
DARKEST MIRIAM
https://tribecafilm.com/films/darkest-miriam-2024
Someone seems to be leaving Miriam cryptic notes and clues connected to her life. A kind-hearted and observant Toronto librarian at a quiet branch filled with an eclectic group of patrons, Miriam’s mundane existence gets upended by increasingly weird incidents and a new love affair with a young foreign cab driver.
Britt Lower’s narration moves this enigmatic story forward. The entire narrative flows as a reminder that this is a splendid adaptation of Matha Baillie’s novel The Incident Report.
The notes are poetic in their veiled threats, filled with delicious language choices. It is a pensive tug-of-war between love and grief.
Britt Lower commands the screen with not much more than a stare. Miriam is mired quietly in grief. Lower is effortlessly magnetic, capturing every bit of nuance inside of Miriam.
The film delves into the fact that libraries are often a public refuge for the misunderstood. More importantly, the love story is a haven of intimacy and honest expression. As the plot shifts, her unresolved trauma, tinged with the macabre, becomes a worry for the audience. You are rooting for Miriam, full stop. Tribeca 2024 should settle into the pros of the script and allow themselves to live with Miriam, if only for a short time.
Darkest Miriam
Viewpoints
Feature | Canada | 87 MINUTES | English
Darkest Miriam
Director
Naomi Jaye
Producer
Julie Baldassi, Brian Robertson
Screenwriter
Naomi Jaye
Cinematographer
Michael LeBlanc
Editor
Lev Lewis
Composer
Louie Short, Eliza Niemi
Executive Producer
Charlie Kaufman, Martha Baillie, Brian Robertson, Julie Baldassi, Adi Chand, Jonas Prupas, Dean Perlmutter, Charles Baillie, Harland Weiss, Donovan M. Boden, Isil Gilderdale, Emily Harris, Stephanie Hickman, Naomi Jaye
Based on the novel
The Incident Report by Martha Baillie
Cast
Britt Lower, Tom Mercier, Sook-Yin Lee, Jean Yoon


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Based on the 1999 novel Too Many Men by Lily Brett
**WORLD PREMIERE**

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Summoning Sylvia
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Director Shannon Walsh shares the extraordinary love story between an artist and his larger-than-life wife. SXSW 2024 audiences discover the legacy of Adrianne and Alan St. George. This documentary is a tale of adoration, art, and Adrianne.
Herein lies the challenge for Alan and Shannon. How do you do justice to such a love story? Experimental musical interludes, Adrianne’s Doll Room, quirky home movies, and the ever-expanding house that grows like a whimsical version of The Winchester House. The mansion is an explosion of color, lavish draping fabrics, sculptures, and murals, all featuring Adrianne and Alan’s likenesses. It is Versailles meets Grimm’s Fairytales, each room mirroring a slice of her exuberant persona. She was and remains Alan’s muse for all things.
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George Basil plays Dave, the construction foreman, with a life-affirming kindness. One of his lines perfectly sums up the film’s heart, hitting you square in the chest, “We’re just friends walking each other home.” Hollowell is outstanding as Gloria. Her comic timing is the stuff of the gods, but she also delivers authentic depth. She is a star.
Kate Jean Hollowell is a multi-hyphenate director, comedian and musician, who honed her humor, storytelling and visual style by making her own music videos, showcased at SXSW in 2022 and 2023, as well as her short film Are They Smiling?, which premiered at the 2020 Portland Film Festival and won several awards. Taking on narrative, Kate has managed to find a unique voice that balances humor and heart through all her work. Finding ways to insert unexpected musical numbers in everything she does is a trademark all her own.
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DIG! XX




To find out more information on all things Sundance 2024, head to 





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2nd Annual Dances With Films – NYC 





As of today’s Halloween launch day, the platform will feature over thirty titles, including those from indie distributors Oscilloscope, Dark Star, Dark Sky, Dekanalog, Utopia, Yellow Veil Pictures, and others. Titles include Jane Schoenbrun’s 
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