FAMILY PORTRAIT
Filmmaker Lucy Kerr follows a well-off family as they gather to take a photo for their annual Christmas card. When the matriarch goes missing, one daughter makes it her mission to find her. In the dawn of Covid, FAMILY PORTRAIT is a haunting film whose title is a stunning double entendre.
The heightened sound editing by Andrew Siedenburg and Nikolay Antonov is a character in the film. There is no better way to articulate its effect. The camera work from Lidia Nikonova swings from following closeups to static long takes, and it is nothing short of magnificent.
There is a theatrical delivery of much of the dialogue. Deragh Campbell is marvelous playing Katy. She delivers a compelling performance, reminding us how much we rely on the family matriarch to set our boundaries. Campbell’s pervasive anxiety flows on the screen.
The film brilliantly captures the poetic chaos of family gatherings. A myriad of intimate vignettes are all swirling together in an authentic picture where time loses all meaning. FAMILY PORTRAIT is haunting in so many ways. It will leave you breathless and wanting more.
Opens at Metrograph Theater in NYC Friday, June 28, Expands to Chicago and Los Angeles in July & Makes US Streaming Premiere Exclusively on Metrograph at Home Friday, July 5
Synopsis: Family Portrait follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.
FAMILY PORTRAIT stars a captivating Deragh Campbell (Kazik Radwanski’s ANNE AT 13,000 FT., Nathan Silver’s STINKING HEAVEN) and world premiered at the 2023 Locarno Film Festival in the Concorso Cineasti del presente section, the festival’s slate dedicated to discovering the cinema of tomorrow, where it took the Boccalino d’Oro for Best Director for Kerr. In addition to the US theatrical rollout, FAMILY PORTRAIT will make its US streaming premiere exclusively on Metrograph at Home on Friday, July 5, where it will be available for a two-month online engagement alongside a collection of Kerr’s short films.
In addition to the film’s winning reception at Locarno, FAMILY PORTRAIT has received accolades from the Black Canvas Film Festival (Best Director), the Hainan Island International Film Festival (Best Picture, Best Actress, and the Best Artistic Contribution), the Austin Film Society (Feature Film Grant), FIDLab (AirFrance Prize), and the New Horizon Award from the U.S. In Progress event in Wroclaw, Poland.
Kerr, Houston-born and New York-based, was one of Filmmaker magazine’s 25 New Faces of Film of 2022 and a graduate of CalArts film and video program. Inspired by familial pain and the feeling of loss that reflects what was felt by many during the pandemic, in the world of her film —which was shot in Hunt, TX, along the Guadalupe River— when grief is denied, mourning transforms into a melancholia that begins to undermine the sense of “reality,” ultimately leading to a divergence beyond the territory of the living.
Chris Galust (GIVE ME LIBERTY), Katie Folger (DAY 5), Rachel Alig (FIRST BLUSH), Robert Salas (CASSANDRO), and Silvana Jakich (WHAT HAPPENED AT 625 RIVER ROAD?) round out the cast alongside Campbell. The film is produced by Megan Pickrell and Frederic Winkler, co-produced by Rob Rice, and executive produced by Kerr for Conjuring Productions, her production banner, and Brittany Reeber. Lidia Nikonova lensed, Karlis Bergs edited, the sound department was comprised of Andrew Siedenburg and Nikolay Antonov, and production design was done by Tim Nicholas.
Danell Leyva does a great job of being entirely unlikeable. Victoria Vertuga gives Tasha a fierce presence. She is very watchable. It is Jamie Bernadette who steals the show playing Briar. Everything from her blunt haircut to her unsettling delivery is star quality. I want a prequel where she and Torrey Lawrence lead.
Filmmaker Eric Williford starts his new film off with a bang. The editing by Timothy Widmann is effective. Practical FX are solid and in your face. Cold Blows The Wind is a mysterious story of body-snatching possession on unholy ground. So much of the film feels inspired by the Evil Dead franchise, with a few other classic homages mixed in. Williford offers bits and pieces of backstory. Even though we are left to fill in the blanks, the potential is clear. There is enough meat on the bone (pun intended) to keep audiences hungry.
SWEATY LARRY
Our introduction to Sweaty Larry is as ridiculous as it should be, and the original song saying over the credits (written and performed by ATL’s 
DEATH PERCEPTION
Kevin Bohleber gives Cody a know-it-all environmentalist vibe. He hides a much more nuanced undertone. Kelley Mack is Wilda. She mixes a breezy girl-next-door quality with authentic emotional baggage. 
The titular location is a real place in Utah. It is striking and entirely isolated, making for an immediately tense premise. The score is haunting and ethereal, comprised of disembodied voices. Scenes in which Grant trips on mushrooms utilize a combination of ever-evolving animation and VHS-style imagery to illustrate his POV. It is trippy. 
The hilarious and terrifying overall premise might seem unrealistic to some, but I can tell you it is entirely plausible. When my husband was a first-year associate coming out of grad school at Yale, he passed out on the way to work three days in a row from lack of sleep. After being revived by police officers and refusing medical attention, he arrived five minutes late only to be told, “That’s a YP, a You Problem.” Empathy be damned when there is a dollar or deal to be made.
The film looks spectacular. Sharp cinematography from Ali Armino ups the production ante. Lead performances are fantastic. Everett Osborne and Tommie Earl Jenkins command your attention with dazzling charm and ferocity, making us beg for an expanded world. Without needing to, BURN OUT takes a hard left turn into total WTF near the end of its 12-minute runtime, but the metaphor completely stands. It was unhinged before that choice. Executive Producer Jamie Lee Curtis knows talent when she sees it. Goldman’s voice is fresh, intense, and welcomed.
Performances from the entire cast are magnificent. Yoav Levi is Captain Hayim Amzalag, the prisonguard tasked with orchestrating the clandestine plans for the most valuable prisoner of war. Hayim’s anxiety manifests in a toothache, a burst blood vessel, and digestive issues as he dodges the press. Levi brings a dazzling physicality to the role. You will not soon forget him.
Noam Ovadia is David, a precocious, tenacious, Lybyan-Israeli who identifies as an Arab and Sephardic Jew learning perspective on the Nazis. Procuring an after-school job, David uses his quick-witted brain to solve problems. Ovadia is a star. It is an award-worthy turn. He outshines every other cast member.
Tom Shoval and Paltrow wrote the screenplay. In the third storyline, we explore Micah (Tom Hagi
Stimson Snead takes us on a comedy of trial and error in DWF: LA sci-fi feature TIM TRAVERS AND THE TIME TRAVELER’S PARADOX. This film is a story of a mad genius’s guide to what if, get ready to have your mind blown.
Samuel Dunning is Tim Travers. He is funny, charming, and owns this role. Travers is stubborn as hell and honest to a fault. The character has authentic mad scientist vibes. The number of alternative death scenes and distinctly unique versions of the same character is Multiplicity on crack. Dunning eats it up.
One of the most harrowing stories I’ve seen featured in a short film comes from BriGuel‘s HOW I ROLL. This 13-minute emotional rollercoaster is an eye-opening tale of resilience. Robin Cohen lives with MS, navigating Miami, Manhattan, and a family history of shocking violence, loss, and great love. 
BriGuel beautifully edits Cohen’s innermost thoughts, one on top of the other in the most organic way, mimicking the chaos of our mind’s intrusive thoughts. With an abundance of home videos and footage of Robin’s daily life and love story, HOW I ROLL introduces the world to a woman who inspires us to love, laugh, and live life to its fullest despite what might feel like insurmountable odds. Eternal positivity and perseverance are the beauty of life.
It is easy to see why Kat Rohrer‘s Frameline 48 feature WHAT A FEELING played to a sold-out crowd last night. This authentic love story is everything you want it to be. Workplace shenanigans and complicated family dynamics genuinely ground the film. This naturally progressing script has it all.
Fa is a wildly unpredictable woman who enjoys creating things with her hands and bouncing from woman to woman. Marie is a doctor whose husband demands a divorce on their 20th wedding anniversary. When the two run into each other, almost quite literally, they discover an unexpected spark between them.
Caroline Peters delivers laughs and heart in the role of Marie Theres. Proschat Madani gives Fa a firecracker spirit. Both offer depth to roles that could easily remain surface-level clichés. Their chemistry is magic, and Rohrer thoughtfully crafts their characters’ journeys.
The film leans into conversations of identity, both sexual and national, with Fa being Iranian. It tackles inherent bias and standing up for what’s right, no matter the issue. WHAT A FEELING dives into the nuance of relationships and the mistakes we make that either force us to grow or flee. It’s a lovely film.
Upon his upcoming release from a specialized mental hospital in Scandinavia, a man suddenly reveals his connection to a string of murders. His therapist and the police officer on the case go down the rabbit hole, putting all three of them in a precarious relationship. 
Gustaf Skarsgård is Mads a deep sadness. His gentle nature is at odds with his confessions, although his true motivations feel evident from the beginning. Nevertheless, Skarsgård delivers an emotionally wrought performance. 
Haunting takes in the gloomy natural light of a rainstorm or afternoon in an unlit room, capturing the dark essence of the narrative. The true story behind the film is one of the most unusual in criminal history. In the 1990s, Sture Ragnar Bergwall (later known as 
FAMILY THERAPY
Sonja Prosenc‘s Tribeca 2024 film FAMILY THERAPY features a nouveau riche household that operates in rigid formality, slowly cracking upon the arrival of a new member.
Mila Bezjak gives Agata a suspicious sass. Her personality gets a boost from her severe hairstyle. Blunt bangs and thick coiffure make her resemble an overgrown doll. Her attention-seeking behavior has everything to do with her parents’ infantilism.
Aleksander never shuts up. He flaunts his eccentricity most ignorantly, fancying himself a writer despite only writing a single piece twenty years prior. Marko Mandic is loathsome in the best way.
Someone seems to be leaving Miriam cryptic notes and clues connected to her life. A kind-hearted and observant Toronto librarian at a quiet branch filled with an eclectic group of patrons, 
Britt Lower
Victoria Jorge gives Elena a tangibility that keeps us engaged. Ana Guevara and Leticia Jorge write a fun and authentic character, putting us at ease. Chiara Hourcade delivers a self-aware performance that allows the audience to ride this emotional rollercoaster alongside Adela. Hourcade and Jorge capture our hearts with genuine familiarity in their chemistry.
In the Tribeca 2024 feature film THE EVERYTHING POT, two couples in vastly different places collide, and it all starts with a wedding gift.
Give me all the cheeses. It’s a phrase I should embroider on a pillow in my home. We have an entire drawer dedicated to cheese in our refrigerator. Spending two years in New Haven, my husband and I had the privilege of eating at a restaurant called Caseus (RIP). Their famous five-cheese grilled sandwich was a taste bud revelation. Tribeca 2024 documentary SHELF LIFE is tailor-made for cheese freaks such as myself.
You must be logged in to post a comment.