CATHARSIS
https://tribecafilm.com/films/catharsis-2024
Brian Logvinsky brings his electric short film CATHARSIS to Tribeca 2024. Alex is a dancer and the face of his company, whose inner turmoil gets him mandated therapy sessions with an unorthodox doctor.
Max Basch‘s hypnotic visual and sound editing personify Alex’s rage. The score is infectious, and, oh, the choreography! Marc Gellar, Jemima Kirke, Deborah Harry, and lead Harrison Ball interact like fireworks.
The overall aesthetic reminds me of Darren Lynn Bousman’s Repo! The Genetic Opera, thanks to costumes by Zac Posen and Catherine Gubernick‘s production design.
CATHARSIS tackles mental health, unresolved trauma, and grief. It is a wild, genre-obliterating film ripe for expansion. Bold and explosive, it is a magnificent stand-out. It is like riding someone else’s high.
A directorial debut by Brian Logvinsky, a dancer savant with serious anger issues is about to sabotage his life when a strange psychotherapist brings him to face the shadows of his subconscious mind in CATHARSIS, a 17-minute avant-garde, neo-noir film. Weaving surrealism, performance art and horror, this psychological story is a lifelong passion project for Logvinsky, drawing from his own Soviet-American heritage.
Alex (Harrison Ball) is a dancer, a once in a generation talent, who is spiraling out of control after the recent and tragic passing of his mother in CATHARSIS. He now lives with his aunt Anya (Deborah Harry), who was born in the Soviet Union and maintains several superstitions from her upbringing. She believes her family is cursed, and it is Alex’s inner demons that are causing the impulsive outbursts of anger and destruction that threaten to destroy his promising future.
At Anya’s urging, Alex attends a late night appointment with the mysterious psychotherapist Dr Leechny (Marc Geller). Using his own brand of pseudo–scientific hypnosis, Dr. Leechny and his enigmatic assistants, Chakra & Harmony (Jemima Kirke), guide Alex into hypnosis.
Within the void of hypnosis, Alex faces his worst fears and darkest truths. However, strengthened by a vision of his dead mother he is finally able to face the beast within himself. Leaving his appointment the following morning, Alex experiences catharsis while dancing through the streets of NYC as the sun finally rises.
The film was the 2016 official selection of the LA Film Festival, Fantasia, Sitges and numerous other festivals. The film stars Jessica Lowndes, Joe Anderson, Lin Shaye, Dayton Callie and was directed by Darren Lynn Bousman.
Darren Lynn Bousman, director of several of the Saw franchise sequels, and one of my all-time favorite films REPO! The Genetic Opera, brings to life a peculiar story and a visual maze. The look of Abbatoir is something to behold and one that evolves as the story rolls along. It’s a thriller, horror, and first person video game all wrapped into one lovely and bizarre package. The costumes are intentional throw backs that give further validity to a tale that criss crosses generations. Lin Shaye, who has what I like the call the “Timelord effect” (similar to another horror legend Barbara Crampton,) a timeless quality to her presence and ability to inhabit any character she tackles effoertlessly. Jessica Lowndes is reteaming with Bousman after appearing in The Devil’s Carnival. Her classic movie star looks only enhance her believeable performance as a headstrong and heartfelt woman determined to uncover the mystery behind who or what is buying homes where violent tragedy occurs and rips out the murder room. The answers are extraordinarily twisted. The films runs about 1hr40mins but feels very much likethe graphic novel it was based upon. This could have easily been made into a mini series. Abattoir is intriguing from the very first shot and will keep your brain engaged with plot and stunning sets throughout. Momentum Pictures is releasing Abattoir today in Theaters, VOD and Digital HD, December 9th
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