Review: Sara Newens & Mina Son’s Documentary ‘Top Spin’ Is an Engaging Look Into the World of Competitive Table Tennis

top spin_posterLast year, I reviewed the documentary Touch the Wall about Olympian swimmers Kara Lynn Joyce and superstar Missy Franklin and really enjoyed it. I loved the journeys that were shown for both women as one tried to make a fourth Olympic team while the other tried to make her first. Swimming is a well recognized sport and those depicted in that film are familiar to a fairly wide audience all things considered. So when I began watching Sara Newens’ and Mina Son’s Top Spin about competitive table tennis/ping pong, I wasn’t sure what to expect as someone who doesn’t follow the sport. Hell, I didn’t even know that it was an Olympic sport until watching, However, the journeys of the films’ subjects, Ariel Hsing, Lily Zhang and Michael Landers were every bit as compelling as those of Joyce and Franklin, perhaps even moreso.

Top Spin-ariel_hsing_match

Newens and Son seem to have unfettered access to three subjects of the film. Hsing, Zhang and Landers are all three American teenagers vying for their one true dream – representing the United Stats at the 2012 Olympic games in London. All three, despite their young age, are the best in country, but they have a grueling process in which they have to compete in order to make the team. They first must win tournaments to qualify for the US team, each team consisting of four men and women. But that’s not it…they have to compete against the Canadian National Team to secure one of three spots granted to North America.

Top Spin-lily_zhang

Zhang and Hsing have cultivated quite a rivalry leading into the Olympic trials. Hsing has beaten her twice to claim the National Title, but even through this they are friends outside of the table. They root for one another because they can empathize with each others dreams. Both girls have very supportive families and both are allowed special schedules at school to allow for their training. Zhang only goes to school until noon each day so she can spend 5-6 hours/day training. Hsing‘s father devotes himself full-time to helping coach her and get her prepared for tournaments and the Olympics However, through all of this, the girls appear to maintain fairly normal lives, being with friends and doing things that most kids their age do. Zhang is far more successful in this arenathough. Hsing is shown hanging out with titans Warren Buffett (whom she calls Uncle Warren) and Bill Gates. She has a high profile, and rightfully so as the US Champion. You never get the creepy feeling about their parents and their motives like you do from something like Toddlers & Tiaras, where delusional parents clearly live vicariously through their young children. What we see here is a team effort on the part of the players and their parents. The win together, they lose together, they share in the joy and pain together. If you are as fan of this sport, you will also want to check the posts at tennisinformation.net.

Top Spin-michael_landers

Landers on the other hand is a different case. He is more of a rockstar than the two girls. He likes the limelight and is completely dedicated to his craft as a table tennis player. He doesn’t go to traditional school, but takes classes online at home to better accommodate his training regimen. We get glimpses that he still has somewhat of a social life, but not to the same degree as the two young ladies. He is being courted by major sponsors (he even gets his own Kellogg’s Corn Flakes cereal box) and his mother hints that if he makes the Olympics, that David Letterman is interested in bringing him on the show. He goes to the hip table tennis club Spin in New York City. All these things paint a different picture of Michael although he is no less a fierce competitor than Ariel or Lily. Michael is able to go to train in China where the best table tennis players in the world reside and who have taken 12 of 21 men’s gold medals,15 of 21 women’s gold medals both of the team gold medals awarded.

Top Spin-lily_zhang_match

This film trumpets the rigors of competitive table tennis and the heart and dedication of these three talented youths and their support networks. It is a film that is careful not to judge these kids and their parents who devote everything they can to help them achieve their dream. While some might see this dedication as over the top or overbearing, it’s clear that these kids are keeping perspective on their durability in what is a tough sport as well as future goals outside of the sport. Landers, who dedicated his entire youth to table tennis, has an easy time letting go of the sport and embracing what life has to offer after his run at the Olympics. With Ariel and Lily, we will have to wait and see because they are both younger than Michael. I would love to see a follow up to this film picking up where this one left off because I believe that there is more story to tell here.

Top Spin-ariel_hsing

With a running time just under 80 minutes, this film packs a tremendous amount about these three kids in. I never felt like one got more screen time than the other and that there tales were fleshed out enough that we really got a sense of who they are so kudos to the Newens and Son for that. Ariel, Lilly and Michael‘s stories are worth telling and frankly this is a refreshing look at kids competing in the highest levels of sports with all the tension and drama you might expect from a fiction film. I experienced their highs and lows, triumphs and defeats right along with them and when a film can place me asthe viewer in those situations, you know it’s successful.

While many people don’t know much about table tennis outside of the table they have in the basement, this film demystifies the appeal of the sport and the many facets of the game. I really enjoyed this film and was completely taken by these three teens. I would certainly recommend this film of the vast wasteland of films in theaters now. Get there, people!

For those of you fortunate enough to live in Los Angeles, this film has its world premiere today at the Laemmle Theaters and being distributed by First Run Features.

 

 

Review: Andrew Hinton & Johnny Burke’s Doc ‘Tashi and the Monk’ Pulls the Heartstrings in All the Right Ways

tashi - posterHBO has been in the documentary game for as long as I can remember. They’ve been bringing quality stories about a wide spectrum of subjects and people and tonight it premieres the new documentary short Tashi and the Monk, which is no less interesting than the great bulk of what they show.

tashi - monk and girl

After deciding to end his tenure as a Buddhist monk working in the United States, Lobsang Phutsok felt compelled to return to his native Nepal to help children in need, those who had no options. Upon his return he started Jhamtse Gatsal, what amounts to a commune where at risk children were not just taken in to be cared for but essentially adopted by Lobsang. Parents/grandparents/family members had to relinquish rights to the children in order for him to take them in, where he would he there proxy father. There, they would be fed, educated and prepared for a life bigger than any they could expect from their circumstances otherwise by the monk and his incredibly dedicated staff.

tashi - girl herself

The force that carries us through the film really is the titular Tashi Drolma, a troubled 5-year old girl whose mother had just died and whose alcoholic father can’t or won’t take care of her. She is the youngest of the children at Jhamtse Gatsal and is a willful young girl who starts out as a troublemaker. However, we witness her journey over the period of filming into a more integrated and happy young girl who makes friends and is taken under the wing of one of the older children there. She is the embodiment of all the good that occurs under Lobsang and the staff’s guidance.

tashi - kids

Try as he may, Lobsang isn’t able to take in all of the children that he’d like to or that need to. He heeds the advice of his overworked staff that should they take on more children, the ones currently in their care would not get what they need. This is a delicate balancing act and one that can have heartbreaking consequences, which are shown with as much compassion as any film can. These choices take their toll on Lobsang, but he never loses sight of the mission of Jhamtse Gatsal.

This is an incredibly uplifting film and one the shines a light on some really wonderful and amazing people. Beautifully filmed, capturing the beautiful scenery of Nepal and the Himalayas,it will tug on your heartstrings, but you’ll come out better for it. I promise.

This film premieres tonight on HBO at 8:00 EST. Be sure to check this one out.

Liz’s Review: ‘HOMME LESS’ is worth far more than 1000 words.

hommelessposter

From his dapper appearance and his suave sensibilities, you’d never guess that Mark Reay is homeless in NYC. Using a YMCA locker room as his bathroom and personal storage system, Mark is able to blend seamlessly into the upper echelon of New York’s fashion and film business. As a former model, he hustles the streets of Manhattan as a photographer and smooth talker. Genuinely talented and extremely good looking, Mark’s adaptability to his circumstances is astounding and certainly commendable. He lives in secret on a friend’s rooftop, enduring the changing weather and fearing, each night, that he may be found out and forced to find somewhere else to survive the nights. He lives off his extraordinary photography skills, acting residuals, and his uncanny ability to cold approach beautiful women, for both personal and professional rewards.

Mark Reay BY GREG SCAFFIDI

Mark Reay BY GREG SCAFFIDI

HOMME LESS follows Mark’s ventures as he narrowly eludes the total collapse of the very existence he has built for himself. His emotional highs and lows drive the heart of this doc. As New Yorkers, we most definitely have a built up image of what it  means to look homeless. It’s the man in the subway station that wreaks of urine, is dirty, and oftentimes muttering to himself, or yelling incoherently on a street corner. Mark is the penultimate opposite of these images. Clean cut, eloquent, genuine, resourceful. You route for him at each turn as we tag along on his day to day routine, using every networking trick known to man. I would hang out with Mark in a heartbeat. He is optimistic, as much as any one man can be facing his current situation. I admire the hell out of him.

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Director, Thomas Wirthensohn, has been friends with Mark for 20 years, since their modeling days back in Europe. When the two reconnected over drinks, Thomas had no idea that Mark was homeless. The two decided to take a new journey together in making this fascinating documentary. Wirthensohn is very careful to stay at arm’s length, which must have been extra difficult already being so emotionally invested in his subject. One of the toughest things you hear from documentary filmmakers is the challenge they face in trying to stay objective. There are quite a few moments in the film that directly address this issue and I commend Wirthensohn for his efforts.

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HOMME LESS is a beautifully shot portrait of one man’s journey to not only survive, but thrive, in this big city. As someone who has lived here on and off since college, I can only imagine having to do what Mark does on the daily. Living paycheck to paycheck takes on a whole new meaning in this film. I highly recommend you catch this documentary this weekend. It will rattle around in your brain and, if you happen to live in NYC, make you wonder if you’ll run into Mark any day soon. It would be my pleasure to buy him dinner and a drink… and then book him for new headshots.

HOMME LESS Trailer from Thomas Wirthensohn on Vimeo.

Synopsis: HOMME LESS is about the underbelly of the American Dream, the hidden backyard of our society. Mark’s life stands as a metaphor for the struggle of the vanishing middle class in America. But it’s also a film about the relationship between New York City and one of its residents. New York is not simply a beautiful backdrop for this story. She’s the antagonist that dictates the direction Mark’s life is going in. The joy and pain, the love and hate, the success and denial New York is teasing him with, the hardship he is going through in order to stay in her grace and the inventiveness he comes up with to be with her are all unique.

HOMME LESS captures a raw and unfiltered moment in time, our time, and raises the question of how far are we from losing everything, even our homes? How often do we have to pretend that everything is fine in order to keep up the facade of being a well-off member of society? And how far do we go to take the financial pressure off our shoulders to live a more carefree life, a life we aspire to live?

What went wrong in Mark’s life? How is he able to keep up his facade of success and fool everyone?  What keeps him from going under? What motivates him to put up with this rather unthinkable situation?  What were and are his hopes and desires in life?

Mark stands lost and alone in the midst of eight million dreams, balanced between the glamorous surfaces of this vibrant and inspiring city and its far from glamorous hidden backyard. He is the HOMME LESS

Opening at the IFC Center on August 7th

Touching documentary I AM CHRIS FARLEY finally comes to theaters today.

posterart.IAmChrisFarley

I AM CHRIS FARLEY. Courtesy of Virgil Films

From the directors of A Brony Tale, I Am Evel Knievel, and the upcoming Johnny Cash – American RebelI AM CHRIS FARLEY tells Chris Farley‘s story, from his early days in Madison, Wisconsin and at Marquette University, through his work at the legendary club Second City to his rapid rise to the top of the comedy world on “Saturday Night Live” and in hit films like Tommy Boy and Black Sheep.

I AM CHRIS FARLEY. Courtesy of Virgil Films

I AM CHRIS FARLEY. Courtesy of Virgil Films

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Jeremy’s Review: Oeke Hoogendijk’s “The New Rijskmuseum” Is a Unique Documentary Capturing the Spirit of Rebirth of Holland’s Premiere Cultural Institution

new rijksmuseum posterJust when I thought films about the inner workings of an art museum couldn’t get much better than Frederick Wiseman‘s National Gallery, along comes Oeke Hoogendijk‘s The New Rijskmuseum. Capturing the tumultuous journey of renovating the Rijskmuseum starting in 2003, I doubt the filmmakers, much less the administration of the venue knew that it would take 10 full years to complete the project. Think about that – one of the finest cultural institutions in the world, the home to many Rembrandts (including the famous The Night Watch) and four of only thirty-four of Johannes Vermeer‘s paintings in the world, was CLOSED, not open to the public, for 10 years.

The New Rijjksmuseum-paintings

Director Hoogendijk has unfettered access to the process which is carefully laid out at the outset of the film in a voiceover by Queen Beatrix from 2001:

The accessibility of our cultural heritage for a wide audience calls for changes in the museological establishment. Government funds have been made available for the large-scale renovation of the Rijskmuseum of Amsterdam

Under General Director Ronald De Leeuw, the Rijksmuseum begins its transformation, which was to to take initially 3 years and happen with a budget of 134 million euros. But as I always say, construction is the biggest racket out there and no project ever comes in on time or on budget. So what unfolds is not so much a comedy of errors, but a comedy of bureaucracy. The architects, Cruz y Ortiz from Spain, won the bidding/contest with their design for the new grand entrance, but their design comes under fire when the local cyclist union fights back against the plan because it limits the space and access to the cyclists of Amsterdam who have come to appreciate and rely on the access to the passage under the Rijskmuseum. At all angles, the city council equivalent shoot down the Rijjskmuseum’s plans and force the architects to change their design which is no small task.

The New Rijjksmuseum-renovation

As the film trundles along, interweaving shots of the renovation with musings by museum staff or footage of missed opportunities at auction in an effort to secure new works for the opening, Hoogendijk easily builds the suspense that this project may never finish and it is that premise that keeps us wholly engrossed. De Leeuw ends up quitting, tired of fighting with the Cyclist Union and Wim Pijbes takes his place bringing with him his own ideas of how the space should look despite what the designers and curators think unlocking another level of bureaucratic interference. But the the folks who don’t get to go behind the curtain of an institution like this to see how it ticks, what unfolds is incredibly fascinating. That the placement of 6 or 7 cannons to be displayed can cause such a contentious argument between the principles at the museum is exasperating, even for us viewers. That this undertaking was so incredibly massive to begin with that it isn’t hard to believe the time it took to complete.

The New Rijjksmuseum-renovation2Hoogendijk’s camera penetrates this process in a way that really captures so much of the essence of the human spirit and its thirst for artistic inspiration. The film itself is reflective of this very notion. Over the course of ten years, I can’t even begin to imagine the amount of footage that was shot. To cull it down to a 2-hour film must have been a gargantuan task (although rumor has it there was a 4+ hour cut at one point…which I would watch without hesitation). That she was able to make this film as engrossing as it is is really a testament to how dialed in Hoogendijk was throughout this process.

While you might not think that a film about the renovation of an art museum in Holland would be interesting, I’m here to assure you that assumption would be incorrect. I would happily slate this documentary in my top five faves in that arena for the year so far.

So, to the fortunate few who have access to this film, get there. The film opened in New York and Los Angeles this past weekend and is still playing there. Here is the list of upcoming screenings.

New trailer for the documentary ‘He Named Me Malala’ about 17-year-old Nobel Peace Prize winner Malala Yousafzai

HE NAMED ME MALALA one-sheet

It’s here! Take a first look at HE NAMED ME MALALA, a documentary about Nobel Peace Prize winner Malala Yousafzai’s…

Posted by Malala Fund on Thursday, June 18, 2015

Opening in select theaters on October 2, 2015

Cast: Malala Yousafzai, Ziauddin Yousafzai (father), Toorpekai Yousafzai (mother), Khushal and Atal Yousafzai (brothers)

Directed by: Davis Guggenheim

Screenplay by: Davis Guggenheim

Produced by: Walter Parkes and Laurie MacDonald under their long-term production partnership with Image Nation Abu Dhabi and co-financed by Participant Media

HE NAMED ME MALALA is an intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus in Pakistan’s Swat Valley. The then 15-year-old (she turns 18 this July) was singled out, along with her father, for advocating for girls’ education, and the attack on her sparked an outcry from supporters around the world. She miraculously survived and is now a leading campaigner for girls’ education globally as co-founder of the Malala Fund.

Acclaimed documentary filmmaker Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) shows us how Malala, her father Zia and her family are committed to fighting for education for all girls worldwide. The film gives us an inside glimpse into this extraordinary young girl’s life – from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life with her parents and brothers.

“One child, one teacher, one book and one pen can change the world.” – Malala

 

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Jeremy’s Review: Marah Strauch’s ‘Sunshine Superman’ Is a Stunning and Defining Portrait of Base-Jumping Pioneer Carl Boenish

Sunshine Superman posterSome people have no fear and that has always amazed me. I guess I’ve been a fairly cautious fellow in my life so it’s easy to be in awe of someone like Carl Boenish, who threw caution literally to the wind for the bulk of his life. Who is Carl Boenish you ask? Well, he is the father of BASE jumping. What is BASE jumping you ask? Well, it is jumping with the aid of a parachute (or more recently a wing suit) from a fixed structure. When Boenish and his merry band of adrenaline junkies devised the term, it meant Buildings, Antenna towers, Spans and Earth – all of the different types of structures or formations from which one could jump.

Sunshine Superman-1Boenish was special person. He brought a certain energy that really permeated whatever group of people he was around. Once an engineer, he bailed on that profession after doing aerial cinematography for the film The Gypsy Moths directed by John Frankenheimer starring Hollywood heavyweights Gene Hackman, Burt Lancaster and Deborah Kerr (all Oscar nominees or winners) and never looked back. Filming his jumps and creating films from them now took all of the focus in his life. However, he wasn’t satisfied with diving out of planes, so he took to diving from whatever tall structures or formations he could find, from El Capitan in Yosemite National Park to unfinished buildings in downtown Los Angeles (still filming them). Of course, his new passion brought with it troubles, especially those of the legal kind. But Boenish and crew always found a way to get their jumps in, even if they had to do them guerrilla style.

Sunshine Superman-7

Over the first hour of the film, Strauch tells us these background details, all of which lead up to two of the most important moments in Boenish‘s life – his marriage to fellow BASE jumper Jean Boenish and their quest for immortality with their record setting jump from Trollveggen (Troll Wall) in Norway. He and Jean were like two peas in a pod and the sheer amount of archival footage that Strauch weaves into the film confirms this. She was never hesitant to do the crazy things he wanted to and for that, they were a perfect match. So, as part of That’s Incredible!, a television show hosted by David Frost and a young Kathy Lee Gifford, he and Jean jumped from nearly 6,000 and set the world record.

Sunshine Superman-8

But as I said above, Carl was never satisfied and not even 12 hours later, unable to sleep, he took another shot at Trollveggen from a different jump site. Defying the advice that it was too dangerous to jump from, Boenish did it his way and jumped. Unfortunately, he hit the wall during the freefall and didn’t survive and the BASE jumping community lost their leader, and Jean her husband. As stated before, Jean was very much like Carl and only two days after his death, she jumped from the same spot…and survived.

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This is hands down one of the top three documentaries I’ve seen so far this year. Strauch‘s approach handles the Boenish legacy with honesty and the same energy that Carl exhibited when he was alive. Filled with tons of archival footage and testimonies from his family and friends and much of it from Jean, we are really able to get a sense of who Carl was and why he loved doing what he did best. Strauch also takes a page out of Errol Morris‘ book using many re-enactments of scenes adding another layer to the depth of the film to great effect, placing the viewer in the shoes of Boenish himself. Perhaps the film’s greatest strength, however, is that Boenish‘s legacy is treated with such respect. Through all of the interviews with the many people he worked with and jumped alongside, including his wife, no tears were shed at the loss of his life or in their remembrance of Carl and the amazing amount of joy he was able to bring them all. This wasn’t because they haven’t mourned the loss of someone they respected and loved, but because they knew he died doing exactly what he was put on Earth for and who could begrudge him that? Expertly crafted with precision editing and great music to boot, Sunshine Superman really is an enduring portrait of a man most people American don’t know. To answer that, this is one hell of an introduction.

The film is brought to you by the good folks at Magnolia Pictures and it opens today in New York and Los Angeles but will gradually open wider in the coming weeks. Here is a list of venues and dates where it will play.

So if, in the middle of the summer blockbuster season, you find yourself looking for a film that lacks explosions, car chases and superheroes, look no further than this film. It will leave a lasting impression and hopefully inspire people to do what they love, what they feel they were born to do. Sunshine Superman takes on additional significance with the  deaths of Dean Potter and Graham Hunt last week during a wing suit jump in Yosemite.

Get there, people.

Here’s the trailer:

Girls On Film Podcast: Interview with the ‘I AM BIG BIRD’ filmmakers Chad Walker and Dave LaMattina.

I am big bird posterHands down one of the most touching documentaries to come out of theTribeca Film festival last year is I AM BIG BIRD. This is the heartwarming story of the man inside the big yellow icon, Caroll Spinney. I’ve already gushed about the film in my review, so I was thrilled to get the opportunity to talk with directors Chad Walker and Dave LaMattina this afternoon. Here is our brand new episode of Girls On Film: I Am Big Bird

I AM BIG BIRD is now playing in theaters in selected cities with a national expansion coming in throughout the summer. Stay tuned to Reel News Daily for more information!

 

‘I AM BIG BIRD’ hugs your heart and soul. Liz talks childhood flashbacks and this touching documentary.

I am big bird posterWhen I was a very small child, my mother would set me up each morning on my little wooden and plastic potty with a tray of cheerios and Sesame Street. Every night, I listened to the likes of Bert and Ernie, Telly and Grover, but I as I think back to a voice that was so distinct, I always think of one in particular. A tall, endearing, yellow fellow named Big Bird. When I was a preschool teacher I played my students the songs of my past and I fully intend to share the same memories with my own children. Chad Walker and Dave LaMattina bring us the joyous new documentary about the man inside the bird, Caroll Spinney. I AM BIG BIRD is a fascinating look into how this beloved character came to fruition.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

From humble beginnings, a volatile relationship with his father, and a supportive mother, Caroll fell in love with puppetry early on. As a young boy this did not necessarily make school an easy environment, but he soldiered on in his passion. Caroll was discovered at a 1969 Puppet Festival by none other than Jim Henson and fate. The two had a very special  relationship, with Jim being a less of a boss and more of a friend and mentor to Caroll. Navigating through bouts of depression and low self worth, work was his saving grace as was his second wife Debra. Her love brought him back to life and has sustained the magic both on screen and behind the scenes ever since. The Big Bird we know now what not always this childlike. Initially, he was a very skinny yokel type. Thankfully, with more self confidence and encouragement from the entire Sesame Street family, Caroll gave us the magical creature we adore today.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Walker and LaMattina had a gold mine of footage from Sesame Workshop but the jackpot came from Caroll and Deb’s years of home video footage. Mixed with Caroll’s own art work, intimate sit down interviews with his children, Sesame cast members, and even Jim’s daughter, we are privileged as an audience to see how moments of time came to be. From Follow The Bird to Big Bird in China and many other Muppet specials, we see the good and the bad. There are no kid gloves when it comes to talking about Caroll and company. One of innumerable interesting things we learn is that Caroll also plays Oscar the Grouch. You learn how this has become the perfect counter balance to our big yellow friend and Caroll alike. Their memories become your own and tear at your heartstrings. You feel so special as you see past the feather into Caroll’s soul.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

We all have an innate love for Kermit and Big Bird. The Muppets and Sesame Street have molded millions of minds all over the globe since their inception. You will watch this film with tears in your eyes and laughter in your heart. There is no escaping the love that engulfs this movie. This is a timeless classic you will want to show your children down the line. I AM BIG BIRD is nothing short of extraordinary.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Stay tuned for an interview with directors Chad Walker and Dave LaMattina in the next few days!

Release Date

VOD: Available on iTunes & VOD: May 5, 2015
Theatrical: Select theatrical release beginning May 6, 2015
New York: IFC Center – opens May 6, 2015
May 15:
Boston: Brattle Theater – opens May 15, 2015
Chicago: Gene Siskel Film Center – opens May 15, 2015
Columbus: Gateway Film Center – opens May 15, 2015
Detroit: Cinema Detroit – opens May 15, 2015
Los Angeles area:
– Los Angeles: Royal – opens May 15, 2015
– Santa Ana, CA: South Coast Village – opens May 15, 2015
Minneapolis: St Anthony Main – opens May 15, 2015
New Orleans: Zeitgeist Theater – opens May 15, 2015
Philadelphia: PFS at Roxy Theater – opens May 15, 2015
Portland: Living Room Theaters – opens May 15, 2015
San Diego: Digital Cinema – opens May 15, 2015
Santa Fe: CCA – opens May 15, 2015
San Francisco area:
– Berkeley: Rialto Cinemas Elmwood – opens May 15, 2015
– San Francisco: Balboa Theater – opens May 15, 2015
– Sonoma: Sebastopol Rialto Cinemas – opens May 15, 2015
Scottsdale: Shea 14 – opens May 15, 2015
May 22:
Eugene, OR: Metro Cinemas – opens May 22, 2015
Gainesville, FL: The Wooly – opens May 22, 2015
Louisville: Village 7 – opens May 22, 2015
Miami area:
– Coral Gables: Cosford Cinema – May 22,2015
– Miami: O-Cinema – opens May 22,2015
Palm Springs: Camelot – opens May 22, 2015
Pittsburgh: Hollywood Theater – opens May 22, 2015
Sedona, AZ: Mary Fischer Theater – opens May 22, 2015
May 29:
Denver: Sie Film Center – opens May 29, 2015
June 10:
Boulder, CO: Boedicker Theater – opens June 10, 2015
June 12:
Seattle: SIFF Cinema – opens June 12, 2015
Bellingham, WA: Pickford – opens June 12, 2015
Pelham, NY: Picturehouse – opens June 12, 2015

Director

Dave LaMattina and Chad N. Walker

Screenwriter

Dave LaMattina

Producer(s)

Dave LaMattina and Chad N. Walker

Cast

Caroll Spinney

Runtime

87 minutes

SYNOPSIS

For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

Tribeca Film Festival interview: Kevin Pollak talks his new doc ‘Misery Love Comedy’ with expected hilarity.

Misery Loves Comedy PosterSome of my fondest memories as a kid are family game nights, Sunday breakfasts, and dancing in the kitchen. All of these things we still do. We try to outplay each other. We make fun of the everyone’s ever changing diets. We choreograph the best and worst dance moves in the universe. Being the first of 4 children ignites a fire that never quite goes away. ‘Look At Me Syndrome” is something I live and die by. Young performers are like sponges. They listen to every word as a kid. They are bright and observant, perhaps not coming alive at that age, but letting it all seep into what shapes their humor. *And yes, I did just allude to how awesome I have always been. But enough about me.* Kevin Pollak has created one hell of a documentary to share with the planet, MISERY LOVES COMEDY. Rounding up over 60 comedians, both stand up or just plain funny people in the industry, including the likes of Amy Schumer, Tom Hanks, Judd Apatow, Kevin Smith, Christopher Guest, Lisa Kudrow, Bob Saget, Chris Hardwick, and  Kathleen Madigan, just to name a few. Pollak poses the question that performers know to be true; “Do you have to be miserable to be funny?” The answers comes in form of intimate sit down interviews with a cast only someone with Pollak’s clout could get to say yes so quickly. Filmed over the course of 4 weeks in L.A. and NYC, we are privy to family photos, childhood inspirations, and all the mess in between. Pollak even edited the film himself, sharing that experience was eye-opening and surprisingly enjoyable. This film is non-stop funny. I loved every moment of it. Jim Gaffigan sums up the need to entertain others perfectly, it’s a ‘Narcissists Fantasy’. Question it, accept it, then own it. I do. It’s the only way to live.

When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin  Pollak.

When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin Pollak.

In honor of the masterful director himself, and the over 600 hours of interviews he had conducted, in true Kevin Pollak Chat Show style, I give you the audio from our roundtable with this comic genius. Welcome to a slice of MISERY LOVES COMEDY.

 

Misery Loves Comedy is available on iTunes !! *Ps- it’s #1 right now* Opens today in NYC (IFC Center) with a national release to follow.

Tribeca Film Festival review: ‘Autism in Love’ puts faces to preconceived notions.

Autism In Love

Lindsey and Dave

Love is something we cannot explain. It is like magic. Isn’t is difficult enough to find love for two average people? What if you were not considered to be average? It can be torturous to express how we feel. What if you add autism into the mix? Autism is on a wide spectrum. Autistic adulthood is not a common topic of conversation. Director Matt Fuller brings us into the world of 4 extraordinary people; Lenny, Stephen, Lindsey and Dave in the new documentary Autism in Love. 

Autism in Love- Lenny

Lenny

Lenny is an unemployed young man, living with his immensely supportive mother. He has a fondness for video games and longing for a girlfriend. He is extremely aware of his autism and believes that it impedes him from finding love. Highly emotional, Lenny’s struggles have a visceral affect on even Fuller. In a moment of breaking the wall, even with the director out of sight, Lenny is visibly upset and tells Fuller not to cry. He says, “I would rather be a normal man than an autistic person with a million dollars.”

Geeta and Stephen

Geeta and Stephen

Stephen is a middle aged savant who knows every answer on Jeopardy before we’ve even finished reading the clue, makes hot dogs for his parents every Sunday, and has a distinct cadence reminiscent of Dustin Hoffman in Rain Man. Married to a lovely woman named Geeta, he has a routine that he lives by that has only recently been disrupted by the fact that after 17 years with Geeta, she has been diagnosed with ovarian cancer. While Stephen’s autism is much more obvious, you can see the adoration in his eyes even if he is unable to express it verbally.

Dave and Lindsey

Dave and Lindsey

Lindsey and Dave have been dating for years. Labeled “High-functioning”, the two are an endearing match. Both are ready to take the next step, with Lindsey being the more verbal on the subject and Dave taking a seemingly more intellectual route. You instantly fall in love with this couple and cheer them on from the get go. The juxtaposition of these four individuals is a beautifully crafted story. The added struggle of being on the spectrum is something not many of us consider when searching for a mate. I think that Autism in Love is an important doc that let’s us gaze into a world often fraught with misconception, without gawking.

 

Here is a clip from Autism in Love

Tribeca Film Festival review: It’s easier to squirm than to understand ‘A Courtship’, but don’t be too quick to judge.

Courtship_Press_1 TribecaWe’ve all seen The Duggar Family on television. Courting is something that has a tendency to be labeled a bit kooky. No kissing, supervised “dates”, and approval needed from the head of the household (which is a man, of course). While this may seem like something right out of the dark ages, for a percentage of the population, this is an increasingly common practice in the conservative Christian faith. In Amy Kohn‘s film, A Courtship, we meet 33 year old Kelly. At 19, she was away at college when she found out her parents were getting a divorce. This caused Kelly much strife and ultimately she loses faith in the world. So Kelly moves to Michigan, becomes a devout Christian, and embarks on a journey of courtship, led by her “spiritual parents” Ron and Dawn Wright. Ron has a website called beforethekiss.com in which he shares his knowledge on courtship, selling books that help both children and parents, and even recommending a CD called How to Evaluate a Suitor. Even though Kelly had shared kisses as a teenager, since making the decision to find her husband via courting, she is saving her next first kiss for the alter. This is essentially the first rule of courting. Kissing is meant only for a husband and wife. Courtship_Press_2 TribecaRon and Dawn believe that God has called them to find Kelly a husband, which she is 110% on board with. Kelly moves in with The Wrights and Ron meets with potential young men who he thinks might be a good match for Kelly. While on Facebook, Kelly finds a young man named Ross. He lives the courtship lifestyle and truly believes that God has a plan for everything. During the course of Amy Kohn‘s year of filming, we watch Ross, Kelly, Dawn, and the rest of the Wright family interact. Kelly is girlishly hopeful that Ross is the one sent by God. On the flip side of the coin, Kelly’s actual parents, mother Linda and stepfather Bob, think that internet dating might be a better option for their daughter. They try as hard as they can to understand where Kelly is coming from. One of the most touching moments in the film comes when Bob tears up, telling Kelly that if she were to move back to Alabama near the family, he would be her advocate. It’s a beautiful foil, each family with their own faith and views on love and marriage.Courtship_Press_3 Tribeca Ultimately, after speaking with Kohn, I’ve decided that my gut reaction to this film was far too judgmental. I was certain that there was a hidden incident in Kelly’s young past, at college perhaps, that drove her to seek such extreme measures in love and faith. Amy doesn’t there is anything that she is holding back. She is lovely, passionate young woman, who wants nothing more than to be a good wife and mother. You easily fall in love with Kelly as you watch her journey. Who are we to say what is the right way to find who we’re meant to be with. As long as it doesn’t hurt anyone else in the process, why should courtship be labeled any crazier than “swiping to the left” or getting a quickie divorce? A Courtship is an intriguing look into a lifestyle that may not be for everyone, but definitely works for some. We wish Kelly all the best and hope that she finds true love, sooner rather than later.

Tribeca Film Festival interview: ‘CROCODILE GENNADIY’ is a modern-day superhero story.

Crocdile Gennadiy poster Gennadiy Mokhnenko is a pastor in Mariupol, Ukraine. Following the collapse of the Soviet Union, hundreds, if not thousands of children have become homeless and addicted to a deadly mixture of cold medicine and alcohol that they are injecting like herion. Gennadiy has taken it upon himself to rescue these children, small groups at a time and bring them to his rehabilitation center called Pilgrim Republic. An accomplished and eloquent orator, this strong headed and passionate pastor, sometimes forcibly removes children from sewers, or other filth ridden settings, to set them on the straight and narrow. His aim is to improve their alcohol recovery timeline, get these kids healthy and make them want to be functioning members of society. Confronting abusive parents and taking on the government, Gennadiy is a saint. He has 11 children, most of them adopted from the lot that he has saved over the years. He has a wit and charm that make him one of the most approachable men, and yet he has a tenacity that is also threatening when it needs to be.Crocodile Gennadiy image

This documentary from Steve Hooper is beautifully inter-cut with a Soviet animated TV show, Crocodile Gennadiy from which our pastor gets his nickname. The parrallels between Gennadiy and the cartoon are almost unbelievable. The methods this man uses are far from what would be acceptable for any church in the United States, and as far as I am concerned, we should be taking a page from his playbook when fighting for good. Croc Genn cartoon

I was able to sit down with Steve Hoover and producer Danny Yourd. Find out some of the crazy story behind the making of this film.

 

Crocodile Gennadiy Teaser from Crocodile Gennadiy Documentary on Vimeo.

You can still catch CROCODILE GENNADIY at this year’s festival:

8:00 PM – FRI 4/24  REGAL CINEMAS BATTERY PARK 11-3   –RUSH

Tribeca Film Festival reviews: Docs that will make you face palm humanity. ‘Cartel Land’, ‘Indian Point’, and ‘Tom Swift and His Electric Rifle’

CARTEL LANDCartel Land-#1 - Autodefensa member standing guard in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanFrom poverty comes desperation and opportunistic turn. The mentality of, “If you can’t beat ’em, join ’em,” could not be more true in a new doc from director Matthew Heinman, Cartel Land. Mexican drug cartels are running rampant, killing innocent people in their wake, wreaking havoc on what would otherwise be hard working, peaceful folk. Infuriated by the circumstances forced up them, townspeople have taken up arms of their own and formed a group named the Autodefensa. They side step the government, who deny there is a problem at all, and capture cartel members to be handed immediately to the police. We also meet a group called the Arizona Border Recon. Mostly comprised of neo-con, anti-immigration minded men, they are able to put their politics aside to police human trafficking and cartel scouting groups. Cartel Land-#7 - Meth Lab in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanThe most unprecedented footage is when the filmmakers were allowed access inside the cartels themselves. The saddest past of the doc, a lot of the present cartel members are former members of the Autodefensa. Money begets power. It remains a vicious cycle. Cartel Land gives us a real time look into the everyday struggle of the Mexican people. While constantly in true physical peril, Heinman and his crew present us with outstanding production value, balanced storytelling, and an insight to what most of us turn a blind eye to. 

8:30 PM – FRI 4/24 BOW TIE CINEMAS CHELSEA 8                  –RUSH
5:00 PM – SUN 4/26 REGAL CINEMAS BATTERY PARK 11-3   –RUSH

INDIAN POINTIndian_POint_Press_3 TribecaAs a New Yorker, post-9/11, we want to believe that we’re safer. We want to think that the heightened presence of armed guards at Grand Central means something. But, it’s the forces we don’t see that should freak us out. Did you know that just 35 miles north of Times Square is an aging nuclear power plant called Indian Point? I sure didn’t. Not scary enough for you? Alright, the government has down graded evacuation plans since the Fukushima melt down. Still no? 6% of the country’s population lives with 50 miles of the plant. You cannot outrun radiation. Indian_POint_Press_1 TribecaThe plant was built in the 1950’s and has not been sufficiently updated since. This is not a one off for the plants across the country. Old technology cannot be applied fast enough for the amount of old cores we are storing on site (encased in cement). The volatility of this waste is unbelievable. When the earthquake and tsunami hit Japan, Fukushima’s waste was jostled enough to cause multiple reactor meltdown, something that the industry claims is impossible in the US. That radiation has traveled across the ocean and is now causing birth defects in California. Indian Point shows this issue from all sides; activists, journalists, plants supervisors, residents, and the former chairman of the Nuclear Regulatory Commission. This is an eye-opening doc about money Vs power.  When you get the end of the film, the information provided will downright piss you off more than you ever thought possible. Indian Point should stand as a warning for us all. Complacency is the way we power our planet is no longer an option.

6:15 PM – FRI 4/24  BOW TIE CINEMAS CHELSEA 4   – RUSH

TOM SWIFT AND HIS ELECTRIC RIFLETOM SWIFT  TribecaIn the wake of so many tragic police shootings, I posed a question to my husband, “Why don’t they just use tasers anymore?!” I recalled the infamous YouTube video “Don’t Tase Me Bro!”. Without giving much weight to the incident,  when that video went viral, I, like most Americans, brushed it off as internet fodder. What I didn’t realize was just how serious this issue actually was and continues to be. In the doc Tom Swift and His Electric Rifle we learn about the origin of the one single company that created and trains law enforcement on the proper use of Tasers. These “weapons” are meant to incapacitate a subject. Unfortunately, for brother Tom and Rick Smith, tasers also kill people. The two founded Taser International in 1993 and have sold their stun gun to almost every one of the US’ 18,250 law enforcement agencies.

The updated Taser targeting guide issued by Taser International.

The updated Taser targeting guide issued by Taser International.

Between 2001 and 2012, there were 500 taser related deaths reported in the U.S. There are no regulations on the use of tasers. In the film, we are privy to dash cam footage of 23 year old Stanley Harlan. Pulled over in front of his house, the reason still unclear, he is seen complying with officers and then suddenly, off camera, he is tasered 3 times, causing him to go into cardiac arrest. As his parents look on is sheer terror, we witness Harlan’s death. In a deposition following a string of additional deaths, the Smith brothers sit smugly testifying that they have no scientific knowledge that their product contributes to anyone’s death. Ironically, in 2009, Taser International updated their training guide to reflect what they claimed they did not believe. These gentlemen and this company know they are wrong. They know the dangers of their product, but for them, their monopoly grows in spite of the deaths.

Tom Swift and His Electric Rifle is raw and shocking. You will walk out shaking your head. All of that being said, this documentary is incredibly informative and well structured. On the surface, it may appear to be a propaganda piece, so let me assure it, it is well researched and definitely worth your time.

You can still catch Tom Swift and His Electric Rifle at the fest!

8:30 PM – SUN 4/26 SVA THEATER 2 BEATRICE $21.50
For more information on all of these films, you can visit the Tribeca Film Festival Guide 2015

Tribeca Film Festival review & interview: ‘DREAM/KILLER’ is frightening for reasons you must see to believe. Liz interviews Ryan and Bill Ferguson.

DREAM KILLER_Press_1 TribecaSome of us have a some pretty wild dreams. Maybe monsters are chasing us, maybe we fly like superman, or just maybe, we kill someone. What if someone else’s dream affected your life? What if their dream took away your freedom. This is was happened to 19 year old Ryan Ferguson. After a friend has a nightmare about a murder case that happened two years prior, he calls 911 to “confess” and once in custody, puts Ryan at the scene. Director Andrew Jenks, brings us a fascinating new documentary called Dream/Killer. Ryan is convicted of murder and sentenced to 40 years in prison. Let’s be clear, there is zero evidence that Ryan was even in the area at the time. The entire case, if you can call it  such a thing, is based upon a coerced confession of another young man with some serious issues. This is the tragic story of how the American judicial system is beyond broken. We’ve seen numerous young men convicted based on socio-economic background or the color of their skin, but it is still very unlikely that a middle-class white man would be in the same boat.DREAM KILLER_Press_2 TribecaWe follow Ryan’s entire journey, with the help of his extraordinary parents, Bill and Leslie. Bill does everything in his power, including tours of the crime scene to anyone and everyone that will walk with him and listen to the evidence, setting up social media pages in support of Ryan, and tracking down one the most renowned lawyers in the country, Kathleen Zellner. Roadblocked at every turn, this documentary is full of twists and turns in the wake of shockingly awful work by The Ferguson’s first lawyer, witnesses fabricating stories, and the dubious practices of District Attorney-turned-Judge Kevin Crane. If there is one criminal in this entire story, it may be the one presently on a bench in Missouri.

Bill Ferguson‘s tireless efforts are rewarded after his son spends 9 1/2 years in prison. Kathleen Zellner is finally able to get Ryan released. Through years of exasperating setbacks, Bill and Leslie keep up Ryan’s spirits and lead his charge to freedom. Dream/Killer is an eye opening film. The scales of justice are definitely waited against the truth and they need to be fixed. Andrew Jenks agrees that the film is emotionally enraging. As an audience member, you walk away shaking your head and fuming. These are both compliments to the story Jenks is is trying to tell. He and The Fergusons have developed a genuine friendship. Jenks calls Ryan “A bit of a Gandhi figure” for his ability to stay so positive throughout this entire ordeal. The Fergusons love for each other is certainly unconditional. Never once did Bill or Leslie question Ryan’s innocence. Jenks says that he doesn’t think this story is over. There is still a murderer on the loose. DREAM KILLER_Press_3 TribecaWith the popularity of the Serial podcast and HBO‘s The Jinx, there could not be a more timely introduction for Dream/Killer. Jenks also attributes the growing intrigue surrounding documentaries to Netflix. He believes it’s interface and the artistry in docs movie posters are attracting a newer, and perhaps younger audience.

I was fortunate enough to sit down with Ryan and Bill and discuss this film and their extraordinary family. Here is the audio from that interview. *At the very end, you’ll hear my private thoughts as I left the recorder on longer than intended.* I actually ran into Ryan the following day. He remembered me, asked me how I was doing, and we chatted like old friends. Welcome to The Ferguson family. Enjoy.

 

You can still catch two more screenings of Dream/Killer at the fest.

3:45 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-1    RUSH 
9:45 PM – SAT 4/25 BOW TIE CINEMAS CHELSEA 5                RUSH

dream/killer Trailer from Andrew Jenks Entertainment on Vimeo.

To find out more information, you can click the Tribeca Film Festival Guide 2015.

Jeremy’s Review – Dena Seidel’s Fantastic Antarctic Edge: 70° South Is Yet Another in a Series of Wake-Up Calls About Climate Change

antarctic_posterWhile it still absolutely amazes me that anyone can refute or deny that climate change is happening and changing the complexion of our planet, it doesn’t hurt to have as much ammunition to use to back it all up. Director Dena Seidel‘s Antarctic Edge: 70° South is in depth look at one of many projects scientists are undertaking to measure the damage being done to Antarctica and thus to the Earth.

antarctic edge 1

The film follows a group of scientists on their yearly sojourn to the western peninsula of Antarctica to conduct a series of tests covering everything from the amount of ice melt to the amount of krill in the water to the Adelie penguin populations and whether they are flourishing or not. And what is stressed is that Antarctica basically sets the tone for the weather on Earth. Because of the currents that swirl around it and push water throughout the planet, its health is of ultimate importance. As the Antarctic ice/snow melt, not only does the surface area that reflects sun/heat back into the atmosphere get smaller, but the water temperature rises allowing for massive storms like Hurricane Sandy to form as well as cut the ocean’s ability to trap carbon, which is phytoplankton use for photosynthesis to grow who, in turn, serve as food for krill who are likewise eaten by whales and penguins. Whew. So needless to say, this complicated series of events taking place in Antarctica effect the entire planet.

antarctic edge 4

Where Seidel really excels is presenting this complex information in a way that is comsumable for an average, non-science savvy viewer. The scientists, from the ornithologists studying the penguins to those studying the amount of carbon in krill urine, to the crew on the ship carrying these folks, are all incredibly charismatic and relatable. Without this, the material being presented might better be suited for a TedTalk than a documentary. This is a film that teaches as it unfolds, which is key. There has been several other Antarctica-focused films that have come out in the last few years, chief among them are Werner Herzog‘s Encounters at the End of the World and Anthony Powell‘s Antarctica: A Year on the Ice (read my review here), but none of them tackle this particular aspect of the Antarctic story. This film fills a unique space in the lore of the least populated continent on the planet and that brings the challenges that not only the continent faces but the Earth does to the forefront. And while there are many lasting images and warnings in the film, perhaps the most moving is by Philippines Climate Commissioner Naderev Sano, whose testimony at the very outset of the film highlighting what Super Typhoon Haiyan did to his country (as well as many other climate-related events) and the need for action. While I can’t find the specific clip in the film, this one covers some of the same pleas he makes.

antarctic edge 5

At 72 minutes, this film won’t hit you over the head with the information it presents. While the message the film contains is somewhat dire, it still has tinges of hope. What needs to be done to reverse climate change rests on the shoulders of the humans inhabiting the planet. Hopefully this film will add to the voices yelling in favor of action. I really enjoyed this film and I hope many more do as well.

Antarctic Edge: 70° South opens today at Quad Cinema in New York City. Here is a list of other upcoming screenings.

Here’s the trailer:

Tribeca Film Festival review: ‘Among The Believers’ will test your faith.

Among the Believers-00004 Tribeca

Aziz testing a young student on his “studies”.

AMONG THE BELIEVERS– Documentary

9/11 turned the world on it’s head. What we think we know about religion has been bundled into talking points by one side of the coin. Captured by fear and ignorance we label quickly but never rush to understand. Among the Believers is a riveting documentary that takes the audience inside the infamous Red Mosques and into the mind of Abdul Aziz Ghazi, ISIS supporter, Taliban ally, and teacher of the jihadist movement to children all over Pakistan. Acting a s “dean” Aziz takes children from poor Pakistani families under the guise that he will house, clothe and educate their children for them. What’s really going on is the indoctrination of oftentimes infantile members of a society that doesn’t know any better. These children “study” the Quran from sunrise until 9pm everyday. Not until they are deemed worthy do they even understand the verses they are forced to memorize and chant incessantly. Religion does funny things to people and, no matter which religion, extremists are out there.

Young girls have few choices in Pakistan. If she is not educated, she is often married off.

Young girls have few choices in Pakistan. If she is not educated, she is often married off.

This documentary is beautifully balanced with open minded Muslims living in the surrounding neighborhoods of the madrassah (Islamic seminaries) locations. Advocates like Dr. Pervez Hoodbhoy, speak out in public platforms, such as mass media outlets and lectures. The majority of Pakistan’s population is vehemently against the imposition of Sharia law throughout the country. The question continues to be; How do you fight religion? Among the Believers-00002 Tribeca

As an audience member you will endure a visceral reaction to the ideas onscreen. You will feel a passionate push back in one way or another. Among The Believers is sometimes difficult to watch, but I understand that it is a rather important film.

www.amongthebelieversfilm.com

To Learn More About Screenings of Among The Believers, visit

Tribeca Film Festival Guide 2015

Directed By: Hemal Trivedi and Mohammed Ali Naqvi

An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world.

Tribeca Film Festival reviews: ‘DEMOCRATS’ and ‘VIAJE’. Both are sweet and sour for drastically different reasons

Democrats stillDemocrats- Documentary

In a place where the people are being silenced by the old regime, free speech is punished, in a country that has produced a landscape of mindless and terrified sheep, this absorbing documentary takes us behind the curtain of the political system in Zimbabwe. Politics is full of pretenders. They fully admit to glazing over the truth and using bullying tactics to coral followers like cattle. A broken system attempts to fix itself with the formation of a dual party constitutional committee. We are privy to embattled showdowns with one party busing on “locals” for support and the opposition party fighting for it’s people’s lives, literally. Can two men guide an entire country through peaceful transition?

This is a drastic portrait of how money and power control politics. Talking points, denial, broken promises are all things we understand in the United States, but in Zimbabwe, in the shadow of Mugabe, this is something altogether next level for these people. The lies and the violence are all on camera. Despite this, it is two steps forward and 20 steps back. Whichever side you happen to be, DEMOCRATS is a brave and brilliantly cut together piece of art. The filmmakers and all those involved must be saluted for standing for something in a place where nothing is the norm.

Directed and written by Camilla Nielsson
(Denmark)—North American Premiere

In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film. In English, Shona with subtitles.

VIAJE_Press_1 Tribeca

Viaje- Narrative, Comedy

Lust at first sight is relatively common. Taking a chance on a stranger, these days, is pretty uncommon. Luciana and Pedro meet at a costume party and decide to leave together on a whim. Alcohol fueled inhibition leads to the prolonged weekend together camping. This film is about two people learning about each other, trusting each other, going with the flow. Relationships are complicated, but maybe, this one doesn’t have to be.

Viaje has some of the most genuine and funny dialogue I have heard in long time. When two people click, this is how they communicate. The chemistry between lead actors Kattia Gonzalez and Fernando Bolaños is palpable and delicious. They are passionate and natural and I could have watched them play off one another for ages. The film’s score is lively and fun. The camera work has a superb energy that keeps up with our vivacious leads. Shot is beautiful black and white and at a tight 70 minutes, Viaje is an honest picture of mature feelings and elegant understandings we face as we grow together and apart.

Directed By: Paz Fábrega  

Country: Costa Rica

After meeting at a party, Luciana and Pedro spark up a spontaneous rendezvous when Luciana accompanies Pedro to a national forest on a work trip. Eschewing the fraudulent nature of traditional relationships, the pair explores the beauty in the nature that surrounds them as they indulge in the passions of their encounter and navigate the various meanings of commitment.

Find out more about these two films at Tribeca Film Festival Guide 2015

Teaser Trailer for Amy Winehouse Documentary ‘Amy’ is Released

Amy-Winehouse

A24 has revealed the teaser trailer for Amy, a documentary about late singer/songwriter Amy Winehouse, who died of alcohol poisoning in 2011. You can watch the trailer below.

Asif Kapadia (Senna) directed the doc, which chronicles the soulful British singer-songwriter’s life and career, and features previously unseen archive footage and unheard tracks.

Amy will open in the UK on July 3rd with a US release date to follow

Jeremy’s Review: Alex Gibney’s ‘Going Clear: Scientology and the Prison of Belief’ Is a Scary and Spot-On Adaptation of Lawrence Wright’s Book

going clear posterHaving read Lawrence Wright‘s bestseller Going Clear before seeing Alex Gibney‘s documentary adaptation, I was well-versed in much of what this film covers with regards to the “Church” of Scientology. The book is dense with the craziest shit about founder L. Ron Hubbard and the operation of his religion and the zealots that surrounded him and took over after his death in 1986. The book focused heavily on the journey of Oscar winning screenwriter-director Paul Haggis (Crash, Million Dollar Baby, Casino Royale) through the ranks of the church as he attempted to go “up the bridge” to the highest levels, covering nearly 35 years. His resignation letter hit like a ton of bricks and really brought to light many grievances that had been trickling out from ex-church members without much in the way of corroboration since the church had so far been able to silence those who left through extreme intimidation tactics. Even armed with all of this knowledge, seeing this story play out on screen did nothing more than seal my perception that Scientology is a bigoted, dangerous enslaving cult.

going clear - la office

Gibney’‘s film is incredibly well-crafted like the rest of his films. He fleshes out Wright‘s story by bringing a long list of extremely high ranking former – Scientologists, among them are Haggis, former Executive Director of the Office of Special Affairs Mike Rinder, former Inspector General of the Religious Technology Center Marty Rathbun, former SeaOrg executive Tom Devocht, handler for John Travolta, Spanky Taylor and actor Jason Beghe (check out his video describing his life in Scientology). Wright also appears filling in gaps. This is a veritable who’s who of ex-Scientologists and each of their stories are incredibly compelling and really sad in so many ways. Many of them spent decades in the church and you can see the pain it has caused them and still causing them as they are routinely harassed by members of the church and private investigators that are hired by the church.

going clear - mike rinder

Funny enough, the film doesn’t concentrate a ton of time on L. Ron Hubbard himself. Sure, there is enough to give us a working knowledge of who he was and the evolution of his ideas into what later became Scientology.  Of course Hubbard (who famously said, “You wanta make real money, you gotta start a religion”) and his legacy are never far away, but the main focus of the film is what happened with the church after he died and the direction it took under its new leader, David Miscavige. Miscavige is portrayed as a paranoiac who has gone to extreme measures to consolidate his power, doling out abuse in any way to keep his detractors, both real and perceived, in check. The people listed above corroborate these charges, they being the very reasons they left.

going clear - lrh

We get our requisite time on Tom Cruise‘s transition into the poster boy for the church and his special relationship with Miscavige, although the book goes into far more detail about how abusive Miscavige is even to someone like Cruise. His rise and the church’s win in the battle with the IRS over getting tax exemption status and the absurd way that they ended up getting it, really opened the flood gates of money and the church’s ability to snap up real estate all over the world adding to their coffers. But the more steam the church gained, the more Miscavige flew into rage and pushed out those who were closest to him.

going clear - miscavige

This is a powerful story and one that is quite scary. The vigor that the members of the church, and I do use that term as loosely as one can, protect their beliefs is undying. If someone they know leaves the church, they completely disconnect from them and never talk to them again. They dedicate their lives, and some even sign a billion year contact with them, to the messages of Hubbard. They are fanatical in ways that echo the followers of Jim Jones, but go far beyond sans the suicide. The words of the former Scientologists are harrowing and Gibney does a great job of illustrating what they go through after leaving and why the followers of this “religion” are as cult-like as you’ll find (here’s a good example).

US actor, Tom Cruise smiles during the i

There will be blow back from this film, but it’s good to know that HBO lawyered up from the outset of making this movie in anticipation of Scientology trying in their typical fashion of shutting anything down that is critical of their beliefs. Gibney and company pull back the curtain and really expose Scientology for what it is – a quack religion that is built on the money of the members who sacrifice literally everything they have for the church. The active members are, by all intents and purposes, enslaved both physically and mentally and in a Hotel California kind of way – you can check out, but you can never leave. Like so many documentaries of late, this film plays out more like a thriller than a non-fiction film telling a story, which engages the viewer even more than the fascinating story unfolding over the two hour running time. The church likens itself to a humanitarian effort, that it is doing the work that no one else will or can, but the words of people like Mike Rinder and Marty Rathbun quickly counter that notion. The charges in the film might be unbelievable without the cast of former members to flesh it all out, but due to the sheer absurdity of the beliefs of this particular cult, I can’t say that’s really the case. I think the most shocking things are that they were able to coerce the government into giving them tax exemption and that they get away with the culture of degradation and violence that appears to be rampant and unchecked.

This is an absolute must see film this year. I give HBO and Alex Gibney all the credit in the world for tackling this subject knowing there was going to be legal wranglings from the very beginning of its production. In addition, I urge you to read Lawrence’s book. It is able to give far greater detail about much of what is covered in the film.I dare you not to be intrigued.

Here’s the trailer: