THIS REALLY HAPPENED
This hilariously relatable and immersive short captures the nightmare that dating has become with an added element of surprise. In the Tribeca 2024 short film, THIS REALLY HAPPENED, Kate and Zoe break the 4th wall in one giant fantasy retelling of their unfortunately shared experience.
Abubakr Ali is effortlessly charming as Boy. His authentic interest and quirky, but completely believable, delivery of the dialogue make him a star. His chemistry with AbiAssi and Prosterman is magnetic.
Speaking of our leading ladies, Kallen Prosterman‘s portrayal of Kate fits every characteristic of an actor in NYC. I should know. I too attended a “fancy theatre school.” Olivia AbiAssi plays her brilliant foil in Zoe. Her self-deprecating stand-up routine perfectly captures her personality. It only makes sense that they write the script and play themselves. It is entirely lived-in viewing.
THIS REALLY HAPPENED has all the potential for a spectacular series. It begs for your attention. Director Emily Cohn deserves notice for helming their hilarity. This team of women earns your eyes and time in a slew of great Tribeca 2024 shorts programming. I’m looking at you Tribeca Creators Market. You’ve got potential gold in this one.
27 MINUTES | English | 2024 | NOT RATED
Cast & Credits:
Director: Emily Cohn
Project Creator: Olivia AbiAssi & Kallen Prosterman
Producer: Olivia AbiAssi, Kallen Prosterman, Emily Cohn & Allison Joy Gale
Screenwriter: Olivia AbiAssi & Kallen Prosterman
Cinematographer: Alexander Roque Petersen
Editor: Kate Pedatella
Based on a true story, Kate and Zoe, two young creatives in the throes of new love, have discovered they’ve been dating the same person: “BOY.” Determined to produce some kind of brilliant revenge project, they recount their experiences in filmed interviews and fantastical flashbacks full of (literal) red flags. But will this process turn out to be more cathartic or soul-crushing?
Remaining Screenings of THIS REALLY HAPPENED:
Sun June 16 – 2:15 PM
US Narrative Competition
Goodnight Mommy filmmakers Severin Fiala and Veronika Franz‘s latest film, The Devil’s Bath, opens with a 
SYNOPSIS – In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison. Giving a voice to the invisible and unheard women of the rural past; THE DEVIL’S BATH is based on historical court records about a shocking, hitherto unexplored chapter of European history.
VERONICA FRANZ (Writer & Director) studied German and philosophy and worked as a journalist. She has also worked as an artistic collab-orator with Ulrich Seidl since 1997 and co-wrote the screenplays for all of his films including DOG DAYS (2001), IMPORT EXPORT (2007), the PARADISE trilogy (2012/13) and WICKED GAMES – RIMINI SPARTA (2023). In 2003 she also founded the Ulrich Seidl Filmproduktion GmbH with him.
Steve Buscemi is a legend. In pretending to be Keane and Suzie’s marriage counselor, he brings his murder advice into the sessions, equally confusing and intriguing his faux clients. Buscemi’s calm and confident nature is captivating. 
Yale’s Class of 97′ boasted the largest admission of black students in the university’s history. Filmmakers John Antonio James and Bill Mack bring Tribeca 2024 BLACK TABLE, a documentary that delves into the complexities of learning, thriving, and simply existing within a predominantly white Ivy environment and beyond. 
There is no escaping the discussion of Affirmation Action, and filmmakers fully understand it. We delve into the racist talking points that thrive today in diminishing accomplishments and a sense of belonging. An explosive incident at Naples forced Yale and its student body to confront the reality of being black on campus. Rodney King changed the name of the game from a student action standpoint. Then O.J. Simpson’s trial reignited cultural tension.
Based on the 1999 novel Too Many Men by Lily Brett
**WORLD PREMIERE**
Kate Lyn Sheil (
My love for Scott Haze knows no bounds. From his breakout performance in 
The ominous score by Tristan Bechet sometimes grates in a way that makes you subconsciously cringe. The continuous low din instills pure fear. Stay through the entire end credits for more eerie ear candy. THE SEEDING has echoes of The Hills Have Eyes horror and Midsommer folklore. All said it is an upsetting watch, and that’s what genre fans show up for.
THE LISTENER
YOU’LL NEVER FIND ME
THE MIRACLE CLUB
SUITABLE FLESH
SOMEWHERE QUIET
JE’VIDA
I.S.S.
WAITRESS, THE MUSICAL- LIVE ON BROADWAY!
THE FUTURE
ONE NIGHT WITH ADELA
ERIC LARUE
COLD COPY
BUCKY F*CKING DENT
David Duchovny adapts his novel of the same name for the big screen at Tribeca’s 2023. If you grew up a Red Sox fan like I did, the name Buck Dent is akin to “He Who Shall Not Be Named” in Harry Potter. Being a Sox fan, I was constantly aware of the curse. You can spot the mix of joy and anguish on my face throughout the years in a series of photos of little Lizzie propped up against The Green Monster. Duchovny perfectly captures the masochistic nature of born and bread fans in his heartwarming and hilarious film BUCKY F*CKING DENT.
A bit of truth and fiction, the film combines Super 8 recreations of scenes from a novel Marty never intended for anyone to see and the masterminded shenanigans from Ted and Co. The dialogue is pure acerbic deliciousness. The chemistry between Duchovny and Logan Marshall-Green is divine. The back-and-forth between the two feels effortless. I can’t remember the last time I laughed so hard at the inevitability of death.
Filmed in my and Kind’s neighborhood of the Upper West Side, the film takes place as Chloe describes it, making the scenario even funnier. Do I want to see the feature-length version of this? Yup. Is this perhaps the most convincing actual proof of concept ever created? I think it might.
Sunset in the desert. A modern mobile home splashed with paint, the bold hues almost glowing in the half-light. A man with a rifle. A shrill scream. Stuart Gatt’s Catching Dust announces itself by beginning with these enthralling moments. A film centering on a painter, it is interested in the motivations of its character, but also in placing them as figures within beautiful tableaus. The cinematography is gorgeous – there are shots in this film that could be framed and hung on your living room wall. 
Luke Evans plays Nicky with a workhorse attitude that comes off as dismissive and arrogant against Billy Porter’s caregiver grace. This dynamic rings authentic for me as the default parent in my marriage. Porter nails every aspect, from his sing-songy tone of voice with Owen to the hesitancy to speak up for his emotional needs. Seeing myself on screen hit hard. While I’ve not had to go through divorce and custody dynamics, I have had these “come to Jesus” moments with my husband. I’ve been lucky.
In the fall of 2021, filmmaker James Gallagher rode across the country with Marc Rebillet on his sold-out Third Dose Tour to capture what it was about the artist, showman, and robe-clad musical alchemist that brought thousands of people out of their homes for the first time.
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