
FALL

What could possibly go wrong attempting to traverse a rusty 2000-foot tower in the middle of nowhere? Only everything. In Scott Mann‘s FALL, Becky is a year out from watching her husband plummet from a climbing mishap before her very eyes. Mired in grief, best friend and climbing partner Hunter convinces her to do the unthinkable to heal. The two plan on climbing the 4th tallest structure in the US while Hunter films it for her budding YouTube channel. One loose screw at a time, and the entire plan goes to hell. FALL will take your breath away.
The seemingly simple premise becomes one of the most intense and harrowing films I’ve ever seen. I didn’t have a fear of heights before Fall. I sure as hell do now. Every second of this film is a goddamn horror. If there was a moment’s lull, I was waiting for the other shoe to drop. (No pun intended.) My heart was in my throat. I was sweating uncontrollably. I went weak in the knees over and over again. FALL is a nonstop cinematic panic attack.
The screenplay by Mann and Jonathan Frank does an impeccable job of wrapping the action in grief, unresolved trauma, forgiveness, and authenticity. The relationship between Becky and Hunter feels like a level playing field until secrets cause additional emotional conflict. It’s a carefully crafted script, many of its moments foreshadowed in the earlier dialogue. Virginia Gardner, who was spectacular in Starfish, plays Hunter with fearless energy. She’s the perfect foil for Grace Caroline Currey. As Becky, she sits in an entirely different headspace. Gardner and Currey’s chemistry is key to the film’s believability.
The sometimes sparse, menacing score by Tim Despic combined with Alex Joseph and David Barber‘s sharply executed sound editing ramps up the inevitable impending doom we came to experience. The cinematography by MacGregor is a wonder. The juxtaposition of tight close-ups and wide landscape shots fills you with fear, placing you inside the bodies of Becky and Hunter. I cannot stress this enough, FALL deserves a viewing on the widest and tallest screen possible, but even on a laptop, the terror is paralyzing. FALL will take your breath away. Hold on tight.
Lionsgate’s FALL will open on 1200+ screens across the country on Friday, August 12.
This includes all key regional cities including: New York, Los Angeles, Chicago, Philadelphia, Dallas, San Francisco, Washington DC, Houston, Austin, Boston, Atlanta, Phoenix, Detroit, Seattle, Minneapolis, Miami, Denver, Orlando, Tampa, Cleveland, Salt Lake City, Sacramento and more.
Find a theater near you: https://fandan.co/3cYz8zu
OFFICIAL SITE: http://www.lionsgate.
FOLLOW FALL ON SOCIAL MEDIA:
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https://twitter.com/fallmovie
Hashtag: #FallMovie



Grace Kaufman is Abbie. As a college student, she possesses a casual abandon to her behavior. Her age-appropriate nonchalance is perfectly balanced with Hall’s ever-evolving intensity. Tim Roth is a master manipulator as David. He’s downright frightening. His backstory as a groomer is beyond upsetting. Roth gives off a slimy aura that makes the viewer’s full body cringe. Rebecca Hall
The heightened sound editing chills the senses. It’s a palpable stress-inducing choice that accosts the audience. You’ll have to remember to breathe while watching Resurrection. Andrew Semans‘ writing astounds me. He understands the fear and gaslighting so many women live with daily, then takes it to the nth degree. It’s also about telling your story. Resurrection is relentlessly terrifying and grossly relevant. Believe women.
It’s no secret that all the best genre films come through Fantasia Film Festival. 2022’s fest comes just in time to distract us from all the actual horrible things happening in the world.
Six films we’ve seen at previous festivals and their reviews can be found below. Highly recommend each of them for a myriad of reasons.



























Director 

The first thing you’ll notice about Black Box is the sharp cinematography work. It’s unmissable as the film opens in one long take. The camera glides from inside the cockpit, down the aisles, into the rear of the aircraft, to land squarely on the titular object. It’s a stunning and terrifying beginning of a taut thriller. Mathieu is a gifted acoustic engineer tasked with transcribing the audio that leads up to the crash of Atrian 800, where 300 passengers and 16 crew members perished. When details begin to shift, Mathieu’s obsession with the truth spirals.
Paired with the Netflix documentary
Pierre Niney

Ingenuity and one hell of a plot make Fantaspoa 2022 selection
The visceral tension created by writer-director 
Two women attempt to escape a cult by hiking through the desert. When plans go awry, deception, confusion, and brainwashing pit them against one another.
The screenplay’s wordplay, score, and scene blocking heightened every moment. There was never a dull moment. The endless mindfuckery rubbed my nerves raw. I found I had left fingernail impressions on my palms without realizing it. The paranoia and tension in the dialogue had my head spinning. Are these women gaslighting one another, is one of them a villain and is this even real? These are some of the questions I had while sorting through the madness that is



Could we put together a cuddly list of family-friendly Easter films? Probably. But where’s the fun in that? Here is a list of films where a rabbit is featured in one way or another. Most are straightforward. A few, well, I guess you’ll have to watch them and figure out why they’re there. Happy Easter, and happy hunting for those pesky wabbits.



Peter Rabbit and his three sisters — Flopsy, Mopsy and Cotton-Tail — enjoy spending their days in Mr. McGregor’s vegetable garden. When one of McGregor’s relatives suddenly moves in, he’s less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the n








In the early 18th century, England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne, and her close friend, Lady Sarah, governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new s









As each episode begins, the filmmakers behind the miniseries DECEIT make it abundantly clear that the show involved a plethora of research. In 1992, a woman named Rachel Nickell was brutally murdered in front of her two-year-old son. Police believed they found the guilty party based on an expert forensic profiler. After bringing top undercover officer Sadie Byrne into the mix, they devise an elaborate operation to obtain a confession.
Eddie Marsan

Chris Pine
I appreciated the way the film leaned into its theater roots without becoming too highbrow. There’s clearly a linkage between Lilian’s decisions and her performances of Hamlet and Lady Macbeth, but you also don’t leave the film feeling like you need to get a Ph.D. in Shakespeare. Leo does justice to Lillian’s trauma and sorrow, but she also imbues her with a winking charm. This film features one of the best-planned alibis I’ve seen in a thriller, and some of the methods Lillian employs for revenge were positively refreshing in today’s age of shoot-em-up thrillers. When a gun goes off in this film, it means something.
Leo and Thorne are backed by an excellent supporting cast. Weary sure looks the part of a rock star, but I couldn’t get over how obviously dubbed his singing was during musical scenes. He and Leo have a beautiful soft dynamic together. I could watch Adrian Martinez in anything, and he provides a necessary bit of levity as the body count rises. I especially appreciated the way that Michael Potts’ Detective Eaton evolved over the course of the film. His final exchange with Leo sends the film off on a high note.
THE COW

Having a film run in real-time is already bold. In 

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.
























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