AS THEY MADE US

As They Made Us follows Abigail (Agron), a divorced mother of two, who is struggling to find sanity in her dysfunctional family as she attempts to cultivate new love. Her father, Eugene (Hoffman), has a degenerative condition that he and his wife, Barbara (Bergen), refuse to accept. Her brother Nathan (Helberg) has been estranged from the family for decades. A self-appointed fixer, Abigail attempts to mend her complicated family before it’s too late.

Mayim Bialik‘s feature debut packs an emotional punch. As They Made Us feels like a fresh wound for anyone with childhood trauma. Brilliantly structured with flashbacks and present-day chaos, Bialik weaves a portrait of a family existing in turmoil.
Simon Helberg plays the son who escaped the weight of negativity. Estranged from the family, he leaves Abigail (Agron) behind to take the brunt of the aggression. Helberg plays a vastly different role from Bialik’s costar on The Big Bang Theory, and her script allows Helberg to show his range. Dustin Hoffman is patriarch Eugene. Navigating his cognitive decline, Hoffman plays dual roles in a way. At times, happy go lucky and defiant, others violent and loud. His journey is the most outwardly complex. Candace Bergen is the epitome of Jewish mother cliches, with a real mean streak. She lands somewhere in between abrasive and meddling. Still managing to be charming, Bergen brings heightened energy to the film.
Dianna Agron is the default child, the emotional packhorse. Taking on caregiver roles that ought to belong to Bergen’s Barbara, Agron must shift between daughter, nurse, and wife roles to ease Eugene’s suffering. These are all at her own cost as she carries these scars. Agron is the star of this film. Even with Hoffman and Bergen, she steals the show. Her exhaustion is palpable.
The family’s Jewish faith is a significant plot point. It becomes a large part of Abigail’s coping mechanisms, parenting, and healing. The character reminds me a lot of my Mother. Replace Judaism with Catholicism, and I’ve witnessed this same story play out a generation before. As They Made Us speaks volumes in roughly 90 minutes. Tackling forgiveness, acceptance, and mortality, Bialik’s voice as a filmmaker is pretty striking for her first time out. I am eager to see what comes next.
OPENS APRIL 8, 2022
IN THEATERS AND DIGITAL / VOD
Writer & Director: Mayim Bialik
Cast: Dianna Agron and Simon Helberg, with Candice Bergen, Dustin Hoffman, Justin Chu Cary, Charlie Weber, and Julian Gant
Producers: Jordan Beckerman, Ash Christian, Anne Clements, Michael Day, Jordan Yale Levine, Mark Maxey
Runtime Time: 96 minutes
Rated: R for language



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Inventions That Changed History
Ready to dominate at the next Trivia Night? “Inventions that Changed History” is a light, silly romp that is likely to help your team win a free round. With a mix of historical exposition on familiar inventions– Mr. Potato Head and waterbeds make silly and fascinating segments– it is the perfect palette cleansing alternative to more serious documentaries (or the news).
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Episode 2 Inventions:

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Chris Pine
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I appreciated the way the film leaned into its theater roots without becoming too highbrow. There’s clearly a linkage between Lilian’s decisions and her performances of Hamlet and Lady Macbeth, but you also don’t leave the film feeling like you need to get a Ph.D. in Shakespeare. Leo does justice to Lillian’s trauma and sorrow, but she also imbues her with a winking charm. This film features one of the best-planned alibis I’ve seen in a thriller, and some of the methods Lillian employs for revenge were positively refreshing in today’s age of shoot-em-up thrillers. When a gun goes off in this film, it means something.
Leo and Thorne are backed by an excellent supporting cast. Weary sure looks the part of a rock star, but I couldn’t get over how obviously dubbed his singing was during musical scenes. He and Leo have a beautiful soft dynamic together. I could watch Adrian Martinez in anything, and he provides a necessary bit of levity as the body count rises. I especially appreciated the way that Michael Potts’ Detective Eaton evolved over the course of the film. His final exchange with Leo sends the film off on a high note.

Jane and Charlotte find common ground in parenting styles and celebrity. They speak openly about Jane’s lifelong dependency on sleeping pills, inspiration for songs, and her various marriages. The loss of her daughter Kate was perhaps the most impactful event in her life. The grief she carries is palpable. Jane and Charlotte discuss maternal guilt. It’s one of the most poignant through lines in the film. Charlotte’s eye and adoration for her mother are written all over this doc. It’s a lovely ode to a beloved icon from a daughter who continues to idolize her. As a mother, Jane By Charlotte has a revelatory feeling of intimacy. Gainsbourg‘s documentary makes me jealous in the best way possible.
Shudder original
Writer-director
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