Tribeca Film Festival 2022 review from Unseen Films: ‘Jerry and Marge Go Large’

Jerry & Marge Go Large

After retiring Jerry feels lost. A mathematical genius he just wants to feel like he has a place. His wife doesn’t know what to do with him. While sitting having coffee he discovers that one of the lottery games has a legal loophole that assures a win under certain circumstances. After winning 15 grand his secret is discovered by his wife, who decides that they should be stupid together. Realizing that they can help their friends and family they form a corporation and start to make trips to Massachusetts to legally scam the system. All is good until a Harvard student realizes the trick too.

Sweet little film is almost certain to bring a smile to your face. It’s a lovely film about a man finally connecting with his friends and family. It’s a film full of great characters who you really like and want to hang out with. Yes, the plot is contrived, with the whole Harvard student rivalry feeling grafted on for suspense, but you won’t care.

The reason this film works as well as it does is the cast. Bryan Cranston is great going against type as a bookish guy with odd social skills. He is matched by Annette Bening who is radiant and makes it clear that she is madly in love and horny for her husband. ..AND YOU BELIEVE IT. We believe they are long-time lovers who have the love that you want. They are matched by Michael McKean, Ann Harada, Rainn Wilson, Anna Camp, and Larry Wilmore, all of whom you want to hug.

It may not be the greatest film ever but it’s a good time with great people.

See it.


Jerry & Marge Go Large is now available on Paramount+

DIRECTOR
David Frankel
CAST
Bryan Cranston, Annette Bening, Rainn Wilson, Larry Wilmore

Unseen Films Sundance (2022) Midnight review: ‘PIGGY’

PIGGY

An overweight teen is bullied by a clique of cool girls poolside while holidaying in her village. The long walk home will change the rest of her life.


Laura Galán will probably become an international star after people see PIGGY because she gives the role everything and then some. Truthfully if Oscar noticed films like this she would be a front runner, but the Academy never does, so her Oscar will no doubt come for some other, lesser performance.

I probably shouldn’t say this but PIGGY made me laugh. This tale of Sara, a heavy girl who ends up tied to the crimes of a serial killer, struck me as exceedingly funny. The reason for my chuckling was that everything was so overdone. For me, it played like an uncomfortable comedy where lots of bad things happened and a lot of blood flowed.
While I admire Laura Galán’s work, I have to wonder if writer Carlotta Pereda likes the character. She abuses the shit out of Sara and has her running around in such a way that she always seems to be on the verge of being completely naked both physically and emotionally. It never struck as believable because she is never given a respite, even for a second. What’s worse, the ending, which I guess is supposed to be cathartic, just didn’t make sense.
Then again much of this film doesn’t make sense, with so much of the film seemed to provoke a reaction either in the audience or the characters, with the result that some of the turns had me scratching my head-beginning with why in the hell the killer would leave a body underwater where he does- I mean it was clearly going to be discovered ASAP.
Yes, the film provokes a reaction, but I don’t know if it does more than that. The plot doesn’t make much sense and as a portrait of bullying, it’s so over the top and so incredibly cruel, especially to its main character, that on its own terms it isn’t one that should be preaching.

Worth a look for Laura Galán’s performance, I’m not too sure of the rest.


To read the rest of Steve’s Sundance 2022 footage head over to Unseen Films!


Unseen Films reviews: Sundance (2022) feature ‘Leonor Will Never Die’

LEONOR WILL NEVER DIE

Leonor is an older woman who can’t pay her bills. Her plan to sell an old script to a movie producer goes awry when she is clonked on the head by a TV and put into a coma. As her family deals with her medical issues she is living her script for real. It a one of a kind movie that mashes together genres into a film that is unlike any other, If you want a film that isn’t Hollywood but is entertaining look no further. This is one crazy film that mixes drama-comedy and 1980s action films into a story that grabs you and pulls you along.

I don’t know how to discuss this film. Then again I don’t know if I should. The film is just starting out on its journey to get to your screen and I don’t want to take the specialness of it away by telling you everything. I say this because I’m pretty certain this is going to hit a number of festivals in the coming months.

I will say that some of this doesn’t work. I was a bit lost at times, on the other hand, the film is so good that the bumps don’t matter.

Recommended, especially if you like off Hollywood one-of-a-kind gems.


To read all of Steve’s coverage of Sundance 2022, head over to Unseen Films!