HELLBENDER
In Hellbender, 16-year-old Izzy (Zelda Adams) suffers from a rare illness that has kept her isolated on a mountaintop with her mother (Toby Poser) her whole life. As Izzy begins to question her sickness, she pushes back against her confinement and secretly befriends Amber (Lulu Adams), another girl living on the mountain, but her newfound happiness is derailed after she eats a live worm as part of a juvenile game and finds an insatiable and violent hunger awakened within her. To understand the hunger, Izzy must learn the dark secrets of her family’s past and the ancient power in her bloodline.
*Originally posted during Fantasia 2021*
Honestly, if I could choose to grow up in another family, it would be the Adams family. I’m not talking about Morticia and Gomez. While I adore that lot, I’m talking about the indie horror filmmaking family. These industrious and smart people consist of Mom, Toby Poser, dad, John Adams, and daughters, Zelda and Lulu. Fantasia 2019 audiences got their first taste of spooky genius with The Deeper You Dig. It was scary, intense, unique, and then some. This year, Fantasia 2021 audiences got to experience a new tale of terror with Hellbender.
Their cinematography is stunning. They really understand how to fill a frame. Their writing feels collaborative. John Adams’ score is deliberate and insanely effective. The songs are so fantastic I would buy their album! Within the first three minutes of Hellbender, I gasped and rocked out. If that’s not a winning film, I don’t know what is.
Zelda Adams as Izzy is so intriguing in her innocence and curiosity. Her journey from child to adult occurs before our eyes, whether we like it or not. Toby Poser, as Mom, is a force of nature. Often telling an entirely emotional story without words. Their chemistry is never forced. This is not always the case when a family works together. In the case of the Adams family, it’s their biggest strength. Their work is dark and that takes trust and guts. And allow me to assure you both are teeming in Hellbender, quite literally. There is one special effect in particular that blew me away. When you see it, you’ll know what I’m talking about.
It’s a mother-daughter relationship film that just so happens to center around a witchy heritage. Predictably, deceit under the guise of protection is bound to backfire. Hellbender is about a secret and sacred family history. But, it’s also about the power of the feminine and a slick takedown of any sort of patriarchal structure. The social commentary between the treatment of witches and any female, ever, is glaringly obvious, but no less genius. Hellbender is undoubtedly one of the most kick-ass films from this year’s festival. It’s no wonder it won Best Score and Best Actress (Zelda) in the CHEVAL NOIR AWARD FOR FEATURE FILMS. I cannot wait for Shudder audiences to join in their fandom.
*PS- The Adams’ have agreed to let me be part of their family via Instagram. I couldn’t possibly be more excited. I’ll run the camera and hold the boom next time. Also, not afraid to get covered in blood.*
Premieres February 24 on Shudder
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In 

With films like
Kelvin Harrison Jr.
Peter Dinklage 

In 2012, I became friends with a couple who were both mechanical engineers at Boeing. I recall a conversation in which they nonchalantly explained that the only thing holding a Boeing aircraft together were some bolts, and the likelihood that a crash didn’t occur more often was surprising. Everyone in the room immediately hushed, and I think they got the hint that we were terrified by those statements, especially considering a vast number of our spouses traveled on a plane twice a week. In the new Netflix documentary
The film uses heart-wrenching footage of recovered luggage and personal items, like small children’s shoes. Recreations show the viewer precisely what occurred based on the black box’s digital information. The film puts faces to those on board the two flights. We hear from family members about who they were. They each recall how they found out their loved ones had been on those planes. We see internal memos and hear from, you guessed it, former employees. It’s nothing less than stunning.
KING KNIGHT
Committed coven leader Thorn is hiding a secret. How will his partner Willow and fellow coven members react when the truth comes to light?
Writer-director
Angela Sarafyan

In my humble opinion, horror must be enthralling to justify 2-hour runtime. Shudder’s latest original film,
Michelle Krusiec
Trauma, the Catholic Church, politics, mental health, justice, and sexual abuse,
The metaphor of a peloton is perfect. The lack of safety as Dave (mostly) rides alone represents every survivor who felt dismissed, who lived in fear, who kept it inside from childhood to adulthood. His unadulterated honesty and bravery connect people of all ages across the country. 

Episodes 1 -3
***Golden Nymph Jury Special Prize Winner – 2021 Monte-Carlo TV Festival***
Streaming Exclusively on Topic Beginning February 17th




Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.
The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar® nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

















When a close-knit circle of private school friends attempts to request a makeup calculus test, things do not go as planned. Student Body flips the script, quite literally, on whatever genre you thought you were watching. In a film of consequences and crazies, surviving high school just became a lot harder.
Writer-director Lee Ann Kurr gives us two distinct genres by structuring the script as one half character development and the other half horror. The issue with the second half is pacing. The urgency is missing. There are 15 minutes between murders, a brief slump then the third. Then, it stops being cohesive at all. There’s an overall emphasis on safety. We know new locks and safety glass were installed as they make a point to highlight it over and over. Unfortunately, unless I missed it, there’s no president for the measure. As the generation who experienced Columbine, some of these details seem nonsensical. Bulletproof windows and roll-down gates, but no classroom locks from the inside?
Ghosts of the Ozarks
Torb and Lucille’s (
The Pact
The sets and costumes are sumptuous. The dialogue is delicious and poetic, possessing a gravitational pull that is undeniable. The film’s intentionally steady and emotional momentum works its magic on you. 
The Spine of Night stars an all-star cast of Richard E. Grant (Can You Ever Forgive Me?), Lucy Lawless (“Xena: Warrior Princess”), Patton Oswalt (Young Adult), Betty Gabriel (Get Out), and Joe Manganiello (“True Blood”). The film was co-written and co-directed by Philip Gelatt and Morgan Galen King.


Boasting spectacular visuals alongside a riveting script from writer-director
As Cosmic Dawn guru Elyse, 

Is this some extensive gaslighting or is Molly still experiencing PTSD from her previous loss? The marrying of these two concepts is here perfection. For Molly, the idea of sitting idly by will drive her mad. A slow-burn mystery with striking cinematography, Knocking will make your head spin. The use of a go-pro-style camera during a climactic confrontation puts you in the manic state of Molly’s brain. It’s a wildly effective choice. Cecilia Milocci‘s performance is truly compelling. You are right there with her on this tumultuous emotional journey. It’s absolutely award-worthy.
With generational tensions you can cut with a knife, the power struggle screams off the screen. The script is carefully curated, with Irish pagan history weaved into the narrative. The tug of war between protection and control makes for a thoroughly engrossing watch. Do not get comfortable with this script. You are in for some gruesome twists. The sound editing creates another layer of fright. Brimming with scary good performances, it is the turn from Carolyn Bracken that will chill you to your core.
Bodies Bodies Bodies
Linoleum
Bad Axe
The Cow
Gabby Giffords Won’t Back Down
Bitch Ass
A Vanishing Fog (Colombia, Czech Republic, Norway)
DIO Dreamers Never Die
Sheryl
2nd Chance
61st Street
Awayy
All the Crows in the World (Hong Kong)
The Voice Actress (Japan, U.S.)
Warsha (Lebanon)
Long Line of Ladies
Angakuksajaujuq – The Shaman’s Apprentice (Canada)
Blink
Act of God
Before
I’m Here
Baby Tate – ‘Pedi’ / Director/Screenwriter: Norton
Lil Nas X – ‘Montero’ / Director: Tanu Muino
Don’t Breathe 2 Title Sequence / Company: Filmograph / Title Designer: Aaron Becker
WandaVision Main On End Title Sequence / Company: Perception / Creative Director: John LePore
(Hi)story of a Painting: The Light in the Shadow (United Kingdom)
Beatday – The Beginning – Mini VR Concert (Taiwan)
Madame Pirate: Becoming a Legend (Taiwan)
Niamh Dornan

Hirokazu Kore-eda (
Is it fair to categorize Air Doll as an unusual coming-of-age story? Perhaps, a story of enlightened consciousness would be better suited. Air Doll is yet another perfectly thoughtful addition to Dekanalog‘s collection of films. It begs larger questions of existence and life, exploring the meaning of happiness on a grander scale. The film’s evolution is endlessly surprising. You won’t be able to look away. Air Doll is truly something special.
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