Coming soon: 2016 Tribeca Film Festival Selection ‘Maurizio Cattelan: Be Right Back’ at the Quad April 14th

In Theaters on April 14th

Opening at The Quad in NY

Written, Produced and Directed by: Maura Axelrod

In Maura Axelrod’s iconoclastic documentary, we meet the art world’s enfant terrible Maurizio Cattelan. The film documents Maurizio from his early days to the recent Guggenheim retrospective with a few twists along the way. The film captures his heretical installation of a meteorite hitting the Pope and outlandish stunt of duct taping his gallerist to the wall until he faints. His place in the art world is solidified when he lands a major retrospective at the Guggenheim in 2011.  Axelrod’s equally playful profile leaves no stone unturned in trying to figure out: Who is Maurizio Cattelan?

Review” ‘SOUTHWEST OF SALEM’ tells the story of ‘The San Antonio Four’ and their ongoing pursuit for exoneration. #FREETHESA4

SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR, opening in NEW YORK on SEPTEMBER 16 at CINEMA VILLAGE.SOUTHWEST PF SALEM posterMore often than not, when we think about our legal system today, perhaps the word that comes to the mind of many is “Injustice” How much does personal belief, whether religious or political, sway the decision of a DA’s office or a jury. My husband recently served on a jury here in Manhattan, on a relatively well known case. After his month long ordeal, he stated, “In some alternate universe, if I was ever thinking about breaking the law, well, God help me. A jury of my peers is anything but.” He explained that the particular jury he served on contained individuals who slept during proceedings, doodled in their notebooks, sighed audibly in court, and verbally fought to be excused on a daily basis. He cannot imagine what it would have been like had he been the defendant. In a very important documentary, SOUTHWEST OF SALEM, four women, who happen to be lesbians, were convicted of a heinous crime based upon a modern day witch hunt. In Texas, their jury was most certainly not comprised of their peers. sothwest-of-salem-san-antonio-4

“The San Antonio Four” — Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez. They are four Latina lesbians wrongfully convicted of gang-raping two little girls in San Antonio, Texas. However, the evidence was never there. The San Antonio Four continues to fight against mythology, faux-science, homophobia, and the prosecutorial fervor in their continuous struggle for exoneration in this riveting ‘True Crime’ tale. The suffering, outlandish, and baseless accusations caught one man’s attention who helped to garner the support of the Innocent Project.

 In 2012, writer Maurice Chammah‘s New York Times coverage “Fighting to Exonerate Texas Women Convicted of Child Sexual Assault ” goes into details of the four women’s ordeal.  In February 2016, Texas-based Judge Pat Priest released the ruling that these women are entitled to new trials but not exoneration. The fight to free the innocent continues.

southwestofsalem3Directed by filmmaker journalist Deborah Esquenazi, this emotional documentary first made its big splash earlier this year at the Tribeca Film Festival and received audience accolades. It recently garnered Grand Jury Award at 2016 Outfest and Outstanding Documentary Jury Award at the 2016 Frameline Film Festival.

This film is so essential in aiding these four innocent women in their complete exoneration. In the 80’s and 90’s there existed this idea that satanic cults were operating inside day cares and preschools. This strange concept infiltrated DA and child protective service offices across the country. The suspects brought forth in these cases were predominantly homosexual or suspected to be so. In this case in particular, the children were labeled as being “offered up” as “sacrificial lambs”. Anna states the bias was ripe through the prosecution, essentially telling the jury, “this is what gay people do.” One man, a professor in the Yukon, gets wind of this story. A man named Darrel Otto, goes to bat for these women, reaching out to Liz Ramirez, then contacting The Innocence Project of Texas. The ball starts rolling. Changes in science, recantations, the changing of the times, people are finally getting on board with the truth. But the road is long and slow. These women need our help.

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Watching this documentary is devastating. The lives impacted by these lies, the damage done. I cannot imagine the heartache of Anna, Liz, Cassie, and Kristie, and their loved ones have endured during these many long years. What these four beautiful, strong women, need more than anything right now, is your support, belief, and fight. Call, text, tweet, share their story. They deserve new trials. They deserve complete exoneration. They deserve justice.

You can find out more about this extraordinary story by seeing the film now in New York, and September 30th in LA. Investigation Discovery has recently acquired the television rights and will be airing the film in October, if you’re unable to make it to the theaters.

Southwest of Salem – Festival Trailer from Deborah S. Esquenazi on Vimeo.

SOUTHEWEST OF SALEM- by Deborah S. Esquenazi

OPENING SEPTEMBER 16– NEW YORK- CINEMA VILLAGE

SEPTEMBER 30– LOS ANGELES – LAEMMLE MUSIC HALL BEVERLY HILLS


HERE ARE SOME CLEAR STEPS YOU CAN TAKE RIGHT NOW TO HELP THE SAN ANTONIO FOUR WITH THEIR EXONERATION BATTLE

 

1.  Call 1-210-335-2311 and ask for District Attorney Nico LaHood’s office.

Here’s what to say: “I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions.”

2.  Tweet/Facebook the district attorney’s office to take a stand!

Twitter: @BexarCounty @Nico4DA Take a stand about the @SanAntonioFour injustice! Recommend exoneration #FreetheSA4 @IPofTexas #southwestOfSalem

Facebook: I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of @Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions. #FreetheSA4 #SouthwestOfSalem

Watch all the Tribeca Talks from the 2016 Tribeca Film Festival!

NEW YORK, NY - APRIL 20: (L-R) Actor Robert De Niro, director Alfonso Cuaron and director, cinematographer Emmanuel Lubezki attend Tribeca Talks Directors Series: Alfonso Cuaron at SVA Theatre 1 on April 20, 2016 in New York City. (Photo by Monica Schipper/Getty Images for Tribeca Film Festival)

NEW YORK, NY – APRIL 20: (L-R) Actor Robert De Niro, director Alfonso Cuaron and director, cinematographer Emmanuel Lubezki attend Tribeca Talks Directors Series: Alfonso Cuaron at SVA Theatre 1 on April 20, 2016 in New York City. (Photo by Monica Schipper/Getty Images for Tribeca Film Festival)

Thanks to the wonderful world of technology, all the talks from this year’s festival are now available to watch online! Two especially good ones are below. Enjoy!

Here’s the entire playlist below. Click on the little icon in the top left to scroll through which you want to watch!

https://www.youtube.com/playlist?list=PLyGBMDhlSJgiMIyOOuMJK5D1Rsk7tT_ZR

 

Tribeca Film Festival Review: Audience Award winner, ‘HERE ALONE’ wrenches a mother’s instinct.

Tribeca Film Festival logo 2016here alone still tribeca

Being a new mom has had it’s toll on my brain. I’ve forgotten to eat. I’ve put the milk carton in the oven. I’ve gone days without showering or changing into socially acceptable attire. Being alone with an almost 4 month old baby all day makes your mind do/think weird things. Stir-craziness is very real. Isolation can ravage the senses. One the up side, this also means I have “a lot of time” (I know, I laughed as I typed that, too) to watch, or at least play films in the background. As a horror buff, I was excited about one film’s description in particular from this year’s Tribeca Film Festival Midnight Section, even if the plot sounded similar to ones that have cone before it. Like The Walking Dead, Rod Blackhurst‘s Tribeca World premiere HERE ALONE, is not about “zombies” but more about the people left behind.

After a terrible virus ravages human civilization, Ann finds herself living alone in a forest, foraging for supplies, and accompanied only by a radio that broadcasts a single transmission in French. Few animals even remain; the only survivors seem to be the roving hordes of infected creatures with a taste for human flesh. One fateful day, Ann crosses paths with two more survivors, Chris and Olivia. But after surviving on her own for so long, she struggles to relate to them and and their desire to settle down and start a new community.

here alone still chris and annAlmost entirely shot in the woods, our lead character Ann has only her vehicle and two small camps on a lake. Screenwriter David Ebeltoft’s immensely effective script, utilizes intermittent flashbacks to show us how Ann came to be on her own. Once traveling with her husband and infant daughter, the audience must allow themselves to be with Ann in the present in order to feel emotionally connected. She is smart and resilient. She has learned that practicality is the only way to survive. Her newly gained skills sometimes fumble, adding to the realism factor. The minute she allows her emotions to control her path, things are bound to go awry. When Ann stumbles upon Chris and his step-daughter Olivia, her motherly instinct may be her undoing. Two mindsets are at play; Stay put or keep moving. Which would you choose? Blackhurst’s use of nudity is never without purpose. There is no glamour factor here, which is much appreciated in the genre in general. Lucy Walters‘ lead performance is breathtaking. It’s not until the very end that we discover what happened to Ann’s daughter. That particular scene, which we know from the very beginning we’ve been building up to, is one of the most gut-wrenching I’ve seen on film. Maybe it’s the new Mommy hormones, maybe it’s Ebeltoft specifically crafted script, or maybe it’s the perfect storm of the two. I don’t think I have ever wept while watching a horror film until now. In a “what would you do?” scenario from hell, HERE ALONE tears your heart out and challenges how you think you’d react in a doomsday situation. When you’re down to your last bullet, it’s life or death.

HERE ALONE is one to catch. It may not necessarily be a new idea, but it is told from a fresh perspective. (Mothers be warned.)

Tribeca Film Festival Review: Written & Directed by Ricky Gervais, the Netflix ‘Special Correspondents’ tries very hard to be an 80s comedy

Special Correspondents – Netflix April 29th

American politics and media are aptly satirized in this feature by firebrand comedian Ricky Gervais. A pretentious radio journalist and his ineffectual technician botch an assignment in South America, and decide to fabricate an on-the-scene story while hiding out in a New York City apartment. This scheme spirals out of their control when their escalating story becomes a national headline.

If you can accept that this is a silly comedy and go along for the ride, then you’ll enjoy Special Correspondents. I had to keep telling that to myself over and over as each scene was presented as drama, but was obviously farce. From the very beginning, I compared it to the brilliantly funny, Spies Like Us with Chevy Chase and Dan Aykroyd. What made that film so funny was that both lead characters were ridiculous and there weren’t major conflicts. It tried to follow a modern formula from a silly 80s-type story.

Tribeca Film Festival: ‘Team Foxcatcher’ from Netflix, ‘Always Shine’ & ‘Little Boxes’

Of the last few days of the festival, these three films were among my favorites.

Team Foxcatcher

Meant to be a retreat for elite American athletes, Foxcatcher Farms, and all it was intended to represent, was lost in the paranoid downward spiral of its troubled benefactor John Du Pont. Heir to the Du Pont family fortune, John Du Pont funneled his considerable resources into his love of sports—wrestling in particular. Aiming to reinvigorate the US Olympic wrestling team, Du Pont created Foxcatcher, and invited gold medal champion Dave Schultz to lead the charge. What began as an idealistic sports idyll soon deteriorated into suspicion, distrust, and ultimately murder.

Through fascinating archival footage and never-before-seen home videos shot during Schultz’s time at the farm, director Jon Greenhalgh’s absorbing film unpacks the events leading up to Foxcatcher’s well-documented tragedy, exploring the complex and contradictory character of Du Pont, while serving as a poignant memoir to the legacy of Schultz as a champion wrestler, husband, and father. Team Foxcatcher charts a true American tragedy of Olympic dreams, ambition, mental illness, and murder.

—Cara Cusumano

I haven’t seen the Foxcatcher movie with Steve Carrell, Channing Tatum and Mark Ruffalo, so I didn’t have any idea what this was about other than wrestling. I was completely shocked at the story, but even more impressed with the storytelling. It builds up slowing, and documents the events through the stories of those who were there.

Fascinating and compelling, it proves once again that truth is stranger than fiction. Releases on Netflix April 29th.


ALWAYS SHINE_web_2Always Shine

Two women, both actresses with differing degrees of success, travel north from Los Angeles to Big Sur for a weekend vacation in Always Shine, Sophia Takal’s twisty, psychological thriller. Both see the trip as an opportunity to reconnect after years of competition and jealousy has driven a wedge between them, but upon arrival to their isolated, forest retreat, the pair discovers that their once intimate friendship has deteriorated into forced conversations, betrayals both real and imagined, petty jealousies, and deep-seated resentment. As the women allow their feelings to fester, each begins to lose their bearings not only on the true nature of their relationship, but on their own identities. Mackenzie Davis (Halt and Catch Fire) and Caitlin FitzGerald (Masters of Sex) give brave and raw performances as Beth and Anna, two women whose ideas of success are dictated as much by external cultural criterion as their own sense of self-worth. Beautifully photographed and assuredly directed by Takal, Always Shine wraps itself in an evocative shroud of dread and paranoia that lingers long after the final frame.

—Cara Cusumano

On the surface, it’s just a jealous rivalry, but tables turn and suddenly you don’t know what is real anymore. The opening sequence is particularly intense, and sets the stage perfectly for the two women. I also found it quite interesting seeing a woman striking out with a potential suitor, as that’s not normally something depicted. Brilliantly acted and told, this is quite a surprising cinematic treat.

https://youtu.be/jGvfbmmNOqM

Little Boxes

It’s the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act ‘more black,’ he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.

Director Rob Meyer (A Birder’s Guide to Everything) returns to Tribeca with his second feature, a poignant comedy about understanding identity, featuring a robust cast including Melanie Lynskey, Nelsan Ellis, Armani Jackson, Oona Laurence, Janeane Garofalo, and Christine Taylor. Executive Produced by Cary Fukunaga.

—Tilson Allen-Merry

Subtle and upfront at the same time, I loved the honesty and accessibility of the characters. I struggled through the entire film to place lead actor, Neslan Ellis, as I knew I’d seen him in something before. Turns out, he played Lafayette on HBO’s True Blood, which is as far away from the character in this film as you can imagine. He’s absolutely brilliant as the father in this family that moves to the suburbs after a life in New York City. I absolutely adored the film.

Tribeca Film Festival Review: The tragic & heart-breaking ‘AWOL’

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Love can sometimes make us do stupid things. Joey is blinded by her love for Rayna and won’t give up on her. Even after she joins the Army, Joey can’t stop thinking about a life with Rayna and will do every dumb thing she can to make it happen.

While it can be maddening at times, the story of AWOL is full of good intentions. There are several scenes that are blatantly gratuitous, and unnecessary, but the structure flows well and it keeps you engaged.

Tribeca Film Festival Review: Aubrey Plaza & the ‘Pistol Shrimps’

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They just wanted to play basketball at their local rec center. This group of women started a movement and are known as the Pistol Shrimps.

The documentary takes you through from the beginning and although there’s nothing ground-breaking, it’s really just empowering to see a bunch of women having fun together and not apologizing for it. Many of the team are comedy writers and performers, so their interviews are particularly funny.

They even have their own podcast!

Tribeca Film Festival Review/Interview: Tracy Droz Tragos talks about the Missouri documentary ‘Abortion: Stories Women Tell’

Director Tracy Droz Tragos has a passion for Missouri stories. After her family moved to California, she used to spend her summers in Rich Hill, Missouri, about halfway between Kansas City and Joplin on Highway 49. She even directed a documentary about three boys from that area in the 2014 documentary, Rich Hill. Heartbreaking and honest, it brought to light a seldom heard story of struggle.

Abortion: Stories Women Tell airs on HBO later this year as part of their documentary series.

No matter your position on the issue, these are the women it affects. From those having them to those opposing. Hear my interview with director, Tracy Droz Tragos, below:

Tribeca Weekend Wrap-Up: 6 stories of love, loss, happiness and fear

AWOL_web_1AWOL

Love can make us do some pretty dumb things. Joey is trying to make sense of her life and find direction, but love blinds her better judgement. Told with many gratuitous and unnecessary bits of nudity, the vulnerability and naivety of Joey is what makes this tug at your heart.


Fear_inc_web_1-Tribeca 2016

Fear, Inc

A company that you hire to scare you? Although it has tremendous potential, the execution (no pun intended) didn’t grab me at all. Once again, I gave horror a try. It’s just not for me.

the happy filmThe Happy Film

Surprisingly introspective, this was just as much about the cool design as it was the idea that we can control our happiness. At the beginning, the film tells you that it will not make you happy, and it won’t, but it could give you some insight on how to be.

FOLK_HERO_AND_FUNNY_GUY_web_1Folk Hero & Funny Guy

So much more than the two guys, one girl troupe, this is a story of two friends discovering their friendship again.

Enlighten_Us_web_1Enlighten Us: The Rise and Fall of James Arthur Ray

Remember the sweat lodge incident where people died? Here’s the story of the man behind it, who went to prison for two years. The director is incredibly diplomatic and let the man speak to himself. What I took out of it is how much I am grateful for my friends who love and support me.

HOUSTON_WE_HAVE_APROBLEM_original_1bHouston, We Have a Problem!

Separating fact from fiction is easier in a narrative, but when it’s presented as a documentary, the line is not clear. Besides the subject, the cinematography is really spectacular as the archival footage is lined up with the present.

Kevin Spacey is sassy, Michael Shannon is sarcastic, totally entertaining Johnny Knoxville at the press conference for ‘Elvis & Nixon’

Elvis & Nixon press conferenceFirst to come to the table was Michael Shannon, sporting a jean jacket with one of his latest movies, Midnight Special, on the back. That movie recently opened, and Shannon has three movies playing at this year’s festival. Elvis & Nixon, Wolves and Poor Boy.

Elvis & Nixon premieres tonight!

Kevin Spacey was asked the most questions, but had lots of fun with his answers. He describes Nixon as “remarkably uncomfortable in chairs.”

Johnny Knoxville laughed uproariously at almost everything Spacey or Shannon said, saying that to “hear Kevin swear as Nixon is very satisfying.”

Shannon describes sitting next to Jerry Schilling driving around Memphis, when Schilling received a phone call from Priscilla [Presley]. “It was one of the most surreal experiences of my life.”

Elvis & Nixon

Tribeca Interview/Review: Razor sharp ‘Women Who Kill’ from NYC director Ingrid Jungermann

women who kilIn Women Who Kill, Morgan and Jean are an ex-couple who live together and host a podcast together on women serial killers in Park Slope, Brooklyn. When Morgan starts dating someone new, Jean suspects the mysterious, Simone, to be a serial killer herself. Original and hilarious, you never quite know what to believe.

The banter between Morgan and Jean is silly and witty. I really enjoyed seeing an ex-couple portrayed as people who are much better as friends than as lovers. It’s odd how often you don’t see that.

The term “first time director” is used to describe Ingrid Jungermann, who writes, directs and stars as Morgan, but she’s not a novice. She may be a first time feature director, but Jungermann has produced two different web series, The Slope and F to 7th with several A-list actors. She’s been writing and acting for over 20 years and you would never guess this is her first feature.

Episode 1: “Miserable Animals” from The Slope on Vimeo.

I got a chance to have a lovely conversation with Jungermann where we talked about everything from video stores to virtual reality. I felt an immediate connection with her after reading about her growing up in a small town and working in a video store. Both of us have a love for the escapism of the movies but unlike me, she pursued acting and directing to create her own movies.

Necessity is the mother of invention. Jungermann started acting in high school and when she realized that there weren’t many parts for her and her friends, she decided to create them herself.

I asked her what made her decide to go from short form to feature, she explains, “it was all part of the plan.” She also says, “the web series was a way for me to make my own rules and taught me about feature filmmaking.” During the second season of F to 7th, she was working on her feature and developing the three act structure.

I had never considered the difference between, but it’s all about structure. In her web series, F to 7th, each episode is about 5 minutes long and each play out as scenes as part of the entire series. They aren’t directly related, but are connected through the characters. Jungermann uses several of the stories and characters from the series in her feature, and it comes together brilliantly.

“I don’t think I really understood feature filmmaking until this film. But what I didn’t realize is how much I love web series.” She describes that she really couldn’t get a grasp on short films and when she discovered a web series option, she jumped at it.

Jungermann would also love to write a virtual reality comedy. She won me over she defended it saying that it won’t ruin movies, “it’s another dimension.”

Jungermann is working on a new sci-fi feminist thriller with Stewart Thorndike who directed Lyle (below) with Gaby Hoffman.


Also recommended was Krishna, which is playing in theaters in New York right now.

Tribeca SnapChat Shorts at the 2016 Tribeca Film Festival – Panel Announced

Tribeca Snapchat Shorts for media

Do you SnapChat? In 2015, the Tribeca Film Festival announce #6SECFILMS with Vine and this year has teamed up with SnapChat. You can also submit your own story.

  • The theme is comedy – whatever your sense of humor may be — so get creative, think of something funny and start Snapping! Create a short film using the Snapchat Story function. Your Tribeca Snapchat Short should be no longer than 200 seconds long. Find all the rules here.

Brought together by a shared love of storytelling, Tribeca Film Festival and Snapchat have joined forces to bring you TRIBECA SNAPCHAT SHORTS, the first-ever program of its kind – we’ll be spotlighting the best Snapchat Stories from across the US.

 

A jury of talented storytellers and avid Snapchatters will pick the top ten Stories. These winning Tribeca Snapchat Shorts will screen during the 2016 Tribeca Film Festival in New York City and may be featured on a Discover channel on Snapchat.

 

Submissions open on February 27th and close March 8th. See below for submission guidelines and make sure you read our complete Official Rules.


Tribeca_SnapchatPANEL

Jessica Alba: Jessica Alba is an actress known for her work in films such as the “Sin City” and “Fantastic Four,” as well as the co-founder of the eco-friendly business, The Honest Company
Snapchat Username: jessicamalba

Steve AokiSteve Aoki: Steve Aoki is a Grammy-award winning EDM musician, record producer, and music executive
Snapchat Username: aokisteve

Steve Buscemi: Steve Buscemi is a producer and award-winning actor known for a host of film and TV roles, including his recent stint as Nucky Thompson on HBO’s “Boardwalk Empire”

David Gordon Green: David Gordon Green is a film producer and director known for films, including “Pineapple Express”, “Prince Avalanche” and “Manglehorn”
DJ Khaled: DJ Khaled is a well-known DJ, record producer and radio personality
Snapchat Username: djkhaled305

Shay MitchellShay Mitchell: Shay Mitchell is an actress, model and author known for her role as Emily Fields in “Pretty Little Liars”
Snapchat Username: officialshaym

Vashtie_2Vashtie: Vashtie is a New York based director, filmmaker, artist, designer, and creative consultant
Snapchat Username: VASHTIEKOLA