:

James Ward Byrkit, Adam Parker, Tucker Marolf

Sound Designer:

Andrew Hay

Music:

Kristin Øhrn Dyrud

Principal Cast:

Abigail Spencer, Patton Oswalt, JJ Nolan, Elimu Nelson, Julie Zhan, Dale E. Turner, Annie Ruby, Catherine Lidstone, Maury Sterling, Richard Follin

SXSW 2023 documentary review: ‘ART FOR EVERYBODY’ reveals the darkness inside the painter of light.

Art For Everybody

The brand vs. the man. In the 90s, looking at a Thomas Kinkade painting felt like peering into a storybook. But Miranda Yousef‘s SXSW 2023 doc ART FOR EVERYBODY shows audiences that the self-appointed “Painter of Light” was, in truth, filled with darkness the public never saw. Could a dream lead to the discovery of his entire body of work? Prepare for your shining vision of the world’s most marketable artist to change color. His family, friends, fans, and critics speak about the man they knew.

You could not escape Kinkade work in the 90s. There were calendars, postcards, commemorative plates, and entirely dedicated galleries in the mall of idyllic cottages. As an English lit nerd, I remember being enamored by his paintings. So much so that I almost dropped $600 on a piece in my early 20s. I did not have that kind of money to spend on art back then.

Critics hated him. Kinkade didn’t align with the idea of what real art is, so he took it as a business opportunity to lean into a facade of marketable Christianity. The ego is the most cringeworthy part of the story. Outtakes from the numerous video archives are increasingly abrasive and eye-roll-inducing. Then the spiraling behavior. The film reveals a more nuanced side to the man. Original audio from Thom at age 16 echoes behind photographs from his youth should have tipped us off from the beginning. Once his daughters open his vault, the real Kinkade spills into reality. His family drops the forced filter they used to keep up in front of the cameras. Thomas Kinkade becomes a shattered image.

It’s a conversation about how art affects your soul, the nuance of the industry, and how creativity can be an outlet for trauma. ART FOR EVERYBODY is a complex portrait of how we bought a fake.


 

Film Screenings

Mar 13, 2023
5:45pm7:23pm
 
Mar 15, 2023
8:45pm10:23pm
 
Mar 16, 2023
12:30pm2:08pm
 
Mar 16, 2023
1:00pm2:38pm
 

Credits

Director:

Miranda Yousef

Producer:

Morgan Neville, Tim Rummel

Cinematographer:

Tasha Van Zandt

Editor:

Miranda Yousef, ACE

SXSW 2023 documentary review: ‘PLAN C’ features the saving grace of abortion access.

PLAN C

*This review originally appeared on AWFJ.org*

The modern-day version of The Janes are revolutionaries protecting people who seek abortion access in SXSW 2023 documentary PLAN C. Elisa Wells and Francine Coeytaux are co-founders and the creator of the organization Plan C. “They are not providers. They share information.” They and their team of doctors and regular women across the globe do everything they can to provide the healthcare that is being stripped away by the minute.

The film begins in 2019 and progresses into 2023. As the laws change and public tensions rise, tactics must shift in kind. In-person meetings turn into zoom calls. When the 6-week abortion ban took effect in Texas on September 1st, 2021, Francine got extra creative, making QR code stickers that led to the site and paying for a brightly lit digital advertisement truck. Private mailboxes across state lines became a lifetime. Accessing the abortion pill once again becomes a clandestine operation. Plan C is careful to protect its volunteers and those they serve. It is all hands on deck, lawyers on call, with states battling between righteous morality and freedom.

Some women hide their faces for safety. Frankly, I don’t blame them. The hysteria from the right has become a full-blown Handmaid’s Tale situation. The film features audio from users of Plan C. Each woman explained her intensely personal motives. The stigma attached to abortion can be soul-destroying. Family planning and body autonomy should not be an issue! PLAN C is more important than ever. It is required viewing for champions of basic human rights. You’ll never stop abortions, no matter what laws you pass. Pre-Roe came “The Janes.” Post-Roe, Francine, Eisa, and innumerable women take up their mantle. SXSW 2023 audiences get a peek behind the curtain of the women fighting the good fight, the ones you won’t regularly see in the spotlight.


Film Screenings

Mar 12, 2023
11:00am12:39pm
 
Mar 14, 2023
5:45pm7:24pm
 
Mar 18, 2023
3:00pm4:39pm
 

Credits

Director:

Tracy Droz Tragos

Executive Producer:

Jess Jacobs, Dr. Holly Corn & Jonathan Kaufelt, Kopcho Reproductive Justice Fund, Margaret Munzer Loeb, Kathryn Everett, Bryn Mooser, Tracy Droz Tragos

Producer:

Tracy Droz Tragos

Cinematographer:

Emily Topper and Derek Howard

Editor:

Meredith Perry

Music:

Nathan Halpern

Additional Credits:

Impact Producer: Jess Jacobs

SXSW 2023 short film reviews: ‘SLICK TALK’ & ‘SPROUT’ tackle identity and bravery.

SLICK TALK

(Live-action)

A young Chinese-American rapper from New York struggles with her identity and career path in the thought-provoking short SLICK TALK. Balancing culture, passion, and parental pressure, Kiki responds to a manager who messages her online after watching her music video.

Jess Hu plays Kiki with an intriguing mix of talent, sass, and self-doubt. You can see the flicker of self-doubt and perhaps questioning her cultural appropriation. This idea comes back around in her meeting with Gabe. He asks if she would be willing to learn Mandarin, seemingly suggesting it would make her more accessible. It is nothing short of a conversation starter.

Director David Karp‘s editing and Co-director Courtney Loo‘s script keep you guessing and reel you into her story. When the film ends, you feel compelled to see what happens next. Will she say Yes to potential manager Gabe? Does she stand up for herself? SLICK TALK is a clever double-entendre title. Loo and Karp have a solid treatment for either a feature or series to come.


Film Screenings

 
Mar 15, 2023
12:00pm1:41pm
 

Credits

Directors:

Courtney Loo, David Karp

Executive Producer:

Thrice Cooked; Josh Feshbach

Producer:

Katie Mykrantz

Screenwriter:

Courtney Loo

Cinematographer:

Max Erickson

Editor:

David Karp

Production Designer:

Patricia Cruz Jamandre

Sound Designer:

Samuel Stevenson-Yang

Music:

Pink Sweat$ & Doc

Principal Cast:

Jess Hu, Fay Ann Lee, Paris Peterson, Alex Mali, Cosi Leong

Additional Credits:

Colorist: Mikey Pehanich, Stylist: Heji Rashdi, Sound Designer: Nikolay Antonov, Gaffer: Abi Polinsky, Key Grip: Liam Murphy, Grip: Timothy Truesdell, Art Assistant: Jack Layer, 1st AC: Simeon Pol


SPROUT
(Animated)

Animated short film SPROUT sees an agoraphobic scientist accidentally create a baby-like plant. As the creature rapidly grows, so does its curiosity to explore the outside, upending life in more ways than one. Written, directed, and animated by Zora Kovac, this sweet and child-friendly film tackles anxiety, bravery, human connection, and of course, growth. Watch it with the entire family.


Film Screenings

 
Mar 15, 2023
3:00pm4:45pm
 

Credits

Director:

Zora Kovac

Producer:

Zora Kovac

Screenwriter:

Zora Kovac

Sound Designer:

Jesse Springer

Music:

w. baer

Principal Cast:

Christian Cerezo, Zora Kovac

SXSW 2023 review: Dillon Tucker’s ‘PURE O’ makes the invisible visible.

PURE O

Cooper is a screenwriter/musician who also works as a rehab counselor. Recently diagnosed with a form of OCD, he must navigate his new engagement, an ailing loved one, his clients, and his unpredictable compulsions. Writer-director Dillon Tucker‘s semi-autobiographical SXSW 2023 film PURE O makes the invisible disability visible.

PURE O focuses on the importance of support. We watch Copper surround himself with others in the same position. But the film also delivers unfiltered conversations between lovers. They are messy and real. Anyone in a grownup relationship has said or heard those words. It’s not sugar-coated, and I appreciate that.

Hope Lauren, as Emily, is a fun, down-to-earth, supportive partner. Her vulnerability with Dorr makes for a sweet pair. She handles Emily’s loaded circumstances like a pro. Her singing voice is also delicious. Daniel Dorr is charming as Cooper. He wears his heart on his sleeve. He is unafraid to leave it all onscreen. That is what this role demands. His chemistry with Lauren is perfect. They are genuinely cute together.

I’m on the cusp of Gen X and millennials, but I’ll be damned if you label me the latter. I am fully aware that I grew up with an undiagnosed anxiety disorder. For as long as I can remember, my irrational fears and body-shaking anxiety has hindered parts of my life. Motherhood exacerbated everything, which I hear is “normal.” Sometimes I feel so overwhelmed I do nothing. I am frozen. I have to say I am the only one in my family not in therapy or on meds. Someday I think they might help. On other days I’m weirdly proud I’m “managing” without either. That is a symptom of my upbringing. PURE O resonated with me on a level I never expected. Certain scenes, particularly the immersion therapy session, elevated my heart rate and made me squirm immediately.

Dillon Tucker’s original songs are fantastic. Tight handheld closeups place the viewer in the manic mindset of Cooper. The intersection of rehab counseling and Cooper’s therapy sessions proves intriguing and complicated. This device is necessary to see the work in action and appreciate the nuance of addiction and mental health. It also calls attention to others’ perceptions of us. The intense scene between Cooper and aggressive patient Brandon illustrates the importance of making invisible disabilities visible. Sure, with an almost two-hour runtime, PURE O may benefit from a few cuts. But Tucker’s storytelling curveballs create an undeniably compelling narrative. PURE O gives those of us living in quiet anguish a loud voice.


Film Screenings

Mar 13, 2023
12:00pm1:58pm
 
Mar 15, 2023
2:15pm4:13pm
 
Mar 16, 2023
8:00pm9:58pm
 

Credits

Director:

Dillon Tucker

Executive Producer:

Jay Burnley, Stephan Paternot, Jeremy Walton & David Lyons

Producer:

Ricky Fosheim, Dillon Tucker, Ray Lee

Screenwriter:

Dillon Tucker

Cinematographer:

Ricky Fosheim

Editor:

Dillon Tucker

Sound Designer:

Nick Jimenez

Music:

Dillon Tucker

Principal Cast:

Daniel Dorr, Hope Lauren, Landry Bender, Jeffery A. Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James

Additional Credits:

Additional Music: Caleb Veazy, Sound Mixer: Harry Goldstein, Sound Mixer: Steve William Gonzalez, Sound Mixer: Andres Guerra, Sound Mixer: Donavyn Suffel, B Camera Operator: Bryon Morse, B Camera Operator: David Rivera, Production Assistant: Andrew Fosheim, Production Assistant: Andres Tovar, Production Assistant: Vera Weber

SXSW 2023 review: DEADLAND’ is a haunting portrait of power, politics, and unresolved trauma.

DEADLAND

This nail-biting thriller from writer-director Lance Larson starts with a bang and ratchets up the tension by the minute. Two seemingly unrelated mysteries plague border control agent Angel Waters. When a man attempts to cross the raging rivers onto US soil, he is swept downstream. Upon transporting his body, the man resurrects and requests, “El Paso, por favor.” Plans go awry, and Angel, his two coworkers, and the man become haunted by their choices. Meanwhile, Angel’s long-lost father appears in his home. His pregnant wife plays mediator in a volatile situation.

McCaul Lombardi plays Agent Hitchcock with the epitome of toxic masculinity, while Julieth Restrepo‘s humanity as Salomé proves to be her undoing. Their journey is akin to watching a car crash. Luis Chávez is chilling. Manuel Ariza and Kendal Rae leave their hearts on the screen. Roberto Urbina plays Angel with a masculine aura but anxious hesitancy and unresolved abandonment issues. He is magnetic. As a whole, this cast nails it.

Jas Shelton‘s gorgeously shot landscapes are juxtaposed with cold immigration offices. Angel experiences visions that are nothing short of mesmerizing. DEADLAND‘s final ten minutes made me gasp. Superb writing from Lasron and Shelton and fantastic performances are guaranteed to captivate SXSW 2023 audiences with questions of morality, guilt, and the things that haunt us.


Film Screenings

Mar 13, 2023
11:00am12:31pm
 
Mar 14, 2023
5:00pm6:31pm
 

Credits

Director:

Lance Larson

Executive Producer:

Fred Baker, Charles Larson, John Shoemaker

Producer:

Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Marsha Ann Larson, Norah Veloz

Screenwriter:

Lance Larson, Jas Shelton

Cinematographer:

Jas Shelton

Editor:

Lance Larson

Production Designer:

O’Shay Brooks

Sound Designer:

Rene Coronado

Music:

Christopher Dean White

Principal Cast:

Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey, Chris White, Dave Maldonado

Additional Credits:

Line Producer: Wendy Parker, Stunts / SpFX Coordinator: Chris A. Wilks, Art Director: Jennifer Herbal, Costume Designer: Summer Moore, Gaffer: Jake Basnett, Key Grips: Joe Guzman / Kurt Stevens, Set Decorator: Ashley Stewart, Head Make Up: Reanon Casillo, Head Hair Stylist: Erika O’Bar, Casting Director: Beth Lipari

SXSW 2023 capsule review: ‘CHRONICLES OF A WANDERING SAINT’ is a heavenly bait-and-switch.

CHRONICLES OF A WANDERING SAINT


“Manifest your destiny” becomes literal in writer-director Tomas Gomez Bustillo‘s SXSW 2023 film CHRONICLES OF A WANDERING SAINT. In a small village in Santa Rita, Riat is an elderly chapel keeper who longs for sainthood. At odds with the righteous women from her prayer group, she cooks up a scheme to produce a “miracle’ at the expense of everyone in her life.

CHRONICLES OF A WANDERING is two films in one. It is a stunning bait-and-switch. Do not leave when you see the credits roll. The second half of the film is laugh-out-loud funny and beautifully profound. The visual gag of sneezing took me a moment to understand. It is brilliant. 

Rita is the definition of a “corruptible soul.” Hers is an arc of redemption. Mónica Villa is magnetic. She nails the subtle comedy with precision. CHRONICLES OF A WANDERING is a clever commentary on goodness and eternal love. Do not miss it at this year’s festival.


Film Screenings

 
 
Mar 16, 2023
11:00am12:24pm
 

Credits

Director:

Tomas Gomez Bustillo

Executive Producer:

Samir Oliveros, Doriane Desfaugeres, Ciro Apicella, RJ Glass

Producer:

Gewan Brown, Amanda Freedman, Tomas Medero (co-producer)

Screenwriter:

Tomas Gomez Bustillo

Cinematographer:

Pablo Lozano

Editor:

Benjamin Tolentino

Production Designer:

Doriane Desfaugeres

Sound Designer:

Andres Velazquez

Music:

Felipe Delsart

Principal Cast:

Monica Villa, Horacio Marassi, Pablo Moseinco, Silvia Mackenzie, Noemi Ron, Silvia Porro, Hernan Bustamante, Dahyana Turkie, Iair Said

Additional Credits:

Co-Producer: Tomas Medero, Associate Producer: Geronimo Coldesina

SXSW 2023 review: Kim Albright’s ‘WITH LOVE AND A MAJOR ORGAN’ is hooked on a feeling.

WITH LOVE AND A MAJOR ORGAN

Disassociate with me, will you? Anabel is an artist who wears her emotions on her sleeves. She exists in a world that lets technology take away stress or pain by installing an app that manages your life as a checklist. Now you don’t have to feel anything. After Anabel finds a sudden proclamation of love rejected, she removes her heart, giving it to the man. The consequence being she becomes a disassociated drone. What happens when someone steals your heart? SXSW 2023 film from Kim Albright  With Love and A Major Organ lets us feel again.

Quippy and biting dialogue plus a slick socially relevant plot (the reliance on technology) make With Love and A Major Organ one of the imaginative selections at SXSW 2023. The hilarious and somehow simultaneously romantic poetry from Anabel is captivating. Lighting plays a delightful role in the film. It is whimsical and gorgeous and underscores Anabel’s fantasies. The score sweeps you off your feet.

Hamza Haq plays George with childlike irrationality, and it is a masterpiece. Verna Sood is George’s mother, Mona. She is an unexpected anchor in this emotional roller coaster. Anna Maguire plays Anabel with both wild abandon and a dry robotic acidity. Julia Lederer‘s script allows her to soar, and she rises to the occasion at every turn.

“You can dedicate your whole life to something and still do it wrong.” This single statement punched me in the gut. The edited representation of unconditional love and their connection to memory is gasp-worthy. A very pointed opening credit sequence comes back to make sense halfway through the film. The visual metaphors in With Love and A Major Organ are exquisite.

With Love and a Major Organ has exceptional storytelling and visual style. It permits us to feel without stigma. It celebrates individuality and allows people to love what they love in peace. It’s a perfect match for SXSW audiences. It’s an absolute charmer.


Film Screenings

 
 
Mar 14, 2023
9:00pm10:31pm
 
Mar 17, 2023
2:30pm4:01pm
 

Credits

Director:

Kim Albright

Executive Producer:

Lori Lozinski, Carol Whiteman

Producer:

Madeleine Davis

Screenwriter:

Julia Lederer

Cinematographer:

Leonardo Harim

Editor:

Tony Zhou

Production Designer:

Megan MacAulay

Sound Designer:

Matt Drake

Music:

Jeremy Wallace Maclean

Principal Cast:

Anna Maguire, Hamza Haq, Veena Sood, Donna Benedicto, Lynda Boyd, Arghavan Jenati, Enid-Raye Adams, Kerën Burkett, Ryan Beil, Laara Sadiq

Additional Credits:

Story Consultant: Anita Doran, Costume Designer: Nicole Swan, Casting by: Erin Lally, CSA, Annalese Tilling, Co-Producer: Nessa Aref, Production Manager: Shyam Valera, First Assistant Director: Rachel Rose, Art Director: Tiana P. Gordon, Gaffer: Yannie Yu, Sound Mixer: Coby DeGroot, Hair & Makeup: Alison Jeffreys

SXSW 2023 Midnighters review: Ted Geoghegan’s ‘BROOKLYN 45’ is one of the year’s best films. Full stop.

Ted Geoghegan returns to SXSW 2023 with a story of war, trauma, and the ghosts we cannot leave behind. In BROOKLYN 45, a group of emotionally wartorn friends meets up to toast to a lost loved one. Politics, paranoia, and the realities of secrets complicate a seemingly mundane seance. Secrets could be the death of their friendship.

The production design by producer Sarah Sharp is enveloping. My eyes darted from left to right only to discover some new book, a photograph, or war memorabilia set against green silk wallpaper. Every color pops. Robert Patrick Stern‘s camerawork and long-take choreography are stunning. Once the seance begins, the regular parlor tricks commence, but they are so triumphant that I gasped. Brian Zurek’s special makeup effects are startling as hell. The score by BLITZ//BEIN is skillfully layered.

This cast has the chemistry of movie dreams. Ron E. Rains is Bob, Marla’s mild-mannered husband. He is jealous of this group’s closeness, overshadowed by their personalities and accomplishments, but he listens and calculates. Ron E. Rains has a startling arc. Kristina Klebe (Lucky) is Hildegarde. Her confidence and vulnerability are captivating. Her chemistry with Anne Ramsay stuck with me for hours after the credits rolled.

Ezra Buzzington is the hard-line skeptic as Paul. Clad in his Magor’s uniform bespangled with medals, his bristly approach to patriotism is all too familiar even now. His audibly growing disdain makes the audience squirm. Jeremy Holm is Archie. He has the perfect touch of panache from his slicked-back hair, mustache, and crimson jacket. His looming figure, combined with his humor, creates a dazzling performance.

Larry Fessenden ( Depraved, Jakob’s Wife) lives in the role of Hock. Hone in on his minute mannerisms because they are chef’s kiss. His monologue sets up the emotional stronghold of the film, and he nails it. Anne Ramsay plays Marla, a top interrogator. She is a charming, strong-willed, level-headed woman who leads with equal parts head and heart. Ramsey owns every frame.

I know Ted Geoghegan. He is genuine, funny, kind, and fiercely dedicated to his craft. That does not mean I have to like his work. Knowing a filmmaker often makes separating the artist from the friend challenging. I tend to be harsher because that is my job. I can say without hesitation BROOKLYN 45 is spectacular. Geoghegan’s dialogue is cheeky, heartfelt, and vitriolic. The film could easily be a Tony-winning play. It would seamlessly transition to the stage and be equally as glorious. I would pay so much money to see that production. The script is unpredictable. Twist after twist had my mouth on the floor. BROOKLYN 45 is a dazzling mix of trauma and terror, politics and poltergeists. SXSW 2023 audiences can boast they saw it first.


 
Mar 12, 2023
10:00pm11:32pm
 
Mar 14, 2023
12:00pm1:32pm
 
Mar 17, 2023
12:00pm1:32pm
 

Credits

Director:

Ted Geoghegan

Executive Producer:

Adam Hendricks, Greg Gilreath, Emily Gotto

Producer:

Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp

Screenwriter:

Ted Geoghegan

Cinematographer:

Robert Patrick Stern

Editor:

Lisa Hendricks

Production Designer:

Sarah Sharp

Music:

Blitz//Berlin

Principal Cast:

Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe

SXSW 2023 review: ‘PEAK SEASON’ is a relatable what-if.

Buttoned-up money meets free-spirited crunchy lifestyle in Henry Loevner and Steven Kanter’s SXSW 2023 film PEAK SEASON. Two worlds collide in Jackson Hole when engaged NYC yuppies Amy and Max hire local wilderness guide Loren for a flyfishing lesson. Max ditches Amy after he’s called back to work, leaving her alone in a massive luxury house and her thoughts.

Listen, my husband is a Yale business school grad. We live in a co-op on the UWS. The dialogue is spot-on for Max and his ilk. Amy yearns to change her circumstances. She does not want that very niche cliche existence. Amy blooms in Jackson, and with Loren by her side, her mind opens to all sites of possibilities. Hints that she is off her facade game show when making decisions for her impending wedding proves impossible, shirking luxury for low-key local hang-out sessions with Loren and his off-the-grid, working-class friends. It’s a precarious dynamic when Max makes an abrupt return. Feelings are complicated.

Claudia Restrepo is Amy. Her nonchalant cool-girl persona bounces off the screen like we’re watching a documentary rather than a drama. Derrick DeBlasis plays Loren with total comfort. He lives inside the down-to-earth, no-care-in-the-world attitude like a pro. He and Restrepo have a chill and genuine chemistry that feels earned.

Here’s what shines in Peak Season. The script’s natural authenticity hits hard for anyone who questions their future. This nuanced script might seem subtle, but hiding behind its simplicity is a complex and reflective premise.


Film Screenings

Mar 12, 2023
11:15am12:37pm
 
Mar 12, 2023
11:45am1:07pm
 
Mar 13, 2023
5:15pm6:37pm
 
Mar 14, 2023
7:45pm9:07pm
 

Credits

Directors:

Henry Loevner, Steven Kanter

Executive Producer:

Derrick DeBlasis, Claudia Restrepo, Ben Coleman, Rob Massar

Producer:

Lovell Holder, Patrick Ward, Henry Loevner, Steven Kanter

Screenwriter:

Henry Loevner

Cinematographer:

Henry Loevner, Steven Kanter

Editor:

Henry Loevner, Steven Kanter

Sound Designer:

Private Island Audio

Music:

Steven Kanter

Principal Cast:

Claudia Restrepo, Derrick DeBlasis, Ben Coleman, Fred Melamed, Stephanie Courtney, Will Neff, Caroline Kwan, Ron Hanks, Gadiel Del Orbe, Natasha Dewhurst

Additional Credits:

Co-Producer: Tara Seewack, Co-Executive Producer: Patrick Wendell, Co-Executive Producer: Kay Ousterhout, Co-Executive Producer: Simon Hallett, Co-Executive Producer: Jane Hallett, Co-Executive Producer: Greg Coleman, Associate Producer: Alan M. Kanter, Associate Producer: Bruce Liebowitz, Associate Producer: Glenn Liebowitz