One Night Only ‘Scouts Guide to the Zombie Apocalypse’ Ultimate Fan Experience in Select Cities

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Paramount Pictures, AMC Theatres and Dillon Francis are offering moviegoers in the U.S. a one-night-only Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience with an advance screening of the film as well as exclusive music and a special visual show from Dillon Francis for the regular price of admission. The visual experience blends the bold graphics of creative powerhouse Pizzaslime and Dillon Francis, short form video content from Dillon Francis’ zombie alter ego “Dead Dillon,” scenes from the film and original music from Dillon Francis.

The event will take place in select AMC Theatres locations across the U.S. on Wednesday, October 28th at 7:00 p.m. Ticket holders will also receive a commemorative t-shirt.

In New York City, ticket holders attending the Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience at the AMC Loews 19th St. East 6 theater will receive admittance to an exclusive, off-site after party event featuring a performance by Dead Dillon following the screening.

Tickets are available for purchase now at participating theater box offices and online at

www.ScoutsAndZombiesMovie.com/ultimatefanexperience

DJ/Producer/Artist Dillon Francis, who makes a cameo in the film, released his debut album “Money Sucks, Friends Rule” last year. Featuring standout track “Get Low,” the album was named one of Rolling Stone’s Top Electronic Albums of 2014. His latest release “This Mixtape is Fire,” which sees Dillon Francis return to his Moombahton roots, debuted at #1 on Billboard’s Dance/Electronic chart, fueled by collaborations with Calvin Harris, Skrillex, Chromeo and more. Having played shows and festivals in the UK, Brazil, Argentina, Chile, France, Australia and more, Dillon Francis is continuing to make a name for himself as one of the most influential players in electronic music.

Scouts Guide to the Zombie Apocalypse follows three scouts and lifelong friends who join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead. Starring Tye Sheridan, David Koechner, Cloris Leachman¸ Halston Sage, Logan Miller, Joey Morgan, Sarah Dumont and Patrick Schwarzenegger.

Produced by Todd Garner and Andy Fickman. Story by Carrie Evans & Emi Mochizuki and Lona Williams, with a screenplay by Carrie Evans & Emi Mochizuki and Christopher Landon. Directed by Christopher Landon.

Scouts Guide to the Zombie Apocalypse opens in theaters on October 30th, 2015.

Review: ‘A Christmas Horror Story’

We are approaching the best time of the year, however this year, Christmas has come a little early. For those of you who enjoy the hilarity of over dramatized gore and horror, look no further, we have found the perfect holiday classic that would make a killer drinking game. This October audiences will be given the pleasure of celebrating the upcoming holiday cheer with a frightening twist in A Christmas Horror Story. Read More →

New York Film Festival Review: ‘MICROBE & GASOLINE’ is a charming coming of age road movie.

NYFF 53 bannerMICROBE ET GASOIL-4So many of us did not fit in while we were in school. Maybe we wore clothes that were different, has religious parents, or just had quirky personalities that wouldn’t be appreciated until college. Director Michel Gondry tackles the coming of age genre with his new film MICROBE & GASOLINE. With credits like Eternal Sunshine of the Spotless Mind and The Science of Sleep, Gondry has no problem tackling the whimsy many of us enjoy while sitting in  a dark theater to escape our everyday lives. Still brimming with that very same sense of lightness, Microbe & Gasoline takes on the subject of two young boys trying to navigate insecurities and innocence… all while alone on the road in a car they build themselves.

Available to rent and buy onTuesday, September 4th with behind-the-scenes extras on We Are Colony

MICROBE ET GASOIL-7Newcomer Ange Dargent, is a true delight on screen. His natural presence is so relatable. He plays young introvert and artist, Daniel. Nicknamed ‘Microbe’ by classmates, even though he continually points out he is not the shortest boy in the class, he is constantly picked on at school. While at home, mother Marie-Thérèse (played effortlessly by the beautiful Audrey Tautou) dotes so heavily it drives him deeper into himself. Enter new kid, Théo, rambunctious, confident and perfect foil for Daniel, he is unafraid of standing up to bullies even if he not the most popular. Young actor, in only his sophomore picture, Théophile Baquet, plays Gasoline with the perfect balance of snark and charm. Buzzing onto the scene with a souped up electric bicycle and smelling of, yep, you guessed it, gasoline, he adopts our Microbe as his new project. The two discover that with a whole lot of ingenuity they can build their own car to escape struggles at home for the summer. But why stop at a car? Why not add a house on top for camouflage and living purposes. MICROBE ET GASOIL-12

Tackling subjects like confidence, sex, loss, and just plain growing up, MICROBE & GASOLINE has enough heart to compete with Gondry’s previous adult incarnations with the same issues. The dialogue is snappy, sweet, and funny. While the plot itself is not necessarily a new idea, I still believe it to be a true success. Below you can find the trailer. While for now we only have it  available in French (sans subtitles), you still get the general idea of how wonderful this film truly us. And, not to worry, there are English subtitles during the film itself.

  • Directed By Michel Gondry
  • 2015
  • France
  • French with English subtitles
  • DCP
  • 103 minutes

The new handmade-SFX comedy from Michel Gondry (Eternal Sunshine of the Spotless Mind, Be Kind Rewind) is set in an autobiographical key. Teenage misfits Microbe (Ange Dargent) and Gasoline (Théophile Baquet), one nicknamed for his size and the other for his love of all things mechanical and fuel-powered, become fast friends. Unloved in school and misunderstood at home—Microbe is overprotected, Gasoline is by turns ignored and abused—they decide to build a house on wheels (complete with a collapsible flower window box) and sputter, push, and coast their way to the camp where Gasoline went as a child, with a stop along the way to visit Microbe’s crush (Diane Besnier). Gondry’s visual imagination is prodigious, and so is his cultivation of spontaneously generated fun and off-angled lyricism, his absolute irreverence, and his emotional frankness. This is one of his freshest and loveliest films. With Audrey Tatou as Microbe’s mom.

Showtimes

SUNDAY, OCTOBER 4

12:00 PM

Buy Tickets

MONDAY, OCTOBER 5

9:00 PM

Standby Only

Review: ‘BECOMING BULLETPROOF’ is a touching and insightful documentary.

Bulletproof posterI went to camp as a kid. It was pretty typical; arts & crafts, team sports, theater, and camp songs. I also remember being integrated with a few kids who has Down syndrome. As a little kid, this was pretty foreign to me, but as I attended high school, some of these same kids were now in my art classes. My mother’s second major in college, I would come to find out, was special education. As time passed and I worked in more and more private pre-schools, I was directly exposed, now as an educator, to a challenging world I had mostly experienced as an outsider. But… nothing was ever akin to the extraordinary summers that must occur each year at Zeno Mountain Farm.  Read More →

Review: ‘COOTIES’ is infectiously delicious.

Cooties poster“Circle, Circle, Dot, Dot, Now you have your cootie shot!” Let’s be real. We’ve all had our cootie shot at some point in elementary school. It was necessary  to survive the playground territory wars and/or avoid a horrible disease ridden classmate. Oh wait, that’s not what it was used for back then. The disease ridden classmate part, I mean. That’s the premise of the new horror-comedy COOTIES. Well, sort of.Cooties_image

Quick run down. Kid eats infected chicken nugget and becomes a cannibalistic zombie, infects other children, trapping a band of misfit teachers inside the school. Cooties‘ cast in kind of unreal. Elijah Wood, Rainn Wilson, Alison Pill, Jack McBrayer, Leigh Whannell, Nasim Pedrad, Ian Brennan and Jorgé Garcia. Wood plays Clint, a summer school teacher and aspiring writer of horror (from a fanboy’s influence). Wilson plays testosterone, jockhead gym teacher and I have to say, kinda of a badass. Pill is the ultra upbeat, former classmate of Clint and present 4th grade teacher. Pedrad kills it as the faculty bitch with a cutting sense of humor and lack of filter. Garcia, while we don’t see a whole lot of him, his presence always make me smile. He lights up the screen. McBrayer, plays a “confused” teacher with a gentle heart and a scaredy cat head. Brennan is Vice Principal Simms, a lovable weirdo. Finally, Leigh Whannnell, is what I can only assume is a science teacher, due to his lack of social skills and knowledge of things that you just have to accept as cannon as the plot rolls along. Totally forgiven as it adds to the absurdity of the storyline. Great casting choices… Mayhaps a sequel is in order? Please?Cooties 2nd image

The dialogue is hilarious and I am betting that at least 50%  of some of the best lines were improvised. I am really looking forward to a DVD release already, in hopes that there is a huge outtake reel. The practical effects are downright disgusting, even for a horror fan such as myself. Bravo for grossing me out. Even the opening title sequence shows the actual creation of a nugget from chicken to child’s mouth. It’s pretty vomit inducing, so you’re already set up for what is about to play out. The editing, both in picture and in sound are top notch. This film is wrought with catch phrases that I will admittedly be stealing. Besides all of these factors, Cooties makes some great statements about what we’re feeding our kids in school and at home. But even greater is the comment on parenting, or  lack there of. Once again, as a former teacher, kids these days can be real dicks. Sorry, but it’s true. Cooties calls out what’s wrong with our youth and throws it into our faces while being completely gross and damn funny all at once. If you’re already a fan of films like Shaun of the Dead, then you’ll love this flick. Cooties is hands down laugh out loud funny start to finish. Go see this film, but just a little advice, maybe don’t eat right beforehand.

COOTIES will be one of the debut releases of the newly-launched Lionsgate Premiere label, which will release the film on September 18th in select theaters and on demand.

Broad Green Pictures Announces 99 Homes: 99 Good Deeds Initiative in 20 Cities Nationwide

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Broad Green Pictures announces the launch of 99 Homes: 99 Good Deeds, a charitable initiative to encourage individuals to perform one good deed to help a member of their community and to underscore the positive impact that even the smallest amounts of assistance can have. The launch comes just ahead of the release of the studio’s upcoming film 99 Homes debuting in theatres on Sept. 25, expanding nationwide Oct. 9. In collaboration with local organizations in 20 cities throughout the United States, Broad Green Pictures will perform 99 good deeds.

In Phoenix, Broad Green Pictures has partnered with non-profit charity Phoenix Rescue Mission. To prepare for the holiday season, the Mission is in desperate need of food, water, blankets, clothing, shoes, sleeping bags and monetary donations. To help with this effort, the studio will donate 99 (admit two) passes for the advance screening on October 5th to be given to the first 99 people to donate. Broad Green Pictures will also host a canned food drive at the screening where people who bring at least one canned food item will be entered to win a 99 Homes prize pack including promo items from the film, a medium popcorn to enjoy during the screening and two VIP tickets to a future screening of one of their upcoming films.

Additional national partner organizations include:

 

99 Homes is written and directed by Ramin Bahrani (Chop Shop, Man Push Cart) and stars Andrew Garfield (The Amazing Spiderman, The Social Network) as Dennis Nash, a single father trying to take care of his mother, played by Laura Dern (Wild, The Fault in Our Stars) and young son after being evicted from their home.  Nash becomes so desperate to provide for his family that he goes to work for Rick Carver played by Michael Shannon (Man of Steel, “Boardwalk Empire“) – the very man who evicted him from his home in the first place. 99 Homes is produced by Ashok Amritraj, Kevin Turen, Justin Nappi and Bahrani.

For more information on the 99 Homes: 99 Good Deeds initiative and a full list of and how to get involved, please visit 99HomesGoodDeeds.com.

Jeff Lipsky’s Controversial and Critically Acclaimed ‘Mad Women’ Coming to Amazon and Vimeo-on-Demand on October 10th

Christina Starbuck 1

Mad Women is a dark satire about Harper Smith, a middle-aged mom who, following a one-year prison sentence for having committed an act of conscience, becomes a local hero and folk legend in her small community of Iris Glen, NY. She runs for local office but has much grander aspirations up her sleeve. She is a woman accustomed to personal challenges: She lost her third child at the age of three to cancer, her first-born daughter, a pediatrician, is in Ukraine having joined Doctors Without Borders, her own mother lost an eye in her youth in an archery mishap, and her husband, a successful and beloved dentist, commits statutory rape under the influence of LSD at a rock concert.  It’s up to Harper and her middle daughter, Nevada, to persevere, and they do, as a most unlikely mother/daughter bond emerges.

About the genesis of Mad Women Lipsky explains:

“I began writing Mad Women in early 2013, just after President Obama’s second inaugural, moments after a season of political drivel came to an end, and seemingly seconds before cable outlets began their non-stop palaver about the 2016 election.  So I set out to conjure up my personal candidate, one whose idealism can’t be blunted, even as the world would be playing whack-a-mole with her. When I finished the script I knew there could never be a ‘Harper Smith.’ But now that Bernie Sanders and Donald Trump are front-runners, well, now I’m not so sure anymore!”

Mad Women marks the third consecutive collaboration between Lipsky and co-star Reed Birney (“House of Cards,” 2014 Tony Award nominee “Casa Valentina”). It also spotlights three extraordinary actresses – Kelsey Lynn Stokes, Christina Starbuck, and Sharon Van Ivan (John Cassavetes’ “Opening Night”) and marks a reunion for Lipsky with Jamie Harrold who co-starred in “Flannel Pajamas.” Lipsky’s previous films include Twelve ThirtyMolly’s Theory of Relativity, and Once More With Feeling, which along with Flannel Pajamas, have starred Justin Kirk, Julianne Nicholson, Jonathan Groff, Mamie Gummer, Chazz Palminteri, Drea deMatteo, Linda Fiorentino, Cady Huffman, Rebecca Schull, Halley Feiffer and Barbara Barrie.

MAD WOMEN Theatrical Poster

Review: Neil Labute’s ‘Dirty Weekend’ Is Less of a Gut Punch Than His Early Films to Its Detriment Yet Is Still Enjoyable

dirty weekend - poster

If you have ever seen Neil LaBute‘s first few films (In the Company of Men, Yours Friends and Neighbors, Nurse Betty and The Shape of Things), you will have learned to expect certain things from him – tons of flashy, quick dialogue, despicable characters and at least one crushing gut punch to set you spinning for hours after the film concludes. He was as fearless as any writer-director in Hollywood during that stretch and his films always had me intrigued. When he moved to more Hollywood-friendly fare in Possession, Lakeview Terrace and needless remakes of Death of a Funeral and The Wicker Man, he lost me. With Dirty Weekend, it seemed a return to form of sorts to the films of his that I love, ones that provoke reaction and thought.

Dirty-Weekend_Press_1 Tribeca

Dirty Weekend is a fairly simple film in its construction. Two work colleagues, Les (Matthew Broderick) and Natalie (Alice Eve), are re-routed to Albuquerque, New Mexico, en route to Dallas for a big presentation that could hold great things for the future of both at their current company if it comes off well. As with most business travelers, they are annoyed at the inconvenience of being stuck in small/big town when they both have so much riding on their work, but Les seems almost frantic as if something else is getting to him. When Les decides the two should split up so he can mysteriously “go into town”, buzzers start going off for Natalie, who decides to join him against his wishes. As they traverse the streets of Albuquerque, they both reveal hidden parts of their lives to one another.

Dirty-Weekend_Press_2 Tribeca

The reveal of these hidden aspects further pushes Les and Natalie jointly into a quest to help Les find someone he has met in Albuquerque before, the source of his jittery nature when he found out they landed there, armed only with a note written on a slip of paper, Zorro. Once there, Les finds who his looking for, or at least he thinks he does, and Natalie surprises with a discovery of her own.

Dirty-Weekend_Press_3 Tribeca

LaBute‘s background in theater is very evident in this film. The dialogue and the sparse locations would lend this story well to a stage. And in typical fashion, LaBute kills it with the dialogue, which never seems overwrought or out of character in the mouths of Les, Natalie and the very few other ancillary characters. Where this film lacks in comparison to his other earlier films of a similar ilk is it is missing that gut punch moment, that moment that forces you to make a judgment on the character (a really good example of this is Jason Patric‘s nausea-inducing takedown of Catherine Keener‘s character in Your Friends and Neighbors). The scenarios befalling both Les and Natalie seem a little too passé for a LaBute film and seem to fall a little too close to Fifty Shades of Grey-land in some respects and just as uninteresting. Where LaBute used to shock us, Dirty Weekend, which has all the promise of shocks, falls short in that respect. And the thing is, he has the perfect vessel in Broderick to deliver something along those lines. Broderick does deliver a fine performance, however, and is very convincing as the not-as-square-as-we-imagine businessman.

dirty weekend

It does well that LaBute allows Alice Eve to flex her acting muscles and not just be used as scenery (JJ Abrams and whoever made that shitty Sex and the City 2 tragedy, I’m talking to you). Her demeanor and delivery are spot on and I found her characterization of Natalie far more intriguing than anyone else in the film.

I think this filmed work at its most basic level – telling a story that piqued my interest. Could it have done it better? My opinion is yes. Perhaps I’m not allowing for LaBute to evolve as a filmmaker, not relying on those squeamish, cringe-inducing moments to carry the film. He could at least given us a Nurse Betty-like elbow drop, though. I enjoyed the performances and as always, the dialogue was spot on. For those who are unschooled in LaBute‘s work, this one may suit you better than veteran viewers.

Dirty Weekend hits theaters this weekend and is being distributed by the good folks at eOne Films.

Review: ‘BLOODSUCKING BASTARDS’ we all know a few.

BloodSuckingBastards.Poster We’ve all been there at one time or another. Sitting in a cubicle, or the like, wanting  desperately to staple a co-worker’s mouth shut or just whiteout our own eyes. But we think, hey, if I work hard enough, I’ll get that  promotion and maybe, just maybe, this won’t suck as much as I think it does. Welcome to BLOODSUCKING BASTARDS, where all  your daydreams and nightmares come true.

Meet Evan Sanders (Fran Kranz), a low-level, dutiful employee stuck in a boring job at a soul-killing every corporation. Evan’s the kind of guy who does all the work and gets none of the credit, but at least he gets to spend his days with his beautiful co-worker/girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern), so he soldiers on in the hope of one day getting his coveted sales director position. Unfortunately, it all falls apart in one fell swoop when Amanda breaks up with him and Evan’s boss Ted (Joel Murray) hands his promotion to his college nemesis Max (Pedro Pascal). And it isn’t just their sordid past Evan has to deal with. After his fellow officemates start going through disturbing changes (which, paradoxically, make them better employees) and bodies begin to pile up, Evan learns the horrible truth: Max is a vampire. And even worse… a vamp with a plan. Evan must find a way to stop the evil brewing amidst the cubicles, expose Max as the bloodsucking bastard that he is, and save his pals before his life and career go from dead-end…to just dead.BSBEmmaFitzpatrickFranKranzJoeyKernIMG_2684

This film can best be described as Office Space meets Buffy the Vampire Slayer, the film version. But it isn’t a far stretch to say Joss Whedon‘s television series wouldn’t fall into this fandom, as well. Once again, Whedonverse darling, Fran Kranz steals the show. His innocent air is perfect for this role. Wide-eyed naivete leads a pack of misfits on a battle to keep their heads (or necks) intact. Marshall Givens as the badass, Redbull fueled, security guard is an absolute riot. Where has he been? Joey Kern plays Evan’s #2, Tim. He is a king underachiever. Pornstache and all, his nonchalant attitude is the perfect foil to Kranz’s hyperactivity. Emma Fitzpatrick as Evan’s recent ex and head of HR, is quick witted and sassy, She kills it.The opening titles kick some major ass and the film’s pace pulls no punches. If you’re a fan of Shaun of the Dead, BLOODSUCKING BASTARDS is right up your alley. You can catch this film today, September 4th, in select theaters and on VOD.

https://www.youtube.com/watch?v=RSzV9oG07lo

Directed by Brian James O’Connell and penned by the popular comedy troupe Dr. God and Ryan Mitts, Bloodsucking Bastards recently made its world premiere as the opening night film at the Slamdance Film Festival 2015.

Starring:

Fran Kranz (Cabin in the Woods)

Pedro Pascal (Game of Thrones)

Emma Fitzpatrick (Significant Mother, The Collection)

Yvette Yates (Inherent Vice)

Joel Murray (Mad Men)

Joey Kern (Cabin Fever)

 

Review: Shedding Light on ‘Chloe and Theo’

Chloe and Theo posterIt all began with a dream. A dream that the world would receive a fatal kiss from the sun and the ice in the north would retreat. Director and screenwriter, Ezna Sands exhibits the concerns for our environmental well-being in his heartfelt cli-fi (climate change fiction), Chloe and Theo.

Theo (Theo Ikummaq), an Arctic Inuit man, was told about this dream from his elders, and if the “south” did not change their ways, destruction will overcome the earth. He was then sent to New York City to shed light on the world’s end, and he is immediately overwhelmed by the environment. The sun was blocked out by the skyscrapers, people constantly on the move; there was not a single moment of silence. This is where he meets Chloe (Dakota Johnson), a young runaway, and Bruce Lee devotee. “Together they will change the world.”

Dakota Johnson and first time actor Theo Ikummaq did a fantastic job with their roles as Chloe and Theo. The film brings a different side to storytelling, with both characters playing a sort of narrative role. Theo telling the story as it was occurring, and Chloe telling the story as though it already had happened. Mira Sorvino as Monica and Andre De Shields as Mr. Sweet, played crucial characters to Chloe and Theo’s story by showing how hard it is to get something globally recognized. Mr. Sweet, a man who Chloe is close friends with on the streets, opens Chloe and Theo’s eyes to the difficulty of getting people with power to listen. Although the sound mixing could have used more work, the shots and occasional use of animation were beautifully implemented throughout.

Overall, Chloe and Theo is a simple film, with a powerful message. Through a story of unlikely friendships, it brings light to our climate changes and their impact on our world. You can watch Chloe and Theo in select theaters and on VOD September 4th.

3 1/2 out of 5 stars.

September Movie Preview – 61 movies opening including 12 documentaries & 13 also on demand

September-Movie-Preview-Reel-News-DailyThere are an insane amount of movies releasing this September. There are 12 that are on the top of my watchlist. Which are on yours?

  1. 99 Homes
  2. About Ray
  3. Ashby
  4. Cooties
  5. Dragon Blade
  6. Finders Keepers
  7. Mississippi Grind
  8. Prophet’s Prey
  9. Sicario
  10. Steve Jobs: The Man in the Machine
  11. Stonewall
  12. The Keeping Room

September 2nd

The Black Panthers: Vanguard of the Revolution

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Produced by PBS, this is likely to be in a classic documentary style.

https://youtu.be/F56O3kZ9qr0


A Walk in the Woods

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Robert Redford tried to make a comeback last year with his solo effort, All Is Lost, but this time he teams up with Nick Nolte. Potential to be great.


September 4th

Before We Go – available to rent

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Chris Evans directs with the unpredictable and amazing Alice Eve. She also stars with Matthew Broderick in Dirty Weekend, out this same day.

https://youtu.be/QnJDq3k7t2Q


Bloodsucking Bastards
Also on VOD
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Liz is reviewing – stay tuned!


Break Point

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Dirty-Weekend_Press_1 TribecaDirty Weekend
Tribeca Film Festival 2015, also on VOD
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This didn’t impress Liz or myself, but Jeremy is going to give it a try. Stay tuned for his review!


Dragon Blade

Also on VOD
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Adrien Brody, Jackie Chan and John Cusack. Swords, armor and anticipated over-acting.


My Voice, My Life

Documentary

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Number One Fan

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https://youtu.be/iLZykA1w068


The Transporter Refueled

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Coming Home

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Welcome to Leith

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Jeremy is reviewing – stay tuned!


chloe and theo stillChloe and Theo
Also on VOD
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Jordan is reviewing – stay tuned!


Steve Jobs-3Steve Jobs: The Man in the Machine
Also on VOD
Documentary[imdb id=”tt4425064″ plot=”short”]

Liz and I will attended a special screening and Q&A with director Alex Gibney – stay tuned for their side-by-side reviews! Can you guess which is the iPhone user?


Wolf Totem


September 9th

The Visit

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Are you going to give M. Night another shot?


Maze Runner: The Scorch Trials

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September 11th

TIME OUT OF MIND NYFFTime Out of Mind

On demand September 18th
New York Film Festival 2014
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Sleeping with Other People
Tribeca Film Festival 2015
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Don’t even think about it – just see it. I raved about it here.


Breathe

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Mélanie Laurent directs. I’m there.


Goodnight Mommy

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Listening
also on VOD
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Meet the Patels

Documentary

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Paul Taylor Creative Domain

Documentary

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Triple 9

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TBD


90 Minutes in Heaven

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The Perfect Guy

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September 18th

Captive

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Cooties

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Pawn Sacrifice

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Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Sicario
Toronto International Film Festival 2015
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Emily Blunt once more kicking ass. Love it.


About Ray
Toronto International Film Festival 2015
[imdb id=”tt4158624″ plot=”short”]

https://youtu.be/_86baBTbNtU


Black Mass-00001Black Mass

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You can catch the doc on Netflix right now here.


Everest

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This might be worth the extra moola for IMAX.


Katti Batti

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The New Girlfriend

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Prophet’s Prey

Documentary

[imdb id=”tt4188202″ plot=”short”]

Amy Berg has wowed me with West of Memphis and Deliver Us From Evil, so I’m looking forward to this.


Uncle John
Also on VOD

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War Pigs

[imdb id=”tt3779300″ plot=”short”]

https://youtu.be/CFdGHYADDZw


Some Kind of Hate
Also on VOD
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Jeremy Scott: The People’s Designer

[imdb id=”tt4005668″ plot=”short”]

https://youtu.be/irY1JuCY-u4


September 23rd

Pay the Ghost
Also on VOD
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Trailer TBA


September 24th

The Reflektor Tapes

Documentary, Toronto International Film Festival 2015

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September 25th

Finders Keepers

Documentary[imdb id=”tt3462002″ plot=”short”]


Mississippi Grind

Ben Mendelsohn is one of those actors that greatly elevates the movie without overshadowing it. CAN’T WAIT. (Insert joke from @harmonov about Ryan Reynolds)

[imdb id=”tt2349144″ plot=”short”]


Stonewall

[imdb id=”tt3018070″ plot=”short”]


Before I Wake

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https://youtu.be/mmfp1l1ZfCw


The Green Inferno

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Misunderstood

Also on VOD, New York Film Festival 2014

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Mission to Lars

Documentary

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https://youtu.be/G4ArGYzTtc0


The Intern

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10 Days in a Madhouse

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99 Homes

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https://youtu.be/sfttvNCIJvE


A Brave Heart: The Lizzie Velasquez Story

Documentary

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Ashby

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Ashby TrailerLife is about knowing how to take a hit. Brace yourself, Ashby opens in Select Theaters, On Demand and DIGITAL HD September 25th!

Posted by Ashby on Saturday, August 22, 2015


Drunk Stoned Brilliant Dead: The Story of the National Lampoon

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Labyrinth of Lies

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The Keeping Room

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https://youtu.be/Z_9zidgoPuA


Before I Wake

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Hotel Transylvania 2

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Brand: A Second Coming

Documentary

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Wildlike

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September 30th

The Walk
New York Film Festival 2015
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Review: ‘QUEEN OF EARTH’ is stunning portrait of a maddening descent.

Queen of Earth PosterMelissa and I were privileged to be invited to a special screening and Q&A of Alex Ross Perry‘s fourth feature, QUEEN OF EARTH, a deeply unnerving psychological drama. The film traces the relationship between Catherine (Elisabeth Moss, MAD MEN) and Virginia (Katherine Waterston, INHERENT VICE), best friends who retreat to a lake house after Catherine’s father dies and her boyfriend leaves her. Desperately seeking rest and recovery, when Catherine arrives at the cabin, she’s overwhelmed with memories of time spent at that same house with her boyfriend the year before and finds herself unable to decompress. As Virginia begins spending increasing amounts of time with a local love interest, Rich (Patrick Fugit), what was once closeness between the two women pivots toward hostility and resentment, sending Catherine into a downward spiral of delusion and madness. Read More →

Review: ‘THE MEND’ shoves a mirror up to adulthood.

 

The Mend posterWhat happens when two self destructing brothers come face to face in a small NYC apartment? Chaos and truth are forced into the light in John Magary‘s first full length feature, THE MEND. Josh Lucas and Stephen Plunkett play mind games with one another and themselves in this existential mid-life crisis. The Mend still Stephen and JoshAlan and girlfriend Farrah are on their way out of town but not before throwing an intimate get together as a send off for their travels. Freeloading brother (and oftentimes asshole of a human) Mat shows up after his girlfriend Andrea kicks him out. The two are clearly estranged for reasons that come to light in subtle and brilliant ways as the story progresses. Alan and Farrah leave the next morning and Mat takes it upon himself to squat in the apartment, eventually inviting Andrea and her son Ronnie to join them. The small space leads to confessions on all parts when Alan returns sans Farrah. Three adults and one child in a one bedroom in the city is a sure fire recipe for some serious self analysis and confrontation. Booze, drugs, rage, pity, blame all come into play as these people face the cynicism of adulthood and circumstance. The Men Josh LucasLucas nails this role. His brash, disgusting habits and frankly haggard outwardly appearance make this role extra juicy. He is both unapologetic and somehow down to earth all at once. Plunkett tries to play cool and steady but he is not so secretly a mess. The blatant similarities between the two brothers becomes a beautiful revelation. Lucy Owen as Andrea is an emotional volcano and I loved everything about her vulnerability. Ronnie is played by the spectacular Cory Nichols. Another refreshing performance following up from Tribeca’s KING JACK. What a natural. Magary‘s script and ability to make the familiar seem new is so intriguing. Small seemingly mundane scenes are anything but. The Mend has this throwback feeling to it. Something about the mix of music and watered down hipster mentality makes it quite the work of art. You can catch The Mend today in NYC and next Friday in L.A., with a national release throughout the fall.

Synopsis:

For anyone who’s ever loathed and loved a sibling in equal measure, The Mend is the wonderfully strange and acidic debut comedy from writer / director John Magary. Shot through with the wicked humor and anarchy of Bruce Robinson’s Withnail & I and Mike Leigh’s Naked , The Mend follows a mismatched yin-yang pair of NYC brothers, loose cannon Mat (Josh Lucas in a career-best performance) and put-upon Alan (Stephen Plunkett) as they stagger dimly towards some understanding of love, women, masculinity and what it truly means to be a brother.

Featuring a gorgeous, minimalist score by Michi Wiancko & Judd Greenstein and beautiful, fluid cinematography by Chris Teague (Obvious Child), the film unfolds as three stylistically distinct but interwoven acts, each with its own mesmerizing rhythm. With superb supporting performances by Mickey Sumner (Frances Ha) and Lucy Owen as the brothers’ sharp-tongued girlfriends.

Review: Sara Newens & Mina Son’s Documentary ‘Top Spin’ Is an Engaging Look Into the World of Competitive Table Tennis

top spin_posterLast year, I reviewed the documentary Touch the Wall about Olympian swimmers Kara Lynn Joyce and superstar Missy Franklin and really enjoyed it. I loved the journeys that were shown for both women as one tried to make a fourth Olympic team while the other tried to make her first. Swimming is a well recognized sport and those depicted in that film are familiar to a fairly wide audience all things considered. So when I began watching Sara Newens’ and Mina Son’s Top Spin about competitive table tennis/ping pong, I wasn’t sure what to expect as someone who doesn’t follow the sport. Hell, I didn’t even know that it was an Olympic sport until watching, However, the journeys of the films’ subjects, Ariel Hsing, Lily Zhang and Michael Landers were every bit as compelling as those of Joyce and Franklin, perhaps even moreso.

Top Spin-ariel_hsing_match

Newens and Son seem to have unfettered access to three subjects of the film. Hsing, Zhang and Landers are all three American teenagers vying for their one true dream – representing the United Stats at the 2012 Olympic games in London. All three, despite their young age, are the best in country, but they have a grueling process in which they have to compete in order to make the team. They first must win tournaments to qualify for the US team, each team consisting of four men and women. But that’s not it…they have to compete against the Canadian National Team to secure one of three spots granted to North America.

Top Spin-lily_zhang

Zhang and Hsing have cultivated quite a rivalry leading into the Olympic trials. Hsing has beaten her twice to claim the National Title, but even through this they are friends outside of the table. They root for one another because they can empathize with each others dreams. Both girls have very supportive families and both are allowed special schedules at school to allow for their training. Zhang only goes to school until noon each day so she can spend 5-6 hours/day training. Hsing‘s father devotes himself full-time to helping coach her and get her prepared for tournaments and the Olympics However, through all of this, the girls appear to maintain fairly normal lives, being with friends and doing things that most kids their age do. Zhang is far more successful in this arenathough. Hsing is shown hanging out with titans Warren Buffett (whom she calls Uncle Warren) and Bill Gates. She has a high profile, and rightfully so as the US Champion. You never get the creepy feeling about their parents and their motives like you do from something like Toddlers & Tiaras, where delusional parents clearly live vicariously through their young children. What we see here is a team effort on the part of the players and their parents. The win together, they lose together, they share in the joy and pain together. If you are as fan of this sport, you will also want to check the posts at tennisinformation.net.

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Landers on the other hand is a different case. He is more of a rockstar than the two girls. He likes the limelight and is completely dedicated to his craft as a table tennis player. He doesn’t go to traditional school, but takes classes online at home to better accommodate his training regimen. We get glimpses that he still has somewhat of a social life, but not to the same degree as the two young ladies. He is being courted by major sponsors (he even gets his own Kellogg’s Corn Flakes cereal box) and his mother hints that if he makes the Olympics, that David Letterman is interested in bringing him on the show. He goes to the hip table tennis club Spin in New York City. All these things paint a different picture of Michael although he is no less a fierce competitor than Ariel or Lily. Michael is able to go to train in China where the best table tennis players in the world reside and who have taken 12 of 21 men’s gold medals,15 of 21 women’s gold medals both of the team gold medals awarded.

Top Spin-lily_zhang_match

This film trumpets the rigors of competitive table tennis and the heart and dedication of these three talented youths and their support networks. It is a film that is careful not to judge these kids and their parents who devote everything they can to help them achieve their dream. While some might see this dedication as over the top or overbearing, it’s clear that these kids are keeping perspective on their durability in what is a tough sport as well as future goals outside of the sport. Landers, who dedicated his entire youth to table tennis, has an easy time letting go of the sport and embracing what life has to offer after his run at the Olympics. With Ariel and Lily, we will have to wait and see because they are both younger than Michael. I would love to see a follow up to this film picking up where this one left off because I believe that there is more story to tell here.

Top Spin-ariel_hsing

With a running time just under 80 minutes, this film packs a tremendous amount about these three kids in. I never felt like one got more screen time than the other and that there tales were fleshed out enough that we really got a sense of who they are so kudos to the Newens and Son for that. Ariel, Lilly and Michael‘s stories are worth telling and frankly this is a refreshing look at kids competing in the highest levels of sports with all the tension and drama you might expect from a fiction film. I experienced their highs and lows, triumphs and defeats right along with them and when a film can place me asthe viewer in those situations, you know it’s successful.

While many people don’t know much about table tennis outside of the table they have in the basement, this film demystifies the appeal of the sport and the many facets of the game. I really enjoyed this film and was completely taken by these three teens. I would certainly recommend this film of the vast wasteland of films in theaters now. Get there, people!

For those of you fortunate enough to live in Los Angeles, this film has its world premiere today at the Laemmle Theaters and being distributed by First Run Features.

 

 

Review: ‘LEARNING TO DRIVE’ rides right into your heart.

Learning to Drive-poster2Two very different people cross paths in a cab, changing both their lives forever. This is the basic outline for the charming new film LEARNING TO DRIVE. But, this movie is so much more than basic. Sir Ben Kingsley and Patricia Clarkson come together to explore love and life as they enter new stages and become each other’s teacher.

LTD_09-07-13_139_R_CROP Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Clarkson plays successful writer, Wendy, whose marriage suddenly falls apart. In order to take control of her new found single life, she navigates selling her home, dating, and relinquishing her comfort behind the wheel. Kingsley becomes Wendy’s instructor after witnessing the intimate crumbling of her marriage in the back of his cab. As he returns some forgotten property to her home, the two become pupil and instructor during the day and dear friends as the film progresses. Kingsley’s Darwan battles some personal struggles of his own as a long time single man finally accepting an arranged marriage. He must learn to communicate with his new bride while letting go of control himself.

LTD_09-05-13_793_R_CROP (l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

(l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Ben Kingsley is brilliant as ever. Never missing a beat in a character that is so beautifully genuine. He is a treasure to watch. Patricia Clarkson is engrossing as always.Lovely and vulnerable, her journey through the film is relatable on all levels. Her accessibility as an actress is palpable. With solid performances from Jake Webber as Wendy’s ex and Grace Gummer as their daughter, this changing family dynamic is one we’ve all come across. Much applause to Sarita Choudhury as Darwan’s new wife Jasleen. This reminds me of how I felt when I moved to India in 2008. A little lost, confused, relying heavily on television to entertain me, and afraid to venture too far outside at first. She is a gem n everything she appears in. LEARNING TO DRIVE will certainly have an audience in the over 30 category. Director Isabel Coixet and screenwriter Sarah Kernochan make a truly cohesive team. I hope we see more from them as a pair in the future.

LEARNING TO DRIVE comes to theaters today

http://learningtodrivemovie.com

Running Time: 90 minutes      Rating: R

Review: ‘DIGGING FOR FIRE’ ignites the funny and poignant.

Digging For Fire_posterThey say curiosity killed the cat. In the new film DIGGING FOR FIRE, curiosity most definitely killed somebody… but who? Jake Johnson and Rosemarie DeWitt lead an all star cast in this dark new indie from Joe Swanberg. While house-sitting for a client, Lee and Tim find a bone and a gun in the backyard, sparking a mystery that must be solved. Digging for Fire-4Johnson plays gym teacher Tim and husband to Dewitt’s yoga instructor Lee. While the film appears to tackle the mystery aspect at full force, the screenplay veers off onto the topics of marriage, parenting, and losing one’s identity. As Tim and Lee part ways for the weekend, Tim throws an intimate get together at the house, encouraging his guests to participate in his sleuthing. Lee drops their son Jude (played adorably by Swanberg’s real life son) off with her parents to visit with friends and explore some alone time. As their days and nights progress, the two weave in and out of age and stage realizations and reveal subtle personality quirks that are all too relatable. Digging for Fire-8While I wasn’t the biggest fan of Swanberg‘s Happy Christmas last year, Digging for Fire feels more like Drinking Buddies in it’s organic camera work and down to earth quality. Jake Johnson is always funny as hell and this is no exception. His every-man approachability combined with his genuine comic timing is a real win. Rosemarie DeWitt has the same “making the audience feel at ease” way about her. Their chemistry with one another and the entire rest of the cast including, Judith Light, Sam Elliott, Melanie Lynskey, Mike Birbiglia, Jenny Slate, Anna Kendrick, Brie Larson, Orlando Bloom, Ron Livingston, and Sam Rockwell (to name a few) is refreshing and fun to watch. I am really digging, no pun intended, the screenplay pairing of Johnson and Swanberg. This is clearly a great team.

DIGGING FOR FIRE opens in theaters and VOD today

 

Review: ‘GUIDANCE’ is an underachiever’s playbook.

Guidance_posterFormer child star, alcoholic, narcissistic David is in desperate need of a job. Using the internet, his acting skills, and his ability to overachieve only when taking the path f least resistance, he gets hired as a high school counselor. Hilarity ensues in the form of lies, awkward social encounters, and a seemingly misguided sense of self redemption. Guidance_DavidBikingWriter/Director/Star Pat Mills‘ nonchalance and willingness to look like a total whack job makes each scene a joy to watch. He has an Adam Pally quality about his timbre and tone and comic timing, which is a huge compliment. Rule breaking and advice a playboy playmate might give are the driving fores behind the comedy. His connections with the kids are genuine and as a former high school substitute teacher and current actor/writer, this film resonates pretty personally (minus the scamming and alcoholism). Guidance_2Knowing that Mills has another film in the pipeline makes me excited. He clearly understands funny, situational comedy and structure. Sharp wit, keen observational skills, and the brilliant use of self motivational voice overs make Guidance a must see. GUIDANCE opens theatrically in NYC on August 21 (Village East) and LA on August 28 (Sundance Sunset Cinema) with a national release to follow.

Review: “PEOPLE PLACES THINGS” will charm the pants off you.

People Places Things poster1PEOPLE PLACES THINGS tells the story of Will Henry (Jemaine Clement), a newly single graphic novelist father balancing single-parenting his young twin daughters, writers block, a classroom full students, all the while exploring and navigating the rich complexities of new love and letting go of the woman who left him.People Places Things 1

Clement‘s asurbic brand of wit and delivery is the driving force behind the entire film… a million thanks, of course, to writer/director Jim C. Strouse for the script and casting Jemaine. Genius move for this piece of writing. Clement has you laughing out loud from the very first scene. Charming and genuine, the character of Will struggles to balance fatherhood, personal romantic, and career satisfaction. His affection for two of our wee leading ladies, Aundrea and Gia Gadsby, radiates off the screen. These kids are real naturals and their chemistry with Clement is a pure delight. Stephanie Allynne as Charlie (Will’s ex) does a fantastic job as one giant, narcissistic mess of a woman. She makes this character easy to loathe. Regina Hall is Diane. A strong, intelligent mother whose walls are understandably pretty high up. Clement and Hall make a lovely comic pair. Their witty, rapid fire back and forth is super relatable. Jessica Williams, who I am most familiar from her hilarious corespondent spot on The Daily show, plays Kat (One of Will’s students and Diane’s daughter). Her performance is down to earth and refreshing. I look forward to seeing more of her on the big screen. People Places Things 2During the scenes where Will teaches his class, there is a wonderfully cathartic flow, not only through the use of dialogue but Will’s graphic novel panels. The visuals speak volumes where words become useless. The music is a fun addition and lends to the perfect pace. Jim C Strouse has given us one hell of a gem. People Places Things is a pure joy from start to finish. With a superb cast and a clearly skilled writing and directing style, I strongly recommend you seek out this film.

PEOPLE PLACES THINGS opens in theaters Friday, August 14th

Review: “10,000 Saints” will rock you gently.

10K Saints poster 10,000 Saints follows three screwed up young people and their equally screwed up parents in the age of CBGB’s, yuppies and the tinderbox of gentrification that exploded into the Tompkins Square Park Riots in New York’s East Village in the 1980s. This film is essentially the story of how small life connections become the ties that bind a group of estranged friends and family. It’s quite extraordinary and a brilliant translation of Eleanor Henderson‘s New York Times best-selling novel. After the loss of his best friend Teddy, Jude is sent to live his absentee father, Les. Reconnecting with Les’ girlfriend’s daughter, Eliza and straight edge punk singer and brother of Teddy, Johnny, the three embark on a path that was thrust upon them. 10K Saints Asa EthanEthan Hawke, who I am convinced is a Timelord at this point, gives a flawless performance. His loose lipped, nonchalance is the perfect foil to quietly angsty and gentle Asa Butterfield as Jude. Les’ storyline of fatherly redemption is pretty poetic. Jude’s search for his soul is much more pensive but just as stunning with Butterfield’s innate ability to live the screenplay’s emotional highs and lows. Hailee Steinfeld‘s natural performance as wild child turned guilt ridden and lost pregnant teen is one that should be noted. Emile Hirsh‘s Johnny is a beautifully zen enigma. With a truly talented cast rounded out by Juilanne Nicholson, Avan Jogia, and Emily Mortimer10,000 Saints is one hell of an ensemble film. 10K Saints Emile HaileeThis coming of age tale is deals with guilt, unrequited love, self realization, parenting and death, all in delicate yet fully  meaningful ways. The music is most defintiely its own character, with a soundtrack featuring The Replacements, The Cure, REM, Social Distortion, The Stone Roses, and Johnny’s band Army of One. Directors Shari Springer Berman and Robert Pulcini are gifted storytellers and you bet I will be going out and grabbing Henderson’s novel soon. 10,000 Saints will not disappoint your eyes, ears or heart. 10,000 Saints comes to theaters, iTunes and other VOD platforms Friday, August 14th

Review: “Fort Tilden” is a generational face palm.

fort tilden posterIt’s a generation that makes you want to punch them. Millennials aren’t  all bad, that’s definitely not what I’m saying, but we all know a few bad apples… or orchards that give us the feeling of arson. I’m sure that 10 years ago, when I was 25, someone wanted to strangle me over whatever drama seemed life threatening at the moment. Let’s be serious though, it’s a running joke that we have a real problem with a generation that we just have to urge to physically shake until their bobble heads fall off… but we don’t… because sometimes it’s such delicious fodder that sitting back and watching is much less stressful and way more entertaining, as long as they don’t disrupt your way of living, of course. Enter onto the scene, festival favorite Fort Tilden.fort tilden 5The entire plot of the film ( Harper and Allie try all day to get to the beach) is pretty much the perfect metaphor for their reality. Fort Tilden is bravely tongue in cheek but also unapologetically the truth. Shiny objects distract, social media owns them, money might as well be made exclusively by Monopoly, and yet someway, somehow they make their way through this world and promptly demand a cookie. They have balls and you have to respect that. Bridey Elliott‘s performance as Harper, daughter of a CEO and self proclaimed “artist” is brash, rude, and does not care what you think. Elliott is hilarious in her sincerity. Clare McNulty as manic and failed overachiever Allie, is sweet and high strung and equally as genuine in her performance as Elliot. The two are a fantastic match with a genius give and take. Their ability to whine, complain, ignore everyone and make it both endearing and horrendous should earn them attention and applause.fort tilden 1The quarter life crisis now seems much longer and much more ridiculous that ever before. One the flip side of the coin, Fort Tilden is also ans awesome commentary on the lack of parenting going on today. Virtual high fives to writer/directors Sarah-Violet Bliss and Charles Rogers for throwing the millennial cliche in out faces so damn well.  Fort Tilden makes it way to theaters and VOD Friday, August 14. Get There.