Forget everything you know about the past films of director (Karyn Kusama) and writers (Phil Hay and Matt Manfredi). These filmmakers have created a new style and beginning for themselves in the genre of suspense that will sincerely put audiences on the edge of their seat; The Invitation is their new beginning.
After two years since the tragic event that split them apart, nine friends come together to reunited at a dinner party in the Hollywood Hills. Despite their uncomfortable history, Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi), decided to attend this reunion hosted by his ex-wife, Eden (Tammy Blanchard), and her new husband David (Michiel Huisman). A lot has changed in two years, and in an awkward attempt to mingle as normal, certain changes start to become more and more apparent. After hearing more about Eden’s travels to Mexico and her life changing program, Will begins to feel like this invitation has a hidden agenda. While being haunted by a tragedy of the past and his ex’s strange behavior, Will and the audiences’ paranoia worsens as the night progresses.
Your unfathomable thirst for information in order to piece together this cringeworthy night is what makes the writing so great. Director Karyn Kusama said “I like movies that reward our patience and curiosity.” While paying tribute to traditional suspense films, The Invitation constantly washes us over with self doubt, and makes us question whether we should feel uneasy or are we just paranoid? Are we the crazy ones or are they? I guess you have to see and find out for yourself. The Invitation will be released and available on VOD on April 8th.
4 out of 5 stars
https://www.youtube.com/watch?v=-UVh8_mM8uM
Everyday, I have the urge to block friends on Facebook. The vitriolic political rhetoric being thrown around in both “article” and meme form is more over the top than it has ever been. Thank the internet gods for 
On the heels of his beautiful script for Nebraska, writer/director Bob Nelson brings heart and levity to what might otherwise seem to be a mundane scenario. The estrangement of an alcoholic father and his young son is nothing new, but by adding a religious element to the mix, it makes for a funny and honest look into the innocence of a child’s mind. Clive Owen‘s portrayal of Walt is raw and real. You empathize with his struggle to do right by his son. Speaking of Anthony, St. Vincent prodigy Jaeden Lieberher is, once again, a star. His purity in presence and intention glow as a young boy thrust into religion by his Mother. Caught in between parents of opposite end spectrum, he is an old soul, yet is constantly discovering when it is okay to push social boundaries. Owen and Lieberher are a perfect pairing. Nelson’s script allows both actors to take the reins as the story progresses. Each character has the opportunity to emotionally care for the other in a truly lovely dynamic.
The subtlety of the film is what makes it so successful. In an era of overblown CGI fare, Bob Nelson gives us an honest to goodness family story. The Confirmation is a joy.
Directed by and starring Robert Carlyle (The Full Monty, Trainspotting, 
Robert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.
The dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one, look forward to any future endeavors. Barney Thomson is a hit.
Mother Nature is not one to be trifled with. The Earth is going to do as it sees fit, no matter what our plans may be as humans. THE WAVE is based on a very real “what-if” scenario. Not all too different from the horrors that will most certainly be coming our way in the future, if we don’t get out proverbial shit together. And very much like The Wave, this is not a matter of if, but when. 
The film centers around geologist, Kristian and his family. Leaving his current position as safety gatekeeper for the village, Kristian has a tough time letting go on his final day on the job, and for good reason. Testing fate is not something that comes easily when an entire population is at stake. When the alarms sound and the what-if becomes a reality, Kristian will do whatever it takes to save anyone he can from impending doom.
presents
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