‘Indian Point’ reveals the truth about an aging nuclear power plant, just 35 miles north of Times Square

indianpoint_poster

As a New Yorker, post-9/11, we want to believe that we’re safer. We want to think that the heightened presence of armed guards at Grand Central means something. But, it’s the forces we don’t see that should freak us out. Did you know that just 35 miles north of Times Square is an aging nuclear power plant called Indian Point? I sure didn’t. Not scary enough for you? Alright, the government has downgraded evacuation plans since the Fukushima meltdown. Still no? 6% of the country’s population lives with 50 miles of the plant. You cannot outrun radiation.

The plant was built in the 1950’s and has not been sufficiently updated since. This is not a one-off for the plants across the country. Old technology cannot be applied fast enough for the amount of old cores we are storing on site (encased in cement). The volatility of this waste is unbelievable. When the earthquake and tsunami hit Japan, Fukushima’s waste was jostled enough to cause multiple reactor meltdown, something that the industry claims is impossible in the US. That radiation has traveled across the ocean and is now causing birth defects in California. Indian Point shows this issue from all sides; activists, journalists, plants supervisors, residents, and the former chairman of the Nuclear Regulatory Commission. This is an eye-opening doc about money Vs power.  When you get the end of the film, the information provided will downright piss you off more than you ever thought possible. Indian Point should stand as a warning for us all. Complacency is the way we power our planet is no longer an option.

First Run Features announces the US theatrical premiere of Ivy Meeropol’s documentary INDIAN POINT at The Film Society of Lincoln Center in New York on July 8, 2016, with Los Angeles to follow on July 22, 2016 at Laemmle Music Hall.

INDIAN POINT takes an unblinking look at the dramatic debate over nuclear power by going inside the aging plant that looms just 35 miles from New York City. With over 50 million people living in close proximity to the facility, it has stoked a great deal of controversy in the surrounding community, including a vocal anti-nuclear contingent concerned that the kind of disaster that happened at Japan’s Fukushima nuclear plant could happen here. At the same time, its continued operation has the support of the plant’s operators and the NRC (Nuclear Regulatory Commission) as they campaign to relicense Indian Point for another 20 years of operation.

INDIAN POINT presents a complex story through the people who are most invested in the nuclear industry—the owners of the plant, the workers at the plant and the activists who want to shut it down. The film begins inside Indian Point with Brian Vangor, senior control room operator and 35-year veteran who says his job is making sure the plant’s workers “get through their shifts unscathed.” We hear from Marilyn Elie, a leader of the anti-Indian Point group IPSEC and her husband Roger Witherspoon, an environmental journalist. We also meet attorney Phillip Musegaas from Riverkeeper in New York who reveals what few people understand—the enormous damage the plant causes to the water that surrounds it.

As nuclear disaster struck in Japan, Gregory Jaczko, then Chairman of the NRC, was shaken by the news. INDIAN POINT follows Jaczko to Fukushima as he attempts to understand the tragedy no one in his field thought possible.

The debate at the center of INDIAN POINT is more timely now than ever. In February of 2016, news broke that the groundwater below Indian Point had been contaminated with radioactive material, prompting a state investigation.

Filmmaker Ivy Meeropol had unprecedented access to the plant at the center of the most contentious relicensing process in the history of the industry. In the brewing fight for clean energy,INDIAN POINT presents a nuanced argument about the issues surrounding nuclear energy and offers a startling reality check for our uncertain nuclear future.

Filmmaker Biography

Ivy Meeropol is a producer and director of an array of acclaimed documentary feature films and television series. Meeropol recently directed and produced an episode for CNN’s docuseries Death Row Stories, Executive Produced by Alex Gibney and Robert Redford. Her documentary series The Hill premiered on The Sundance Channel in 2006 and received an IDA nomination for best series. In 2007, Meeropol directed the feature documentary All About Abe and in 2003, she produced and directed Heir to An Execution, which had its world premiere at the 2004 Sundance Film Festival and was shortlisted for an Academy Award®. She is currently directing and producing for an Emmy® award-winning climate change documentary series on the National Geographic channel.

INDIAN POINT
A film by Ivy Meeropol
2015, USA, Documentary, English, 94 minutes, Digital

See it if you want to lose sleep.” – Vulture

Must-see.” – New York Post

An effective case study in the long debate over nuclear energy.
– John DeFore, The Hollywood Reporter

A cautionary tale about a technology once seen as an abundant and non-polluting energy source, but with downsides that could make oil spills and electrical brownouts seem as minor as a fender bender.
– Lewis Beale, The Daily Beast

Nuclear power is incredibly efficient… but highly dangerous if anything goes awry. That looming threat of danger pushes at the edges of the film, threatening rupture like a nuclear reactor. Someone needs to ask questions; here they are.
– Diana Clarke, The Village Voice

Tribeca Film Festival reviews: Docs that will make you face palm humanity. ‘Cartel Land’, ‘Indian Point’, and ‘Tom Swift and His Electric Rifle’

CARTEL LANDCartel Land-#1 - Autodefensa member standing guard in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanFrom poverty comes desperation and opportunistic turn. The mentality of, “If you can’t beat ’em, join ’em,” could not be more true in a new doc from director Matthew Heinman, Cartel Land. Mexican drug cartels are running rampant, killing innocent people in their wake, wreaking havoc on what would otherwise be hard working, peaceful folk. Infuriated by the circumstances forced up them, townspeople have taken up arms of their own and formed a group named the Autodefensa. They side step the government, who deny there is a problem at all, and capture cartel members to be handed immediately to the police. We also meet a group called the Arizona Border Recon. Mostly comprised of neo-con, anti-immigration minded men, they are able to put their politics aside to police human trafficking and cartel scouting groups. Cartel Land-#7 - Meth Lab in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanThe most unprecedented footage is when the filmmakers were allowed access inside the cartels themselves. The saddest past of the doc, a lot of the present cartel members are former members of the Autodefensa. Money begets power. It remains a vicious cycle. Cartel Land gives us a real time look into the everyday struggle of the Mexican people. While constantly in true physical peril, Heinman and his crew present us with outstanding production value, balanced storytelling, and an insight to what most of us turn a blind eye to. 

8:30 PM – FRI 4/24 BOW TIE CINEMAS CHELSEA 8                  –RUSH
5:00 PM – SUN 4/26 REGAL CINEMAS BATTERY PARK 11-3   –RUSH

INDIAN POINTIndian_POint_Press_3 TribecaAs a New Yorker, post-9/11, we want to believe that we’re safer. We want to think that the heightened presence of armed guards at Grand Central means something. But, it’s the forces we don’t see that should freak us out. Did you know that just 35 miles north of Times Square is an aging nuclear power plant called Indian Point? I sure didn’t. Not scary enough for you? Alright, the government has down graded evacuation plans since the Fukushima melt down. Still no? 6% of the country’s population lives with 50 miles of the plant. You cannot outrun radiation. Indian_POint_Press_1 TribecaThe plant was built in the 1950’s and has not been sufficiently updated since. This is not a one off for the plants across the country. Old technology cannot be applied fast enough for the amount of old cores we are storing on site (encased in cement). The volatility of this waste is unbelievable. When the earthquake and tsunami hit Japan, Fukushima’s waste was jostled enough to cause multiple reactor meltdown, something that the industry claims is impossible in the US. That radiation has traveled across the ocean and is now causing birth defects in California. Indian Point shows this issue from all sides; activists, journalists, plants supervisors, residents, and the former chairman of the Nuclear Regulatory Commission. This is an eye-opening doc about money Vs power.  When you get the end of the film, the information provided will downright piss you off more than you ever thought possible. Indian Point should stand as a warning for us all. Complacency is the way we power our planet is no longer an option.

6:15 PM – FRI 4/24  BOW TIE CINEMAS CHELSEA 4   – RUSH

TOM SWIFT AND HIS ELECTRIC RIFLETOM SWIFT  TribecaIn the wake of so many tragic police shootings, I posed a question to my husband, “Why don’t they just use tasers anymore?!” I recalled the infamous YouTube video “Don’t Tase Me Bro!”. Without giving much weight to the incident,  when that video went viral, I, like most Americans, brushed it off as internet fodder. What I didn’t realize was just how serious this issue actually was and continues to be. In the doc Tom Swift and His Electric Rifle we learn about the origin of the one single company that created and trains law enforcement on the proper use of Tasers. These “weapons” are meant to incapacitate a subject. Unfortunately, for brother Tom and Rick Smith, tasers also kill people. The two founded Taser International in 1993 and have sold their stun gun to almost every one of the US’ 18,250 law enforcement agencies.

The updated Taser targeting guide issued by Taser International.

The updated Taser targeting guide issued by Taser International.

Between 2001 and 2012, there were 500 taser related deaths reported in the U.S. There are no regulations on the use of tasers. In the film, we are privy to dash cam footage of 23 year old Stanley Harlan. Pulled over in front of his house, the reason still unclear, he is seen complying with officers and then suddenly, off camera, he is tasered 3 times, causing him to go into cardiac arrest. As his parents look on is sheer terror, we witness Harlan’s death. In a deposition following a string of additional deaths, the Smith brothers sit smugly testifying that they have no scientific knowledge that their product contributes to anyone’s death. Ironically, in 2009, Taser International updated their training guide to reflect what they claimed they did not believe. These gentlemen and this company know they are wrong. They know the dangers of their product, but for them, their monopoly grows in spite of the deaths.

Tom Swift and His Electric Rifle is raw and shocking. You will walk out shaking your head. All of that being said, this documentary is incredibly informative and well structured. On the surface, it may appear to be a propaganda piece, so let me assure it, it is well researched and definitely worth your time.

You can still catch Tom Swift and His Electric Rifle at the fest!

8:30 PM – SUN 4/26 SVA THEATER 2 BEATRICE $21.50
For more information on all of these films, you can visit the Tribeca Film Festival Guide 2015

Tribeca Film Festival Theme: New York Stories – National Lampoon, James Franco, Christopher Walken & More!

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

The Adderall Diaries – Stay tuned for Liz’s Review & Interview!

Directed and written by Pamela Romanowsky. (USA) – World Premiere, Narrative.
Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir.


ANESTHESIA_Press_2 Tribeca

Anesthesia – Stay tuned for Melissa’s Review

Directed and written by Tim Blake Nelson. (USA) – World Premiere, Narrative.
On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.


APPLESAUCE_Press_1 Tribeca

Applesauce – Stay tuned for Liz’s Review

Directed and written by Onur Tukel. (USA) – World Premiere, Narrative.
TFF alumnus Onur Tukel plays a husband who innocently reveals on talk radio the worst thing he’s ever done. Though his gaffe never makes it on air, it sets off a chain of hilariously uncontrollable events that draw his wife and another couple into an uneasy mixture of infidelities, confessions, and severed body parts.


Drunk Stoned_Press_3 Tribeca

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon – Stay tuned for Liz’s Review

Directed and written by Douglas Tirola, co-written by Mark Monroe. (USA) – New York Premiere, Documentary.
Using rare, never-before-seen archival footage and in-depth interviews with fans and founders, Douglas Tirola traces National Lampoon’s evolution from underground countercultural movement to mainstream household brand. Drunk Stoned Brilliant Dead is a riotous and revealing chronicle of a trailblazing comedic institution and a celebration of creative expression at its radical, envelope- pushing finest.


 

Indian_POint_Press_3 TribecaIndian Point – Stay tuned for Liz’s Review

Directed and written by Ivy Meeropol. (USA) – World Premiere, Documentary.
Indian Point Nuclear Power Plant looms just 35 miles from Times Square. With over 50 million people living in close proximity to the aging facility, its continued operation has generated controversy for the surrounding community. In the brewing fight for clean energy and the catastrophic possibilities of complacency, director Ivy Meeropol weaves a startling portrait of our uncertain nuclear future.


Live from New York-SNL6 Tribeca

Live From New York!

Directed by Bao Nguyen. (USA) – World Premiere, Documentary.
A New York institution and comedy powerhouse, Saturday Night Live has been churning out hilarious sketches and launching top comedy talent for 40 years. In honor of the occasion, director Bao Nguyen looks back at the show’s history, influence, and most memorable moments.


Character: Asad Ali Photographer: Mobeen Ansari

Character: Asad Ali Photographer: Mobeen Ansari

Song of Lahore – Stay tuned for Melissa’s Review

Directed by Andy Schocken and Sharmeen Obaid-Chinoy. (USA, Pakistan) – World Premiere, Documentary.
Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life’s work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world. In English, Punjabi, and Urdu with subtitles.


Speedy

Directed by Ted Wilde. (USA) – Newly restored print from the Criterion Collection, Narrative. Silent comedy legend Harold Lloyd stars as a die-hard Yankees fan who can’t keep a job, but is determined to save the last horse-drawn trolley in New York. This lighthearted slapstick classic features visits to Coney Island and Yankee Stadium, an incredible cameo by Babe Ruth, and hair- raising cab rides through the city streets.


TransFatty_Press_1 Tribeca

TransFatty Lives

Directed by Patrick O’Brien, co-written by Patrick O’Brien, Scott Crowningshield, Lasse Jarvi, Doug Pray. (USA) – World Premiere, Documentary.
Director Patrick O’Brien is TransFatty, the onetime NYC deejay and Internet meme-making superstar. In 2005, O’Brien began to document his life after being diagnosed with ALS and given only two to five years to live. TransFatty Lives is a brazen and illustrative account of what it’s like to live when you find out you are going to die.


Bob Mankoff, Farley KatzPhotographer: Kirsten Johnson

Bob Mankoff, Farley KatzPhotographer: Kirsten Johnson

Very Semi-Serious

Directed by Leah Wolchok. (USA) – World Premiere, Documentary.
The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto their how their humor evolves.


The Wannabe_PatriciaAndVincent

The Wannabe

Directed and written by Nick Sandow. (USA) – World Premiere, Narrative.
Gotti-obsessed and hopelessly in love, Thomas (Boardwalk Empire’s Vincent Piazza) and Rose (Academy Award®–winner Patricia Arquette) are looking to fit in to a neighborhood where mob- ties equal social currency. Amidst events surrounding the 1992 trial of John Gotti, Thomas and Rose attempt to make their mark. Executive produced by Martin Scorsese.


 

When I Live My Life Over Again-00002 TribecaWhen I Live My Life Over Again – Stay tuned for Melissa’s Review

Directed and written by Robert Edwards. (USA) – World Premiere, Narrative.
Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash- strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.


Wolfpack_Press_1 Tribeca

The Wolfpack – Stay tuned for Melissa’s Review

Directed by Crystal Moselle. (USA) – New York Premiere, Documentary.
Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed. A Magnolia Release.


 

Short Films

Aphasia

Directed by Luke LoCurcio, written by Robin Rose Singer. (USA) – World Premiere, Narrative. Emily is your average 26-year old who texts her friends, chats on Facebook, orders online, and uses GPS to get where she’s going in Aphasia, until one day she suddenly comes face-to-face with the consequences of living a digital life.


 

The Artist Is Absent: A Short Film on Martin Margiela

Directed and written by Alison Chernick. (USA) – World Premiere, Documentary.
The Artist Is Absent profiles the influential Margiela, who has been a major force in fashion for over 20 years, yet the man himself remains elusive, maintaining his anonymity in an age of celebrity.


 

Best Man Wins

Directed by Stéphane Dumonceau, written by Frederick Waterman, Stéphane Dumonceau. (USA) – World Premiere, Narrative.
When a celebrated New York chef discovers an affair between his super-model wife and his best man in Best Man Wins, he devises a plan to deal with each of them.


 

Better to Live

Directed by Linda G. Mills. (USA) – World Premiere, Documentary.
Drama majors tackle anxiety, cutting, and suicide, in the unscripted and raw Better to Live, as they build a “reality” show for 5,000 college freshmen.


 

Blitz

Directed and written by Faraday Okoro, written by Faraday Okoro. (USA) – World Premiere, Narrative.
In Blitz a father and son agree to a “winner takes all” chess blitz in order to settle a bet.


 

Every Day

Directed by Gabe Spitzer. (USA) – New York Premiere, Documentary.
At 86, Joy Johnson was the oldest woman to run the 2013 New York City Marathon. This is the story of an inspiring athlete with an uncommon passion for her sport, and for life.


 

Last Call

Directed and written by Stefan Nadelman. (USA) – World Premiere, Documentary.
In 1972 Sheldon Nadelman began working as a day-shift bartender at the Terminal bar in midtown Manhattan. Over the next decade he shot over 1500 black-and-white photographs of his customers, who ranged from the working class to the downtrodden. Twenty-five years after the bar closed for good, Sheldon recollects their stories.


 

Man Under

Directed by Paul Stone. (USA) – World Premiere, Documentary.
Since 2010, over 250 people have been killed by New York City subway trains. Man Under is the personal journey of one MTA motorman’s struggle to get his life back on track after a desperate woman turns his train into her suicide weapon, shedding light on one of NYC’s darkest secrets.


 

We Live This

Directed and written by James Burns. (USA) – World Premiere, Documentary.
We Live This is the story of four boys from the projects who have come together to pursue their dreams. Most new Yorkers who ride the MTA have opinions about them, but what lies beneath these young performers is more than what meets the eye.