‘LIZZIE LAZARUS’ (Popcorn Frights 2024) A twisty horror mystery destined for cult status.

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LIZZIE LAZARUS

LizzieLazarus

Filmmaker Aviv Rubinstien gives Popcorn Frights 2024 audiences a reason to stand up and cheer with LIZZIE LAZARUS. Set in 1990, Bethany’s sister dies in a car crash on the way to her house. Lizzie’s mental state causes Bethany to question if her death was intentional. Enlisting the assistance of Lizzie’s ex, Eli, truth is stranger than fiction.

Tommy Oceanak‘s cinematography got a vehement “Hell Yeah” from me during the first frame. Opening with a song by Megan Oesterreich, in the titular role, I thought the film was a horror musical. I was mistaken, making the moment all the more delightful. Oesterreich is so likeable as Lizzie. I would watch a franchise surrounding Lizzie and Bethany.

Omar Maskati balances genuine feelings and suspect behavior. Rubinstien does an expert job at keeping you guessing, and Maskati leans into the crumbs, dropped one at a time. Lianne O’Shea gives Bethany a smart-aleck edge that lures you in. She is quippy and self-assured. O’Shea owns the frame, daring Maskati to keep up.

The screenplay utilizes conspiracy theories, scientific studies, and their naturally sparked debate from one intellectual to another. It’s easy to see that Bethany believes Eli has something to do with Lizzie’s demise, asking pointed questions along their clandestine midnight trek. She is suspicious and relentless in her pursuit to do right by her sister. Eli does not do himself any favors with a combative attitude. Secrets and confessions spill as they try to reach their destination and begin a reanimation ritual.

LIZZIE LAZARUS is a feminist-driven narrative that reels you in at every turn. Reveal after reveal keeps you on the hook. The finale is beyond satisfying for genre fans, anyone with sisters, and spooky girls alike.

YEAR: 2024

COUNTRY: USA

RUNTIME: 91 min

DIRECTOR: Aviv Rubinstien

WRITER: Aviv Rubinstien

STARRING: Omar Maskati, Lianne O’Shea, Megan Oesterreich

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‘BIRTHRITE’ (Popcorn Frights 2024) A seriously twisted, small-town tale that terrifies.

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Birthrite

Director Ross Partridge brings a dark and nuanced story to Popcorn Frights 2024 audiences. When a pregnant woman inherits a country home, she and her girlfriend move in with happy expectations. But something from the town’s past looms over everyone.

Medical gaslighting, similar to Kindred, details authentic feelings of pregnant individuals, loss or not. But, BIRTHRITE‘s sinister underpinnings weave small-town history and their occult connections. The script from Patch Darragh and Erin Gann is seriously twisted. Reveal after reveal keeps you in a constant state of confusion and intrigue.

The cast is spectacular. Michael Chernus (Werewolves Within) and Owen Campbell (My Heart Can’t Beat Unless You Tell It To)provide outstanding performances. Jennifer Lafleur gives Rosalie this eerie balance of loving care and dark self-interest. She steals every scene.

Juani Feliz plays Maya with a grounded love for Alice. She 100% holds her own in the everchanging emotional atmosphere. Alice Kremelberg gives Wren desperation and fear only a mother knows. It is an intense turn brimming with surprise after surprise.

Fall On Your Sword delivers a classic haunted house of dread style score. It reminded me of the opening theme song for the Nickelodeon show Are You Afraid of the Dark? BIRTHRITE mixes the chaos of pregnancy and delves into witchcraft with such complexity it makes your head spin. The film is so layered you cannot help but be captivated. This one will stick with you long after the screen goes black.

YEAR: 2024

COUNTRY: USA

RUNTIME: 100 min

DIRECTOR: Ross Partridge

WRITER: Patch Darragh, Erin Gann

STARRING: Alice Kremelberg, Juani Feliz, Michael Chernus, Jennifer Lafleur

 
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‘THE NIGHT IS YOUNG’ (Popcorn Frights 2024) Love bites, but only if you’re lucky in Patrick Rea’s newest film.

popcorn frights 2024 logoTHE NIGHT IS YOUNG

TheNightIsYoung
Director Patrick Rea’s THE NIGHT IS YOUNG comes to Popcorn Frights 2024. Jumping on the content creator subgenre, or perhaps a page out of the REC playbook, this vampire romance uses all the best tropes for a breezy homegrown horror. 

Jake Jackson wears all the hats as cinematographer, special effects makeup artist, and Nora’s brother Jake. We only see him briefly at the end of the film because he’s but a voice behind the lens for the entirety of the film. He’s fantastic. 

Rea co-writes with star Sarah McGuire. I could have watched her dating shenanigans for another hour. McGuire gives Nora a relatable vibe, owning each moment with ease. Her chemistry with Valerie Bates (Emelia) feels incredibly natural. I’m excited to see what she does next.

Utilizing security footage and Jake’s real-time video maintains a sense of urgency during the countdown to sunrise. The reveal is unsurprising, but the why is much more fun for vampire canon nerds like me. THE NIGHT IS YOUNG is the definition of indie filmmaking. Taking a look at the credits, everyone had multiple roles. It’s a perfect runtime for the story. There is a solid set-up for a franchise, so color me intrigued.

DATE: Saturday, August 10
TIME: Video On Demand
VENUE: Digital Screening Room

YEAR: 2024

COUNTRY: USA

RUNTIME: 76 min

DIRECTOR: Patrick Rea

WRITER: Sarah McGuire, Patrick Rea

STARRING: Valeri Bates, Sarah McGuire, Jake Jackson

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‘BOOGER’ (Popcorn Frights 2024) Body horror meets grief in Mary Dauterman’s festival favorite

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BoogerIn filmmaker Mary Dauterman‘s Popcorn Frights film, BOOGER, Anna spirals following the sudden death of her roommate. Holding tight to Izzy’s phone and their adopted stray cat. When Booger bites her and escapes out the window, Anna’s grief journey is derailed by unusual symptoms from her injury.

Heather Matarazzo‘s initial appearance is one of the best scenes in the film. When she calls Anna 9/11, it’s one of the funniest moments. It’s shockingly hysterical and not offensive, speaking as someone in the city that day.

Videos saved on Izzy’s phone heighten our emotional investment in Anna’s loss. Even as a deceased character, Sofia Dobrushin is equally present as any other actor. Endlessly charming, you want her to be your best friend and deeply understand Anna’s loss. 

Grace Glowicki gives Anna a relatability, especially for anyone who has lost someone close. Her transformation throughout the film is fantastic. It is half self-destructive and the other half monstrous mutation. Glowicki is deliciously unhinged and inarguably perfect. 

It is easy to see why BOOGER has been killing it on the festival circuit. FX are spectacular. The subtle but gag-worthy progression is noteworthy. Speaking of gagging, if your reflex is at all weak, you may not make it to the end. I ingest A LOT of horror, and I almost lost it. BOOGER is a one-of-a-kind body horror comedy.  This unique examination of grief is like nothing else you’ll see this year.

DATE: Saturday, August 10
TIME: Video On Demand
VENUE: Digital Screening Room

YEAR: 2023

COUNTRY: USA

RUNTIME: 78 min

DIRECTOR: Mary Dauterman

WRITER: Mary Dauterman

STARRING: Grace Glowicki, Garrick Bernard, Heather Matarazzo

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‘CHATEAU’ (Popcorn Frights 2024) A solid sub genre entry with clever twists

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CHÂTEAU

ChateauFilmmaker Luke Genton tells the story of a wannabe influencer living in Paris looking for a hook. Short on cash, she accepts a cleaning job, not knowing the location is an infamous murder castle. Thinking this might be her internet 15 minutes, she brings her nonexistent audience on the job. CHÂTEAU gives Popcorn Frights 2024 the YouTube ghost-hunting treatment. 

Taking a page out of The Blair Witch Project and campy reality show Ghost Adventures, the format goes a step further, combining a lot of screen editing – past YouTube investigators, video calls, research blogs, and James’ real-time recordings. It is a clever move showing the audience her elaborate steady can rig. 

The location boasts stunning architectural features, a winding staircase, sprawling grounds, chandeliers, and a full-sized barn with creaky rafters. Genton does a fantastic job utilizing James’ particular room to shoot a lot of set-ups. As well as classic haunted house tropes, like lingering on over-the-shoulder door frames and panicked running in circles. 

The plot twist 30 minutes into the film caught me off guard. It was refreshing and kept me engaged. Another unexpected shift, delving into James’ unresolved trauma, sets the tone for the film’s remainder. The forced POV continues to be entirely unsettling. The jump scares are earned. The makeup team does a fine job with the progressive looks. 

The camera loves Colton Tran. He steals every scene he’s in. Tran is effortlessly charming, and I wanted to see more of him. That does not take anything away from Cathy Marks essentially performing a one-woman show. She’s likable and down-to-earth. Marks easily carries the film, ultimately grabbing viewers with her backstory.

Slow clap. One last twist takes the cake, and the final performance is smashing. Bravo. CHÂTEAU is a fun entry into the found footage subgenre. 

 

YEAR: 2024

COUNTRY: USA

RUNTIME: 83 min

DIRECTOR: Luke Genton

WRITER: Luke Genton

STARRING: Colton Tran, Cathy Marks

 
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‘STRANGE DARLING’ (Popcorn Frights 2024) Cat-and-mouse murder mayhem, the thriller you’ll never see coming

popcorn frights 2024 logoSTRANGE DARLING 

strange darling final poster

Kyle Gallner, undisputed Scream King (and my secret music boyfriend), stars alongside Willa Fitzgerald in JT Mollner‘s bonkers thriller STRANGE DARLING. Popcorn Frights 2024 audiences finally witness the unbelievable story of a famed serial killer. Told through six chapters, although nonlinear, this shocking film is here is f*ck you up. 

Opening with a Texas Chainsaw-inspired crawl, the audience is thrust into violent chaos, beginning with Chapter 3. The relentless pursuit and full-blown disturbing, but hold on a gosh darn minute. Christopher Robin Bell’s editing keeps us in a state of agitated panic. I know that device drives some people crazy. Here, it heightens every aspect of their dynamic. It all feels so personal that you need to comprehend the depravity. 

Augmented color choices in STRANGE DARLING give the film a devilish and addicting quality. The score is grating and decidedly ominous- A genuine compliment. The lighting is simply delicious. The soundtrack is fire, as the kids say. 

Gallner is a genius. This unhinged performance feels dangerous. Even more so than his role in The Passengers. Willa Fitzgerald delivers an award-worthy turn. She is fierce as hell and totally deranged. It is nothing short of a wow. 

Fitzgerald and Gallner’s chemistry is sick. There is an undeniable electricity between them, and it’s like watching a a sexy car crash happen in real time. The plot is spectacularly unpredictable. Don’t bother guessing from moment to moment, even though Mollner’s script hypes you up to do so. The sheer number of “Oh Shit” moments! Slow clap, sir.

If you want to talk about boundary-pushing movies, STRANGE DARLING is up there with the best. There is an eccentricity that lands somewhere between A Wounded Fawn and Megalomaniac. Yeah, I know that’s a broad spectrum. This twisted erotic fantasy bends until it breaks. It stokes a conversation about kink and consent, power and obsession, and, believe it or not, gender bias. The final shot is genre heaven. Few films are perfect. STRANGE DARLING is perfect.

YEAR: 2023

COUNTRY: USA

RUNTIME: 96 min

DIRECTOR: JT Mollner

WRITER: JT Mollner

STARRING: Willa Fitzgerald, Kyle Gallner, Barbara Hershey, Giovanni Ribisi

 

 

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News & Review: Winner of Scariest Film at Popcorn Frights 2023, character-driven heart-pounder ‘GHOSTS OF THE VOID’ gets up by The Horror Collective and will release the film later this year.

GHOSTS OF THE VOID Wins Scariest Film at Popcorn Frights

Filmmaker Jason Miller brings Popcorn Frights 2023 audiences GHOSTS OF THE VOID, the story of a newly homeless couple spending the night in their car, navigating paralyzing anxiety, relationship tension, and masked strangers. This character-driven heart-pounder carefully weaves real-world horrors into a narrative that keeps viewers off-kilter. It earns your attention.

Michael Reagan plays Tyler Wilson. Reagan balances a toxic masculinity that hides behind a starving artist’s desire. His dismissive intolerance is loathsome, fueled by Tyler’s not-so-secret problem with alcohol. Tedra Millan gives Jen relatability with her compounding worrying. Jen has a lot on her plate, and like most women, her need to solve all the world’s problems consumes her. Written on her face and the pace of her breathing, it’s a visceral feeling.

The film intercuts brief flashbacks to highlight Jen’s mounting stress, making her the primary focus of our energy. Our emotional investment is essential to the success of the film. It’s a slow burn in which we constantly anticipate the other shoe dropping. Roughly halfway through the film, I audibly exclaimed, “Aw, F*ck.” Profanity is always a sign that the film took me by surprise. Cinematographer Nathan Salter takes advantage of the natural surroundings and produces slickly timed shots. The impactful juxtaposition of light and dark hits hardest in the final scene.  Devin Delaney‘s score elicits chills. Do not for a moment think you know what happens next.

This film is an extraordinary story of a power struggle that takes aim at capitalism and cleverly pits mental health against self-preservation. GHOSTS OF THE VOID leaves us with questions of morality and equal parts relief and dread.


Popcorn Frights announced today that GHOSTS OF THE VOID won the jury award for Scariest Feature Film Prize at the Ninth Annual Popcorn Frights Film Festival. The festival organizers stated: “Jason Miller’s chilling saga is a timely tale that reminds us that true terror often lies beyond the supernatural by capturing the essence of our collective fear.”


Ghosts of the Void was picked up by The Horror Collective, which will release the film later this year.

Ghosts of the Void marks the directorial debut of writer/director Jason Miller, who previously wrote and produced the action film “Echo Boomers,” starring Michael Shannon. Starring Michael Reagan (Lovecraft Country), Tedra Millan (Daddy’s Girl) and is produced by Tony Kamin, Mike Ware, and Speakeasy Pictures’ Seth Savoy. The deal was negotiated on behalf of the producers by Jay Burnley and Chandler Freelander of Slated.

Popcorn Frights will be closing the film’s long festival run including the Midwest Film Festival, Kansas City Underground, Toronto City Horror Fest, LA Shockfest, Macabre Faire Film Festival, Sin Film Festival, Royal Starr Film Festival, and won several awards including Best Thriller at the Crown Point International Film Festival, Best Picture at the Los Angeles Cinematography Awards and Best Sound Editing at the Festival of Cinema NYC.

Speakeasy Pictures is an American independent media company founded by Seth Savoy (Echo Boomers) back in 2019 and based in Chicago Illinois. It actively develops, produces, and finances film and television projects with a social or political through-line. Speakeasy has four projects slated for production in 2024 and Ghost of the Void marks the company’s second acquisition.

The Horror Collective is the genre label of Entertainment Squad — a production and distribution company founded by veteran producer Shaked Berenson (TURBO KID, TALES OF HALLOWEEN). The labels’ latest releases include critic favorite LGTBQ+ horror-comedy SUMMONING SYLVIA and Sonja O’Hara’s Daytime Emmy Nominated Limited Series, DOOMSDAY.

Slated is a film finance marketplace that uses advanced data analytics and a proprietary scoring system to identify outstanding films and connect them with their active investor and distributor community. Upcoming Slated films include The Kill Room, starring Uma Thurman and Samuel L. Jackson; Hazard, starring Alex Roe and Sosie Bacon; The Inventor, starring Marion Cotillard and Daisy Ridley; and Our Son, starring Billy Porter and Luke Evans, all of which were co-financed through Slated’s Executive Producer program that supports high-scoring projects.

Popcorn Frights 2022 review: Calls for help fall by the wayside in Christine Nyland and Terence Krey’s ‘Distress Signals’

DISTRESS SIGNALS

**World Premiere**

Synopsis: When a fall down a steep rock face separates her from her friends, Caroline finds herself stranded. Now, alone and with a dislocated shoulder, she must make her way out of the woods — and contend with how she got there. Distress Signals is the second feature film from Terence Krey and Christine Nyland, the team behind 2021 Shudder Original An Unquiet Grave

What would you do to survive all alone in the woods? Do you have enough common knowledge to rescue yourself? A visceral watch, Distress Signals takes Popcorn Frights 2022 audiences on an undoubtedly intriguing journey. The title alone plays double duty in this surprisingly nuanced film focused on survival. Distress Signals is a complete genre shift from Terence Krey and Christine Nyland‘s previous film festival hit, now streaming in Shudder, An Unquiet Grave. Equally complex, Distress Signals relies on Nyland’s ability to reel the audience into a plausible scenario. Essentially carrying this film alone is astounding. Even the most minute idiosyncrasies scream off the screen. The lack of dialogue forces you to focus on Nyland, which isn’t a challenge considering her attention to detail.

Daniel Fox‘s cinematography (particularly the nighttime scenes) combined with a triumphant score by Shaun Hettinger is something to behold. Filmmakers used the elements to their storytelling advantage. The light, the terrain, the flora, and the weather become characters in the plot. Don’t get too comfortable. The final act will flip the script into one intensely harrowing narrative.


Popcorn Frights 2022 Online Screening Info
– Available online from Thursday, August 18th – Sunday, August 21st

 

Writer/Directors: Terence Krey, Christine Nyland
Starring: Christine Nyland, Jonathon Strauss, Stephanie Hains
Runtime: 80 min