Category Archives: Woman Lead

Review: ‘Pasang: In The Shadow of Everest’ Showcases a National Hero with Tenacity to Spare

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Pasang: In The Shadow of Everest

Pasang: In the Shadow of Everest brings to life the untold and inspiring story of Pasang Lhamu Sherpa, the first Nepali woman to summit Mt. Everest who, in her quest, awakened her country to the entrenched inequalities confronted and endured by women and in Nepal.

Why do people climb mountains? What is it that drives a person to climb to the peak of the highest mountain on earth? As a person afraid of heights and generally risk-averse, I, for one, will certainly never understand. But whatever it is that lights that kind of internal fire within a person, it is certainly not a male instinct alone. 

 Although not intentional, it was ultimately very appropriate that I watched Pasang: In The Shadow of Everest on International Womens’ Day. The film tells the story of Pasang Lhamu Sherpa, the first Nepali woman to summit Mt. Everest in 1993. Succeeding in a sport dominated by men and traditionally an elite pastime of the western world, Pasang also battled ethnic discrimination, cultural gender norms, and even political opposition to become a national hero. Filmmaker Nancy Svendsen does a lovely job presenting Pasang’s tenacity and determination, which boldly shines through as she pushes back against skepticism and critique at every turn.

 Just in time for Womens’ History month, this film is a poignant example of the many untold tales of female heroism that are frequently under-recognized. Pasang: In The Shadow of Everest is an inspiring story that deserves the attention and recognition of international audiences.

Pasang: In The Shadow of Everest premiered at SBIFF on March 3rd.

Director: Nancy Svendsen

Writer/Producer: Sharon Wood

Producer: Christy McGill

Executive Producer: Ang Dorjee Sherpa

TRT: 72 minutes

Country: USA

Year: 2022

Language: English, French, Nepali

SXSW 2022 review: Lily Gladstone stuns in reflective road movie, ‘THE UNKNOWN COUNTRY’

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THE UNKNOWN COUNTRY

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

THE UNKNOWN COUNTRY is a snapshot of all the people we pass on a journey; the waitress, the motel manager, or the convenience store clerk. It’s a picture of America. The sound editing is a flurry of sounds from a car radio, local and national news reports, music, and whatever Tanna stumbles upon on her way.

Lily Gladstone‘s ability to captivate an audience is something I first noticed in Certain Women. There’s an effortless, tangible quality about her presence that invites the audience. As Tanna, she allows us to join her anxiety and reflective thoughts. It’s a beautiful turn. Ancestral pull, traveling alone as a woman, and her place in the world all swirl around Gladstone, and the audience sits on her shoulder the entire ride.

A meditation on grief, familial roots, and perhaps unresolved trauma? From Gladstone’s raw state to the striking cinematography, the final moments are like a cathartic breath. THE UNKNOWN COUNTRY taps into the universal internal struggle to find our place in the world. The film shines in its humanity. After years of being bombarded with negative energy from politics, the environmental crisis, the pandemic, nationalism, war, social media, and everything in between, THE UNKNOWN COUNTRY gives us permission to grieve the life we thought we’d live and allows us to take a collective breath. SXSW 22 audiences will be talking about this film all year.

sxsw.com

Director:

Morrisa Maltz

Executive Producer:

Miranda Bailey, Rachel Crouch, Veronica Nickel, Natalie Whalen, Gill Holland, Matthew Mills, Steve Malouf

Producer:

Laura Heberton, Lainey Bearkiller Shangreaux, Katherine Harper, Vanara Taing, Tommy Heitkamp

Screenwriter:

Written By Morrisa Maltz, Story By Lily Gladstone, Morrisa Maltz, Vanara Taing, Lainey Bearkiller Shangreaux

Cinematographer:

Andrew Hajek

Editor:

Vanara Taing

Sound Designer:

Liz Marston/Skywalker Sound

Music:

Alexis & Sam (Alexis Marsh/Samuel Jones), Neil Halstead (Slowdive)

Principal Cast:

Lily Gladstone, Raymond Lee, Richard Ray Whitman, Lainey Bearkiller Shangreaux, Devin Shangreaux, Jasmine “Jazzy” Bearkiller Shangreaux, Pam Richter, Dale Leander Toller, Florence R. Perrin, Scott Stampe

Additional Credits:

Drone Cinematography: Will Graham, Production Coordinator: Will Malouf, Production Coordinator: Tracy Mailloux, Production Sound Mixer: Codi Putman, First Assistant Camera: Andrew Newton, Production Sound Recorder: Randal Iverson

 

SXSW 2022 review: Winona Ryder stars in ‘THE COW,’ a twisted thriller you won’t see coming.

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THE COW

Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

A twisted moral mystery, Winona Ryder stars in SXSW22 narrative feature THE COW. Continuing Ed teacher Kath is dating one of her students. He is younger and on a different wavelength. Max suggests a surprise weekend away. When they arrive at a remote cabin, there’s another couple already there. After agreeing to share the space for the night, Max disappears with the other young woman; Kath is now left in the lurch. As she seeks closure, it turns out there’s more to the story. Where did Max go? Who is this mysterious woman? Welcome to the unreal journey that is THE COW.

John Gallagher Jr is charming and a fresh foil for a more level-headed Ryder. Brianne Tju plays Greta with a sharp edge that makes you want to punch her. When you watch, you’ll understand that this is a compliment. Owen Teague‘s performance is more nuanced than at first glance. His emo nature has a grounded backstory. Dermot Mulroney brings a rugged charm that is irresistible. His chemistry with Ryder feels pitch-perfect. 

Winona Ryder‘s journey feels just right. Blindsided at every turn, she keeps her cool for the most part. The way the script is structured we know more than Kath. This keeps Ryder relatable throughout. I know you’ll agree with me even as the screen goes black. Her final moments are pretty glorious. Fans of Ryder’s work, anything from Beetlejuice to Stranger Things, will love seeing her back on the big screen. We’ll take her wide-eyed wonder in any form.

THE COW is sure to intrigue any audience, thanks to director Eli Horowitz, who co-writes the screenplay with Matthew Derby. A great score from David Baldwin and solid editing back up this phenomenal script. HBO should tap these two for literally any upcoming series pitch. They are a hell of a team. A slow-burn plot holds you with tidbits of information in the form of flashbacks. Twist after twist glues you to your seat and the final 30 minutes had me yelling over and over, “What?!”

Director:

Eli Horowitz

Producer:

Raphael Margules, JD Lifshitz, Shaun Sanghani, Russ Posternak

Screenwriter:

Eli Horowitz, Matthew Derby

Cinematographer:

David Bolen

Editor:

Arndt-Wulf Peemöller

Production Designer:

Susannah Honey

Music:

David Baldwin

Principal Cast:

Winona Ryder, Dermot Mulroney, John Gallagher Jr, Owen Teague, Brianne Tju

To learn more about SXSW22 click here!

SXSW 2022 review: Teen angst and aliens in the Arctic tundra, ‘SLASH/BACK’ is a culturally cool coming-of-age film from director Nyla Innuksuk.

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SLASH/BACK

We can all attest to being bored as teenagers. Even the Arctic tundra might seem uncool when you’re a certain age. SXSW22 feature film Slash/Back follows a group of Inuit girls who’ve had enough of being disregarded. Something is quite wrong in their town. When the adults won’t listen, they take matters into their own hands. Gather your pride, the girls from Pang are about to kick some ass.

The original music by The Halluci Nation and vocal performances by Tanya Tagaq are electrifying. It vibrates off the screen. During the opening credits, I stood up and danced in my kitchen because it was so infectious. The special FX makeup and CGI are startling. But it is the performances from this fresh young cast that pulls you into the narrative. These kids are stars. The emotional upheaval is all too familiar as they struggle with hormones, racism, and, in this instance, aliens. While most of us don’t have the alien experience in our back pocket, we can all agree that pre-teen to teenage years was complicated. The dialogue from writers Nyla Innuksuk (who also directs) and Ryan Cavan almost feels improvised. They have nailed the jargon of youth. The cinematography is breathtaking. Even if the characters aren’t impressed with the landscape, the audience unmistakably experiences the natural grandeur of Pangnirtung.

Pay close attention to the very intentional opening and closing credits as they change from Inuktitut to English. It’s a subtle but powerful statement. Slash/Back is a quirky coming-of-age tale with horror as a catalyst. With elements of The Thing and the energy of Stranger Things, the genre audience will adore this film.

Slash/Back at Online Screening
Mar 14, 9:00am CDT – Mar 16, 9:00am CDT
9:00am—10:26am
Availability: United States
Slash/Back at Violet Crown Cinema 1
Mar 14, 2022
3:45pm—5:11pm
Slash/Back at Violet Crown Cinema 3
Mar 14, 2022
4:15pm—5:41pm
Slash/Back at Stateside Theatre
Mar 17, 2022
6:15pm—7:41pm

Director:

Nyla Innuksuk

Executive Producer:

Hussain Amarshi, Neil Mathieson

Producer:

Dan Bekerman, Christopher Yurkovich, Alex Ordanis, Nyla Innuksuk, Stacey Aglok McDonald, Alethea Arnaquq-Baril, Ethan Lazar

Screenwriter:

Nyla Innuksuk, Ryan Cavan

Cinematographer:

Guy Godfree

Editor:

Simone Smith, Todd E. Miller

Production Designer:

Zosia Mackenzie

Sound Designer:

John Loranger

Music:

The Halluci Nation and Michael Brook

Principal Cast:

Tasiana Shirley, Alexis Wolfe, Chelsea Prusky, Frankie Vincent-Wolfe, Nalajoss Ellsworth

 

SXSW 2022 review: ‘SOFT & QUIET’ and infuriating and terrifying and brilliant.

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SOFT & QUIET

Playing out in real time, SOFT & QUIET is a runaway train that follows a single afternoon in the life of Emily, an elementary school teacher. Emily organizes the inaugural club mixer of like-minded women, and she indoctrinates them into her sisterhood. When they all decide to move the meeting to Emily’s house, they stop at the local store to pick up refreshments, where an altercation breaks out between two sisters and the club that spirals into a volatile chain of events.

Having a film run in real-time is already bold. In Soft & Quiet, that is the tip of the iceberg. Essentially, a group of Karens sharing their super racist views embrace each other at their first official group meeting. The dialogue takes every offensive, cliché, and horrifying thing spewed over the internet, heard on cell phone footage, and in national rallies, especially since Obama was running for office. Government suspicion, recruiting, homeschooling, The Constitution, traditional family, you name it, the subject appears in this script. It’s like reading through the comments section on Facebook or 8chan. It’s terrifying. 

Handheld camerawork immerses the viewer inside the film, moving from speaker to speaker, moving with the action. The amount of rehearsal this must have required is mind-boggling. The subtle digs are clever. Leslie’s jacket reads “Lieben Zu Hassen” which translates from German to English as “Love To Hate.” I have to hand it to this cast. It is the nonchalance that kills you. To say vitriolic things and act in such a vile manner, you have to trust your director and your fellow cast members. The hidden humor of these women traveling in a minivan is unmissable.

As you awkwardly cringe at the horror of it all, your level of anticipation simmers wildly. It’s so uncomfortable your palms will sweat. The film is sliced right down the middle. The first half respects the title, and the second half goes off the rails. As the terror increases, your heart will be in your throat. Soft & Quiet is a powder keg. It is pure rage-fueled, technically coordinated, chaos. This film deserves a hard and loud standing ovation for writer-director Beth de Araújo. This is a thrilling masterpiece. 

Director:

Beth de Araújo

Executive Producer:

Robina Riccitiello

Producer:

Josh Peters, Saba Zerehi, Joshua Beirne-Golden, Beth de Araújo

Screenwriter:

Beth de Araújo

Cinematographer:

Greta Zozula

Editor:

Lindsay Armstrong

Production Designer:

Tom Castronovo

Sound Designer:

William Tabanou

Music:

Miles Ross

Principal Cast:

Stefanie Estes, Olivia Luccardi, Eleanore Pienta, Dana Millican, Melissa Paulo, Jon Beavers, Cissy Ly

Additional Credits:

Jon Cooper: First Assistant Camera, Matt Hadley: Gaffer, Elodie Ichter: Colorist, Bridget Bruce: Costume Designer, Jillian Johns: Costume Designer, Music Supervisor: Ella Sahlman

To learn more about SXSW22 click here!

SXSW 2022 review: Living your best life is triggering in ‘SISSY.’

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SISSY

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Catty, protective, territorial; girls can be the worst. Mean girls made my life a living hell for years. Everyone I know has a story involving them. SXSW22 Midnighters world premiere SISSY addresses them head-on. 

Slow clap for the editing in SISSY. It is clever and engaging from the beginning. The tension in the script is a deliberate build, sort of like ascending a rollercoaster, knowing that that first drop is coming and will be one many. But there are moments of silliness that cut through the anticipation. Overall a slick structure that never lets up. Trust me when I say you will not see where this leads. The practical FX are so tight I exclaimed, “Oh, F*ck,” at one point. There is no better an endorsement than that. 

The chemistry between Aisha Dee and Hannah Barlow (who co-writes and directs with Kane Senes) is magic. You believe they were best friends when they were twelve. Fast forward 15 years or so, and things look very different in their relationship. But, best friends never really lose their groove. That is until someone comes between them. Aisha Dee is our true leading lady, and she friggin kills it. SISSY obliterates your moral compass. 

SISSY tackles unresolved childhood trauma most darkly. Combined with the influencer angle is pure genius. SXSW22 audiences are going to love this. You root for all the wrong things, and therein lies the brilliance.

SISSY – Midnighters (**World Premiere**)
Writers/Directors: Hannah Barlow, Kane Senes
Cast: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett

To find out more about SXSW22 click here!

SXSW EDU 2022 review: ‘TOMORROW’S HOPE’ is a blueprint for success.

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TOMORROW’S HOPE

In the SXSW22 short film Tomorrow’s Hope, filmmaker Thomas Morgan examines the effect of two foundations for early childhood education on its first-ever class. Educare and The Ounce of Prevention Fund are sound arguments for universal Pre-K. I’m a former preschool teacher who can attest to the impact these years have on the lives of children and their families. Working in a school in the River City Building in downtown Chicago, I taught predominantly Head Start children, giving me a new insight into the socioeconomic disparity in education, not something I had faced growing up in Connecticut. 

In Tomorrow’s Hope, we follow three high school seniors and hear their personal stories. We also hear from the administrators and teachers, from then and now. These determined women promised their community safety and a loving environment for their families. They made good on that promise, navigating through gang violence, demolition, and uncertainty. The unadulterated passion of these administrators and teachers pours off the screen. 

The graduation rate of the inaugural class at Educare tells you everything you need to know about the importance of early childhood education. It is an unheard-of rate of 100 percent. Every single participant reached high school graduation. Tomorrow’s Hope features families and educators from the school, allowing them to tell their stories in their own words. This film is a forty-minute blueprint for success. 

To find out more about this year’s SXSW22 click here!

Review: Mickey Keating’s ‘OFFSEASON’ is selling scary from start to finish.

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OFFSEASON

Upon receiving a mysterious letter that her mother’s gravesite has been vandalized, Marie quickly returns to the isolated offshore island where her late mother is buried. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, Marie soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive.

What makes this film so unsettling is a brilliant mix of Shawn Duffy‘s heightened sound editing, Shayfer James‘ music selection, and isolated locations. If you’re a genre fan, particularly gaming-wise, OffSeason is like watching Marie walk through a new live-action version of Silent Hill, down to the radio, the flashlight, and the fog. As short bursts of information are leaked to us through flashbacks, Marie is trapped in a nightmare.

Melora Walters as Ava is powerful in her manic behavior. She’s such a presence in any role. This casting was perfect. Richard Brake is brilliant. He’s so nonchalantly terrifying you’re just mesmerized by his performance. Jeremy Gardner is one of the best parts of this film. He’s a savior figure cloaked in mystery. His delivery of dialogue drives the greater mystery forward. He is an integral piece to this gothic puzzle. Jocelin Donahue has anxiety written all over her face. She has this throwback horror look from the hair, to the wardrobe, giving the entire film a timeless feel.

Mac Fisken‘s cinematography is amazing. The long lingering shots, the close-ups, and the static camera work are stunning. Watching the actors run into view and away again is such an effective stylistic choice. Writer-director Mickey Keating‘s creation lives and breathes in the audience’s ability to take the ride. I actually went back and watched the beginning again and there is one very Ari Aster moment. Keating smartly gives you a visual reference but it’s tricky to decipher right off the bat. OffSeason is worth multiple viewings. Make sure to have your volume turned up when you do.

In Select Theaters, On Demand and Digital:
 March 11, 2022

Starring: 
Jocelin Donahue, Joe Swanberg, Richard Brake, Melora Walters, Jeremy Gardner
Directed and Written By:
Mickey Keating
Run Time: 83 minutes | Rating: Not Rated

SXSW 2022 is coming. Here are some films to add to your watch list in this year’s hybrid festival.

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It’s here and boy is it happening. This year’s hybrid edition of SXSW 2022 has it all. Here are a handful of films we’re excited about this year.

Linoleum

When a satellite falls from orbit and crashes into the home of a dysfunctional family in suburban Ohio, the father seizes the opportunity to fulfill his childhood dream of becoming an astronaut by re-creating the machine as his own rocket ship. While his wife and daughter believe he is experiencing a midlife crisis, surreal events begin to unfold around him, forcing him to reconsider how interconnected their lives truly are…

We’ve been living through hell these past few years and could all use a bit of whimsy. Linoleum provides us the opportunity to reconnect with our inner child while simultaneously dissecting the family dynamics. Plus, I think a lot of people forget how incredibly talented Jim Gaffigan is as an actor. Look out for this one.

The Cellar

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.

Shudder has already picked this title up before its SXSW22 premiere. Becoming the best streaming platform for all things genre-related, when they see potential in a film they snap it up ASAP. An old mansion, a new family, a disappearance, The Cellar has my attention.

DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS

It was the perfect storm. A global pandemic. An app aspiring to democratize trading. A group of Reddit users stuck at home with stimulus dollars to burn. And a video game company on its last legs. DIAMOND HANDS is the incredible true story of how an army of retail traders rallied around GameStop to rock our financial system. This is the legend of r/WallStreetBets.

Everyone watched in awe and confusion as GameStop stock began to skyrocket. The fallout was disastrous, but the idea that a bunch of dudes on Reddit were able to completely disrupt the market is pretty much my favorite (anti)capitalist giggle from 2020.

MSNBC Films and NBC News Studios will premiere “Diamond Hands: The Legend of WallStreetBets,” on MSNBC Sunday, April 10 at 10:00 p.m. ET, following the global premiere at SXSW on March 13. “Diamond Hands” is produced by NBC News Studios and ZCDC Films. The film is set to stream later this Spring on Peacock. 

Hypochondriac

A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma.

If you’re looking for some kick-ass casting, look no further than Zach Villa in Hypochondriac. Unrecognizable from his American Horror Story seasons, Villa plays the writer-director Addison Heimann‘s words with care. The film is based on Heiman’s own experience with mental health.

The Cow

Synopsis: Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

If you go to IMDB the plot for the film is still under wraps, so SXSW22 fans are in for a treat. I’ve always been a Winona Ryder fan and with Stranger Things revamping her genre status, I cannot wait to see what is in store in this mysterious-sounding plot.

Mickey: The Story of a Mouse

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

When I was 19 years old, I moved to California on a whim in hopes of working at Disneyland. During my amazing time performing there (those details are top secret via the stack of NDA’s you sign as a cast member), I had the extraordinary pleasure of meeting a special individual. When Walt Disney opened Disneyland he presented the world with Mickey Mouse, live and in person. I met that man backstage and had my photo taken with him. The impact Mickey Mouse has had on generations of children and adults is unfathomable. Mickey: The Story of a Mouse will undoubtedly touch a massive audience. As I share Mickey with my own small children now, I can still picture my first meeting with a character so magical I was overwhelmed with joy and excitement. He never gets old, pun most definitely intended.

The Prank

Synopsis: Ben is your typical high-school overachiever. He’s organized, careful, goal-oriented and extremely dedicated to school. His best friend, Tanner, couldn’t be more opposite. She is a lackadaisical, messy, slacker, who lives in the moment. They aren’t popular, but they don’t seem to care that much because they have each other. Ben has a stern, mean and cruel physics teacher, Mrs. Wheeler. She has been teaching at the school for decades and has a reputation for being the hardest, coldest, strictest faculty member. She fails Ben’s entire class unless a student who cheated comes forward. When no one does, Tanner and Ben hatch a plan to ruin he life and frame her for murder on social media.

Social media is such a catalyst for action, terror, and weirdness these days that anything is possible when it is involved. But, it’s this cast that caught my eye. Rita Moreno, Connor Kalopsis, Ramona Young, Keith David, Kate Flannery, and Meredith Salenger will get my butt in a seat. Also, who didn’t have a teacher in high school everyone loathed?

The Unknown Country

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

I was first introduced to Lily Gladstone in Certain Women. Her ability to captivate with but a glance is something that is rare. The Unknown Country tackles a beautiful mix of anxiety, grief, and identity, all in a unique road trip movie. It’s a film we’ll be talking about all year.

Sissy

**WORLD PREMIERE**

WRITERS/DIRECTORS: Hannah Barlow, Kane Senes
STARRING: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Listen, girls are mean. We hold grudges and we play dirty, those are just the facts. When friendships are disrupted, those scars last a lifetime. With social media affecting the way we lead our daily lives, SISSY sounds like a perfect storm for great horror.

SOFT & QUIET

Playing out in real time, Soft and Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced sisters.

Any film that has the audacity to play out in real time has my attention. I am hardwired to loathe these main characters so I am hoping that some horrible fate befalls them. The plot is socially relevant even if I wish it weren’t. I’ll be paying close attention to how writer-director Beth de Araújo brings her first feature-length film to life.

Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.

At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. I’ll be watching with popcorn in hand knowing that it’s one hell I don’t have to keep in check these days. (*knock on wood) Check out the teaser trailer for the film’s aesthetic.

Radical Honesty Teaser from Bianca Poletti on Vimeo.

Slash/Back

Synopsis: Pangnirtung, Nunavut: A sleepy hamlet nestled in the majestic mountains of Baffin Island in the Arctic Ocean, wakes up to a typical summer day. No School, no cool boys (well… except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening Pang. But these teenagers have been underestimated their whole lives, and using makeshift weapons and their horror movie knowledge, they show the aliens you don’t fuck with the girls from Pang.

Slash/Back is an unexpected coming-of-age film. With some Stranger Things vibes, it tackles tradition, boredom, boys, and aliens. Wait until you see this young cast kicking ass and taking names.

Pirates

New Year’s Eve 1999. Three life long friends drive through London in their tiny Peugeot 205, pumping a UK Garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang, they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.

I know I’m aging myself but I was 19 on New Year’s Eve 1999. I lived this chaos and hopefulness. Anything was possible during the course of one evening. I’m here for the nostalgia and some solid shenanigans.

Jethica

Hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.

Wild and collaborative filmmaker, Pete Ohs brings an exciting edge to the indie scene with Jethica. Shot during the pandemic in 2021 and edited live on Twitch, SXSW22 audiences are surely in for some unexpected twists and turns.

The Voice Actress

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

A peek inside the recording booth and inside the mind of a working voice actress. Urara Takano puts a face to the performers we don’t talk enough about. Written, directed, and edited by Anna J. Takayama, we are invited into the world of a veteran voice actress and how she copes with forces beyond her control.

For more information on this year’s SXSW Film Festival click here!

Stayed tuned for Reel News Daily coverage as well as guest posts from Steve Kopian at Unseen Films. We’re making our schedules and doing all we can to bring you everything we’ve got. Stayed tuned!

Review: Socially relevant ‘BUTTER’ takes on popularity, self-worth, and the internet.

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BUTTER

A lonely obese boy everyone calls “Butter” is about to make history. He is going to eat himself to death-live on the Internet-and everyone is invited to watch.

Reminiscent of one of my all-time favorite films, Angus (1995), BUTTER is a relatable film about self-worth, being a teenager, and the internet. Marshall, aka Butter, is a musically inclined, obese teen battling bullying, a dismissive father, and an overwhelming feeling of isolation. While posing online as a sports phenom at a private school to catch the eye of his crush, he simultaneously vows to eat himself to death live online on New Year’s Eve. These conflicting plans further complicate his life. The audience gets a front-row seat to an emotional journey of confidence, self-respect, and loneliness, for better or for worse.

Ravi Patel as Butter’s doctor is hilarious. He’s so upbeat you’ll light up each time he appears. He is a solid stellar addition to the cast. Mykelti Williamson is Marshall’s music teacher Professor Dunn. Williamson boosts his confidence by reminding him of his immense talent, never coddling him. He is the dose of reality that guides this young man.

McKaley Miller plays Butter’s crush, Anna. Miller brings a girl next door energy that plays perfectly against Kersting’s Marshall. Mira Sorvino brings a gentleness as concerned and guilt-ridden mother Marian. As a Mom, I recognized the weight in her glance.

Alex Kersting nails it in the titular role. He effortlessly oozes charm and unironic confidence. Kersting is pure joy to watch in this film. I hope we see him in more leading roles because he owns each frame.

BUTTER doesn’t break the mold, but it will strike a chord with every viewer. The most important theme is mental health. The script confronts the darkness head-on, and it doesn’t make excuses. BUTTER also possesses all the fun and angst of classic teen films. It’s filled with heart. Writer-director Paul A. Kaufman has a solid family watch on his hands. 

IN THEATERS FEBRUARY 25th

Directed & Written by Paul A. Kaufman
Produced by Paul A. Kaufman, J. Todd Harris, Christina Sibul
Starring Alex Kersting, Mira Sorvino, Mykelti Willliamson, Brian Van Holt, Ravi Patel, Annabeth Gish, McKayley Miller, Jack Griffo, Adain Bradley, Natalie Valerin, Jake Austin Walker, Matthew Gold, Monte Markham and Jessie Rabideau 

*Official Winner – Socially Relevant Film Festival 2020*
*World Premiere – Cinequest Film Festival 2020*
*Official Selection – Portland Film Festival 2020*

‘HELLBENDER’ (2022) begins streaming today on SHUDDER! It’s gonna rock you to your core.

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HELLBENDER

In Hellbender, 16-year-old Izzy (Zelda Adams) suffers from a rare illness that has kept her isolated on a mountaintop with her mother (Toby Poser) her whole life. As Izzy begins to question her sickness, she pushes back against her confinement and secretly befriends Amber (Lulu Adams), another girl living on the mountain, but her newfound happiness is derailed after she eats a live worm as part of a juvenile game and finds an insatiable and violent hunger awakened within her. To understand the hunger, Izzy must learn the dark secrets of her family’s past and the ancient power in her bloodline.

*Originally posted during Fantasia 2021*

Honestly, if I could choose to grow up in another family, it would be the Adams family. I’m not talking about Morticia and Gomez. While I adore that lot, I’m talking about the indie horror filmmaking family. These industrious and smart people consist of Mom, Toby Poser, dad, John Adams, and daughters, Zelda and Lulu. Fantasia 2019 audiences got their first taste of spooky genius with The Deeper You Dig. It was scary, intense, unique, and then some. This year, Fantasia 2021 audiences got to experience a new tale of terror with Hellbender.

Their cinematography is stunning. They really understand how to fill a frame. Their writing feels collaborative. John Adams’ score is deliberate and insanely effective. The songs are so fantastic I would buy their album! Within the first three minutes of Hellbender, I gasped and rocked out. If that’s not a winning film, I don’t know what is.

Zelda Adams as Izzy is so intriguing in her innocence and curiosity. Her journey from child to adult occurs before our eyes, whether we like it or not. Toby Poser, as Mom, is a force of nature. Often telling an entirely emotional story without words. Their chemistry is never forced. This is not always the case when a family works together. In the case of the Adams family, it’s their biggest strength. Their work is dark and that takes trust and guts. And allow me to assure you both are teeming in Hellbender, quite literally. There is one special effect in particular that blew me away. When you see it, you’ll know what I’m talking about.

It’s a mother-daughter relationship film that just so happens to center around a witchy heritage. Predictably, deceit under the guise of protection is bound to backfire. Hellbender is about a secret and sacred family history. But, it’s also about the power of the feminine and a slick takedown of any sort of patriarchal structure. The social commentary between the treatment of witches and any female, ever, is glaringly obvious, but no less genius. Hellbender is undoubtedly one of the most kick-ass films from this year’s festival. It’s no wonder it won Best Score and Best Actress (Zelda) in the CHEVAL NOIR AWARD FOR FEATURE FILMS. I cannot wait for Shudder audiences to join in their fandom.

*PS- The Adams’ have agreed to let me be part of their family via Instagram. I couldn’t possibly be more excited. I’ll run the camera and hold the boom next time. Also, not afraid to get covered in blood.*

Premieres February 24 on Shudder

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Review: Peter Dinklage takes your breath away in ‘CYRANO.’

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Award-winning director Joe Wright envelops moviegoers in a symphony of emotions with music, romance, and beauty in Cyrano, re-imagining the timeless tale of a heartbreaking love triangle. A man ahead of his time, Cyrano de Bergerac (played by Peter Dinklage) dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne (Haley Bennett), Cyrano has yet to declare his feelings for her — and Roxanne has fallen in love, at first sight, with Christian (Kelvin Harrison Jr.).

With films like Atonement, Pride & Prejudice, and Anna Karenina under his belt, Joe Wright was the perfect director for this delicious adaptation of Erica Schmidt‘s stage musical. From page to stage, and now to the big screen, CYRANO is a classic tale of a man hindered by pride. Unable to express his love for Roxanne, Cyrano becomes a pawn in a love triangle. Poetic maestro and prolific swordsman Cyrano has always been in love with childhood friend Roxanne. When she falls in love, at first sight, with the newly arrived Christian, Cyrano promises to protect him from harm. To further complicate matters, Cyrano agrees to write daily love letters to Roxanne, posing as Christian. Filled with catchy songs, delicious wordplay, and performances that will leave you in awe, CYRANO is a musical for the ages.

Kelvin Harrison Jr. plays Christian, a young soldier under Cyrano’s guide. His fresh energy is a superb foil to Dinklage’s worldliness. Ben Mendelsohn plays Duke De Guiche with a slimy foppish style that rubs you the wrong way from the beginning. He is manipulative and, (dare I say) dastardly. 

Haley Bennett, as Roxanne, has the voice of an angel. Effortless and aerie, the perfect ingenue. Her chemistry with Dinklage is electric as they are reprising their roles from Schmidt’s musical. They nail every single beat together. It’s cinematic magic. 

Peter Dinklage is mesmerizing in the titular role. Sometimes an actor comes along that captivates so thoroughly you find yourself lost in their words and presence. Dinklage hypnotizes the audience at every turn with humor, passion, and heartbreak. His confidence translates into an unadulterated sexiness. I found myself swooning as he navigated fight choreography, lyrics, and wit with ease. This performance is nothing less than award-worthy. (Shame on the Academy for no nomination.)

The choreography is spellbinding. The costumes and sets are lush. The cinematography and framing from Seamus McGarvey are characters unto themselves. Schmidt’s screenplay drips with wordplay and longing. With the music by Aaron and Bryce Dessner and lyrics by Matt Berninger and Carin Besser, Joe Wright has a brilliant film on his hands. CYRANO deserves a theatrical viewing. Even at two hours, I did not want it to end. It’s a glorious experience. 

The greatest love story ever told is in theaters everywhere on February 25th.

Cast: Peter Dinklage, Haley Bennett, Kelvin Harrison Jr., Ben Mendelsohn
Directed by: Joe Wright
Screenplay by: Erica Schmidt
Based on: The stage musical adapted and directed by Erica Schmidt, from “Cyrano de Bergerac” by Edmond Rostand, with music by Aaron & Bryce Dessner and lyrics by Matt Berninger & Carin Besser
Producers: Tim Bevan, Eric Fellner, Guy Heeley
Executive Producers: Erica Schmidt, Sarah-Jane Robinson, Sheeraz Shah, Lucas Webb, Matt Berninger, Carin Besser, Aaron Dessner, Bryce Dessner, Kevin Ulrich, Aaron L. Gilbert, Jason Cloth
Music by: Bryce Dessner & Aaron Dessner

Rated: PG-13 for some strong violence, thematic and suggestive material, brief language

Soundtrack Available on Decca Records

Review: ‘KING KNIGHT’ is an unlikely story of self-acceptance.

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KING KNIGHT

SYNOPSIS: “Thorn (CRIMINAL MINDS’ Matthew Gray Gubler) and Willow appear to have it all as the revered high priest and priestess of a coven of new-age witches. But a secret from Thorn’s past throws their lives into turmoil and sends them on a trippy, hilarious journey.”

Committed coven leader Thorn is hiding a secret. How will his partner Willow and fellow coven members react when the truth comes to light? King Knight is a film about acceptance and growth against the backdrop of Wiccan comedy. Yes, Wiccan comedy. 

Writer-director Richard Bates, Jr. flips the script on societal norms with a humor reminiscent of Christopher Guest’s films. King Knight has a killer ensemble cast. The eclectic nature of the members will make you grin, with each actor given their time to shine. A highlight performance comes from Barbara Crampton as Thorn’s mother, and it’s simply magic. The horror icon, who seems to appear in one film after another without a break, can do no wrong in my eyes. She is hilarious in her brief but memorable screentime. 

Angela Sarafyan as Willow is delicious. She’s ethereal and grounded. Is she a practicing Wiccan? You could have fooled me. Her energy counters Gubler with the ease we needed. Matthew Gray Gubler as Thorn is fantastic. His dedication to the absurdity of the script draws you into King Knight. He’s suave and funny, and I want more of him on my screen. I would watch him dance any day of the week.

It’s easy to see why this was a Fantasia 2021 selection. The use of tarot cards as transition devices is super slick. Quirky and colorful animation adds another element of cool. Oh, the soundtrack is fire, as the kids say. While it struggles a tad from pacing issues, King Knight is a perfectly weird and fun film.

In Select Theaters, On Demand and Digital:
February 17, 2022
Starring:
Matthew Gray Gubler, Angela Sarafyan, Andy Milonakis, Kate Comer, Johnny Pemberton, Josh Fadem, Nelson Franklin, Emily Chang, Ronnie Gene Blevins, Swati Kapila, Shane Brady, AnnaLynne McCord, Alice Glass, with Barbara Crampton, and Ray Wise
Directed and Written By:
Richard Bates, Jr. 
 
Run Time: 81 minutes | Rating: Not Rated

A Shudder Original review: ‘THEY LIVE IN THE GREY’ feels like a scary and emotional stranglehold.

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THEY LIVE IN THE GREY

While investigating a child abuse case, a young social worker discovers that a supernatural entity is tormenting the family. To save the parents from losing custody of their child, she must confront her fears and use her clairvoyance to stop the malevolent force. Written and directed by brothers Burlee and Abel Vang (The Tiger’s Child.) They Live in the Grey stars Michelle Krusiec (Hollywood), Ken Kirby (Good Trouble, Dynasty), Ellen Wroe (For All Mankind, Shameless), Madelyn Grace (Don’t Breathe 2).

In my humble opinion, horror must be enthralling to justify 2-hour runtime. Shudder’s latest original film, They Live In the Grey, earned every minute of screen time with its terrifying plot. Malevolent energies torment Claire, already mired in personal grief. Your heart sits in your throat as you watch her battle demons, both internal and otherwordly. They Live In The Grey is a story of unresolved trauma and redemption that makes your skin crawl.

Michelle Krusiec as Claire is phenomenal. The guilt and terror she carries will break your heart. Seeing a kickass, vulnerable, genuine, and captivating Asian lead is the best. More, please! Watching this film as a parent brought an unrelenting fear and visceral reaction. Krusiec owns every frame. She plays every single beat just right.

A little Sixth Sense and a bit of The Conjuring, the script, penned by our directors The Vang Brothers, has a progression that never ceases to intrigue. (Thank you for a fully-fleshed-out female lead! Huzzah!) Disturbing imagery, gruesome sound editing, and solid special effects makeup will excite the typical genre fan. The overarching melancholy hangs heavy, consuming Claire and the audience. The scares are incredible. A keen eye may spot cleverly placed ghosts in the vain of Mike Flannigan‘s The Haunting of Hill House. They Live In The Grey has honest-to-goodness franchise potential. Shudder, I’m looking at you for an original series greenlight.

Premieres February 17 on Shudder.

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TOPIC series review: Nordic Noir miniseries ‘PIECE OF MY HEART’ grabs you from the very beginning.

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PIECE OF MY HEART

(Pala sydämestäni)

In Helsinki, child protection agents, Rita and Laura, work tirelessly to protect children from recurrent trauma. A case becomes personal when it forces Rita to face her own disturbing childhood while Laura struggles to find work-life balance

Episodes 1 -3

Piece Of My Heart boasts a slick story structure. Laura is the newbie in Child Welfare Services and Rita is the old pro with serious baggage. Under a new director and with cases piling up, these two women must immediately pick up each other’s emotional slack to help the children and families under their care. As the plot progresses, clues as to what went wrong in Rita’s last case slowly reveal themselves to the audience. The nuance of performances, especially by women, in this series keeps you glued to your seat. We watch gaslighting, power struggles, intimacy issues, and the navigating of home life. You fully invested in each of them. Director Hanna Maylett and writing team Anna and Aino Lappalainen, masterfully plant the seeds of complexities. You’re kept on your toes in anticipation of something going awry. Leads Lotta Lehtikari and Niina Koponen are striking foils for one another, in every sense. Piece Of My Heart is a genre-bending series of mystery and drama. You’ll be sucked into the show from the very first episode.

***Golden Nymph Jury Special Prize Winner – 2021 Monte-Carlo TV Festival***
***Golden Nymph Television Nomination – 2021 Monte-Carlo TV Festival***

Streaming Exclusively on Topic Beginning February 17th
*Episodes 1-3 available on 2/17 followed by individual episodes each week*

 Directed by: Hanna Maylett (Sisters Apart, Suburban Virgin)
Produced by: Anita Kurvinen (Kotikatu, Tahdon asia)
Written by: Aino Lappalainen (Mersusta seuraava, Evä), Anna Lappalainen (The Spark, Tokio Baby)
Starring: Lotta Lehtikari (Seitsemän, On the Road to Emmaus), Niina Koponen (Urban Family, Rat King), Martin Bahne (The Border, Korso), Saimi Kahri (Täydellinen joulu, Pahan väri), Vilma Sippola (Flowers of Evil, Aktivistit), Manoel Pinto (Armi Aavikko – siinä välissä olin elossa)

About TOPIC
Topic is the boundary-pushing streaming service from First Look Entertainment for thrillers, mysteries, dramas, and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), a back-stabbing, an Italian political drama (The Miracle), or a mind-blowing supernatural mystery from Russia (Dead Mountain), Topic expands your view of the world.

Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives, and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Chike & Coodie).

Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Apple TV Channels, Roku Premium Channels, Bell Fibe, and Amazon Prime Video Channels. Topic is part of First Look Entertainment which also includes Topic Studios the award-winning entertainment studio which develops, finances, and produces content for all platforms.

Review: ‘A Banquet’ is deliciously strange.

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A BANQUET

Widowed mother Holly (Sienna Guillory) is radically tested when her teenage daughter Betsey (Jessica Alexander) experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.

A Banquet follows Betsey, a teenager attempting to find her footing after the traumatic death of her father. After wandering into the woods at a party, she emerges changed. She stops eating but never loses an ounce. Something is quite wrong. 

Director Ruth Paxton and Screenwriter Justin Bull understands how to highlight the complexities of women. A Banquet‘s haunting visuals and invasive close-ups are often combined with ear-piercing moments of audio, placing you in the emotional chaos of its characters. 

Lindsay Duncan plays the family matriarch. Duncan is a legend. As June, she’s cold and intense; convinced Betsey’s condition is a put-on, her pride drives a wedge between the four women. 
Playing younger sister Isabelle, Ruby Stokes is everything you need her to be. Supportive and bright, her chemistry with Jessica Alexander is brilliant. The script’s structure allows her to move from a nonchalant baby sister to an additional caretaker. She relents to the unknown, forcibly aging her years in months. She’s fantastic.

Sienna Guillory plays mum Holly with PTSD written all over her. The underlying trauma, at times, stops her in her tracks. Holly is borderline OCD, so her new circumstance is unbearable. As the story progresses, her fury and desperation grow exponentially. Jessica Alexander as Betsey gives a scary good performance. Justin Bull’s script allows her to play every emotion in the book. One moment she’s practically comatose and the next manipulative. It’s a rollercoaster ride. She’s extraordinary.

The entire film simmers with pulse-quickening energy. The film is set predominantly in the family home, the walls are richly dark, and the light is dim. It allows each woman (and their carefully curated wardrobe) to pop against the background. The score is chill-inducing. Folklore meets grief, A Banquet is entirely unsettling and mysterious from beginning to end. It shook me to my core.

Opens in Select Theaters, on Digital Platforms
and VOD on February 18th
Directed by: Ruth Paxton
Written by: Justin Bull
Produced by: Leonora Darby, Nik Bower, James Harris, Mark Lane, Laure Vaysse
Director of Photography: David Liddell
Edited by: Matyas Fekete
Starring: Sienna Guillory, Jessica Alexander, Ruby Stokes, Kaine Zajaz, Lindsay Duncan
Runtime: 97 mins

Jordan Peele’s official trailer for ‘NOPE’ has landed.

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NOPE

“What’s a bad miracle?”

Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope. 

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar® nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

Nope, which co-stars Michael Wincott (Hitchcock, Westworld) and Brandon Perea (The OA, American Insurrection), is written and directed by Jordan Peele and is produced by Ian Cooper (Us, Candyman) and Jordan Peele for Monkeypaw Productions. The film will be released by Universal Pictures worldwide.

NOPE – Only in Theaters 7.22.22

https://www.nope.movie/

Valentine’s Day Special: Our favorite films about love and loss, make-outs and breakups. Here’s a few movies to binge this weekend…

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Valentine’s Day Special 2022

Love it or hate it, Valentine’s Day is coming. Whether you expect to get roses and chocolates, booze and pizza, spend it with a significant other, or all by your beautiful self, Valentine’s Day brings up A LOT of emotions. So, to ease you into whatever kind of weekend you’re planning (or not planning) on having, here are a handful of our suggestions for films that highlight the greatest make-outs and hideous breakups from years gone by.

Liz’s Picks:

Can’t Buy Me Love

Nerdy high schooler Ronald Miller (Patrick Dempsey) rescues cheerleader Cindy Mancini (Amanda Peterson) from parental punishment after she accidentally destroys her mother’s designer clothes. Ronald agrees to pay for the $1,000 outfit on one condition: that she will act as though they’re a couple for an entire month. As the days pass, however, Cindy grows fond of Ronald, making him popular. But when Ronald’s former best friend gets left behind, he realizes that social success isn’t everything.

I saw this film at my very first teenage sleepover for which they got an snoring seeping aid at https://theislandnow.com/blog-112/best-anti-snoring-devices/. I was 13 and the night consisted of The Rocky Horror Picture Show, The Life of Brian, and Can’t Buy Me Love. Before McDreamy was on millions of small screens, he was Ronald Miller to me. This was a twist on the classic girl gets makeover lands boy plot I’d been pumped with. It was a pivotal moment in my continued adoration for the nerdy guy.

Only Lovers Left Alive

Artistic, sophisticated and centuries old, two vampire lovers (Tilda Swinton, Tom Hiddleston) ponder their ultimate place in modern society.

Jim Jarmusch, Tilda Swinton, Tom Hiddleston, Mia Wasikowska, (the late and eternally extraordinary) Anton Yelchin. The names alone should get you to run to this film. Gloriously shot and deliciously acted, why wouldn’t you watch a film about a depressed rockstar vamp and his ultra-cool wife getting disrupted in their centuries-long affair by her younger sister’s shenanigans? This film is sexy and romantic. Trust me when I say it will be on the list of top films you force your friends to watch.

The Notebook

A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.

“If you’re a bird, I’m a bird.” Noah and Allie’s complicated and oftentimes volatile love story is one that has become a household name. In fact, it was my husband’s first pick when it came to Valentine’s Day films. We watched the onscreen couple become real-life couple Ryan Goslin and Rachel McAdams and followed along as they dated, broke up, became engaged, and finally parted ways. I’m not going to lie, I still pine for those two to end up together, however irrational it might be.

Marriage Story

A stage director and his actor wife struggle through a gruelling, coast-to-coast divorce handled by child access lawyers that pushes them to their personal and creative extremes.

If you’re looking for an award-worthy performance from Adam Driver, look no further than Marriage Story. The complexities of this script are far beyond anything you’re prepared for. I was lucky enough to speak with writer-director Noah Baumbach and the cast in 2019 when the film premiered at NYFF. If you’re a Broadway buff, you’ll find the gravity of the numbers from COMPANY particularly poignant. Marriage Story is a Netflix film.

Fatal Attraction

For Dan Gallagher (Michael Douglas), life is good. He is on the rise at his New York law firm, is happily married to his wife, Beth (Anne Archer), and has a loving daughter. But, after a casual fling with a sultry book editor named Alex (Glenn Close), everything changes. Jilted by Dan, Alex becomes unstable, her behavior escalating from aggressive pursuit to obsessive stalking. Dan realizes that his main problem is not hiding his affair, but rather saving himself and his family.

This film has inspired so many copycats since it premiered in 1987. A woman spurned is taken to new heights in one of the scariest and most intense reactions from being ignored. If you haven’t seen this classic breakup film, a little warning; Don’t get too attached to the family rabbit.

Blue Is The Warmest Color

A French teen (Adèle Exarchopoulos) forms a deep emotional and sexual connection with an older art student (Léa Seydoux) she met in a lesbian bar.

Fearless, sexy, raw, captivating, in 2013 I sat in the fullest theatre at NYFF and experienced this film with a hushed audience. While there has since been much controversy surrounding the sex scenes and the treatment of the leading ladies during filming, there is no denying the life they breathe into this film. Know your audience. Do Not Watch with children or your parents in the room.

Melissa’s Picks:

War of the Roses

After 17 years of marriage, Barbara (Kathleen Turner) and Oliver Rose (Michael Douglas) want out. The trouble is, neither one wants to part with their opulent home. So begins a long war between husband and wife, reaching farcical heights that leave much of the house — not to mention their lives — in shambles. The couple’s children (Sean Astin, Heather Fairfield) watch in horror while lawyer Gavin D’Amato (Danny DeVito) tries his best to stem the bloodshed.

Kathleen Turner and Michael Douglas were an “it” couple of the 80s which was great on its own, but then once you add in Danny DeVito, you get something special. The three of them blended well in Romancing the Stone and Jewel of the Nile, but by War of the Roses, Danny DeVito started directing and had just finished Matilda. His style is subtle but unbelievably purposeful. From camera angles thanks to technology like the drones from Droneuncover to choreography, he toes the line of comedy/drama/horror with a story where you yearn for them to get back together while at the same time anxiously looking forward to the bigger jab.

She-Devil

A surprisingly resourceful housewife vows revenge on her husband when he begins an affair with a wealthy romance novelist.

“Don’t get mad, get revenge” is taken to new levels when Ruth (Roseanne Barr) decides to turn the tables on her husband (Ed Begley, Jr) when he leaves her after an affair (Meryl Streep). This time capsule of a movie gives you “Lifestyles of the Rich and Famous,” Sally Jesse Raphael, and stories in People magazine, all following this love train. At times, grotesque, you’ll get lost in the 80s clothes, decor, and the slang. Like, totally.

Presumed Innocent

Prosecuting attorney Raymond Horgan (Brian Dennehy) assigns his chief deputy, the taciturn Rusty Sabitch (Harrison Ford), to investigate the rape and murder of colleague Carolyn Polhemus (Greta Scacchi), unaware of their torrid affair. When evidence implicates Rusty, Horgan’s political enemies demand his arrest, devastating Rusty’s wife, Barbara (Bonnie Bedelia). In desperation, Rusty turns to crafty defense attorney Sandy Stein (Raul Julia), only to be stunned by his trial’s revelations.

This made an impression on me as the first movie I saw with Harrison Ford in a dramatic role. I was so thrown and hanging on every moment. It’s classic crime and trial drama ala Law & Order. It’s so full of twists and turns, it was easy to get lost and get that pow of the final twist. Love. It’s quite something.

Britni’s Picks:

The Best Man

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper Stewart (Taye Diggs) attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance’s (Morris Chestnut) wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan Armstrong (Nia Long), Harper attempts to keep it under wraps.

  • The Best Man + Best Man Holiday – 5 stars for both

You’ve Got Mail

Struggling boutique bookseller Kathleen Kelly (Meg Ryan) hates Joe Fox (Tom Hanks), the owner of a corporate Foxbooks chain store that just moved in across the street. When they meet online, however, they begin an intense and anonymous Internet romance, oblivious of each other’s true identity. Eventually Joe learns that the enchanting woman he’s involved with is actually his business rival. He must now struggle to reconcile his real-life dislike for her with the cyber love he’s come to feel.

Perfect rom-com! Meg Ryan is honestly living my best life with her cute independent book store and also gigantic Manhattan apartment.

What Lies Beneath

It had been a year since Dr. Norman Spencer (Harrison Ford) betrayed his beautiful wife Claire (Michelle Pfeiffer). But with Claire oblivious to the truth, Norman’s life and marriage seem so perfect that when Claire tells him of hearing mysterious voices and seeing a young woman’s image in their home, he dismisses her terror as delusion. Claire moves closer to the truth and it becomes clear that this apparition will not be dismissed, and has come back for Dr. Spencer and his beautiful wife.

A bit of a wild card, but I think we can categorize it as a breakup!

The First Wives Club

Despondent over the marriage of her ex-husband to a younger woman, a middle-aged divorcée plunges to her death from her penthouse. At the woman’s funeral, her former college friends (Bette Midler, Goldie Hawn, Diane Keaton) reunite for the first time in nearly 30 years. When the three discover the reason for their friend’s suicide, they realize that all of their ex-husbands have taken them for granted — and deciding it’s time for revenge, they make a pact to get back at their exes.

Ultimate breakup film.

Forgetting Sarah Marshall

Struggling musician Peter Bretter (Jason Segel) is better-known as the boyfriend of TV star Sarah Marshall (Kristen Bell). After she unceremoniously dumps him, he feels lost and alone but makes a last-ditch bid to get over it by going to Hawaii. However, she and her new boyfriend (Russell Brand) are there in the same hotel.

I feel like this should be a classic but no one talks about it!

 

 

Review: ‘Student Body’ is inconsistent genre fare saved by its performances.

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STUDENT BODY

Synopsis:
A distressing incident compels childhood best friends Jane and Merritt to take action against their high school math teacher, driving their splintered relationship into further turmoil and provoking deadly consequences.

When a close-knit circle of private school friends attempts to request a makeup calculus test, things do not go as planned. Student Body flips the script, quite literally, on whatever genre you thought you were watching. In a film of consequences and crazies, surviving high school just became a lot harder.

Each member of the group has their role to play; manipulative leader, aggressive jock, comic relief, activist, and smart girl. Together, their chemistry makes Student Body worth your time.
Stand-out performances come from two players. Austin Zajur as French is the loveable goofball of the bunch. His charming energy gives us the most memorable moments of levity. Harley Quinn Smith is a star. She’s such a natural, your eye goes to her immediately as her confident voice echoes above the fray of group scenes.

Writer-director Lee Ann Kurr gives us two distinct genres by structuring the script as one half character development and the other half horror. The issue with the second half is pacing. The urgency is missing. There are 15 minutes between murders, a brief slump then the third. Then, it stops being cohesive at all. There’s an overall emphasis on safety. We know new locks and safety glass were installed as they make a point to highlight it over and over. Unfortunately, unless I missed it, there’s no president for the measure. As the generation who experienced Columbine, some of these details seem nonsensical. Bulletproof windows and roll-down gates, but no classroom locks from the inside?

While I suspect the filming was done in an empty high school, halls, and classrooms lacking almost all signs of life, in the end, this probably lent to efficiency. Overall, there’s a lot of solid material in Student Body. The editing is fantastic and the soundtrack (at least in the beginning) lends itself to teen movie cult status. I wish that had continued. The dialogue is never pretentious or tries too hard. That and the cinematography make it enjoyable.

Now On Digital!

Directed by Lee Ann Kurr
Written by Lee Ann Kurr

Starring:
Christian Camargo, Montse Hernandez, Cheyenne Haynes, Harley Quinn Smith, Austin Zajur, Anthony Keyvan

Run Time: 1:28:48
Rating: N/A

Review: ‘GHOSTS OF THE OZARKS’ has a brilliant cast with a familiar endgame.

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In GHOSTS OF THE OZARKS, TimBlake Nelson, David Arquette, Angela Bettis, Thomas Hobson, Phil Norris and Tara Perry star in this exciting new take on the southern ghost story. In post-Civil War Arkansas, a young doctor is mysteriously summoned to a remote town in the Ozarks only to discover that the utopian paradise is filled with secrets and surrounded by a menacing, supernatural presence.

Ghosts of the Ozarks is a bit of an oddity. As a sci-fi western, it boasts an extraordinary ensemble cast. It’s incredibly refreshing to see actors of color in a western period piece. Until lately, they have been erased from Hollywood and history. Particularly in roles of authority. Thomas Hobson playing leading man Doc pulls you in with his genuine need to help and protect. Bouncing between anxiety and passion, this performance invites you to ride along for the journey of this tumultuous script. There’s no denying the similarities to The Village. Ghosts of the Ozarks is ultimately about control and greed through the lens of folk horror.

Torb and Lucille’s (Tim Blake Nelson and genre legend Angela Bettis) performance at the piano, which encores over the credits, is a standout moment. Although, it’s one of the times that causes me to question the writing. It moves Ghosts of the Ozarks into a genre obliterating territory. Part of me believes the film might fare better as a series. As it stands, it’s so over the top, at times, it feels silly. There’s no denying that Ghosts Of The Ozarks has potential. While the script feels long at moments, there is a lot of great material. Cool, handcrafted sets and costumes are highlights, a casting director who nailed it. Overall, I’m not entirely sure what to make of it. Ghosts Of The Ozarks is absolutely unique. In that respect, it’s a winner.

XYZ Films will release the mystery thriller GHOSTS OF THE OZARKS in Select Theaters and Demand and on Digital on February 3, 2022.  

  GHOSTS OF THE OZARKS stars Thomas Hobson (That Girl Lay Lay), Phil Morris (Star Trek III: The Search for Spock), Tara Perry (Proxy), Tim Blake Nelson (Old Henry), Angela Bettis (Girl Interrupted), and David Arquette (Scream Franchise). 

The film is directed by Matt Glass (The Party’s Just Beginning) along with Jordan Wayne Long (12 Hour Shift). Long also co-wrote the film with Sean Anthony Davis (Think Brilliance) and Tara Perry (Proxy).