SXSW 2022 review: ‘THE CELLAR’ begins with great source material.

THE CELLAR

Filmed on location in Roscommon, Ireland, The Cellar tells the story of Keira Woods (Elisha Cuthbert), whose daughter mysteriously vanishes in the cellar of their new house in the country. Keira soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family’s souls forever.


Shudder original The Cellar made its debut at SXSW 2022 in the Midnighter’s section. Elisha Cuthbert helms this haunted house film alongside Eion Macken. As a husband and wife team working on a new Gen X influencer platform, their strangely inexpensive Irish mansion comes with more than some old furniture. With Mom and Dad busy pitching their ideas, kids Ellie and Steven are home alone when the power goes out. As Ellie descends the creepy stairs of the pitch-black basement in search of the fuse, she mysteriously disappears while on the phone with Kiera. 

Writer-director Brendan Muldowney made a short film in 2004 titled The Ten Steps (which you can find online.) The short film is horror perfection. The Cellar is a feature expanded from that story. The Ten Steps captured all the fear in 10 minutes. The Cellar takes a lot of cliches that genre fans will love, and frankly work well, and becomes an overlong and dimly lit film. As a mom, I felt Cuthbert’s sense of urgency was missing. These parents are the least panicked Mother and Father I’ve ever seen. Where are the missing posters? No tears of distress? 

As Kiera investigates the house’s history, we are introduced to everything from Jewish mysticism to quantum physics. I wasn’t expecting math to be a thing, yet here we are. I thought the record player that coaxed the family members into all sorts of trouble was clever. But, not so much the characters googling Latin quotations. It’s a lot. There are fleeting moments of greatness, such as an ancient abacus moving on its own, air blowing from underneath the cellar door as if a creature were heavily breathing. The classic scares worked best for me. The final 20 minutes is where the real action occurs, a clear nod to The Beyond. This is what I was waiting for, and it is genuinely satisfying. The visual change-up was an honest “Hell, Yes” moment, no pun intended. The Cellar is ultimately a film Shudder audiences will dig. So, simply sit back, don’t overthink it, and enjoy the devilish chaos.

 

*Perhaps ignore the fact that it will remind a few of you of Krampus.


Official Selection, SXSW 2022. If you miss its Shudder release, you can catch The Cellar in theaters on April 15 from RLJ Films.


To learn more about SXSW 22 click here!


Review: ‘Till Death’ kills it with the ball and chain metaphor.


Presents

TILL DEATH

Emma (Megan Fox) is stuck in a stale marriage to Mark and is surprised when he whisks her away to their secluded lake house for a romantic evening on their 10th anniversary. But everything soon changes, and Emma finds herself trapped and isolated in the dead of winter, the target of a plan that gets more sinister at every turn.

Till Death is a creative story about abuse, control, and reclaiming your voice. The film stars Megan Fox as Emma. She has been held emotionally captive by her abusive and powerful husband for 11 years. Their marital turmoil reaches new heights when a weekend getaway develops into physical captivity, with a side of heist and murder. Fox is great. The small moments of both recoil and challenge establish their dynamic, making for an uncomfortable watch. The physicality of this role is only half the battle. You cannot help but watch and yell at the screen alongside her. I think, “Son of a bitch!” came out of my mouth a lot. If I can be picky for a moment, I don’t think Fox’s character is given enough time to transition from submissive to badass, but that doesn’t lessen how enjoyable Till Death ultimately is. She gives a visceral performance.

It’s a harrowing script. The tension is constantly being ratcheted up. I was not expecting such a cat and mouse game when it first began. It’s the ingenuity that grabs you. I was genuinely surprised by Jason Carvey‘s screenplay. It’s undeniably clever, gruesome, infuriating, and fun. Till Death is essentially the worst anniversary scavenger hunt ever. (Which is actually the best compliment.)

Available In Theaters And On Demand July 2

Starring Megan Fox (Jennifer’s Body)
Co-staring Callan Mulvey (Russo Brothers’ upcoming The Gray Man), Eoin Macken (George RR Martin’s Nightflyers), Aml Ameen (HBO’s “I May Destroy You”)
and Jack Roth (Medici)
Directed by S.K. Dale 
Screenplay by Jason Carvey