HOME INVASION
Utterly fascinating, this documentary horror hybrid effectively puts the fear of God into the audience. The film begins by sharing the history of each incarnation of what we now refer to as the “Ring” security camera, each inspired by a recurring nightmare. Historical recounting gets the creepy treatment with a random subject’s security footage playing in its fisheye lens version behind the storytelling text. There is no formal dialogue. This voyeuristic nightmare is unlike anything we’ve seen before, featuring videos of everything from natural disasters to doorstep theft and animal encounters to delivery people behaving badly and creatively.
The score is bone-chilling, with its piano cords striking. It’s something straight out of hell. But, the film is even scarier than it initially appears when we learn the global and societal impact of advancing technology. Cinematic tropes alone reflect the world’s potential terror. Fantasia 2023 audiences get a taste of a film that would be a perfect Fall statement at MoMA. HOME INVASION is exceedingly disturbing. If anything, it reminds you how quickly the scales of good and evil tip. It will haunt you.
OFFICIAL SELECTION
Official selection – Berwick Film & Media Arts Festival 2023
Berlin International Film Festival 2023
Las Palmas de Gran Canaria 2023
DIRECTOR
Graeme Arnfield
PRODUCER
Graeme Arnfield
WRITER
Graeme Arnfield
SOUND DESIGNER
Sarah Naylor, Baudoin Oosterlynck
EDITOR
Graeme Arnfield
OFFICIAL WEBSITE
Both films also ask complicated questions surrounding the way ideals or symbols exist or endure once they are exposed to the whims of the broader world. When Barbie and Ken leave Barbieland, they quickly learn that what they believed to be universal truths no longer apply. The way they see themselves may not be how others see them. Similarly, an initial vision for how the atom bomb might be leveraged quickly shifts when the weapon rolls out of the lab and into the hands of the US military. Both Barbie and Oppenheimer are forced to realize that intention doesn’t necessarily translate to reality.
Ezra Buzzington is the hard-line skeptic as Paul. Clad in his Magor’s uniform bespangled with medals, his bristly approach to patriotism is all too familiar even now. His audibly growing disdain makes the audience squirm. Jeremy Holm is Archie. He has the perfect touch of panache from his slicked-back hair, mustache, and crimson jacket. His looming figure, combined with his humor, creates a dazzling performance.
Ride The Eagle is a one-of-a-kind film. The script is written by director Trent O’Donnell and star Jake Johnson. Tackling regret, forgiveness, and everything in between, there’s an honesty that stings and inspires. Mostly, Ride The Eagle makes you smile.
The script is filled with quirky characters. J.K. Simmons is fantastic in his manic energy. His delivery makes you involuntarily grin. Susan Sarandon, who we only see in her videotape to Leif, gives us warmth, and wisdom, and a boatload of snark. Her dialogue is yet another example of the care taken by O’Donnell and Johnson in their writing. There is a specificity that allows us to sit in Leif’s emotional shoes.
I want D’arcy Carden to be my new best friend. The scenes between her and Johnson are pure gold. Their chemistry is off the charts. Made even more impressive by the fact that they speak exclusively over the phone. It’s like watching a masterclass in scene partnering. Their report nudges the script into rom-com territory. But, in truth, 
The score is vibrant and incredibly thoughtful. Ride the Eagle shines with heart and charm. It has a palpable vulnerability that makes it undeniably relatable. Of the nearly 200 films I’ve seen in 2021, Ride The Eagle easily soars onto my top 10 list.
We all know Steven Yeun as our beloved (may he rest in peace) Glen, but in Mayhem, he does such a fantastic job that you completely forget about his Walking Dead persona. Mayhem is literally laugh out loud funny all while having some of the coolest fight choreography and blood gushing effects. Screenwriter Matias Caruso might have hit the jackpot with the plotline because this is the most imaginative way to utilize “The F-word” in a script possible. I would go back and watch to count the number of times it’s used and not a single time is it superfluous, it’s genius. Yeun’s training with zombies made him the perfect pick for this role. He is the embodiment of everyone who has ever felt oppressed by the BS hierarchy of corporate. Samara Weaving gives a borderline Harley Quinn inspired performance as a woman who was wronged by Yeun’s character. Her effortless delivery and comic timing, down to specific idiosyncracies she displays are spot on brilliant. In reality, this is an ensemble piece of pitch-perfect character work. You cannot help but get revved up watching Mayhem. It has to be one of my favorites of 2017. You can catch MAYHEM in theaters and available On Demand / Digital HD 
Directors Joachim Rønning and Espen Sandberg (Kon Tiki) are tasked with taking on the behemoth of a franchise and the two hold their own. The visual spectacle and the amusing action set pieces that have made this franchise so popular are bigger and more elaborate, but it’s the storytelling that has been lacking since the first film. The story for Dead Men Tell No Tales is not overly original, but does offer some complexity to the existing franchise storyline that will amuse fans and pump some much needed new blood into this series. Johnny Depp brings life to Jack Sparrow like no one else could. The character doesn’t evolve, but maybe he doesn’t have to. Watching the character on screen can, at times, feel nostalgic, but it’s still fun to watch him in action. Javier Bardem brings this franchise the best villain it’s had and commands the screen in every scene.
It’s the year 2104, the crew of the colony ship Covenant is bound for a remote planet, Origae-6, with thousands of colonists in stow. All are deep in hypersleep being watched over by Walter (Michael Fassbender), a synthetic charged with piloting the ship during travel. When an unexpected burst hits the ship, the crew are awoken to assess the damage and help reset the ship for the rest of it’s journey. During the repairs, they intercept a human radio transmission from a nearby unknown planet and acting crew chief Christopher Oram (Billy Crudup) makes the call to set a course for the planet. Daniels (Katherine Waterston) exercises her opinion as first mate against the move, electing to continue on to Origae-6, but reluctantly agrees to be part of a landing party to inspect the planet.
Upon landing, the team splits off to explore the new world while the core team searches for the signal to the transmission. Ultimately, they track the signal to a crashed Engineer ship and more questions than answers. Two crew members are mysteriously infected with an alien spore and the team is forced to defend itself against the unknown foe. Unable to contact the Covenant, Daniels and the remaining survivors must rely on the help of a stranger to lead them to safety and help them understand the impending threat. What will be unearthed will be like nothing this crew has ever faced. One thing’s for sure, for Daniels, the protection of the Covenant and its passengers must be protected at all cost.
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