‘GREEN AND GOLD’ (2025) The feel-good, family film with a message is now available on VOD!

GREEN AND GOLD

Green and Gold Poster

 

 

Green and Gold highlights small-town farmers’ vital role as stewards of the land and pillars of their communities. Over the past 5 years alone, America has lost more than 140,000 family farms, but their resilient spirit endures. The film highlights hard work, love for the land, and commitment to preserving legacies for future generations.

Set against the backdrop of the 1990s, Green and Gold celebrates the enduring spirit of family, community, and football focusing on the heartwarming and triumphant journey of a small-town farmer.

Madison Lawlor as Jenny #1 in GREEN AND GOLD, credit Childe Productions.jpgNelson remarked, “This story felt personal to me, I felt a real connection to it because the Nelson family farm has been a working farm in South Dakota since the Civil War, and my wife’s family were also farmers. Green and Gold captures the tenacity of small-town farmers and the strength of family and community. I was honored to play Buck and highlight the dreams defining many lives in America’s heartland.”

Director Anders Lindwall expressed, “Growing up just north of Green Bay as the grandson of a dairy farmer and die-hard Packers fans, my brother Davin and I poured our hearts into this film. It’s our tribute to small-town communities and the values they stand for.”

Packers' Fans Gather in GREEN AND GOLD, credit Childe ProductionsThis meaningful film is presented in collaboration with Culver’s and the Green Bay Packers, the nation’s only community-owned professional football team. Culver’s small-town Wisconsin roots give the restaurant franchise a true heart for agriculture and inspired the creation of its Thank You Farmers® Project, which has donated more than $6.5 million to​​ensure a sustainable food supply for the future.

As for the Green Bay Packers, this marks the team’s first time partnering with a feature film on this level, adding a unique depth to the story. “Green and Gold portrays the story of Packers fans’ devotion to legacy and community—it is a must-see. We are proud to be part of a story celebrating supporting one another and showcasing the critical role that family farms play across our great state of Wisconsin and beyond,” said Packers director of corporate partnership sales & activations, Justin Wolf.

Brandon Sklenar as Billy in GREEN AND GOLD, credit Childe ProductionsGreen and Gold is directed by Anders Lindwall and produced by Davin Lindwall and Aaron Boyd. Dan Visser, Darren Moorman, Scott Pomeroy, Craig Cheek, and Brooks Malberg executive produce the feature film. The screenplay was written by Steven Shafer, Michael Graf, Missy Mareau Garcia, and Anders Lindwall.

Green and Gold was named an Official Selection and Audience Award Winner at the 2024 Austin Film Festival. The film received Official Selection and Audience Choice at the Heartland Film Festival for its compelling storytelling and emotional depth.

About Culver’s and the Thank You Farmers Project

Since its founding in 2013, Culver’s Thank You Farmers® Project has donated over $6.5 million to agriculture, ensuring a sustainable food supply for future generations. Culver’s is a proud partner of the National FFA Foundation, investing in youth leadership and climate-smart agricultural practices. Learn more about the Thank You Farmers® Project at www.culvers.com/thank-you-farmers-project.

Green and Gold still

Gold and Green is an authentic, multigenerational story of family values and self-discovery. The film is a great companion watch with the David Duchovny film REVERSE THE CURSE. Both delve into child/parent relationships that heavily revolve around a sports team. Oh, and Craig T. Nelson never misses. Check out the trailer below.

Gold and Green Trailer:

For more information, visit greenandgoldmovie.com and on social IGFB @greenandgoldmovie
 

Review: ‘The Immaculate Room’ is a thoughtful and dark locked-room story.

The Immaculate Room is a sleek and thoughtful feature, a great example of doing more with less. Due to COVID restrictions these past few years, there has been a distinctive uplift in what I would call “locked-room” movies – films with relatively few characters who remain in a single setting for the entire run-time. Many other plots have faltered or crumbled under this weight. The Immaculate Room leans into these restrictions by making themes of isolation, alienation, and the human psyche central to the film’s plot.

Kate Bosworth and Emilie Hirsch star as Kate and Mike, a couple competing in a psychological experiment. If they can last 50 days isolated within a blank white room, they win 5 million dollars. If either one of them leaves the room, the prize instantly drops to 1 million. If they both leave, they get nothing. No possessions are allowed into the room, and there is nearly zero contact with the outside world (other than the disembodied voice of the room itself, which chimes in to remind them of the rules) Food (if you can call it that) is dispensed via a slot in the wall. The whole thing looks a little like IKEA’s marketing department designed a prison.

Both leads deliver strong performances. Hirsch’s Mike is an artist. While he wants the prize money, his easygoing demeanor hints at a more privileged background. Hirsch gives a grounded performance – his career has taken some strange turns since his bravura turn in 2007’s Into the Wild. Here he again proves he will excel when given roles where he can use physicality to convey emotion. Bosworth’s Kate is more guarded and driven – she recites mantras to herself every morning in the bathroom mirror. I loved the versatility of Bosworth’s performance – keep an eye on the techniques Kate employs to motivate and keep Mike focused on the prize throughout the film.

Writer-director Mukunda Michael Dewil’s script deserves a lot of credit for the success of the film. The simplicity of the challenge alone is not very exciting, and the audience is braced for twists and turns. They come at the right intervals and build slowly from the familiar to the inevitably more disturbing. The rules set for the room are simultaneously simple and incredibly clever. Each participant has access to two “treats” they can access at any time. The catch? A treat deducts 100k from the prize fund. A “treat” for Mike might be pretty different from Kate’s. Some are innocent, and some are dangerous.

The film’s conclusion lands awkwardly and feels a bit divorced from the rest of the plot. I’m not sure I fully believed the resolution. The concept of the film naturally lends itself to bigger questions (how far would you go for money, how well do you know yourself, etc.) I appreciated that Dewil doesn’t allow the film to become a black and white morality tale. If any of us was stuck in a room for this long, I’m sure we’d all have our off-days.


In Theaters & On Demand August 19th

 

*Best Feature & Best Actor Award – Mammoth Film Festival*
*Best Feature Award – London Independent Film Awards*


Retro Review: 30 Years Ago, the World Was Introduced to the Coen Brothers with ‘Blood Simple’

blood simple original

In my opinion, there have been very few filmmakers that have changed the cinematic landscape for the better since my birth some forty years ago. Many would likely point to folks like George Lucas and Steven Spielberg as standard bearers for the post-New Hollywood Cinema gang. And while those two certainly changed the cinematic landscape, I wouldn’t say their effect has been good or for the better. That’s another story, though. What I can say is that January 18, 1985 announced the presence of two game changers in Hollywood, and with Blood Simple‘s release, the world met Joel & Ethan Coen. Without a doubt two of the most original filmmakers still working in Hollywood, the Coen Brothers speak in their voice, tell the stories they want to tell and all with flourishes befitting the finest filmmakers in the history of cinema. Read More →